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Item Ships From: Continental US
Night at the Inn
Located in Santa Monica, CA
Edition of 3, 2 AP.
Category
21st Century and Contemporary Continental US - Still-life Photography
Materials
Photographic Film
Chet (Contemporary Still Life Flower Photograph)
Located in New Orleans, LA
"Chet" 2015
Dorothy Jean Series
18" x 27" archival pigment print
Moab Entrada Rag fine art paper
#7/25 edition
signed and dated
Selected Finalist:
54th Annual Juried Exhibition, Masur Museum of Art, Monroe, LA
The Red Clay Survey: 2017 Exhibition of Contemporary Southern Art, Huntsville Museum of Art, Huntsville, AL
82nd Annual National Exhibition, Cooperstown Art Association, Cooperstown, New York
Manifest International Photography Annual INPHA 6
I proudly exhibited Les Schmidt...
Category
2010s Continental US - Still-life Photography
Materials
Archival Pigment
"Drift 30" Landscape Abstract Photography 30" x 20" in Ed. 3/10 by Rowan Daly
By Rowan Daly
Located in Culver City, CA
"Drift 30" Landscape Abstract Photography 30" x 20" in Ed. 3/10 by Rowan Daly
Digital print on Ultra Smooth Fine Art Paper
Unframed - ships rolled in a tube
DRIFT
Behind the sc...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Digital, Archival Pigment
"Midtown Manhattan", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
Any commuting New Yorker's worst nightmare- an overturned umbrella. A scene that many people would walk by unaware, Alleman captures the true misfortune and despair portrayed in a si...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Boundaries of the Soul (Ayahuasca) #3
By Mike Saijo
Located in Santa Monica, CA
A new work by the artist
Category
21st Century and Contemporary Continental US - Still-life Photography
Materials
Alabaster
$720 Sale Price
20% Off
Confidence is not pride, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire about the framing from the exhibition,
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Identity is an obstacle to overcome 1, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire within.
A NEW COLLABORATION
Tina West + Tucker Robbins 2020
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka Table” is an Acadian side-table found nearby that was named by the Bamun carvers of Cameroon who likened its circular design to snake walking. Together, West and Robbins make for an installation that invites audiences to sit down and connect to the fine art objects in a manner different from what they are regularly accustomed to at the Robin Rice Gallery.
In speaking of her influences, West cites Josef Sudek as an early inspiration on her work for how he made evocative black and white photographs out of everyday happenings. Sudek himself once remarked, “I like to tell stories about the life of inanimate objects, to relate something mysterious.” This statement resonates well within West’s own work as she demonstrates a similar gift for finding the beauty in the banality of things overlooked. Her work also shares a kindred spirit with the eccentric assemblages of disparate images made by Joseph Cornell and the experimental platinum prints of Jan Groover...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Cosmic Dance, Secret World of Plants, German Macro Botanical Photograph
By Reinhard Görner
Located in Los Angeles, CA
An intimate portrayal of nature’s elaborate choreography, Cosmic Dance is a fine art photograph that invites the viewer into a world of vibrant textures and earthy chromatics. With i...
Category
2010s Conceptual Continental US - Still-life Photography
Materials
C Print, Lambda
Let's Fly Away, Secret World of Plants, German Macro Botanical Photograph
By Reinhard Görner
Located in Los Angeles, CA
This exquisite fine art photograph captures the delicate interplay of light and texture, inviting the viewer to explore the ephemeral beauty of nature in intimate detail. A celebrati...
Category
2010s Conceptual Continental US - Still-life Photography
Materials
C Print, Lambda
Let's Fly Away, Secret World of Plants, German Macro Botanical Photograph
By Reinhard Görner
Located in Los Angeles, CA
This exquisite fine art photograph captures the delicate interplay of light and texture, inviting the viewer to explore the ephemeral beauty of nature in intimate detail. A celebrati...
Category
2010s Conceptual Continental US - Still-life Photography
Materials
C Print, Lambda
Suffer your way with wisdom, 2019
By Tina West
Located in Hudson, NY
These two additional interior shots of the installation are currently in our exhibition. Using Tucker Robbins furniture and lighting .
This listing is for the unframed photograph. ...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
This is not who we are, It is where we are, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire for framing.
A NEW COLLABORATION
Tina West + Tucker Robbins 2020
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka Table” is an Acadian side-table found nearby that was named by the Bamun carvers of Cameroon who likened its circular design to snake walking. Together, West and Robbins make for an installation that invites audiences to sit down and connect to the fine art objects in a manner different from what they are regularly accustomed to at the Robin Rice Gallery.
In speaking of her influences, West cites Josef Sudek as an early inspiration on her work for how he made evocative black and white photographs out of everyday happenings. Sudek himself once remarked, “I like to tell stories about the life of inanimate objects, to relate something mysterious.” This statement resonates well within West’s own work as she demonstrates a similar gift for finding the beauty in the banality of things overlooked. Her work also shares a kindred spirit with the eccentric assemblages of disparate images made by Joseph Cornell and the experimental platinum prints of Jan Groover...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Catacombs 2
Located in Brooklyn, NY
Taking inspiration from Robert Mapplethorpe, Max Grant's Catacomb images look at the macabre beauty of the human anatomy, recollecting his time in the Paris Catacombs. This collectio...
Category
21st Century and Contemporary American Modern Continental US - Still-life Photography
Materials
Photographic Paper
Elon Musk
By Mike Saijo
Located in Santa Monica, CA
A new work by the artist
Category
21st Century and Contemporary Continental US - Still-life Photography
Materials
Ink
Hive, Santa Fe, NM, 2005
By Robert Stivers
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
Early 2000s Contemporary Continental US - Still-life Photography
Materials
Silver Gelatin
Scary Baby
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Silver Gelatin
Banjo, MRI, 1995 New York Hospital
By Steve Miller
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
1990s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
"Leaves" series #0331: nature still-life leaf photograph w/ red, earth tones
Located in Bryn Mawr, PA
This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...
Category
2010s Minimalist Continental US - Still-life Photography
Materials
Archival Pigment
"Leaves" series #0151: nature still-life leaf photograph w/ orange, earth tones
Located in Bryn Mawr, PA
This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...
Category
2010s Realist Continental US - Still-life Photography
Materials
Archival Pigment
Cactus, Original Photographic Print, 2014
By Marc Garrison
Located in Boston, MA
Artist Commentary:
This image was taken in the desert in Arizona near Scottsdale in the spring
Keywords: purple, cactus, desert, southwest, flower, juxtaposition, opposites, arizon...
Category
21st Century and Contemporary Impressionist Continental US - Still-life Photography
Materials
Paper, Digital
Dahlia
By Jan van Leeuwen
Located in Denton, TX
Edition of 25
Signed, titled, dated, print date and numbered by Jan Van Leeuwen
Kallitype, Van Dyke print, 16 x 12 in.
Printed 1999
Category
20th Century Contemporary Continental US - Still-life Photography
Materials
Other Medium
Kroma: Prepona Praeneste
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Continental US - Still-life Photography
Materials
Color, Dye Transfer
"Martha Stewart Living Magazine, Sheffield", New York, NY, 2005
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
Early 2000s Contemporary Continental US - Still-life Photography
Materials
Photographic Paper
Kroma: Parnassius Nomion Richthofeni-M
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Continental US - Still-life Photography
Materials
Color, Dye Transfer
"The Abby Garden", Penzance, Cornwall, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Silver Gelatin
Lychee
By Mark Drew
Located in Hudson, NY
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Digital Pigment
$1,200
Window and Street Scene titled "The Watcher in the Window"
Located in Fredericksburg, VA
This captivating photograph by Tom Sauerwein blurs the lines between still life and street scene, reality and reflection. Taken at a storefront in historic downtown Fredericksburg, t...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Photographic Paper
Kroma: Ornithoptera Aesacus
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Continental US - Still-life Photography
Materials
Color, Dye Transfer
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Paper, Pigment
Cloud Horses, New Mexico, 2002
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Paper, Pigment
"1940", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
You can write my biography but you can't have my soul
By Tina West
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Experience is a Brutal Teacher
By Tina West
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
The beauty of Tina West’s latest show lies in the maturity and wonder of her still lives. For every photo, West stages her scene with unique treasures from her vast collection. Allowing them to speak to her, rather than the opposite, each object is chosen not because of an image West is trying to recreate from her mind, but because of each object’s sheer attraction.
The sharp subconscious connection West feels to her still life objects comes across strongly. This produces a magical end product that has both transformed and repurposed the photographed objects entirely. Though still lives are considered a classic image, West exemplifies a charming, experimental take that pushes the boundaries of the historical still life.
The invitational image, entitled “Constraint Inspires Creativity,” embodies the breadth of her work in capturing a warm rich okra-gold “Do Not...
Category
21st Century and Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Paper
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Paper, Pigment
Apple Blossoms
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Photograph of a Primitive Shelf titled "Primitive Stillness"
Located in Fredericksburg, VA
This intimate photograph by Fredericksburg native Tom Sauerwein captures the quiet poetry of everyday objects arranged with care. With a sharp eye for light and balance, Sauerwein transforms a primitive shelf...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Photographic Paper
"Starburst" Photography 24" x 36" inch Edition 1/15 by Larsen Sotelo
By Larsen Sotelo
Located in Culver City, CA
"Starburst" Photography 24" x 36" inch Edition 1/15 by Larsen Sotelo
Not framed. Ships in tube
Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish
Shot wi...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Ink, Giclée, Rag Paper
Individually framed Alphabet Suite, Edition 3/10, hand signed and numbered.
By Igor Vishnyakov
Located in New York, NY
Igor Vishnyakof limited edition (3/10) individually framed hand gold glazed sepia photographs.
All pieces are hand signed and numbered by the artist.
This installation was featured...
Category
1990s Contemporary Continental US - Still-life Photography
Materials
Photographic Paper, Archival Pigment
Peter Andrew Lusztyk - WYD? Photography 2022, Printed After
By Peter Andrew Lusztyk
Located in Greenwich, CT
WYD?
Digital C-Print / Archival Pigment Print
Edition of 5 per size
Available sizes:
24 x 24 in.
36 x 36 in.
Refined Sugar Collection.
Since this print will be shipped directly fro...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Peter Andrew Lusztyk - ACAB, Photography 2022, Printed After
By Peter Andrew Lusztyk
Located in Greenwich, CT
ACAB
Digital C-Print / Archival Pigment Print
Edition of 5 per size
Available sizes:
24 x 24 in.
36 x 36 in.
Refined Sugar Collection.
Since this print will be shipped directly fro...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Peter Andrew Lusztyk - ... Photography 2022, Printed After
By Peter Andrew Lusztyk
Located in Greenwich, CT
...
Digital C-Print / Archival Pigment Print
Edition of 5 per size
Available sizes:
24 x 24 in.
36 x 36 in.
Refined Sugar Collection.
Since this print will be shipped directly from...
Category
2010s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
"Still Life of Yellow Watermelon" Modern Still-Life Food Photography
By Beth Galton
Located in Wellesley, MA
"I am a professional food and still life photographer with over 30 years experience based in New York City. My attention to detail and strong sense of composition has allowed me to ...
Category
2010s Photorealist Continental US - Still-life Photography
Materials
Archival Pigment
Phone Bank
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Silver Gelatin
"Dartmoor Pony, in Haytor Rock, Dartmoor", Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Silver Gelatin
Bubbles, Adirondacks
By Lynda Churilla
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work.
In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative.
The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end.
One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look.
All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white.
Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure.
Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
"Chelsea, NYC, April 2004", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
By focusing on pattern instead of the specific object, Alleman brings new life to the commonplace street vendor coffee cup.
Thomas Alleman’s urban landscapes convey the pulsating e...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Paper, Pigment
Peter Andrew Lusztyk - Astro Profile, 2024, Printed After
By Peter Andrew Lusztyk
Located in Greenwich, CT
Title: Donut - Astro Profile
Medium: Digital C-Print / Archival Pigment Print
Edition of 5 per size
Available sizes:
24" x 24"
36" x 36"
48" x 48"
This photograph will be printed on...
Category
2010s Continental US - Still-life Photography
Materials
Archival Pigment
"The Shape of Time", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
Early 2000s Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
"Cityscape", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Paper, Pigment
Joshua Rocks
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
If the...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Car Interior
By Andy Warhol
Located in Beverly Hills, CA
This is a unique photographic work taken by Andy Warhol in the back of a cab in NYC in 1984.
Work comes with a Certificate of Provenance issued by Christie's.
Stamped on the verso ...
Category
1980s Pop Art Continental US - Still-life Photography
Materials
Silver Gelatin
Wedgwood Wonderlust with Mushrooms
By JP Terlizzi
Located in Lenox, MA
From "The Good Dishes" and "Creatures of Curiosity" Collection
Wedgwood Wonderlust with Mushrooms
36" x 24"
Edition of 5 +2AP
Other sizes and Edi...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Photography
Materials
Archival Pigment
Orchid Composition 224
Located in Brooklyn, NY
In this photograph by Max Grant, simplicity and elegance converge in a captivating composition. The image features a clear vase holding a profusion of blooming orchids, their delicat...
Category
21st Century and Contemporary American Modern Continental US - Still-life Photography
Materials
Photographic Paper
