Continental Europe - Art

Superbe bold original painting on canvas depicting the vivid portrait of a red boxing glove held by an anonymous figure in a coat. keywords; boxing glove, red glove, Brown coat, ame...

Jean Cocteau ( 1889 - 1963 ) " le Rappel à l'Ordre " (1930-1932) certificat de Madame Annie Guedras N° 6355 F. dessin à l'encre Bleu foncé et encre noire exécuté sur la page de fa...

This is an outstanding bronze statue of Eutrope Bouret, signed on the base, by the very well-known French artist Eutrope Bouret (1833-1906). French antique bronze sculpture by Eutro...

Oscar Lycke’s Aprilafton, Delsbo (“April Evening, Delsbo”), c. 1910, is a luminous oil painting that masterfully captures the gentle transition from winter to early spring in the rur...

This contemporary abstract expressive portrait, On My Own Path, was created in 2025 by French artist Natalya Mougenot in her studio in Lyon, France. It presents a faceless woman with...

Oil on wooden panel realized in the mid-20th Century by Fausta Settimj. Good condition except for some minor losses on edges.

This painting captures the viewer's attention at first glance: a refined bird with a striking crest is depicted with a deep appreciation for detail and a delicate sense of color. The...

Lola De Valence is a black and white etching realized by Edouard Manet (1832-1883) in 1862. Image dimensions: 18x26 cm. Etching and aquatint, 6th state, the first to be published, ...

Nichola Theakston (1967) has established herself as one of the UK’s foremost contemporary sculptors working within the animal genre. With the ''Sti...

Oil on Canvas. Portrait of a nobleman, proud with his hand resting on the 'hilt of his sword and dressed in an ermine-edged cloak. On the upper right appears the coat of arms of his ...

Landscape BW Mineral Oxide on Paper 90x70 cm framed Option Original Art Ready to Hang The use of natural materials such as mineral oxide powder connects the work to a dimension o...

Lilly Muth's architectural paintings transport viewers on a visual journey to a different world, where imagination knows no bounds and the boundaries between reality and fantasy blur...

Claire Jeanne Robertine Colinet (1880 Brussels - 1950 Asnières-sur-Seine), Juggler, around 1920. Brownish patinated bronze with gilded balls on a round, multi-profiled stone base (10...

Tania Rivilis Some Ambiguous Words 63 x 45 cm Oil on wood panel First we can announce some wonderful news! 3 May 2022 Tania Rivilis did win the first price of the Royal Academy of ...

Wonderful black and white aquatint showing an antique view of Munchen, capital of Bavaria. From the collection by Braun G. and Hogenberg F., "Civitates Orbis Terrarum", Cologne, T. ...

Laimonis Bubieris (1934-2012), Two flowering trees, cardboard/oil, 25x36.5 cm

Balloon Dog (Blue) 2021. Porcelain with metallic chromatic coating Limited edition of 69/799 ex. Certificate of authenticity and the original box. Incised signature, edition number, titled and dated on the underside. Produced by Bernardaud, Limoges, France. Jeff Koons is an American pop artist, born in York, Pennsylvania in 1955 to a mother who was a seamstress and a father who worked as an interior decorator. He is known for working with popular culture subjects and for his reproductions of banal objects. His works have sold for important amounts, including one world record auction price for a work by a living artist. Jeff Koons had an early interest in art and as a teenager he admired Salvador Dalí. He studied painting at the Maryland Institute College of Art in Baltimore and the School of the Art Institute of Chicago. As a student he met the artist Ed Paschke who became a major influence and for whom he worked as a studio assistant in the late 1970’s. In 1977 Jeff Koons moved to New York City where he worked at the Museum of Modern Art whilst establishing himself as an artist. In the 1980’s he began working as a Wall Street commodities broker in order to finance his art projects. He wanted to be independent from the art market and has expressed that: ”I could make exactly what art I wanted to make. And I would always know that I didn’t need the art market.” In the mid-1980’s Jeff Koons gained prominence and recognition as part of a generation of artists who explored the meaning af art in a media-saturated era. He set up a factory-like studio in a SoHo loft with over 30 assistants. Since his first solo exhibition in 1980 Jeff Koon’s work has been shown in major galleries and institutions throughout the world. His work was the subject of a major exhibition organized by the Whitney Museum of American Art, Jeff Koons: A Retrospective in 2014, which traveled to the Centre Pompidou Paris and then further to Guggenheim Bilbao in 2015. His most recent series, Gazing Ball Paintings, was exhibited for the first time at Gagosian Gallery, New York in 2015. The artist has earned renown for his public sculptures, such as the monumental...

Alegria II is a bronze sculpture with black patina, it is connected to a steel base. The edition size is 25. This sculpture stands on shelf as well as be hung on wall. Joan wants to ...

B/w etching on Hollande Van Gelder Paper, with margins. Belongs to the series "Le Chef-d'Oeuvre Inconnu". Hand Signed and numered in bistre ink. Edition of 10/99, aside from the port...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

This, vibrant, and bright piece of art on canvas comes straight from the artist's studio in Barcelona. Dimitris Pavlopoulos is known as a expressionism artist whose works range from ...

Henri LE SIDANER (1862-1939) Impressionism : Girls Dancing, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFO...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

Paris, Cafe de la Paix. Period 1920-1940s. Oil on canvas, 60x73 cm Lucien Adrion (1889-1953) was a French painter known for his depictions of the countryside and bustling street sce...

This 1958 original exhibition poster, designed by Max Ernst for the Salon de Mai, features "La Forêt à l’Aube" (The Forest at Dawn)—a striking example of his surrealist and abstract ...

In this spirited dance of water and color, I've captured the graceful motion of koi fish, using watercolor’s fluidity to echo their serene, yet vibrant energy. My strokes blend fine ...

This original small acrylic painting, hand-painted in 2022 in Estonia on canvas board, features a vivid display of red poppies in full bloom. The bold brushstrokes and dynamic colors...

Pencil and watercolor realized by Charles Des Bordes in the early 20th Century. Glued on cardboard cm 31x20. Good condition.

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photo...

Watercolor on heavy paper realized by Carlo Ravagnan in 1970s. Hand signed lower right. Excellent condition.

➡️The River from Rousseau⬅️ "Il est tombé par terre, C'est la faute à Voltaire, Le nez dans le ruisseau, C'est la faute à Rousseau" - He fell to the ground, It's Voltaire's fault, H...

Huile sur toile Dim avec cadre 50/58 cm Dim sans cadre 37/46 cm Ecole française Suiveur de Jean Baptiste Greuze (1725/1805 ) Elégant portrait d’enfant – Suiveur de Jean-Baptiste Greu...

Art Edition “Whoopi Goldberg” (No. 1–450). Hardcover volume in a slipcase, accompanied by the portrait Whoopi Goldberg, Berkeley, California, 1984. For over 50 years, Annie Leibovit...

This captivating floral artwork "Summer blooming flowers in a blue vase" is an exuberant portrayal of a bouquet, radiating vibrancy and textural complexity. The piece commands attention with its vigorous brushstrokes, creating a sense of movement and depth. The bouquet is composed of blooming flowers in a rich palette of colors ranging from various shades of pinks and purples to luminous whites. Each flower is rendered with bold, gestural layers of paint, creating a tactile surface that invites the viewer to appreciate the artist’s dynamic technique. The background, with its harmonious blend of cool blues and popping greens, forms a vivid contrast against the warm tones of the flowers, enhancing their visual impact. Noteworthy is the blue-checkered vase...

GA-BLA by Spanish contemporary artist Ramon Enrich. Acrylic on canvas, 30 cm x 30 cm. In these paintings, the artist establishes a conversation between architecture and landscape i...

A contemporary Provençal coastal landscape in oil on canvas by Dutch artist Bernadette Van Baarsen. Signed bottom left. This vibrant artwork captures the serene yet dynamic intersec...

ZT 241216 is a unique one-of-a-kind medium size contemporary modern painting relief by Dutch artist Herman Coppus. This bas-relief relief consists of a meticulously hand cut, folded ...

Between sky and earth is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 112 × 29 × 21 cm (44.1 × 11.4 × 8.3 in). The sculpture is signed and numbere...

R. Watson (British, late 19th century) - Herd of Highlanders grazing. 77 x 51 cm. Old oil painting on canvas, unframed. - Work signed and dated on the left: “R. Watson”. Conditio...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Yellowstone Park - Castell Geyser - September 23, 1893 - is an original vintage black and white photo realized part of a journey throughout the world ...

Disney Concert Hall I Edition of 25 signed and numbered by the artist The Disney Concert Hall in Los Angeles, USA. JJK is a pseudonym for one of the world's most successful photo a...

Equestrian Joan of Arc by Emmanuel FREMIET (1824-1910) A very fine bronze equestrian group with a greenish dark brown patina signed " Fremiet " on the base cast by " F. Barbedienne...

"Passion #3" . Composition with Two Male Nudes, oil on canvas, 35.5x19.5in / 90x50cm Part of "Wings of Gods" solo show, April 2024. see pictures from the show. Shipped as it is, stre...

Andy Warhol's original poster for the 1982 film "Querelle" is a fascinating fusion of two artistic worlds: cinema and pop culture art. Directed by German filmmaker Rainer Werner Fassbinder, the film is based on Jean Genet's novel of the same name, exploring themes of desire, sexuality and mystery. Warhol, a celebrated figure of the Pop Art movement, brought his unique style to this iconic poster. Using vivid colors and striking contrasts, the poster highlights key elements of the film, including the unsettling sensuality of the main character, Querelle, played by Brad Davis. Warhol's association with the film gave a new artistic dimension to film promotion...

Patricia III is a tall, elegant bronze sculpture of a human figure. Nando Kallweit is a German sculptor working in bronze and oak. Kallweit carves the original piece from a piece...

Andre DERAIN (after) London Viewed from the Thames Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 2...

Shiver- 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1046. Not mounted...

From the 1960s onwards, Northern Ireland experienced a period of unparalleled violence and political unrest. Several paramilitary organizations took up arms to fight against the British presence on their soil. This was the beginning of the IRA (Irish Republican...

This outdoor lamp "Ikosaeder" is for the garden or entrance area. This lamp impresses her unique shadow projection. The icosahedron is supplied in rust optics. The built-in lamp par...

Jean Tinguely ( 1925 - 1991 ) sculpteur, peintre , dessinateur suisse . " Méta " . 31 x 24 x 3 cm . Livre - sculpture original créé en 1973 . inspiré des oeuvres de Marcel Ducham...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 35x27 cm. Frame 40x32 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spani...

Edition of 3 More sizes on request. A python is squeezing a Birkin bag. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who ...

Jean Jansem (1920-2013) Le Clairon, 1993 Lithographie sur papier Arches, justifiée EA12/30 Signée en bas à droite 65 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°85 "Ma...

Raoul DUFY Sailboats Stone lithograph after a painting (Mourlot workshop) Printed signature in the plate On Arches vellum 50 x 65 cm (c. 20 x 26 in) Excellent condition

From Wikipedia: Woodstock was a music festival held between August 15–18, 1969, which attracted an audience of more than 400,000. Billed as "An Aquarian Exposition: 3 Days of Peace & Music", it was held at Max Yasgur's 600-acre dairy farm near White Lake in Bethel, New York, 43 miles (70 km) southwest of Woodstock. Over the sometimes rainy weekend, 32 acts performed outdoors. It is widely regarded as a pivotal moment in popular music history, as well as the definitive nexus for the larger counterculture generation. Rolling Stone listed it as number 19 of the 50 Moments That Changed the History of Rock and Roll. The event was captured in the Academy Award-winning 1970 documentary film Woodstock, an accompanying soundtrack album, and Joni Mitchell's song "Woodstock", which commemorated the event and became a major hit for both Crosby, Stills, Nash & Young and Matthews Southern Comfort...

Lithograph, 1969 Handsigned by the artist in pencil and numbered 26/80 Publisher : Galerie Im Erker (Saint-Gallen) Printer : Erker-Press (Saint-Gallen) Catalog : [Schneider 76] 87....

Orange and Yellow is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2020. Oil on canvas applied on plywood. Hand signed by the artist on the back. Hand-signed on the...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Marcel Duchamp was one of the pioneers of Dada, a movement that challenged preconceived notions of what art should be and how it should be made. In the years leading up to World War I, Duchamp enjoyed success as a painter in Paris. But he soon abandoned painting almost entirely, explaining, "I was interested in ideas, not just visual products." Seeking an alternative to representing objects in paint, Duchamp began to present objects as art...