Continental Europe - Landscape Prints

Poggio a Caiano is an original black and white etching realized by Ardengo Soffici in 1964. Hand written dedication on the right margin "Per Ardengo Soffici, Maria Soffici". Number...

St. Peter's Square is an original etching artwork realized by the Italian artist Giuseppe Malandrino. Hand-signed by the artist on the lower right in pencil. Numbered in Roman nume...

Navona Square is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered edition of 99 copi...

Landscape is an etching realized by Nicholas Cochin in 1755. Good conditions. The artwork is depicted through confident strokes. The etching was rea...

Letter of the Alphabet P, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Berwick (from the South East) is a lithograph on paper realized by the artist George Balmer. Signed on the plate on the lower left. Titled on the lower center. Engraved by W. Finden...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 176 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Seascape With Monuments is an Etching realized by Raffaele Barone (18th Century). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le A...

Seascape With Monument and Figures is an Etching realized by Luigi Aloja (1783-1837). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “...

Specchio (Mirror) is an original woodcut on paper realized by G. Guerrini. Very good condition. Included passepartout: 40 x 30 cm.

The Village is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 26/99, on the left margin. On the b...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as repor...

Navona Square is an etching realized in the 1960s by Giuseppe Malandrino . Original hand-colored print. Hand-signed by the artist in pencil on the lower right corner. Numbered, e...

Navona Square - Fountain of 4 Rivers is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numb...

The Houses on the Lake is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 14/99, on the left margin...

Max Clarenbach (1880 Neuss - Cologne 1952), Evening. Etching, 18 x 41 cm (platemark), 33.5 x 57 cm (frame), inscribed "Abend" in pencil at lower left, signed and dated "M. Clarenbach. 28.III.[19]09". Framed and mounted under glass. - Somewhat browned and slightly foxed. About the artwork The horizontally elongated etching depicts the panoramic view of a small town as seen from the other side of the river. There are gabled houses on the left and a mighty church spire on the right. The bourgeois houses and the large religious building indicate the urban character. These buildings are rendered in dark tones to emphasise the lighter row of houses in the centre of the picture, closer to the water. The chiaroscuro contrast creates two parallel planes that open up a space for the imagination of what the city could be. The imagination is stimulated by the almost entirely dark, barely recognisable buildings, while the arm of the river leading into the city further stimulates the imagination. However, as the silhouette of the city as a whole is reflected in the water, the parallel planes are perceived as a band of houses that stretches across the entire horizontality of the etching and seems to continue beyond the borders of the picture. The reflection has almost the same intensity as the houses themselves, so that the band of buildings merges with their reflection to form the dominant formal unit of the picture. Only the parallel horizontal hatching creates the convincing impression of seeing water, demonstrating Max Clarenbach's mastery of the etching needle. The water is completely motionless, the reflection unclouded by the slightest movement of the waves, creating a symmetry within the formal unity of the cityscape and its reflection that goes beyond the motif of a mere cityscape. A pictorial order is established that integrates everything in the picture and has a metaphysical character as a structure of order that transcends the individual things. This pictorial order is not only relevant in the pictorial world, but the picture itself reveals the order of the reality it depicts. Revealing the metaphysical order of reality in the structures of its visibility is what drives Clarenbach as an artist and motivates him to return to the same circle of motifs. The symmetry described is at the same time inherent an asymmetry that is a reflection on art: While the real cityscape is cut off at the top of the picture, two chimneys and above all the church tower are not visible, the reflection illustrates reality in its entirety. The reflection occupies a much larger space in the picture than reality itself. Since antiquity, art has been understood primarily as a reflection of reality, but here Clarenbach makes it clear that art is not a mere appearance, which can at best be a reflection of reality, but that art has the potential to reveal reality itself. The revealed structure of order is by no means purely formalistic; it appears at the same time as the mood of the landscape. The picture is filled with an almost sacred silence. Nothing in the picture evokes a sound, and there is complete stillness. There are no people in Clarenbach's landscape paintings to bring action into the picture. Not even we ourselves are assigned a viewing position in the picture, so that we do not become thematic subjects of action. Clarenbach also refrains from depicting technical achievements. The absence of man and technology creates an atmosphere of timelessness. Even if the specific date proves that Clarenbach is depicting something that happened before his eyes, without the date we would not be able to say which decade, or even which century, we are in. The motionless stillness, then, does not result in time being frozen in the picture, but rather in a timeless eternity that is nevertheless, as the title "Abend" (evening), added by Clarenbach himself, makes clear, a phenomenon of transition. The landscape of the stalls is about to be completely plunged into darkness, the buildings behind it only faintly discernible. The slightly darkened state of the sheet is in keeping with this transitional quality, which also lends the scene a sepia quality that underlines its timelessness. And yet the depiction is tied to a very specific time. Clarenbach dates the picture to the evening of 28 March 1909, which does not refer to the making of the etching, but to the capture of the landscape's essence in the landscape itself. If the real landscape is thus in a state of transition, and therefore something ephemeral, art reveals its true nature in that reality, subject to the flow of phenomena, is transferred to an eternal moment, subject to a supra-temporal structure of order - revealed by art. Despite this supratemporality, the picture also shows the harbingers of night as the coming darkening of the world, which gives the picture a deeply melancholy quality, enhanced by the browning of the leaf. It is the philosophical content and the lyrical-melancholic effect of the graphic that give it its enchanting power. Once we are immersed in the image, it literally takes a jerk to disengage from it. This etching, so characteristic of Max Clarenbach's art, is - not least because of its dimensions - a major work in his graphic oeuvre. About the artist Born into poverty and orphaned at an early age, the artistically gifted young Max Clarenbach was discovered by Andreas Achenbach and admitted to the Düsseldorf Art Academy at the age of 13. "Completely penniless, I worked for an uncle in a cardboard factory in the evenings to pay for my studies.” - Max Clarenbach At the academy he studied under Arthur Kampf, among others, and in 1897 was accepted into Eugen Dücker...

Still Life Fresco With Birds from "Antiquities of Herculaneum" is an etching on paper realized by Luigi Aloja in the 18th Century. Signed on the plate. Good conditions. The etchin...

Tree is an original contemporary artwork realized by Alfonso Bonavita in 1990s. Mixed colored lithograph. Hand signed and numbered on the lower margin. Artist's proof. Edition of ...

The Voyage of Bernard Plossu is an original vintage poster realized after Bernard Plossu in 1981. Fai conditions with folding and a small cutaway. Poster of the Exhibition at The P...

"The lands of Rome" 1850's is an original lithograph realized by an Anonymous Artist of the XX Century . The state of preservation of the artwork is very good. Sheet dimension: 22...

Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Landscapes Of Autumn is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof...

Letter of the Alphabet A, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century. Good conditions. The etching belong...

Seascape is a lithograph attributed to Nicholas Verrall in the Late 20th Century. Hand-signed on the lower right Numbered, Edition, 10/99. The artw...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous ...

Letter of the Alphabet I, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Boats is an Original Lithograph realized by André Margat in the mid-20th Century. Good conditions. The artwork is realized with harmonious colors in a w...

The Solway (from Harrington Harbour) is a lithograph on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of preservation is good, only a yellowed paper along the edge and some foxing. William Henry Bartlett...

Sepolcro Regio, o Consolare , inciso nella rupe del Monte Albano (Royal or Consular Tomb in the Alban Hills) is an original etching realized by Giovan Battista Piranesi in 1764. Ed...

Monastero e Chiesa dei SS. Domenico is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. ...

Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century....

Line Infantry is an original lithograph realized by Jules Renard in 19th century. It is part of the collection "Soldiers of the Republic". Hand-signed. Good condition. Draner, ac...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-si...

Harwick - Essex is a lithograph on paper realized by the artist Henry Warren. Signed on the plate on the lower left. Titled on the lower center. Engraved by E. Finden The state of ...

View of Piazza Campo dé Fiori is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 19...

Paris, coffee bar is a beautiful artwork realized by Orfeo Tamburi during the 1980s. Mixed colored lithograph. Edited and printed by Graphics Arte, Livorno...

Flamborough Head is a lithograph on paper realized by the artist George Balmer . Signed on the plate on the lower left. Titled on the lower center. Engraved by E. Finden The state...

Roman Temple Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Fernando Strina in the 18th Century. Signed on the plate. Good conditions. The etching bel...

View of Oran is an original Hand-colored lithograph on paper realized in 1846 by an Anonymous artist of the XIX century. Titled in Italian on the lower center "Oran". The state of...

Dunottar Castle, near Stonehaven is a lithograpy on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of pr...

Desert Landscape is an original lithograph on paper realized by Leo Guida in 1955. Good condition except for being aged. Leo Guida (1992 - 2017). Sensitive to current issues, arti...

Greenock is a lithograph artwork on paper realized by the artist W.H. Bartlett. Signed on the plate on the lower left. Titled on the lower center. The state of preservation is good...

Borneo Road of the Sarawack is a Lithograph realized by an unknown artist of 19th century. Good condition on a yellowed paper. No signature, Title on the lower margin.

The City is a screen print realized by Giuseppe Aleandro in the 1970s. Hand-signed and numbered. Edition of 150 prints. Very Good condition.

Nature is an original artwork realzed by Jean Chapin in the XX century. Original lithograph on paper. Hand-signed in pencil on the lower right corner. Numbered in pencil on the low...

Eye and Ear is an original print by Renzo Vespignani. Etching on paper. Hand-signed on the lower right. Numbered, edition,88/99. Good condition except for consumed margins and som...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as repor...

Landscape With Monuments and Figures is an Etching realized by Luigi Aloja (1783-1837). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title:...

Seascape is a lithograph attributed to Nicholas Verrall in the Late 20th Century. Hand-signed. Numbered, Edition, 4/99. The artwork is depicted thr...

Venice is an original Etching realized by Gian Paolo Berto in 1974. Hand signed, sated and numbered by the artist with pencil on the lower right corner. Edition of 50. Good conditi...

Landscape is an etching realized by Marco Bonechi in the late 20th Century. Hand-signed. Numbered. Edition 8/99. Good conditions. The artwork is...

View of Paris is a Modern artwork realized by Orfeo Tamburi (Jesi, 1910 – Paris,1994) in the 1970s. Colored Lithograph. Hand-signed. Numbered on the lower, Edition, 125 prints. Good conditions. Orfeo Tamburi (Jesi, Ancona,1910-Paris,1994) was an Italian painter and scenic designer. After moving to Rome, Tamburi trained in the Roman School and from an early age took part in the artistic life of the city, collaborating with articles and drawings in L'Italia Letteraria , Il Selvaggio and other magazines. His artworks were exhibited in Italy - at the Venice Biennale and the Rome Quadrennial- but also abroad. Tamburi's favorite subjects were mainly landscapes, urban views and Roman, Venetian and Parisian portraits. The artist was also active as a draftsman, illustrating old and modern works of poets and writers with etchings, lithographs and drawings: he created fifty drawings for Little Rome , with a poem by Ungaretti (Urbinati 1944), Cineraccio by Leonardo Sinisgalli (Cento Amici del Book 1966) and many others. In 1979 the Editions Denoël of Paris and Il Cigno Stamperia d'Arte in Rome published a precious three-volume work entitled Paris 20 + 1 with texts by Nino Frank, Georges Pillement and Paul Guth...

Lalibela - Bièt Gàbriel is an original etching on paper realized by Lino Bianchi Barriviera in 1948. Hand-signed in pencil in the lower right. In ...

Santa Maria della Salute is an original modern artwork realized in Italy in the half of the 19th Century. Original lithograph on Ivory Paper. Inscripted on the lower margin in Ca...

The Vineyard is an original etching realized by Leonardo Castellani in 1960. The etching is part of an edition of 100 specimens, numbered and sigled. Hand-signed by the artist on t...

The Landscape of Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of onl...

Landscape is a very colorful print artwork realized by Martine Goyens in the late 20th Century. Hand-signed. Lithograph print, Numbered, edition of 9/99, certificate label on the r...

Beside The Lake is a modern artwork realized by the Artist Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the left corner, ...

Landscape is a lithograph realized by Bob Paulson in the 2000s. Numbered, Edition, 9/99. Hand-signed. The artwork is depicted through harmonious colors in a well-balanced composit...

Landscape is a very colorful artwork realized by Martine Goyens in the late 20th Century. Digigraph print. Hand-signed. Good conditions. The artwork id depicted through confident...