Europe - Animal Paintings

In this piece, I sought to capture the vibrancy and tranquility of nature, merging the wild with the serene. The crimson poppies dance in the breeze, a sea of passion and life, while...

Lapin, modèle 6, circa 1944-1949 Edition Leblanc-Barbedienne Bronze with a brown patina 7.5 x 4 x 2.5 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l...

Thomas Ivester Lloyd (1873-1942) Duke, a springer spaniel signed 'T IVESTER LLOYD' (lower right) and inscribed 'DUKE.' (lower left) oil on board 7 ¾ x 9 ¼ in. (19.7 x 23.5 cm.) frame...

Joseph Bail Limonest 1862 – 1921 Paris French Painter ‘Cats Playing around a Mirror’ Signature: signed lower right ‘Bail Joseph’
 Medium: oil on canvas
 Dimensions: image size 45,5...

Exotic Pheasants in Landscape Beautifully rich and warm colors, ideal interior design French School, 19th century oil painting on canvas, unframed painting: 9 x 10.5 inches prov...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Snow, Forest, Winter, White, Horse. Dog, Sledge, Fir, Russia, Cold Pirra Gallery Label Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dne...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a sal...

Portrait of "Cablefoot" Champion Greyhound, 19th Century by George PAICE (1854-1925) to $15,000 19th century portrait of Cablefoot a champion racing greyhound, oil on canvas by Geo...

Lilian Cheviot (1876- c.1936) The sage signed 'L. Cheviot' (lower right) oil on canvas 12 x 10 in. (30.5 x 25.3 cm.) with frame 15 ¾ x 13 ¾ in. (40 x 35 cm.) Renowned for her sens...

Vintage Lakeland Landscape Painting with Sheep by 20th Century British Artist, Peter McKay Art measures 20 x 16 inches Frame measures ...

Charming 19th century landscape oil painting of a Farmyard scene by john Frederick Herring depicting a number of different animals including horses, chickens, goats, ducks and cows along with a farmer and his homestead. Oil on canvas, in heavy gilt frame behind glass with oval mount. Size of canvas, Height: 51cm Width: 61cm. Framed overall size Height: 81cm Width: 90cm approximately. signed This painting is in overall good condition. There is some age related craquelure throughout as to be expected (close up pics available on request) The original frame/slip shows some signs of age as to be expected including age related cracks and some minor losses which have been colour matched and regilded. This in no way detracting from this fine painting This painting is heavy and may need crating if shipping,this would need to be custom made and may cause delay in shipping John Frederick HERRING (1815-1907) John Frederick Herring Junior (1815 - 1907) was an English painter who is best known for his equine art. John F. Herring Jr...

Artist/ School: J. Langlois, British 1855-1904, signed lower corner Title: Chasing the Mouse! Medium: oil on board, framed framed: 6 x 7.5 inches board: 4.75 x 6.75 inches Proven...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 12 x 19.5 inc...

The Martyrdom of Saint Ignatius of Antioch in the Circus during the Celebrations for Emperor Trajan - Russian School of the Mid-19th Century Signed on the lower right. TITOV? Dated 1...

Jean Matet (French, 1870-1936) 'Beauty' - a mischievous terrier signed and dated ‘J. Matet' (lower left) and inscribed and dated 'BEAUTY. 1898’ (lower right) oil on canvas 13 x 9 ⅞ i...

Oil on board Board size: 7 x 10.25 inches each Framed size: 9.5 x 12.75 inches each A monogrammed lower right

You have the opportunity to buy this painting showing a wonderful and idyllic example of English countryside and life on a large scale impressing all who view it. Painted around 1850 it has a beautiful free flowing style to it and encompasses everything typical to Victorian England. Signed John Constable bottom right. We offer free shipping worldwide. Canvas Size: 40 x 50" (100 x 125cm) Outside Frame Size: 51 x 61 (127.5 x 152.5cm) John Constable Constable was born in East Bergholt, Suffolk on 11 June 1776 and attended a school in Lavenham and his father hoped he would enter the church. His father was adamant that he would not be a painter as a profession. He met a local man named John Dunthorne who painted local scenes, mainly in nearby fields. His love of all things natural stemmed from this. Later he copied works by Girtin from a book that was lent to him by Sir George Beaumont...

Original and unique artwork by Hunt Slonem. A Certificate of Authenticity will be accompanied with this piece. About Hunt Slonem Inspired by nature and his 60 pet birds, Hunt Slonem...

This joyful painting was inspired by a David Attenborough program! I was drawn to the symmetry of the reflections in the still water. The colours and composition make a fun yet peace...

Very fine original oil painting by the highly regarded Suffolk School artist, Edward Robert Smythe (1810-1899). The painting is signed to the lower left and is a very fine example of this important artists work. Painted in oils on canvas, the artist has captured a traveller resting beside her camp, with a small fire burning to the right and her horse standing to the left. With the frame, the painting measures 16 by 18 inches. The painting comes to us from a private collection of Suffolk School paintings, housed in Suffolk, England, where we understand it has resided for many years. Born at Berners Street, Ipswich in 1810, son of James Smyth (1780-1863) and his wife Sarah Harriet née Skitter; James, who was an accountant with the bank Bacon, Cobbold, Durningham & Cobbold in Tavern Street, Ipswich added a final 'e' to his surname. Edward attended the school of Robert Burcham Clamp and had a liking for a military career but his love of art took his fancy. Elected a member of the Ipswich Society of Professional and Amateur Artists on 1 March 1832 and attended his first meeting on 18 November the same year and was probably working under Henry Davy [q.v.] and where he met many local artist members. In his younger days he had a studio in the Old Shire Hall, Ipswich where he painted with such artists as Samuel Read [q.v.], Walter Hagreen [q.v.], Frederick Russel [q.v.] and Robert Burrows [q.v.]. About 1840 he moved to Norwich to study the Norwich School of painting where he became acquainted with Robert Ladbrooke’s son, Frederick [q.v.] and is said to have worked with John Sell Cotman [1782-1842] but returned to Ipswich some five years later, taking a house in Bramford Road. He married at Ipswich in 1848, Ellen Bowman of Ipswich and where his first child Edward Robert, jun. was born the following year. In 1851, giving his age as 32, is living at Elmswell, Suffolk with his 24 year old wife Ellen and son but later that year moved to 3 Angel Hill, Bury St Edmund’s, where he kept company with his friend Fred Ladbrooke. By 1861, still at Angel Hill, they had further children born at Bury St Edmund’s, Francis (Frank) Rowland 1852, Ellen Kate 1854 and Mary Emily 1856, their daughter Louisa Jane, died at Angel Hill, Bury St Edmund’s on 7 April 1861, aged 3 years and 7 months. He exhibited at the Suffolk Fine Arts Association at the New Lecture Hall of the Mechanics' Institution, Ipswich in August 1850 several oil paintings including 'Chapel Viaduct, Colne Valley', 'A Group of Animals', 'A Sketch Ploughing', 'Ponies and a Dog' and 'A Landscape' and a watercolour 'The Ruling Passion strong in Death' and was also a member and exhibitor at the Ipswich Art Club 1886-1898. He also exhibited five works at the Royal Academey including 'View in the Colne Valley at Chappel, Essex' and exhibited five works at the British Institution including 'Pony and Boy' and 'The Village Blacksmith'. In 1865 Edward was living at 98 Risbygate Street, Bury St Edmund’s, and his wife died at 69 Risbygate Street, Bury St Edmund’s in 1879, aged 52. By 1891 he had moved in with his married daughter Ellen Kate, who had married at St Matthew’s church Ipswich on 10 May 1886, George Robert Chilvers, a tobacco manufacturer, at Burlington Lodge, 30 Burlington Road, Ipswich where he died on 5 July 1899, aged 88, and buried in Ipswich cemetery three days later. Five of his painting were on show at the Centenary exhibition of the Ipswich Art Club in 1974 a pastel 'Crossing the Stream...

Contemporary figurative oil on canvas painting by Polish artist Rafal Gadowski. Painting in pop art style depicting parrots. Painting is vibrant. Main colours are red, green, yellow ...

The Cock Fight French School, circa 1960's period oil on board, framed framed: 25 x 48.75 inches board: 24 x 48 inches provenance: private collection condition: very good and sound c...

Samuel Alken Jnr (1784-1825) Snipe Shooting Pheasant Shooting Both signed 'S. Alken' A pair, Oil on canvas Painting Size - 12 x 16 1/2 in Framed Size - 17 x 21 1/2 in Samuel Alken J...

Work on canvas

keywords; surrealism, hunting dog, humour, uncanny, animals, prussian blue, emerald green, earth tones, oil painting, figurative painting, strangeness, contemporary surrealistic, uns...

The Harvest French School, 19th century oil painting on canvas, framed canvas: 16 x 21.5 inches framed: 20 x 25.5 inches condition: the painting is in very good and presentable cond...

Horse Riders by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 15.5 x 19 inches stamped verso provenance: artists estate, France condition: very good...

Conditions: In excellent overall conditions, with no repaint under UV light, original canvas and frame. Signed Lower left "Ls Reinhardt". Dimensions with the frame are approximately...

The Shepherd by Ben George Powell, British contemporary artist acrylic on canvas unframed canvas: 19 x 19 inches provenance: private collection of this artists work, UK The painting ...

Artist/School: A. Bayle (English Late 20th Century), signed, titled and dated Title: Tess & Jim - The Staffordshire Bull Terriers Medium: ...

The painting depicts an elegant woman in a light jacket with voluminous hair, sitting in a relaxed pose. Her image is rendered in muted shades of gray, turquoise, and pink, which len...

A beautiful signed and dated 1966 French naïf oil on canvas depicting a harvest scene in the Yonne, by André Demonchy. The work is signed and dated lower left and inscribed with tit...

Large British Antique Oil Painting of Two Horses by Walker English, Late 19th Century Canvas: Height 54cm, width 87cm Frame: Height 71cm, width 107cm, depth 8cm This tranquil scene ...

George Arnull (c. 1800–1880) was a British painter active during the 19th century, renowned for his equestrian scenes and depictions of horse racing. He developed a keen interest in ...

This lovely Dutch Old Master oil painting is attributed to noted Dutch artist Nicholaes Berchem. Painted circa 1665 it is a charming pastoral scene of a shepherd and his animals including sheep, goats, donkey and cows and of course his trusty dog. They are all resting beneath trees while he looks on attentively. The light in the sky and the light and shadows on the animals is beautiful. A really superb example of Dutch Old Master art with great detail. Provenance. Surrey estate. Christies stamp verso. Condition. Oil on canvas, 38 inches by 32 inches and in good condition. Frame. Housed in a complementary gilt frame, 46 inches by 30 inches and in good condition. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures (staffage) in works of other artists, like Allaert van Everdingen, Jan Hackaert, Gerrit Dou, Meindert Hobbema and Willem Schellinks. Born in Haarlem, he received instruction from his father Pieter Claesz, and from the painters Jan van Goyen, Pieter de Grebber, Jan Baptist Weenix, Jan Wils and Claes Cornelisz. Moeyaert. According to Houbraken, Carel de Moor told him that Berchem got his name from two words "Berg hem" for "Save him!", an expression used by his fellows in Van Goyen's workshop whenever his father chased him there with the intent to beat him. No trip or Grand Tour by Berchem was documented by Houbraken though he mentioned another story about the "Berg hem!" nickname which came from Berchem's conscription as a sailor; the man in charge of impressment knew him and sent him ashore with the words "Save him!". Today his name is assumed to come from his father's hometown of Berchem, Antwerp. According to the RKD he traveled to Italy with Jan Baptist Weenix, whom he called his cousin, in 1642–5. Works by him are signed both as "CBerghem" and "Berchem". In 1645 he became a member of the Dutch reformed church and married the year after. According to Houbraken he married the daughter of the painter Jan Wils, who kept him on a short allowance, but to finance his collection of prints he would borrow money from his pupils and colleagues and pay them back from the proceeds of paintings that he didn't tell her about. Around 1650 he travelled to Westphalia with Jacob van Ruisdael, where a dated piece showing Burg Bentheim is recorded. Maybe Berchem went to Italy after this trip and before he moved to Amsterdam - he is not clearly documented in the Netherlands between 1650 and 1656. Around 1660 he worked for the engraver Jan de Visscher designing an atlas. In 1661-1670 he is registered in Amsterdam and in 1670 he moved back to Haarlem, but was living back in Amsterdam by 1677, where he died in 1683. He was a popular teacher and his pupils were Abraham Begeyn, Johannes van der Bent, his son Nicolaes, Isaack Croonenbergh, Simon Dubois, Karel Dujardin, Johannes Glauber, Pieter de Hooch, Jacob van Huchtenburg, Justus van Huysum...

The Dismounted Hunter, Sir William Rowley, circa 1800 attributed to DEAN WOLSTENHOLME (1757-1837) Large circa 1800 English Hunting scene of a dismounted huntsman, horse and terrier...

Oil Painting Pair by Robert Watson "Highland cattle and Sheep in the Glen" A Cheshire painter of Highland cattle and sheep represented in the Harris museum Preston. Both oil on canv...

This contemporary still-life depicts a two juicy sardines with a slice of lemon on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is ready t...

Harold Walton Freckleton. English ( b.1890 - d.1979 ). Milly With Minstrel. Oil On Canvas. Signed Lower Right. Image size 24.4 inches x 29.52 inches ( 62cm x 75cm ). Frame size 30.7 inches x 35.8 inches ( 78cm x 91cm ). Available for sale; this original oil painting is by the Nottingham artist Harry Freckleton and dates from the 1960s. The painting is presented and supplied in its’ original wooden frame (which is shown in these photographs). The frame, canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The original cotton covered slip has been replaced. This vintage painting is now in very good condition, defying its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. The acclaimed artist Harry Freckleton was born in Nottingham in 1890 and lived there for most of his life. He studied at the Nottingham School of Arts, as it was then known, from 1904 to 1912 under Wilson Foster and was much influenced by the local painter Arthur Spooner. He worked as a lithograph artist, and then served in the army during World War 1. He then worked as an artist for New Zealand Cine Studios and went on to run his own photographic business from 1924-65. Freckleton married the artist Vera Freckleton and they spent most of their married life living in at Whitegates in The Park, Nottingham. Most of Freckleton’s art is painted in oils, and he specialised in still life, landscape and figurative work, especially childhood scenes. His best works have a strong human interest, with an individual technique showing quality and fine execution. He was a member of the Nottingham Society of Artists, exhibiting there and becoming an esteemed Associate. As a successful artist Freckleton exhibited work seven times at the Royal Academy, as well as the Royal Society of Portrait Painters and the Royal Society of British Artists. His work continues to be sought-after and is today represented in permanent collections in Nottingham, Blackpool, Huddersfield and elsewhere. © Big Sky Fine Art This beautiful oil on canvas painting by Harry Freckleton shows a scene in an English farmyard. Besides an old green painted barn and a tall haystack, we see Minnie, a young girl sitting astride Minstrel, her brown pony. She is wearing a riding hat, white blouse and red trousers, and looks down at her left side towards a second figure, in a blue top and tan trousers, who is possibly adjusting her stirrups. A third figure, another girl, in grey blouse...

Wide, whimsical and spontaneous impasto strokes with a palette knife and brush using restrained almost monochrome colour combinations highlight the grace of the forms of these amazin...

Grazing Deer signed by Regine David (female French artist, 1910-2018) oil painting on paper stuck on board, unframed board: 15 x 18 inches paper: 12 x 16 inches inscribed verso condi...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Rodeo. Bareback Bronco, 1966. Gouache On Paper. Signed & Dated Lower Right. Image size 21.3 inches x 29.1 inches ( 54cm x 74...

Jos de Wit is a versatile artist. His realistic way of painting is a result of good looking. He finds subjects everywhere, often an idea starts to live with him so that it does not ...

The Chateau Lake by Josine Vignon (French 1922-2022) signed front and back oil painting on canvas, unframed canvas: 29 x 24 inches Colors: Green colors, blue, yellow and white Ver...

''Sea Turtles" oil on canvas, unframed painting: 27 x 35.5 inches the painting is in overall very good and sound condition

Original and unique artwork by Hunt Slonem. Oil on wood Painting is framed, as seen in the images. Framed dimension 16.25 x 14.25 inches Signed Verso, titled and dated. Please note ...

Charming late 19th century oil on canvas of a pair of ducklings. Presented in a wooden gold frame. Unsigned. The stretcher with 'keys'. A warm and inviting painting beautifully executed and in great detail highlighting the soft downy feathers, the shiny beaks and the eye contact...

Joaquin Terruella Matilla (1891-1957) - Swans - Oil on cardboard Oil measures 11x15 cm. Frame measures 15x19 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla, ...

Work on canvas Dimensions with frame 58 x 66 x 5 cm This painting depicts three massive draft horses, majestically posed in an open field, under a soft, cloudy sky. The artist captur...

Charles CLAIR (1860-1930) Sheeps in the Sheep-Fold Oil on canvas signed low right and dated 1913 Old original Frame Dim canvas : 92 X 73 cm Dim Frame : 126 X...

George Goodwin Kilburne landscape horse/equine hunting scene 19th century oil painting A fine painting by the renowned artist George Goodwin Kilburne .oil on panel, framed the size ...

This is a fabulous, large tribal painting on cloth canvas with dung wash and white paints. Anil Vangad, Cloth size: 87 x 119 cm, Image size 78.5 x 110.5 cm, white colour on dung wa...

Large square French fantasy naive oil on canvas by Jean Henry Brossat. Signed to the front and bearing a title in Russian (?) script to the rear. In a plai...

A surreal vertical oil painting titled Incident by Rudolf Kosow depicts an immense, detailed black horse's hoof dominating the majority of the composition, set against a muted, textured background. At the bottom right, a small man...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in black folder/ thick paper, unframed drawing: 12 x 17.75 ...

Conditions : Very good overall Conditions, few minor retouching, original canvas. No restauration necessary, mint conditions. Free US CONTINENTAL Shipping, incl Europe and Asia. Hi...

Tranquil Lake Scene with Boats & Swan in the Mountains of the Scottish Highlands by 20th Century British Landscape Artist, Howard Shingler. Art measur...

Oil Painting of a Trout Run in a Woodland River in the English Countryside by 20th Century Artist, John Caesar Smith (British, Born 1930) Art measures 20 x 16 inches Frame measure...

Original Painting of Horses feeding in a Field in the English Countryside at Winter by British Artist, Dennis Harper, ( b. 1940) British Artist known f...