Continental Europe - Landscape Prints

Palazzo Borghese is original black and white etching realized by Giuseppe Vasi . Beautiful etching representing Palazzo Borghese in Rome. Signed and...

Dunnottar Castle, Stonehaven is an etching realized in 1845 by William Henry Bartlett. Signed on the plate. Titled on the lower center. Good...

Orange Landscape is a beautiful original colored serigraph on cream-colored paper, realized by the Italian artist Vincenzo Monti ( 1908-1981) Numbered in pencil and signed in penc...

Potiphar is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a po...

Rome - Colosseum interior is an original screen print on cardboard by Costantino Persiani in 1972. Hand-signed and dated on the lower right. Good conditions. Numbered, edition 127...

View of Canal in Venice is an original drawing in watercolor on cardboard realized by an anonymous artist in the mid-20th Century. Good conditions. The artwork represents the color...

Cromer is an engraving on paper realized by F.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

Fountain is an original etching realized in the late 16th century. The State of preservation is very good. Hand-watercolored. The artwork represents t...

The Battle of Magenta is original Hand-colored lithography on paper, realized by Carlo Bossoli in the XIX century. Titled on the lower center, signed on ...

We are together. 1965, paper, lithography, 25x27 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her stu...

Gondoliers in Venice is an etching realized by Gianpaolo Berto in 1974. 60 X 75 cm , no frame. Edition 17/50. Numbered and firmed by the artist in the lower margin. Good condition...

Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Image dimensions: 15.7 x 20.6 cm. This splendid lithograph Interieur de Geneve. Fontaine et Rue de Coutance is part of the series of 20 prints dedicated to views of the city of Gene...

Full Moon is a Contemporary Artwork realized by the Italian Artist Guelfo Bianchini (Ancona, 1937) in 1978. Original colored Etching on paper. Hand-signed in pencil on the lower...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Workington is an etching realized in 1845 by W. H. Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully real...

Letter V is an etching realized by Luigi Vanvitelli artist of 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Expose...

Lytham is an etching realized in the Early-20th Century by Robert Wallis. Signed in plate. The artwork is realized in a well-balanced composition.

Landscape is an original colored monotype print on paper realized by Italian artist Giuseppe Cena. Hand-signed on the lower right. The State of preservation is very good. The artwo...

Landscape is a beautiful black and white etching on paper, realized around the 80s by the Italian artist Fiorella Diamantini (Cingoli, 1931-2019). Signed in pencil on the lower right margin and with the abbreviation "P.d.a." in pencil on the lower left margin. Our original etching, an artist proof, confirms the artist's love for classic style in the wake of another great artist from the region Marche: Luigi Bartolini. The hills and the trees clearly emerge among the often rampant whites, but on closer inspection there is no sign that the view is not built, everything is defined by a fabric of lines that thickens for the contours, and it is made rarer for the shadows. She seems to draw her landscapes from absolute white, where the edges of the real irrepressible by a single line are defined by the hatching. A real skilled hand demonstrates a full mastery of the artistic technique and a real suggestive hatching that has something of the geometrical rigor. In very good conditions, except for a minor stain on the lower left margin and some imperceptible signs of time. Fiorella Diamantini was born in Cingoli in 1931 and graduated from the Book School of Urbino and the Academy of Fine Arts in Rome. She studied engraving with Leonardo Castellani in Urbino and Mino Maccari in Rome. Since 1958, she has taught in Rome Techniques of Engraving, first assistant of Mino Maccari, then of Arnoldo Ciarrocchi. From 1951, she lived in Rome. In 1980, she moved to Umbria, in Spello. She has been invited to the most important engraving reviews: the Venice Biennale (1956), the Venice Black and White Biennial, the Rome Quadrennial and the national and international exhibitions organized at the National Chalcography of Rome. His works have been presented at the Michel Gallery in Paris, at the Stockholm National Museum, at the National Chalcography of Rome, at the International Rossetti Library in Rome, at the Prandi Library in Reggio Emilia. Her works are present at the InClub Publishing House in Florence and the Galaverni Saletta in Reggio Emilia. The following wrote about Fiorella Diamantini: Mino Maccari, Italo Cremona, Valeria Vecchia, Arnoldo Ciarrocchi, Lorenza Trucchi, Alberto Manfredi...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Landscape is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 5/99, o...

Conway Quay is an etching realized in 1845 by J.C. Armytage. Signed in plate. The artwork is realized in a well-balanced composition.

Casolari E Cipressi is a beautiful artwork realized by Orfeo Tamburi in the 1970's Mixed colored lithograph. Hand signed by the artist. Numbered on the lower left. Edition: 13/100 ...

London is an etching realized in 1845 by W. H.Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully realized ...

Port Glasgow is an etching realized in 1845 by W. H. Bartlett. Signed on the plate. Titled on the lower center, from the series of "Ports of Great Britain". Good conditions with...

The nativity  is an  artwork realized by Gianpaolo Berto, 1976.  Etching, 60 x 50 cm. Edition 2/20, Dated 76'  in the right margin.  Very good condition. Gian Paolo Berto was b...

Landscape Under The Moon is an Screen print realized by Enotrio Pugliese in 1960s. Hand-signed by the artist on the lower. Numbered, Limited edition of 15 prints. Good conditions...

Woman in Yellow is a screen print realized by Nicola Simbari in 1976. Hand signed and dated in pencil lower right (Simbari 76). Edition of 90 prints. The artwork represents a female...

View of Paris is an original Modern artwork realized by Orfeo Tamburi (Jesi, 1910 – Paris,1994) in 1980s. Original Colored Lithograph on paper. Numbered. Edition, 90/150. Good...

Scarborough is a lithograph on paper realized by the artist James Duffield Harding. Signed on the plate on the lower left. Titled on the lower center. Engraved by W. Finden The sta...

Childhood Memory is an original Modern artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the half of the 20th Century. Original B/W woodcut on cardboard. Excellent conditions. Lojze Spacal...

Villa Lante of Bagnagia is an vintage offset print realized after an let 18th Century etching by the italian artist Francesco Pannini. This artwork is a r...

Ancient view of Vindesorium (Windsor) is an old master artwork realized by George Braun and Franz Hogenberg in the Late 17th Century, as part of the famous Series "Civitates Orbis Te...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin.Artist's proof (as reported on the lower left margin) Dry stamp on the lower margin. Maurizio Coccia, also known as "Rolandi" painter, engraver, sculptor, artistic decorator. Born in Rome in 1940, he studied painting and turned to the masters of the Via Margutta and was inspired by the works of Cagli and Guttuso. After making his debut in the 70s with two exhibitions in Trieste and Rieti, he also exhibits in the United States and in the major Italian galleries...

Le Raton is an etching realized by Jean Gullaume Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artis...

Reflections on the river is an original colored lithography print on white paper realized by Claudio Tessari. Hand-signed in pencil on the lower right, Numbered, edition of 120 prin...

Image dimensions: 33.4 x 24.4 cm. Altana Romana (Roman Roof Terrace) is an original masterpiece realized by the great Italian artist, poet, and engraver Luigi Bartolini in 1954. Or...

Landscape is an original lithograph on paper realized by an Anonymous artist of the XIX century. Printed in series of "France Pittoresque" at the top center. Titled in French on t...

Original Vintage Poster, issued 1980 on the occasion of the exhibition in Lugano named after Le Corbusier's famous dictum "creation is a patient sea...

Peasants is a woodcut print realized by Augusto Monari in the Early-20th Century. Good conditions. The artwork is depicted through confident strokes in a well-balanced composition.

Landscape is an artwork realized by Enrico Paulucci (1901-1999) in the middle of 20th century. Etching and drypoint on paper. Edition of 20. Good condition except for some diffuse...

Landscape with Mountains is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 3/99, on the left margi...

Max Clarenbach (1880 Neuss - Cologne 1952), Evening. Etching, 18 x 41 cm (platemark), 33.5 x 57 cm (frame), inscribed "Abend" in pencil at lower left, signed and dated "M. Clarenbach. 28.III.[19]09". Framed and mounted under glass. - Somewhat browned and slightly foxed. About the artwork The horizontally elongated etching depicts the panoramic view of a small town as seen from the other side of the river. There are gabled houses on the left and a mighty church spire on the right. The bourgeois houses and the large religious building indicate the urban character. These buildings are rendered in dark tones to emphasise the lighter row of houses in the centre of the picture, closer to the water. The chiaroscuro contrast creates two parallel planes that open up a space for the imagination of what the city could be. The imagination is stimulated by the almost entirely dark, barely recognisable buildings, while the arm of the river leading into the city further stimulates the imagination. However, as the silhouette of the city as a whole is reflected in the water, the parallel planes are perceived as a band of houses that stretches across the entire horizontality of the etching and seems to continue beyond the borders of the picture. The reflection has almost the same intensity as the houses themselves, so that the band of buildings merges with their reflection to form the dominant formal unit of the picture. Only the parallel horizontal hatching creates the convincing impression of seeing water, demonstrating Max Clarenbach's mastery of the etching needle. The water is completely motionless, the reflection unclouded by the slightest movement of the waves, creating a symmetry within the formal unity of the cityscape and its reflection that goes beyond the motif of a mere cityscape. A pictorial order is established that integrates everything in the picture and has a metaphysical character as a structure of order that transcends the individual things. This pictorial order is not only relevant in the pictorial world, but the picture itself reveals the order of the reality it depicts. Revealing the metaphysical order of reality in the structures of its visibility is what drives Clarenbach as an artist and motivates him to return to the same circle of motifs. The symmetry described is at the same time inherent an asymmetry that is a reflection on art: While the real cityscape is cut off at the top of the picture, two chimneys and above all the church tower are not visible, the reflection illustrates reality in its entirety. The reflection occupies a much larger space in the picture than reality itself. Since antiquity, art has been understood primarily as a reflection of reality, but here Clarenbach makes it clear that art is not a mere appearance, which can at best be a reflection of reality, but that art has the potential to reveal reality itself. The revealed structure of order is by no means purely formalistic; it appears at the same time as the mood of the landscape. The picture is filled with an almost sacred silence. Nothing in the picture evokes a sound, and there is complete stillness. There are no people in Clarenbach's landscape paintings to bring action into the picture. Not even we ourselves are assigned a viewing position in the picture, so that we do not become thematic subjects of action. Clarenbach also refrains from depicting technical achievements. The absence of man and technology creates an atmosphere of timelessness. Even if the specific date proves that Clarenbach is depicting something that happened before his eyes, without the date we would not be able to say which decade, or even which century, we are in. The motionless stillness, then, does not result in time being frozen in the picture, but rather in a timeless eternity that is nevertheless, as the title "Abend" (evening), added by Clarenbach himself, makes clear, a phenomenon of transition. The landscape of the stalls is about to be completely plunged into darkness, the buildings behind it only faintly discernible. The slightly darkened state of the sheet is in keeping with this transitional quality, which also lends the scene a sepia quality that underlines its timelessness. And yet the depiction is tied to a very specific time. Clarenbach dates the picture to the evening of 28 March 1909, which does not refer to the making of the etching, but to the capture of the landscape's essence in the landscape itself. If the real landscape is thus in a state of transition, and therefore something ephemeral, art reveals its true nature in that reality, subject to the flow of phenomena, is transferred to an eternal moment, subject to a supra-temporal structure of order - revealed by art. Despite this supratemporality, the picture also shows the harbingers of night as the coming darkening of the world, which gives the picture a deeply melancholy quality, enhanced by the browning of the leaf. It is the philosophical content and the lyrical-melancholic effect of the graphic that give it its enchanting power. Once we are immersed in the image, it literally takes a jerk to disengage from it. This etching, so characteristic of Max Clarenbach's art, is - not least because of its dimensions - a major work in his graphic oeuvre. About the artist Born into poverty and orphaned at an early age, the artistically gifted young Max Clarenbach was discovered by Andreas Achenbach and admitted to the Düsseldorf Art Academy at the age of 13. "Completely penniless, I worked for an uncle in a cardboard factory in the evenings to pay for my studies.” - Max Clarenbach At the academy he studied under Arthur Kampf, among others, and in 1897 was accepted into Eugen Dücker...

Whitby is an etching realized in 1845 by Edward Francis Finden. Signed on the plate. Titled on the lower center, from the series of "Ports of Great Britain" Good conditions with ...

Barbara Rosiak is a Polish painter and graphic designer born in 1955 in Lodz. From 1974 to 1979, she studied at the National Superior School of Fine Arts at the Faculty of Painting a...

Scene At Fleetwood is an etching realized in 1845 by W. H.Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautiful...

Epervier is an etching realized in 1771 by C. Haussard. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabin...

Portrait is an original lithograph artwork realized by an anonymous engraver of the XIX century. Printed in series of "France Pittoresque" at the top center. Titled in France on th...

Landscape with Bridge is a beautiful black and white etching realized by Jean-Claude Richard de Saint-Non at the end of 18th Century. On lower margin under the image the inscriptio...

Lucas Arruda Brazilian, b. 1983) Untitled (from the Deserto-Modelo series), 2018 Medium: Hybrid print on paper Dimensions: 23 3/5 × 23 3/5 in 60 × 60 cm Edition of 500: Not signed, ...

Roman Temples and Ruins is a vintage offset print artwork on paper, realized after G. Engelmann (1788-1839), in the late 20th century. The artwork is signed on the plate. In very go...

Whitby is a lithograph on paper realized by the artist James Duffield Harding. Signed on the plate on the lower left. Titled on the lower center. Engraved by W. Finden The state of...

I Castelli Romani is a splendid poster realized after Neal Slavin, in 1983, in occasion of the exhibition held in Rondanini Gallery in Rome. Vintage o...

Allonby is an etching realized in 1845 by W. H.Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully realized...

Arch is original Hand-colored etching, realized by Luigi Rossini (1790–1857) with description on the lower. In good conditions with some folding. Image Dimensions: 25 x 18 cm The ...

Stonehaven is an etching realized in 1845 by William Henry Bartlett. Signed on the plate. Titled on the lower center. Good conditions with s...

Breton Peasant is a woodcut print realized by Paul Emile Colin (1867-1949). Good condition on a little paper, included a cream colored cardboard pass...

Letter V is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le...

Dunottar Castle, near Stonehaven is a lithograpy on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of pr...