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Continental Europe - Abstract Drawings and Watercolors

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Item Ships From: Continental Europe
Schizophrenia. Contemporary Gouache Painting, Abstraction, Cat, Polish artist
By Jacek Sowicki
Located in Warsaw, PL
JACEK SOWICKI (1948-2022) He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the graphics atelier at th...
Category

Early 2000s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Gouache

"Sweet memories" (impressionist bouquet of flowers oil painting on paper)
Located in VÉNISSIEUX, FR
This artwork makes part of my series dedicated to the scenes of a summer period. This floral painting called "Sweet memories" is done in an expressive impressionist style. Floral ...
Category

2010s Expressionist Continental Europe - Abstract Drawings and Watercolors

Materials

Oil, Paper

Hermes 1929
Located in Stockholm, SE
An interesting and highly decorative chalk drawing by Edvard Andersson, 1929. Drawn on a quite large scale. Signed and dated EA, 1929. A tergo written "Hermes". The drawing is exec...
Category

1920s Cubist Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Chalk

Abstract Geometric Composition. Second half of the 20th century
Located in Firenze, IT
Abstract Geometric Composition Date: Second half of the 20th century Medium: Gouache on paper Dimensions: H 50 cm x W 65 cm approx. Description: Modular geometric structure with ove...
Category

Late 20th Century Abstract Geometric Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Gouache

Late Art Deco Period Cubist Nautical Harbour Scene
Located in Cotignac, FR
Late Art Deco Period, Cubist watercolour of a nautical harbour scene painted by Yan Bernard Morel (dit Yan Bernard Dyl ) in 1939. Yan B. Morel, born on June 18th 1887, was a French painter, landscape designer, decorator, illustrator and film maker. Morel was a friend of Robert Delauney...
Category

1930s Cubist Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Watercolor, Carbon Pencil

Abstract Blue landscape Original Drawing on Paper by Marilina Marchica
By Marilina Marchica
Located in Agrigento, AG
Blue Landscape Original artwork on Paper 50x70 cm certificate of authenticity by Marilina Marchica,. 2024 This unique abstract painting explores the relationship between humanity a...
Category

2010s Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Pigment

Bellagio, Lake Como. Pastel.
By Hercules Brabazon Brabazon
Located in Cotignac, FR
Mid 19th century pastel drawing view of Bellagio on Lake Como by Hercules Brabazon Brabazon. The work is under its original mount and initial signed (HBB) b...
Category

1860s Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Pastel, Pencil

The Horsemen
By Gen Paul
Located in Paris, FR
Ink on paper 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (paper) LCD6765
Category

1970s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Ink

EXPLOSION OF FLOWERS - Watercolor on paper signed Gibor, Italy 1970
Located in Napoli, IT
Watercolor on brightly colored paper, signed Gibor, with wooden frame mis.cm.h.65x56
Category

1970s Modern Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Untitled 4 - Contemporary Expressive Abstract Painting, Conceptual Art
Located in Salzburg, AT
Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting and its opposite – that is the physical finiteness of the painting. This phys...
Category

2010s Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Watercolor

I Don´t Eat Fish
By Juan Jose Garay
Located in LAS ROZAS DE MADRID, ES
Work signed on front and back It is sent in a tube
Category

21st Century and Contemporary Abstract Expressionist Continental Europe - Abstract Drawings and Watercolors

Materials

Enamel

Italy 1974 Post-Modern Abstract Print Fortunato Depero The Twins
By Fortunato Depero
Located in Brescia, IT
This Fortunato Depero wionderful serigraphy is a multiple of 250 specimens printed by the authorization of Museum of Depero in Rovereto (Italy). This i...
Category

Late 20th Century Futurist Continental Europe - Abstract Drawings and Watercolors

Materials

Paper

Frammento, Drawing, large size, Ready to Hang By Marilina Marchica
By Marilina Marchica
Located in Agrigento, AG
Frammento Casa di Famiglia Title: Fragment Artist: Marilina Marchica Dimensions: Artwork: 70x110 cm Frame: 80x120 cm Description: This is an original, non-reproducible piece by Mar...
Category

2010s Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Charcoal

Untitled #7 - Drawing, Landscape, Abstract, 21st Contemporary
By Zsolt Berszán
Located in Baden-Baden, DE
Untitled #7, 2016 Wax crayon on paper 78 7/10 × 59 1/10 in 200 × 150 cm Signed on reverse Berszán tries to bring forward the moment of the brutal unbinding between “I” and the “oth...
Category

2010s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Wax Crayon

Paysage de l'infini by José Gerson - Drawing 50x70 cm
Located in Geneva, CH
Work on paper without frame
Category

1970s Surrealist Continental Europe - Abstract Drawings and Watercolors

Materials

Color Pencil

Owl, Circa 1970 - Op Art-Inspired Geometric Composition
Located in Firenze, IT
Owl, Circa 1970 - Op Art-Inspired Geometric Composition Date: Approximately 1970 Medium: Gouache on cardboard with embossed stamp Dimensions: H 64 cm x W 49 cm approx. A stylized o...
Category

Late 20th Century Op Art Continental Europe - Abstract Drawings and Watercolors

Materials

Gouache, Illustration Board, Cardboard

Drawing n°22 by Julien Dinou - Pastel A4 size
By Julien Dinou
Located in Geneva, CH
Abstract drawing on paper without frame
Category

1960s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Oil Pastel

Landscape BW, Original Art on Paper , Framed, Ready to Hang by Marilina Marchica
By Marilina Marchica
Located in Agrigento, AG
Landscape BW Mineral Oxide on Paper 40x29 cm framed 51x41 cm Original Art Ready to Hang The use of natural materials such as mineral oxide powder connects the work to a dimension...
Category

2010s Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Pigment

Untitled 06 - Contemporary Abstract Painting, Colorful Framed Composition
By Dominika Krechowicz
Located in Salzburg, AT
Dominika Krechowicz is a professor at the Gdansk GUT The Art works from this series are painted with acrylic technique on fabriano watercolor paper. They were created from 2010 to ...
Category

2010s Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Acrylic

Abstract drawing n°14 by Julien Dinou - A4 size
By Julien Dinou
Located in Geneva, CH
Drawing on paper without frame Size A4
Category

1960s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Oil Pastel

Untitled
By Zao Wou-Ki
Located in PARIS, FR
A magnificent work in Indian ink and "levi" ink, counter glued on strong paper and accompanied by a certificate from the Zao Wou-Ki Foundation. Zao Wou-Ki was born in Beijing on 1 F...
Category

1990s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

India Ink, Rice Paper

Chinese Contemporary Art by Xia FuNing - See Buddha
By Xia FuNing
Located in Paris, IDF
Oil on canvas Xia Fu-Ning is a Chinese artist born in 1962 in Nanjing. He was a professor in the Department of Fine Arts during the 1980s at Tianjin Polytechnic University. He curre...
Category

2010s Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Oil, Canvas

"Floral Radiance"
Located in VÉNISSIEUX, FR
This painting makes part of my series dedicated to the scenes of a summer period. This abstract vibrant floral painting called "Floral radiance" is done in a modern contemporary exp...
Category

2010s Abstract Expressionist Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Acrylic

Loud Color, Expressionist Drawing on Watercolor Paper in Vivid Tones, Text Art
Located in Barcelona, ES
This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...
Category

2010s Neo-Expressionist Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Wax Crayon, Watercolor

universe 01
By Juan Jose Garay
Located in LAS ROZAS DE MADRID, ES
In this work, I have used acrylic and enamel to capture the vast and mysterious beauty of the universe. Abstract swirls and galaxies represent constant evolution and cosmic dynamism....
Category

21st Century and Contemporary Abstract Expressionist Continental Europe - Abstract Drawings and Watercolors

Materials

Enamel

Piccolo Archivio - l Artwork by Leo Guida - 1988
By Leo Guida
Located in Roma, IT
Piccolo Archivio is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera o...
Category

1980s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Tempera, Cardboard

"Summer figs from the garden" : oil painting on paper
Located in VÉNISSIEUX, FR
I have worked on a new series of small oil paintings. This is the one of them. This series is dedicated to a summer period. This artwork with figs in a bowl is called "Summer figs f...
Category

2010s Impressionist Continental Europe - Abstract Drawings and Watercolors

Materials

Oil, Paper

Acheter Dieu, 1961 - mixed media, 44x33 cm, framed
By Ben Vautier
Located in Nice, FR
Gouache and technic mixte on paper, signed in the text. Benjamin Vautier was born July 18, 1935 in Naples, Italy to a French family. He is the great-grandson of the Swiss painter Marc Louis Benjamin Vautier [fr] (1829-1898). He discovered Yves Klein and the Nouveau Réalisme in the 1950s, but he became quickly interested in the French dada artist Marcel Duchamp and the music of John Cage. In 1959, Vautier founded the journal Ben Dieu. In 1960, he had his first one-man show, Rien et tout in Laboratoire 32. Ben joined George Maciunas...
Category

1960s Conceptual Continental Europe - Abstract Drawings and Watercolors

Materials

Mixed Media

"Just a lemon"
Located in VÉNISSIEUX, FR
Dear art lover, I have worked on a new series of small oil paintings dedicated to a summer period. This artwork called "Just a lemon" is done with oil ...
Category

2010s Abstract Impressionist Continental Europe - Abstract Drawings and Watercolors

Materials

Oil, Paper

'Cancan b'. Contemporary Fauvist Pastel Landscape.
Located in Cotignac, FR
Contemporary abstract expressionist pastel on paper of a Provençal landscape 'Cancan b' by Dutch artist Bernadette Van Baarsen. Signed an...
Category

21st Century and Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Pastel

Untitled 05 - Series 2019, Contemporary Abstract Painting, Textile Lightness
By Tomasz Prymon
Located in Salzburg, AT
The painting is framed behind glass. About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love ...
Category

2010s Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Acrylic, Handmade Paper

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...
Category

2010s Realist Continental Europe - Abstract Drawings and Watercolors

Materials

Emulsion, Engraving, Etching, Paper

Happy hotel, Amboise
By Eliane Diverly
Located in Genève, GE
Work on paper This captivating work reveals an interior scene rich in detail and texture. At the heart of the composition, a figure draped in flowing fabrics stands by a blazing fire...
Category

Mid-20th Century Expressionist Continental Europe - Abstract Drawings and Watercolors

Materials

Watercolor

Untitled (Ref 20145)
By Martin Reyna
Located in London, GB
Ink on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediums so the colors will dissipate and interm...
Category

2010s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Ink

French Abstract Contemporary Art by Daniel Cayo - Untitled No.18
By Daniel Cayo
Located in Paris, IDF
Mixed media on paper, framed 10 x 15 cm - 18 x 24 cm with white mat passe-partout Unique copy Signed on the front
Category

2010s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Mixed Media

The feather of the soul by José Gerson - Gouache on paper 50x70 cm
Located in Geneva, CH
Work on paper without frame
Category

1970s Surrealist Continental Europe - Abstract Drawings and Watercolors

Materials

Gouache, Color Pencil

Uccelliera - Artwork by Leo Guida - 1988
By Leo Guida
Located in Roma, IT
Uccelliera is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera on ivor...
Category

1980s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Tempera, Cardboard

French Abstract Contemporary Art by Daniel Cayo - Untitled No.17
By Daniel Cayo
Located in Paris, IDF
Mixed media on paper, framed 10 x 15 cm - 18 x 24 cm with white mat passe-partout Unique copy Signed on the front
Category

2010s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Mixed Media

Ammonite and Erupting Volcano - Original Handsigned Drawing
Located in Paris, IDF
Pierre ALECHINSKY Ammonite and erupting volcano, 1975 Original blood red pencil drawing Signed in pencil Dated April 28, 1975 On vellum 33 x 25 cm (c. 13 x 10 in) PROVENANCE: Colle...
Category

1980s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Lithograph

American Contemporary Art by Michael Alan - Hot Mess
By Michael Alan
Located in Paris, IDF
Mixed media on archival paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featured in many ...
Category

2010s Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Mixed Media

Abstract Impressionist seaside nature oil painting on paper "The French coast"
Located in VÉNISSIEUX, FR
This contemporary abstract impressionist painting with touches of expressionism, "The French Coast" is a delicate and emotive creation by French artist Natalya Mougenot. Part of a su...
Category

2010s Abstract Impressionist Continental Europe - Abstract Drawings and Watercolors

Materials

Oil, Paper

Agony, Motif - Drawing by Arshile Gorky - 1946
By Arshile Gorky
Located in Roma, IT
Agony, Motif is a contemporary artwork realized by Arshile Gorky in 1946. Ink, pen and wax crayon on paper. Incudes frame: 41.5 x 38.5 Good conditions (little tears and shading of...
Category

1940s Modern Continental Europe - Abstract Drawings and Watercolors

Materials

Wax Crayon, Ink, Pen

Mandorla - Large Format Charcoal On Paper, Black White Drawing
By Krzysztof Gliszczyński
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category

Early 2000s Conceptual Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Charcoal

Spring Light (Green) (Abstract Painting)
Located in London, GB
Spring Light (Green) (Abstract Painting) Acrylic on wood board — Unframed. Emma Godebska is a French abstract artist living in Nimes, France. Her use of natural pigments, reflectiv...
Category

2010s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Wood, Acrylic

Black_X - 21st Century, Abstract, Drawing, Black, White, Monochrome
By Alina Aldea
Located in Baden-Baden, DE
Black_X, 2016 pencil, white pastel on black cardboard 27.55 H x 19.68 W in. 70 H x 50 W cm Alina Aldea's drawings project all the possible forms which appear to rapidly disappear, w...
Category

2010s Abstract Geometric Continental Europe - Abstract Drawings and Watercolors

Materials

Pastel, Cardboard, Pencil

Black White Abstraction 015 Painting by Anastasia Vasilyeva, 2020
By Anastasia Vasilyeva
Located in Zofingen, AG
Anastasia Vasilyeva - Black white abstraction 015 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...
Category

21st Century and Contemporary Abstract Geometric Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Acrylic

M420 (Abstract Print)
By Jesús Perea
Located in London, GB
M420 (Abstract Print) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biom...
Category

2010s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Digital

Dunes in the morning. Contemporary Gouache Painting, Abstraction
By Jacek Sowicki
Located in Warsaw, PL
JACEK SOWICKI (1948-2022) He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the graphics atelier at th...
Category

Early 2000s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Gouache, Paper

"Splendid colors"
Located in VÉNISSIEUX, FR
In my art practice I love to use bright colors which boldly contrast with complementary colors so I could get unusual original compositions and structures. The objective of this ar...
Category

2010s Abstract Impressionist Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Acrylic, Watercolor

Maurice Morel (abbey Morel) - 1908-1991, Abstract composition
By Maurice Morel
Located in PARIS, FR
Maurice MOREL known as Abbé Morel (1908-1991) Untitled, composition in blue, gray and pale pink Mixed media on newsprint Signed on the back 21 x 10 cm frame: 38 × 27.5 cm A spirit...
Category

Mid-20th Century Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Watercolor, Gouache

Master American Contemporaries
By Alex Katz
Located in Wien, 9
The art work is signed in the print at the lower left and numbered in pencil: P.P. II/IV This special art piece "Master American Contemporaries" by Alex Katz (*1927) is a colour lit...
Category

1990s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Lithograph, Paper

"Landscape BW" Contemporary Drawing Framed, Large size by Marilina Marchica
By Marilina Marchica
Located in Agrigento, AG
Landscape Black ad white abstract drawing mineral oxide on paper ( Canson Montaval Paper 300 gr.) large size 75x110 Frame Size 122 x91 cm by Marilina Marchica signed with certificate...
Category

2010s Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Charcoal, Ink, Archival Paper

"Landscape BW" Original Drawing , Abstract art made in Italy- Marilina Marchica
By Marilina Marchica
Located in Agrigento, AG
Landscape BW Mineral Oxide on Paper 90x70 cm framed Option Original Art Ready to Hang The use of natural materials such as mineral oxide powder connects the work to a dimension o...
Category

2010s Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Pigment, Paper

Light, Series Drawing From Israel - Large Format, Charcoal On Paper
By Krzysztof Gliszczyński
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category

Early 2000s Conceptual Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Charcoal

Serge Poliakoff (1900-1969) - Composition rouge, carmin et jaune - Lithograph
By Serge Poliakoff
Located in Varese, IT
Rare color lithograph on Rives paper , built in 1958 Limited edition of 125 copies Signed and numbered in pencil by the artist Numbered specimen: 111/125 Sheet size: 76 x 56 cm Plate...
Category

1950s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Lithograph

Abstract Composition Drawing, Chinese Poem 1929
Located in Stockholm, SE
An interesting and highly decorative chalk drawing by Edvard Andersson, 1929. Drawn on a quite large scale. Signed and dated EA, 1929. A tergo written "Kinesisk dikt" (Chinese Poem) ...
Category

1920s Abstract Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Chalk

"Summer table" (contemporary impressionist still-life acrylic painting on paper)
Located in VÉNISSIEUX, FR
In this abstract still-life floral artwork "Summer table" I experience the world of nature through the bright colors of a summer period. While painting, I sought to capture the beau...
Category

2010s Contemporary Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, Acrylic, Watercolor

Profil Orange
Located in CANNES, FR
Paco Rabanne ( 1934 -2023 ) " Profil Orange " 41 X 31 cm 49 X 39 cm framed . colored pencil , Gouache, felt-tip pen and graphite on paper . signed and dated 1990.
Category

1990s Abstract Geometric Continental Europe - Abstract Drawings and Watercolors

Materials

Felt Pen, Color Pencil, Graphite

Allegory of Light - Drawing by Parimah Avani - 2022
Located in Roma, IT
Allegory of Light For Struggling Blossoms is a Drawing realized by Iranian Painter and Poet Parimah Avani in 2022. China ink and acrylic on ivory-color...
Category

Early 2000s Abstract Expressionist Continental Europe - Abstract Drawings and Watercolors

Materials

Paper, India Ink, Acrylic

Sonia Delaunay - Original Watercolor on paper
By Sonia Delaunay
Located in Collonge Bellerive, Geneve, CH
Sonia Delaunay - Original Watercolor on paper Dimensions: 21 x 21 cm. Authentified by her son Charles Delaunay on the back. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...
Category

1930s Abstract Geometric Continental Europe - Abstract Drawings and Watercolors

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