Continental US - Still-life Photography

Desert Eagle Digital C-Print / Archival Pigment Print Available sizes: 36 x 72 in - Edition of 20 48 x 96 in - Edition of 10 In Point Blank, Lusztyk’s magnification of handguns at o...

This is a pop art photo print of an original Han Solo toy from Kenner. "The Toys" by LA based Pop Artists DESTRO. This is the first release in the much antic...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of carnivorous plants. "The poetic sensibility of nature seems to h...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

Automobili I by Frank Schott 27 x 40 inches / 69cm x 102cm edition of 25 signed 48 x 72inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limited a...

Dreamer (Zuma Beach) - 2004 29x28cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #2746. Not ...

"Proxima" Photography 36" x 24" inch Edition 1/15 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Not framed. Ships in tube. Shot wit...

Framed still life photograph of a bright orange Poppy flower on a crisp white background “Untitled 69” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” series be...

Peapods after the big chop. Photograph by Deborah Benedic,

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

"Covid Vanitas: The Pandemic Still Lifes" On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual ...

Spring Fantasy - 2016, Edition of 7. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2016-130. No...

In the NX Series, Krag uses guitar necks as the space to recreate the score of a rock and roll song that brings strong personal memories. He marks the notes with nails in the guitar’s fretboard and weaves color threads among them to represent the song’s flow. The guitar as an acoustic object does not exist anymore. The object is a soundless fragment of a broken instrument that — through a mnemonic image of the placement of fingers — is referencing a sound the viewer recreates in his mind. Photography helps Kevin Krag...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

Bed, 1992 Still Life Photograph of Mahogany Canopy Bed in a Bedroom by David Halliday Sepia toned silver gelatin print, edition of 15 Custom brown...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

Butterfly Blue, 2016 by Roberta Fineberg is a 12.5” x 11,5” archival pigment print on Japanese paper mounted on clear plexiglass. Titled, dated, signed...

“It takes the passage of time before an image of a commonplace subject can be assessed. The great difficulty of what I attempt is seeing beyond the moment; the everydayness of life gets in the way of the eternal.” --George Tice GEORGE TICE was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self taught photographer. Two years later, when his picture of an alleyway was commended by a pro photographer critiquing club members' work, Tice was off and running with what would become his life’s work.. Tice studied commercial photography for a short time at Newark Vocational and Technical High School then decided to join the Navy. After, he worked as a traveling portrait photographer for almost 10 years. In 1959, Edward Steichen, then director of photography at MOMA acquired Tice's photo of an explosion aboard the USS Wasp for the museum. Later he aided Lee Witkin in establishing the seminal Witkin Gallery in NYC. His work was included in the opening group show in 1969 and the first of many solo shows there began the following April. George’s change to larger format cameras in the 60’s furthered his ability to craft carefully toned and detailed prints. He portrayed traditional Amish and Shaker communities, as well as the hard lives of fishermen in Maine. In the 1970s, Tice began explore his native NJ and began to document the vestiges of American culture on the verge of extinction, the work he is best known for. Whether it is the rural people who reside in small communities or suburban buildings and neighborhoods in decline, his great talent is finding deep meaning and emotional content in the most mundane subjects. In 1972, Tice was the subject of a one-man show at the Metropolitan Museum of Art. A fellow of the Guggenheim Foundation and the National Endowment for the Arts, George Tice’s work is included in more than 80 major museum collections including the Museum of Modern Art (MoMA) in New York and the J. Paul Getty Museum in Los Angeles, as well as countless private collections. Some of his iconic New Jersey images form the scenic backdrop...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

Unframed. Two 40h x 26w inch monotypes. Signed on the back by the artist. Images of the prints framed are just to give a sense of how much wall they would cover once framed with a...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

The work is the result of a live guitar improvisation where Krag wore a special suit to paint the instrument while playing it. The body of the guitar got splashes of paint by the mov...

Eucalyptus with Turtles and Honeycomb, 2010 94 x 33.5 inches, edition of 15 archival digital print, unframed This contemporary, archival digital print was made by fine art photograp...

From "The Good Dishes" Collection Noritake Yoshino with Kiwi, 2020 30" x 20" Photograph Archival Pigment Print Edition of 5 + 2 APs: $2400 Signed en verso/Signed Certificate of Auth...

From "The Good Dishes" Collection Wedgwood Hibiscus with Red Onion, 2019 Archival Pigment Print Signed en verso/Signed Certificate of Authenticity ...

From "The Good Dishes" Collection Lenox Goldenrod with Blueberry, 2019 30" x 20" Photograph Archival Pigment Print Edition of 5 + 2 APs Signed en verso/Signed Certificate of Authent...

From "The Good Dishes" Collection Lenox Garden Grove with Spring Onion, 2019 30" x 20" Photograph Archival Pigment Print Edition of 5 + 2 APs: $240...

Contemporary still life sepia toned photograph of cushaw squash, black cherries, and banana vines on a tabletop by David Halliday Sepia toned silver gelatin print, edition 1 of 25 17...

Max by the Pool (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist inve...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

DARTH VADER from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" "They encapsulat...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

"Covid Vanitas: The Pandemic Still Lifes" On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual ...

Although I spent 10 years as a traditional printmaker using a press, my botanical cyanotypes are each one-of-a-kind slow cameraless photographs made outdoors using natural light. The...

This long narrow blue and white monotype was made by carefully arranging hundreds of individual flowers of fresh-cut Dutch clover growing wild. This unique print is the same size as ...

Denita Benyshek Artist's Dining Room Archival Pigment Print Year: 2023 Visible Size: 7.5 x 9 inches Framed: 15.5 x 17.5 x 2 inches Signed: On Label COA provided *Framed and matted i...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

Lord Fauntleroy Ahmedabad 151209-09 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with s...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

Randy and I - (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1171. Signature label a...

This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...

Persephone IV by Erik Pawassar 40 x 31 inches (102 x 79cm) edition of 25 signed 62 x 48 inches (157 x 122cm) edition of 7 signed archival fine art pigment print signed & numbere...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

Lord Fauntleroy Ahmedabad 151209-14 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with s...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product s...

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

Black Glove (Michael Jackson) by Tom Schierlitz a highly detailed still life photograph of the front and back of the King of Pop 's iconic Swarovski crystal rhinestone glove 48 x 64 inches (122cm x 163cm) edition of 7 30 x 40 inches ( 76cm x 102 ) edition of 25 original archival fine art pigment print certificate of authenticity Photographer Tom Schierlitz has a discerning eye for details, managing to find striking visuals in the most ordinary objects, creating captivating images of cult accessories and other objects of desire. Tom grew up in Germany and lives and works in New York City. _________________________ Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border [ 2 inch L prints / 4 inch XL prints ]

Lord Fauntleroy Cali 180722-125 Pigment Print Year: 2018 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame with standard ...

Rebecca Skinner’s “Showtime” was photographed in an abandoned mansion in the Catskill Mountains of New York. A vintage television sits on top of a table in the middle of a hallway. T...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...