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Item Ships From: Continental Europe
"Joseph's Mountain", Humans in Nature, Pigment & Chinese Ink Landscape Drawing
By Frank Girard
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
This drawing was created by Frank Girard with pigment and Chinese ink on 300g/m2 neutral white paper.
It depicts Biblical and non-Biblical scenes. The name, "Joseph's Mountain", ref...
Category
2010s Realist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Ink, Pigment
"The Gate", to Interior Castle Pigment & Chinese Ink Large Landscape Drawing
By Frank Girard
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
Named "The Gate", this drawing by the masterful artist Frank Girard is created with Chinese ink, pigments, and watercolors on Arches paper. When creating large drawings, the artist u...
Category
2010s Realist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Ink, Pigment, Lacquer
$2,855 Sale Price
20% Off
Norwegian Pine Grove - The inner glow of the trees -
Located in Berlin, DE
Themistokles von Eckenbrecher (1842 Athens - 1921 Goslar), Norwegian pine grove, 1901. Watercolor on blue-green paper, 30 x 22 cm. Signed, dated and inscribed in his own hand "TvE. Fagermes [i.e. Fagermes]. 26.6.[19]01."
- Slight crease throughout at left margin, otherwise in good condition.
About the artwork
Themistokles von Eckenbrecher often traveled to Norway to study the nature that fascinated him there. On June 26, 1901, near the southern Norwegian town of Fagernes, in the summer evening sun, he saw a small pine grove, which he immediately captured in a watercolor. He exposed the trees growing on a small hill in front of the background, so that the pines completely define the picture and combine to form a tense motif. The tension comes from the contrast of form and color. The trunks, growing upward, form a vertical structure that is horizontally penetrated by the spreading branches and the pine needles, which are rendered as a plane. This structural tension is further intensified by the color contrast between the brown-reddish iridescent trunks and branches and the green-toned needlework.
Themistokles von Eckenbrecher, however, does not use the observed natural scene as an inspiring model for a dance of color and form that detaches itself from the motif and thus treads the path of abstracting modernism. Its inner vitality is to be brought to light and made aesthetically accessible through the work of art.
It is precisely in order to depict the inner vitality of nature that von Eckenbrecher chooses the technique of watercolor, in which the individual details, such as the needles, are not meticulously worked out, but rather a flowing movement is created that unites the contrasts. The trees seem to have formed the twisted trunks out of their own inner strength as they grew, creatingthose tense lineations that the artist has put into the picture. The inner strength continues in the branches and twigs, culminating in the upward growth of the needles. At the same time, the trunks, illuminated by the setting sun, seem to glow from within, adding an almost dramatic dimension to the growing movement.
Through the artwork, nature itself is revealed as art. In order to make nature visible as art in the work, von Eckenbrecher exposes the group of trees so that they are bounded from the outside by an all-encompassing contour line and merge into an areal unity that enters into a figure-ground relationship with the blue-greenish watercolor paper. The figure-ground relationship emphasizes the ornamental quality of the natural work of art, which further enforces the artwork character of the group of trees.
With the presentation of Themistokles von Eckenbrecher's artistic idea and its realization, it has become clear that the present watercolor is not a study of nature in the sense of a visual note by the artist, which might then be integrated into a larger work context, but a completely independent work of art. This is why von Eckenbrecher signed the watercolor. In addition, it is marked with a place and a date, which confirms that this work of nature presented itself to him in exactly this way at this place at this time. At the same time, the date and place make it clear that the natural work of art has been transferred into the sphere of art and thus removed from the time of the place of nature.
About the artist
Themistocles' parents instilled a life of travel in their son, who is said to have spoken eleven languages. His father, who was interested in ancient and oriental culture, was a doctor and had married Francesca Magdalena Danelon, an Italian, daughter of the British consul in Trieste. During a stay in Athens - Gustav von Eckenbrecher was a friend of Heinrich von Schliemann and is said to have given him crucial clues as to the location of Troy - Themistokles saw the light of day in 1842.
After an interlude in Berlin, where Themistokles was educated at the English-American School, the journey began again. From 1850 to 1857 the family lived in Constantinople, after which the father opened a practice in Potsdam, where Themistokles, who wanted to become a painter, was taught by the court painter Carl Gustav Wegener.
In 1861 the von Eckenbrechers left Potsdam and settled in Düsseldorf. There Themistokles received two years of private tuition from Oswald Aschenbach, who greatly admired the talented young artist. After his artistic training, he undertook extensive travels, often accompanied by Prince Peter zu Sayn-Wittgenstein, which took him to northern and eastern Europe, but above all to the Middle East and even to South America. The paintings that resulted from these journeys established his artistic reputation and led to his participation in large panoramas such as the 118 x 15 metre Entry of the Mecca Caravan into Cairo, painted for the City of Hamburg in 1882.
1882 was also the start of a total of 21 study trips to Scandinavia, most of them to Norway, and the unique Norwegian landscape with its rugged fjords became a central motif in his work. Along with Anders Askevold and Adelsteen Normann...
Category
Early 1900s Naturalistic Continental Europe - Landscape Drawings and Watercolors
Materials
Watercolor
$1,142 Sale Price
20% Off
Calming Sea Ripples in Blue, Hand Printed Nautical Blueprint, Mediterranean Life
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
"Calming Sea Ripples" is a handmade cyanotype print portraying the subtle movements and abstract ripples of the open sea. ...
Category
2010s Abstract Geometric Continental Europe - Landscape Drawings and Watercolors
Materials
Mixed Media, Emulsion, Watercolor, Photographic Paper, Monotype, Monoprint
Old Town. 2010, paper, watercolor, 48x36 cm
Located in Riga, LV
The series is dedicated to the artist's home town Riga.
Māris Abiļevs (born 23 April 1956 in Kazakhstan) is a Latvian graphic artist and printer, brother of graphic artist Andris Ab...
Category
2010s Contemporary Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
$756 Sale Price
20% Off
"Petit Dalles beach "Normandy France Gouache cm. 34 x 45 1940
By Henry Maurice CAHOURS
Located in Torino, IT
Lanscape France,Ocean, France , grey, blue, azure,beach,cliffs, Normandy
Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974)
He was born in Paris but spent his childhood and adolesce...
Category
1940s Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Gouache
Flooded river. 1950s. Paper, pastel. 26.5x35.5 cm
By Aleksandra Belcova
Located in Riga, LV
Aleksandra Belcova (1892-1981)
Studied at the Art School in Penza (1912-1917), State Free Art Workshops in Petrograd with N. Altman (1918-1919).
Together with her husband Romans Su...
Category
1950s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Pastel
City.
By Zigmunds Snore
Located in Riga, LV
City. Paper, watercolor, 43x22 cm
Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collections in Latvia, USA, Sweden, Aus...
Category
2010s Abstract Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Tuileries garden. 2010. Watercolor on paper, 38x50 cm
Located in Riga, LV
Tuileries garden. 2010. Watercolor on paper, 38x50 cm
Rest at the café with a view on panoramic wheel
Ingrida Irbe (1969)
Born 15th of June 1969 in Riga
Education:
1980. – 19...
Category
2010s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
$713 Sale Price
20% Off
El Patio de los Naranjos, Sevilla
Located in Madrid, ES
JAMES UWINS
EL PATIO DE LOS NARANJOS, SEVILLA
titled, located, signed and dated "La Giralda Sevilla. / James Uwins 1882" (lower right)
watercolor on paper on wood panel
37 x 29 inche...
Category
1880s Realist Continental Europe - Landscape Drawings and Watercolors
Materials
Watercolor
Sunny landscape. Bilateral. 1985. Oil on cardboard, 46x60 cm
By Edgars Vinters
Located in Riga, LV
Sunny landscape. Bilateral. 1985. Oil on cardboard, 46x60 cm
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in...
Category
1980s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Oil, Cardboard
$894 Sale Price
20% Off
Salzburger Berge
By August Wilhelm Dressler
Located in Wien, 9
August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...
Category
1930s Modern Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Acrylic
The courtyard of the castle by Charles Goetz - Watercolor 36x54 cm
Located in Geneva, CH
Work on Paper by Isaac Charles Goetz
Category
1930s Modern Continental Europe - Landscape Drawings and Watercolors
Materials
Watercolor
Town Hall Square in Paris
Located in Genève, GE
Work on paper
Gilded wooden frame with glass window
42.5 x 51 x 2.5 cm
Category
20th Century French School Continental Europe - Landscape Drawings and Watercolors
Materials
Watercolor
Snowy undergrowth
Located in Geneva, CH
Work on paper without frame
Category
1960s Modern Continental Europe - Landscape Drawings and Watercolors
Materials
Gouache
$256 Sale Price
57% Off
France middle 19th century, A Set of 6 drawings, landscapes and farms, Ink wash
Located in Paris, FR
France middle of 19th century (1843 ?)
A set of 6 drawings
Landscapes, trees, farms
Brown ink and brown ink wash on paper
Dimensions vary :
Farms and buildings ( x 3) : 27 x 34 cm
A...
Category
1840s Romantic Continental Europe - Landscape Drawings and Watercolors
Materials
Ink
Paris, view of the Pantheon, 1926, charcoal
Located in PARIS, FR
André MANTELET MARTEL (1876-1953)
View Of The Pantheon, Descartes street, Paris Ve area, 1926
Charcoal on paper
Signed, dated and located lower left
60 x 44 cm
Provenance; former Jac...
Category
1920s Continental Europe - Landscape Drawings and Watercolors
Materials
Charcoal
René Buignet (1888-1915) La Fontaine Médicis, Paris, two watercolors signed
Located in Paris, FR
René Buignet (1888-1915)
La Fontaine Médicis, Jardin du Luxembourg, Paris
Each one signed lower right
watercolor on paper
size of each : 28.5 x 21 cm
In the same mount and framing :...
Category
Early 1900s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Watercolor
Harvesting hay. 1930s. Paper, oil, 16x15 cm
Located in Riga, LV
Harvesting hay
1930s. Paper, oil, 16x15 cm
Category
1930s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Oil
"Juan le Pins" France watercolor cm 14 x 11 work cm.38 x 33 Framed 1930
By Henri Maurice Cahours
Located in Torino, IT
France landscape, Travel Watercolor,Cote azur
Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974)
He was born in Paris but spent his childhood and adolescen...
Category
1930s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper
A modest tribute from a student by Paul François XI - Engraving 32x50 cm
Located in Geneva, CH
Work on paper
Category
1930s Modern Continental Europe - Landscape Drawings and Watercolors
Materials
Engraving
At Paulette's by M. Opériol - Drawing 32x41 cm
Located in Geneva, CH
Work on canton paper
Category
1970s Academic Continental Europe - Landscape Drawings and Watercolors
Materials
Pastel
$240 Sale Price
20% Off
The Old Bridge - Drawing by Eugène Pons - Early 20th century
Located in Roma, IT
The Old Bridge is a drawing realized by Eugène Pons in the early-20th century.
Pencil drawing on paper.
Hand-signed.
Good conditions with slight foxing and folding.
Category
Mid-20th Century Modern Continental Europe - Landscape Drawings and Watercolors
Materials
Pencil
Autumn Lake - 21st Century, Contemporary, Landscape, Watercolor on Paper
By Ekaterina Smirnova
Located in Barcelona, Catalonia
Watercolor on paper
Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...
Category
21st Century and Contemporary Contemporary Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
On a light day by the sea. 1966, paper, watercolor, 32x42.5 cm
Located in Riga, LV
On a light day by the sea. 1966, paper, watercolor, 32x42.5 cm
Dzidra Ezergaile (1926-2013)
Born in Riga. School years alternate with summer work in the countryside. In 1947, she be...
Category
1960s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
$266 Sale Price
20% Off
Torrent in the Alps
By Jules Coignet
Located in PARIS, FR
Jules COIGNET
Paris 1798-1860
Torrent in the Alps
Watercolor and brown ink wash
Signed lower left
18 x 26.5 cm
29.5 x 37.5 cm framed
Condition: Remarkably fresh
Period frame and gl...
Category
Early 19th Century French School Continental Europe - Landscape Drawings and Watercolors
Materials
Ink, Watercolor
Louise Marie Jossier-Grémillon L'amphore blessée, 1934, watercolor signed
Located in Paris, FR
Louise Marie Jossier-Grémillon
L'amphore blessée (the wounded amphora), 1934,
signed, titled and dated lower left
watercolor on paper
62 x 44 cm
In good condition
In its original f...
Category
1930s Symbolist Continental Europe - Landscape Drawings and Watercolors
Materials
Watercolor
Mountains 005 Painting by Anastasia Vasilyeva, 2020
By Anastasia Vasilyeva
Located in Zofingen, AG
Anastasia Vasilyeva - Mountains 005 (2020)
Abstract landscape, painting in black, grey, white colors. Artwork represents Alps in winter, covered with snow and mist above it. Paintin...
Category
21st Century and Contemporary Abstract Expressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Acrylic
The countryside. 1970. Paper, crayons, 24.5x32 cm
Located in Riga, LV
The countryside. 1970ties. Paper, crayons, 24.5x32 cm
A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled...
Category
1970s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Crayon
$228 Sale Price
20% Off
American Contemporary Art by Elena Borstein - Oil Cliffside
By Elena Borstein
Located in Paris, IDF
Pastel on paper
Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore Co...
Category
1990s Contemporary Continental Europe - Landscape Drawings and Watercolors
Materials
Pastel, Paper
A street in Naples, Large pastel
By Giuseppe Casciaro
Located in PARIS, FR
Giuseppe CASCIARO
Ortelle 1861 - Naples 1941
A street in Naples
Pastel on strong paper
1906
Signed and dated lower left
Studio stamp on the back
67 x 43 cm sheet
84 x 60 cm frame
Fr...
Category
Early 1900s Post-Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Pastel
"undergrowth" forest, trees, greenery 1929 watercolor cm. 36, 5 x 26, 5
By Giulio da Milano
Located in Torino, IT
watercolor, forest, green
Giulio DA MILANO (Nizza, 1895 - Torino, 1990)
Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patroniz...
Category
1920s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper
$2,498 Sale Price
25% Off
Coastal landscape, 1882
Located in PARIS, FR
Frank Charles Peyraud (1858-1948)
Coastal landscape, 1882
Charcoal and shading on paper
Signed "C. Peyraud", dated "82" and dedicated "à l'ami Baradat" ? lower right
29.5 x 56 cm
Slightly oiled
A French-born artist born in Switzerland in 1858, Frank Charles Peyraud showed an early interest in drawing and painting. He grew up in a rural environment before studying architecture at the Swiss Federal Institute of Technology in Zurich, encouraged by his father. In 1877, he entered the École des Beaux-Arts in Paris. In 1881, Frank Peyraud...
Category
1880s Post-Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Charcoal
$618 Sale Price
20% Off
Clay jug on a bench - The essence of the clay jar revealed by the sunlight -
By Hans Richard von Volkmann
Located in Berlin, DE
Hans Richard von Volkmann (1860 Halle (Saale) - 1927 ibid.), Clay jug on a bench. Pencil and Watercolour on paper. 20 x 26,7 cm (visible size), 37 x 45 cm (frame), dated and monogrammed lower left "Februar 1890 - HR. V. V."
- Minimally tanned. Framed behind glass in a passepartout.
About the artwork
Using the technique of his early youth - pencil and watercolour - Hans Richard von Volkmann depicts a still life. However, this is not a conventional indoor still life, but an open-air depiction, painted outdoors and not in the studio. It is therefore an open-air painting, characteristic of von Volkmann's oeuvre, which could have been painted in the Willingshausen colony of painters, where open-air painting was programmatically practised there and the artist stayed there that year.
And indeed, this painting is a manifesto of open-air painting. Von Volkmann demonstrates that leaving the studio for the light of nature leads to an entirely new quality of art. To prove this, he uses the genre of still life, which can be described as the studio subject par excellence. Moreover, light plays an essential role in the classical still life. It is the real protagonist of the still life. And it is precisely this moment, essential to the still life, that von Volkmann exploits to demonstrate the potential of plein-air painting: He presents the objects as they appear in the sunlight. The date of February and the bare branches in the foreground make it clear that this is a clear winter day in bright sunlight. The delicate plant in the foreground casts a clearly defined shadow, as does the jug. However, the shadow is most pronounced on the jug itself: The underside of the handle appears almost black, making the top, and therefore the jug itself, shine all the more brightly. The shining of the objects in the sunlight is also visible on the bench. As complementary phenomena to the shadow zones, light edges can be seen on the boards of the seats and the upper foot of the bench shines entirely in the light. To achieve this intensity of light, von Volkmann activated the bright white of the painting ground.
By depicting the objects in glistening sunlight, von Volkmann demonstrates that this quality of light is only to be found outdoors. And this light leads to a new way of looking at the objects themselves. The jug on the bench seems like an accidental arrangement, as if the artist had stumbled upon this unintentional still life and captured it with fascination. And in this fascination there is a moment of realisation that refers to the objects themselves. It is only when they shine brightly in the sunlight that their true nature is revealed. In this way, sunlight allows the objects to come into their own, so to speak. Sunlight, which is not present in the studio, gives the still life an entirely new dimension of reality, which is also reflected in the colours interwoven by the sunlight: The bench and the jug stand in a harmonious grey-pink contrast to the green of the implied meadow.
The emphasis on the jug as the central subject of the picture also implies that the watercolour has not been completed. This non finito inscribes a processuality into the picture, making it clear that something processual has been depicted, the temporality of which has been made artistically permanent. This is why von Volkmann signed the painting and dated it to the month.
About the Artist
Von Volkmann made his first artistic attempts at the age of 14. He painted many watercolours of his home town of Halle. This laid the foundation for his later outdoor painting.
In 1880 his autodidactic beginnings were professionalised with his admission to the Düsseldorf Art Academy. There he studied under Hugo Crola, Heinrich Lauenstein, Johann Peter Theodor Janssen and Eduard von Gebhardt until 1888. Von Volkmann then moved to the Karlsruhe Academy, where he was Gustav Schönleber's master pupil until 1892.
In 1883 he came for the first time to Willingshausen, Germany's oldest painters' colony, at the suggestion of his student friend Adolf Lins...
Category
1890s Naturalistic Continental Europe - Landscape Drawings and Watercolors
Materials
Watercolor
Koroni - Greece, 2002
Located in Wien, 9
- signed, dated and titled lower right
Category
Early 2000s Contemporary Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
On the waterfront. Paper, watercolor, 60x80 cm
Located in Riga, LV
On the waterfront. Paper, watercolor, 60x80 cm
Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued he...
Category
1960s Post-Modern Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
$456 Sale Price
20% Off
At Baltic sea. 2020. Watercolor, paper, 63x94 cm
By Zigmunds Snore
Located in Riga, LV
At Baltic sea. Watercolor, paper, 63x94 cm
Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private ...
Category
2010s Realist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
$666 Sale Price
20% Off
Silence. 2010, paper, watercolor, 35x49 cm
Located in Riga, LV
The series is dedicated to the artist's home town Riga.
Māris Abiļevs (born 23 April 1956 in Kazakhstan) is a Latvian graphic artist and printer, brother of graphic artist Andris Ab...
Category
2010s Contemporary Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
$756 Sale Price
20% Off
Wobbly bridge, Tabanan, Bali, 1937
Located in Amsterdam, NL
Wobbly bridge, Tabanan, Bali, 1937
Signed with initials bottom right and dated, bottom left
Pencil and ink on paper, 22 x 26.3 cm
In ebonized frame with white mount
Willem Otto Wi...
Category
1930s Art Nouveau Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, India Ink, Pencil
Mountain road. 1960s. Watercolor on paper, 59x54.5 cm
Located in Riga, LV
Mountain road. 1960s. Watercolor on paper, 59x54.5 cm
Dzidra Ezergaile (1926-2013)
Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her s...
Category
1960s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
$471 Sale Price
20% Off
River in winter. 1987, oil on board, 40x50 cm
By Edgars Vinters
Located in Riga, LV
River in winter. 1987, oil on board, 40x50 cm
Winter landscape by the river
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paint...
Category
1980s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Oil, Cardboard
Post Impressionist Landscape Watercolour, Walking the Dog, The Promenade
By Henri Lebasque
Located in Cotignac, FR
Early 20th century drawing and watercolour on paper by noted French Post Impressionist painter Henri Lebasque. The work is signed in pencil bottom right and is presented in a gilt wo...
Category
Early 20th Century Post-Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Pencil
In the yard 1950. Pastel on paper, 65x49.5 cm
Located in Riga, LV
In the yard. 1950. Pastel on paper, 65x49,5 cm
Category
1950s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Pastel
$904 Sale Price
20% Off
The Cathedral - Drawing by Marcel Guillard - Early 20th century
Located in Roma, IT
The Cathedral is a drawing in pastel realized by Marcel Guillard (1896-?) in the early 20th Century.
Good condition.
Category
Early 20th Century Modern Continental Europe - Landscape Drawings and Watercolors
Materials
Pastel
Scarlet sunset. Bilateral. Paper, watercolor, 26.5x35 cm
Located in Riga, LV
Scarlet sunset. Bilateral. Paper, watercolor, 26.5x35 cm
Dzidra Ezergaile (1926-2013)
Born in Riga. School years alternate with summer work in the countryside. In 1947, she began he...
Category
1960s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Südafrika
Located in Wien, 9
> signed and dated lower rights
> titled lower left
Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Unger at the University of...
Category
2010s Contemporary Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Handmade Paper
Batumi. View of the harbor 1987, paper, watercolor, 18.5x30.5 cm
By Nikolai Uvarov
Located in Riga, LV
"Batumi. View of the Harbor" is a watercolor artwork created in 1987 on paper. The dimensions of the artwork are 18.5x30.5 cm. The painting portrays a scenic view of the harbor in B...
Category
1980s Realist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
$209 Sale Price
20% Off
Cargo ship 1965. paper/watercolor., 8x22.3 cm
Located in Riga, LV
Cargo ship
1965. paper/watercolor., 8x22.3 cm
Herberts Mangolds (1901-1978)
Graphic, army officer.
In 1920 he graduated from the Artillery Cadet School of Latvian and many military...
Category
1960s Realist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Jurmala 1965, paper/watercolor, 19.5x35.5 cm
Located in Riga, LV
Jurmala
1965, paper/watercolor, 19.5x35.5 cm
Herberts Mangolds (1901-1978)
Graphic, army officer.
In 1920 he graduated from the Artillery Cadet School of Latvian and many military courses.
In 1933 he graduated from the Arts Academy of Latvia, Graphic workshop under the guidance of R. Zarins.
He participated in the exhibition since 1924.
He painted mostly military themes. And also painted landscapes and compositions with oriental motives in watercolors technique.
He drew sketches for the plates painting to porcelain factory of Kuznetsova and faience factory.
One of the first drawer of Latvian journeyman army in 1922. He i san author of Viesturs Order sign...
Category
1960s Realist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
$228 Sale Price
20% Off
Jacques Germain -Untitled - Original Signed Drawing
By Jacques Germain
Located in Collonge Bellerive, Geneve, CH
Jacques GERMAIN (1915-2001)
Untitled
Circa 1970
Dimensions: 25 x 18 cm
Pencil on Paper
Signed J.G
Born in Paris in 1915, worked with Fernand Léger and Amédée Ozenfant at the Acad...
Category
1970s Abstract Expressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Ink
Winter landscape. 1980. Oil on cardboard, 24x32.5 cm
By Edgars Vinters
Located in Riga, LV
Winter landscape. 1980. Oil on cardboard, 24x32.5 cm
Category
1980s Impressionist Continental Europe - Landscape Drawings and Watercolors
Materials
Oil, Cardboard
$456 Sale Price
20% Off
Composition of Notre Dame, Paris
By Paul Mathey
Located in Genève, GE
Work on watercolor paper
Golden wooden frame with glass pane
51 x 63 x 3 cm
This artwork offers a striking interpretation of an urban landscape, enveloped in a palette of earthy, m...
Category
Early 20th Century Continental Europe - Landscape Drawings and Watercolors
Materials
Gouache
Town Hall Square, Paris
Located in Genève, GE
Work on paper
Golden wooden frame with glass pane
42.5 x 51 x 2.5 cm
Category
Early 20th Century French School Continental Europe - Landscape Drawings and Watercolors
Materials
Watercolor
The dunes on the Belgian coast
Located in Genève, GE
Work on paper
Gray wooden frame with glass pane
33 x 47.5 x 2 cm
Category
1920s Continental Europe - Landscape Drawings and Watercolors
Materials
Watercolor
Olive trees and seaside
Located in Genève, GE
Work on paper
Golden wooden frame with glass pane
49.5 x 61 x 3 cm
Category
Early 20th Century Continental Europe - Landscape Drawings and Watercolors
Materials
Pastel
Swiss Contemporary Art by Olivier Furter - Mensch III
Located in Paris, IDF
Gouache on paper - Framed 102 x 72 x 3 cm
Category
2010s Contemporary Continental Europe - Landscape Drawings and Watercolors
Materials
Gouache, Paper
Landscape 1964, watercolor on paper, 20.5x26.5 cm
Located in Riga, LV
Landscape
1964, watercolor on paper, 20.5x26.5 cm
Herberts Mangolds (1901-1978)
Graphic, army officer.
In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...
Category
1960s Realist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
The village 1964, paper/crayons/pencil., 14x19 cm
Located in Riga, LV
The village
1964, paper/crayons/pencil., 14x19 cm
Herberts Mangolds (1901-1978)
Graphic, army officer.
In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...
Category
1960s Realist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Crayon, Color Pencil
Ice breaker 1965, paper/watercolor, 16x21 cm
Located in Riga, LV
Ice breaker
1965, paper/watercolor, 16x21 cm
Herberts Mangolds (1901-1978)
Graphic, army officer.
In 1920 he graduated from the Artillery Cadet School of Latvian and many military ...
Category
1960s Realist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Landscape 1967, paper/watercolor, 23x43.5 cm
Located in Riga, LV
Landscape
1967, paper/watercolor, 23x43.5 cm
Herberts Mangolds (1901-1978)
Graphic, army officer.
In 1920 he graduated from the Artillery Cadet School of Latvian and many military ...
Category
1960s Realist Continental Europe - Landscape Drawings and Watercolors
Materials
Paper, Watercolor
$228 Sale Price
20% Off