England - Art

Artist/ School: French School, late 20th century, signed Title: Provencal Landscape Medium: oil on canvas, framed Framed: 28.5 x 22.5 Canvas : 24 x 19 inches Provenance: privat...

Oil Painting by Edward Charles Williams "Droving Home on a Winters Eve" Edward Charles Williams 1807 - 1881 Rural landscape artist from the Williams family eldest son of Edward 'Old'...

David Shrigley, Human Behaviour and Animals and Existentialism, 2022 27 3/5 × 19 7/10 in (70 × 50 cm) A complete suite of eight lithograph posters on 200gsm Munken Lynx wove, from ...

Ann Bridges Stealing Red Cherries Original Still Life Drawing Oil based ink and pencil Image Size 22 x 22 cm Sheet Size: 38 x 38 cm Framed Size: 40 x 40 cm Sold Framed (Black wood frame 2cm deep) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Stealing Red Cherries is a contemporary food drawing...

A fine framed oil on canvas painting by the renowned artist William Sidney coope.Signed and dated 91 lower left. This painting depicts 3 cows resting by a river, a village with hous...

This lovely British Victorian still life oil painting is by noted still life painter George Clare. Painted circa1870 the composition is different fruit, including green and red grape...

Richmond Castle, Yorkshire from the River Swale by Everett W. Mellor (1878-1965) signed oil on board, framed Framed: 15 x 19 inches Board: 10 x 14 inches Provenance: private collecti...

European artist, second half 20th century signed lower corner oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private ...

Portrait of a Dancing Women French artist, mid 20th century signed oil on canvas, framed in original 'Montparnasse' style frame framed: 30 x 25.5 inches canvas: 22 x 18 inches Prove...

"The Barn Owl" limited edition color print, unframed very thick fine quality paper/ card. Adrian Rigby (British, b. 1962) signed in pencil to the lower corner numbered out of 250 pu...

Portrait of a Red Setter/Spaniel English school, mid 20th century oil on canvas, unframed Canvas: 14 x 12 inches Provenance: private collection Condition: stretcher bar marks showing...

British, 21st century oil on board, framed size: 21 x 10 inches board: 19.5 x 9.5 inches provenance: private collection, England condition: The painting is in overall very good and...

The Rabbit Hole J. Langlois (c. 1855-1904) British signed Oil painting on canvas 16" x 23.5" (40.8 x 59.7cm) presented in ornate gilt frame condition: very good and presentable prove...

"A Romantic Interlude" by Alberto Cecchini is a wonderful work of art from the 19th century that embodies the elegance and emotional intensity of the Romantic era in Italy. The paint...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Mall, Winter Evening" by Michael Alford is a captivating orig...

A superb late 19th century French impressionist oil on board portrait of a man with a pipe. Painted with short and fast brush strokes by a highly competent artist. A striking period...

Title: Historic Miniature Watercolor of St John the Baptist Church Chipping Sodbury by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measureme...

J. Taylor after Carl Friedrich Heinrich Werner (1808-1894), oil on canvas. Signed to the lower right. Presented in a gilt effect frame with bead course to the inner window.

Victorian Marine Oil Painting depicting an Old Prison Hulk and other Shipping at Sunset on the Medway in England. Oil painting on Canvas, mounted on stretchers and framed in its original ornate gilt frame, there is no visible signature on this piece but it is a genuine Thornley, anyone who is familiar with his work will know this and those that are not, will have absolutely no doubt this is by the hand of an extremely accomplished Painter. Thornley remains a staple of the British Maritime Painting...

​** Guarantee shipping by Royal Mail with End to End International Tracking only £19 lowest flat rate offered by gallery. -Free Shipping in the UK. About Painting: In her 'Prayers,...

Thatched Cottages by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22.25 inches titled and dated...

Title: Mid-20th Century Post-Impressionist Garden Landscape with Yellow Tree by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: 10.5 i...

Title: French Impressionist Winter Street Scene with Sacré-Cœur in Snow By Fanch Lel Signed: Yes Size: 13 x 16 inches (height x width) Oil painting on board, unframed Condition: The ...

Richard Ballinger b. 1957 Still life, White Flowers, 2024-2025 oil on canvas 80 x 80 cm 31 1/2 x 31 1/2 in signed, dated and titled verso Richard Ballinger is a British landscape a...

Candle Lit Interior by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 25.5 x 36 inches condition: overall very good, minor surface s...

Stunning original oil painting by the French abstract artist, Yvette Dubois-Habasque (1929-2016). The painting has excellent provenance having come from the artists studio sale in Pa...

Painted entirely en plein air in the early hours of summer, this work captures a fleeting moment of calm and light as the garden stirred awake under the soft glow of sunrise. Shizico...

ANNE-VALÉRIE DUPOND (b. 1976, France) Anne-Valérie Dupond, born in 1976, studied at Marc Bloch University in Strasbourg, and obtained her Master’s degree in Fine Arts in 2000. Since...

Signed oil on canvas still life in landscape circa 1980 by sought after French post impressionist painter Marcel Dyf. The work depicts a view of a harbour from beyond the open green ...

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France an...

The Artists Model Portrait of a Nude Lady reclining French School, circa 1970's indistinctly signed oil painting on card, unframed size: 25 x 18 inches condition: overall very good,...

Artist/ School: British School, late 19th century Title: Sunset over a Highland Loch. Most likely Scottish but possibly Irish. Medium: oil painting ...

Mischievous Child, Impressionist Portrait, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower right hand corner Oil painting on board...

The Artists Model Nude Lady Model French School, circa 1970's oil painting on card, unframed size: 25.5 x 18 inches condition: overall very good, a very few light markings to the su...

Robert FALCUCCI (1900-1989) “Bouquet” A pleasing impressionistic depiction of a bouquet of flowers painted using vibrant colours and with great gusto by Robert Falcucci. Floral pai...

Artist/ School: Dutch School, early 1700's. Title: Elegant Court Figures at a Musical Soiree. Medium: oil painting on canvas, unframed. Size: painting: 40 x 49.5 inches Provenanc...

Portrait of a Gentleman with Blue Cloak and Portrait of a Lady in Russet Dress c.1697 Thomas Murray (1663-1735) These fascinating portraits are exquisite examples of portraiture in ...

A beautiful 1930's English impressionist oil on metal board depicting a living room interior with leather club chair, bureau, cigarettes in an ash tray and paintings on the wall. Ex...

Signed oil on panel landscape circa 1930 by French post impressionist painter Victor Charreton. This stunning work depicts a view of a French hamlet in summer - the buildings in the ...

Banksy, Love Welcomes, Welcome Mat, 2019 Life vest fabric on a fibre doormat 43.2 × 61 × 3.2 cm (17 × 24 × 1 1/4 in) New, as issued, comes in the original Love Welcomes packaging and gallery-issued Certificate of Authenticity. Banksy Welcome Mat...

Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...

Artist/ School: Singleton Jowett (1878–1927), signed Title: Pausing for Refreshments Medium: oil on canvas, framed Framed: 24 x 20 inches Canvas: 2...

© Michael Putland Billy Joel Billy Joel in concert New York, USA 1978 Billy Joel is a celebrated American singer-songwriter and pianist known for his timeless hits like "Piano Man...

Dice suspended on a black background, hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have developed their own dichrom...

Signed impressionist oil on canvas landscape circa 1950 by sought after French painter Edouard Cortes. The work depicts an evening scene of the Place de la Republique square in Paris France. The ground, bare trees and buildings are covered in a dusting of white snow. The street lights are glowing and the Monument a la Republique is visible in the distance. Signature: Signed lower left Dimensions: Framed: 19"x24" Unframed: 13"x18" Provenance: International Galleries - Chicago c. 1950 This work is included in the Catalogue Raisonne of the painters work "Edouard Cortes (1882-1969) : The Complete Works" Ref: EC001317 A photo certificate of authenticity accompanies the painting Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy painting...

This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...

Artist/ School: French School, mid 20th century, signed Title: Houses in sloping Provencal landscape Medium: signed oil painting on canvas, framed. framed: 23.5 x 20 inches canv...

A beautiful 1970's oil on panel nude portrait of a nude lady by Susan Crawford, an artist who has painted the Queen and many other Royals. Tryon Gallery, London exhibition label verso. This work likely sold at the artist's 1972 exhibition at the Tryon Gallery - details below. The work is signed lower right and presented in a fine burr walnut frame. This portrait is featured on the website of the artist under "Portraits". Artist: Susan Crawford (Scottish, b. 1941) Title: Nude Sitting Medium: Oil on panel Size: 27 x 23 in (59 x 49 cm) including frame Condition: Ready to hang Provenance: Tryon Gallery, Dover Street, London Susan Crawford was born in Scotland in 1941 and was brought up on a farm in East Lothian where her parents bred and trained racehorses. She was educated at St Denis School, Edinburgh and at Priorsfield, Godalming, before studying classical drawing for two years at Studio Simi in Florence. In 1967 she went to Ireland for a few days and stayed for almost two years, thereby kicking off her professional career as an equestrian artist. On returning to London she bought a studio and started getting private commissions to paint a number of famous racehorses and several royal portraits. She has to date painted 22 Derby winners. Her first joint exhibition was with the Tryon Gallery in 1969, where she sold all her pictures on the opening night. Over the next 40 years she travelled widely; firstly to the USA then Canada, Germany, Brunei, Australia and the Sultanate of Oman as well as with numerous visits to Ireland and throughout the UK. “Susan Crawford’s working of her paintings is masterly and shows a deep love of horses and animals, together with a special sensitivity towards the human form and personality. Such talent is a rare gift and one that brings enormous and lasting joy into the lives of all who come into contact with it.” HRH The Prince of Wales Portrait Commissions include: HM The Queen, HRH The Prince of Wales, HM Queen Elizabeth The Queen Mother, HRH The Princess Margaret , HRH The Princess Royal, HH The Sultan of Brunei and HM Sultan Qaboos of Oman. Her work has been exhibited at: The Royal Scottish Academy, The National Portrait Gallery, The Royal Academy of Arts, The Queen’s Gallery, The Victoria & Albert Museum, The Royal Society of Portrait Painters, The National Horseracing Museum Newmarket, The National Gallery of Pahang Pinang Malaysia, Arthur Ackerman & Son, The David Ker Gallery, The Tryon Gallery and the Crossgate Gallery, Lexington Kentucky. Patrons include: HM The Queen, HRH The Prince of Wales, HM The Sultan of Oman, Prince Khalid Bin Abdullah, The Duke of Devonshire, The Marchioness of Tavistock, Lady Bamford, Lord Howard De Walden, Lord Vestey, Lord Weinstock, Mr Paul Mellon (USA), Mr Jock Whitney (USA), Mr Frank...

Chihuahua: Champion "Larkwhistle Macaroon" by Dorothy Alexandra Johnson (1902-1988) unsigned but a title note in the artist's hand is attached inside the hinged mount oil painting ...

Signed oil on panel seascape circa 1920 by French post impressionist painter Adolphe Louis Gaussen. The work depicts a view of waves cascading against a rocky shore. A sail boat is s...

Artwork by expressionist artist Haz Chomley is available online and in our gallery at Wychwood Art. Haz is a London-based expressionist artist who plays with bold colours and texture...

This remarkable late 16th-century fragment depicts Saint Magí, the patron saint of Tarragona, and Saint Mauro, a Benedictine monk. Produced in around 1580, on the cusp of the Anglo-S...

This stunning Original Diptych paintings by Shizico Yi on Canvas includes: Blue Serie- Foxgloves Blue in Pink Blue Serie- Foxgloves Blue,Gold and Red these are a part of Shizico Yi'...

CAMILLA CLARK - My abstract paintings are often an expression of a feeling or an emotion and using the paint to describe on the canvas. This painting was inspired by the soft aromas ...

Title: French Impressionist Oil Painting of A Tranquil Village View with Stone Bridge By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Oil painting on board, ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Artist Richard Gower’s contemporary figurative painting, “Lond...

Sunset in the Highlands by F. E. Jamieson (British 1895-1950) signed lower corner with the artists pseudonym 'Phil Hips'. oil painting on canvas, unframed canvas: 16 x 24 inches F...

Born in Hong Kong in 1979, Stephanie Ho began oil painting at the age of 11 and later refined her practice through postgraduate studies at City & Guilds of London Art School, Christi...

Thomas Percy Earl British, (1874-1947) Deerslayer Oil on canvas, signed & dated 1913 & inscribed ‘Deerslayer’ Image size: 24.25 inches x 29.25 inches Size including frame: 30.5 inch...

This accomplished tavern scene captures four men round a table, with clay pipe, tankard of ale, bread and berries. Signed 'Burkert' to the lower right. Well presented in a large gilt...