California - Vitrines

1900s Art Deco Curio Display Vitrine Cabinet Exotic Wood No label Cariole legs, Curved demilune Glass, Exotic Walnut Rosewood New glass shelves retrofit...

A rare collectors item, this fully restored Tommi Parzinger for Charak Modern (c. 1955) display cabiinet / vitrine, features beautiful french polish with Parzinger's signature statement door handles. Signed with Charak Modern label on the backside of the upper cabinet. This refined and sophisticated Parzinger credenza with glass display hutch is perfect for those high-end luxury pads looking for an incredible and collectible statement piece, which Parzinger was known to create. The gorgeous color is close to the Hermès orange, but perhaps a little bit deeper and bolder - perhaps somewhere between Hermès orange and blood orange. Beauty in every detail, from the cross-cut glass panes, to the upper flared embellishments and the signature Parzinger door handles. Let's not skip one more aspect of this table that is equally important - the collectors appeal. Furniture by Tommi Parzinger is one of the most sought-after and cherished items of sophisticated collectors. This isn't for your typical Eames and George Nelson collector, it is much more for a refined collector, perhaps a connoisseur of fine rarities. The quality of the materials and craftsmanship and design details are something to be admired. Parzinger and Charak Modern designed and crafted some of the highest quality furniture of the early and mid 20th Century. That was at a time when US manufacturing was at its best. And now in this day and age of cheap products not meant to last - this table is your daily reminder that 'they don't make them like they used to.' We restored this incredible sideboard display cabinet with hand-applying a new French Polish lacquer. French Polish is the most laborious and expensive finish because it requires many repetitive coats and each one hand polished to a fine glass-like finish, and while it is very expensive, it is worth it for rare and valuable pieces like this Tommi Parzinger vitrine. The results are nothing short of spectacular - such a smooth, clear and deep finish - it looks almost like a sheet of glass (much more incredible in-person than you can see (or touch / feel) in the photos). And besides how incredible it looks - it will also protect your investment for the decades ahead. This Parzinger cabinet is an ideal example for the most discriminating interior designer client or collector. This french polish cabinet...

A superb quality palatial French Louis XVI style ormolu mounted, satinwood, kingwood parquetry and Vernis Martin style paneling three-door raised Vitrine Display Cabinet attributed to Paul Sormani (1817-1877). A Vernis Martin Panel signed "V. Gossen." The lower part of the cabinet with three frieze drawers supported by two square-sectioned on tapered legs, fronting an ormolu mounted parquetry back panel, on toupie feet. The ormolu stamped with the initials "P.S." on the reverse. Circa: Paris, 1870. Height: 101 inches (256.5 cm). Width: 56 inches (142.2 cm). Depth: 20 inches (50.8 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Origin: England Designer: Victor B. Wilkins Manufacturer: G Plan Era: 1966 Materials: Teak, Afromosia Measurements: 59″ wide x 18″ deep x 28″ tall (to top of desk), 47.5" tall (to to...

Pair of reeded columnar brass and frosted glass Illuminated etageres. Clearance between shelves starting from bottom are 15.5" 14.5" 13.5"

Late 19th century English chinoiserie decorated display cabinet. The hinged top opens to reveal a remote document storage.

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

Origin: England Designer: Ib Kofod Larsen Manufacturer: G Plan Era: 1961 Materials: Teak, Rosewood, Afromosia Measurements: 62″ wide x 18″ deep x 27.5″ tall (to top of desk), 48.5" t...

Wonderful slant front display case by THE COLUMBUS SHOW CASE COMPANY, COLUMBUS. O. In good vintage condition. It has five shelves and they are adjustable. One of them has a chip, sho...

Wonderful pair of 1980’s Campaign Style Curio Display Cabinets by Henredon. They have the label in the back. This beautiful pieces are made of wood, brass and glass. Each of them hav...

Pair of Burton-Ching Biedermeier Style Reliquary Pedestal Display Cabinets. Statues and books not included.

A beautiful French bookcase, made of solid oak, the details are very nice, even on the side, on the second picture, ALL SALES ARE FINAL, STORE CRED...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

1930s German Art Deco Cabinet crafted from walnut, featuring a pair of sliding glass doors and adjustable shelves, above a cabinet with locking...

A superb quality French 19th-20th century Louis XV style ormolu-mounted kingwood, satinwood and satine single door figural vitrine by the renown Parisian master craftsman and cabinet...

Slender Art Deco Vitrine made in the 1920s, Argentina. Rectangular frame sitting atop tapered legs. Original glass frame and door. Mirrored back. Four glass shelves. Original hardwar...

A very Fine French 19th-20th century Louis XVI style mahogany and ormolu-mounted four-door vitrine, with two central bombé glass doors and single bombé glass doors on each side, the fluted mahogany...

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, in the manner of François Linke (1855-1946). The wh...

A Very Rare and Exquisite pair of French 19th c. Carved Giltwood and Glass Vitrines/Display Cabinets from a Paris Jeweler of the 19th century. Original Mirrored Backings are not in P...

This incredible burled wood display cabinet, produced by Mastercraft in the 1970s, features incredibly exotic grained burl with arched glass displa...

A very fine French Louis XV style Belle Époque mahogany and tulipwood ormolu-mounted vitrine cabinet with a Brêche violette marble top, attributed to François Linke (1855-1946). The ...

A fine and rare Italian Venetian 19th century giltwood carved Rococo "Vernis Martin" style decorated credenza vitrine cabinet with a marble top. The upper single door vitrine with a ...

Large smoked glass and chrome cabinet or vitrine by Pierre Cardin. Three doors and six compartments. Can be backlighted (optional). A spectacu...

A 19th Century French Louis XV Style Ormolu Gilt Bronze Mounted Remy Martin Vitrine Circa 1870 Origin: Paris Style: Louis XV ...

A very fine and large French 19th-20th century Louis XV style mahogany and ormolu-mounted Vitrine cabinet with its original Veined Mint green marble top, attributed to Georges-François Alix...

Slender Art Deco Vitrine made in the 1920s, Argentina. Rectangular frame sitting atop tapered legs. Original glass frame and door. Three glass shelves. Original lock with working key...

A Very Fine French 19th Century Louis XV Style 'Belle Époque' Ormolu Mounted and Kingwood Parquetry Single-Door Bombé Vitrine Display Cabinet, by Alexandre Hugnet (French, active la...

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

A Fine and Large French 19th/20th Century Louis XV Style Mahogany and Gilt-Bronze Mounted Three-Corps Vitrine Cabinet. The converted three door display case with twin bombé (rounded)...

A Very Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Ormolu-Mounted Parquetry Three-Door Vitrine Commode 'Meuble d'appui with a Brêche Violette Marble Top, attributed to François Linke (1855-1946). The interior of the vitrine with three glass shelves, lined with a burgundy broque fabric and a mirror backing, flanked by a pair of side doors, each fitted with a pair of mahogany...

Origin: England Designer: Victor B. Wilkins Manufacturer: G Plan Era: 1966 Materials: Teak, Afromosia Measurements: 59″ wide x 18″ deep x 28″ tall (to top of desk), 47.5" tall (to to...

A Very Fine French 19th Century Ormolu-Mounted Louis XV Style Double-Door Vitrine attributed to Francois Linke. The front bombe Vernis Martin panel decorated with a painted scene wit...

Classic iron and glass vitrine from Argentina, made in the 1920s. Two doors open wide. 4 glass shelves. Glass on all sides. Mirrored bottom. Gorgeous display cabinet. Great vintage c...

Italian Louis XV style chinoiserie and gilt decorated display cabinet with a concave glass door, circa 1900. The decoration on the lower rig...

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, in manner of François Linke (1855-1946). The u...

Handsome iron and glass vitrine made in the 1930s in Buenos Aires. All original iron and glass frame. Newly made thick glass shelves with notched corners to fit snugly inside. Fantas...

Stunning 19th Century Biedermeier style fruitwood vitrine. This exquisite piece showcases a classic Biedermeier style, crafted from rich fruitwood. The outset top features an elegant...

A very fine French Louis XVI style Belle Époque gilt bronze and carved verde green and parcel-gilt exhibition vitrine display cabinet with side doors, circa 1900, Paris. Measures:...

A very fine French 19th century Louis XV style ormolu mounted plum pudding mahogany veneer, mahogany and Vernis Martin decorated vitrine à Deux Corps, probably by François Linke (1855-1946). The lower structure fitted with finely chased gilt-bronze mounts with female masks, musical instruments, floral drapes, bows and acanthus, centred with a frieze drawer and a cupboard door with three painted panels. The centre front painted panel with a Romantic courting park setting scene amongst sheep and a sculpture fountain of Putti; the side panels both with parks scenes of a resting lion sculpture and fountain flanked by grassing sheep. The lower cabinet interior with three drawers, the upper vitrine case with two glass shelves, a bowed beveled front door and sides, crowned with a fine gilt-bronze wreath mount with ribbons, all raised on four cabriolet legs with cast lion paw mounts. Unsigned, Paris, circa 1890-1900. The style of this cabinet is closely related to those produced in the Paris furniture making trade in the Faubourg Saint-Antoine in the 1880s and as such, without a signature or identifying mark, is unattributable. However, there are similarities with the firm Raoux et Brunet, some of whose mounts were designed by Léon Messagé and later used by François Linke. Indeed many of the mounts on this cabinet, whilst not exclusive to him, are very similar to the work produced in his early years in Paris in the 1880s. At this time Linke was making furniture to order...

A Very Fine and Palatial French 19th Century Transition Louis XIV-XV Style Kingwood and Ormolu Mounted Two-Door Vitrine Cabinet, the arched top surmounted with gilt-bronze moldings a...

Large smoked glass and chrome cabinet or vitrine by Pierre Cardin. Three doors and six compartments. Can be backlighted (optional). A spectacu...

A Fine French 19th-20th century Louis XV style ormolu-mounted tulipwood vitrine with marble top, in the manner of François Linke (1855-1946). The slender single door cabinet fitted w...

A fine French 19th century Louis XVI style mahogany and ormolu mounted two-tier vitrine cabinet. The upper section with a single glass front door below a pierced gilt-bronze floral r...

Black painted set glass case and Mirror circa 1900s mirror is sold so only Glass Curio Display . USA continental in home delivery 2-4 weeks $300

A very fine and palatial French 19th century Louis XV style giltwood ornately carved two-door vitrine display cabinet of serpentine form with foliate and shell carvings, surrounding ...

This elegant vintage mahogany display cabinet has a mirrored back and two glass shelves to exhibit your special treasures. Adorned wi...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

Mastercraft brass and glass vitrine, operational dome lighting and switch.

19th Century mirrored Vitrine or Bookcase with a great patina. The top cabinet has four adjustable shelves with two glass doors that can be locked. Vintage condition.

A stunning and unusual French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet. The serpentine front door vitrine wi...

A fine French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet with a Breche d' Alep marble top. The serpentine fron...

A teak shop display counter cabinet featuring a glass top and glass panels on three sides, along with a pair of sliding door panels below. The counter also includes two drawers at th...

A very fine 19th century Louis XVI style gilt bronze and gilt metal mounted rosewood vitrine cabinet with malachite tops, by Pierre E. Guerin (1843-1911), in the manner of François Linke (1855-1946). The slender single-glazed front door tri-level vitrine 'Meuble d'Appui' cabinet fitted with three sectional malachite veneer tops (later) and glazed beveled-glass panels on the sides, surmounted with gilt-bronze and gilt-metal ornamental mounts with playful Putti amongst vines and leaves, ribbons, musical instruments, flowers, torches, masks, wreaths and acanthus, all raised on six fluted and tapered legs with gilt-bronze ring fittings and sabots. The apron mounts with a polychromed Verde-green background. The mounts marked 'P.E. Guerin 527 and other numerals. The interior with two glass shelves and a recent green velvet paneling. Circa: New York, 1890-1900. The marks on the bronze of this cabinet are from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier and Stymus...

Vintage Chrome etagere, each shelf has removable glass with brass finials.

Early 1900s lighted curio cabinet with glass doors.

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Opulent pair of large Italian carved altar pedestal vitrine display shelves or pavilion displays made in the grand neoclassical taste. The pedestals feature a stepped base having four column pillars surmounted by a roof. The frieze is reeded with parcel gilt decoration and has a domed top. The top has acanthus carved designs ending with a large finial...

A fine and rare Italian 19th century Baroque style carved oak figural single-door vitrine cabinet. The upper surmounted on each side with a figure of a young fisherman holding a fish...

This Renaissance style vitrine cabinet is a stunningly beautiful masterpiece in white oak with superb carvings and detail. Note the fourteen carved figures, lion's heads and other su...

Rare late Art Deco vitrine cabinet with a medium stained Macassar veneer and mirror backed bar on top. Underneath is a fold out secretary desk with two large doors which open up to adjustable shelving for storage. The exterior has great tall skinny...