Europe - Figurative Prints

Cows is an original etching on paper realized by an Anonymous artist of the XX century. The State of preservation is very good. Sheet dimension: 28 x 36 cm. The artwork represent...

FAILE - RISING Date of creation: 2023 Medium: Archival ink print on Entrada 290gsm Cotton Rag Edition: 350 Size: 101.6 x 81.3 cm Condition: In mint conditions, brand new and never fr...

Maurice DENIS (1870 - 1943) Two Nudes Walkin, 1918 Original lithograph with charcoal enhancement Printed signature in the plate On cream linen paper 46 x 36 cm (c. 18 x 14 inch) Ex...

Mel Ramos (American, 1935-2018) Juijyfruits Judy, 2015 Medium: Lithograph on card Dimensions: 80.5 x 57.5 cm Edition of 199: Hand-signed and numbered Condition: Exclellent

The Temple of Peace is an original black and white etching realized by Giuseppe Vasi. Good conditions except for the trace of being fold at the middle. Sheet dimention:42 x 56 The...

Blood Wedding is an original vintage poster of mid-20th Century. The poster is an offset print, depicts the protagonists of the film and on the back the poster of the film with all ...

Composition is an original etching made by Giuseppe Guerreschi in 1974. Hand-signed with pencil on lower right by the artist. Numbered 63 of 99 p...

Pablo PICASSO (1881-1973) Comédie Humaine, The Costumed Artist and his Model, , 1954 Original lithograph (Mourlot workshop) Unsigned On paper 26 .5 x 35.5 cm (c. 10,2 x 13.7 in) I...

SALVADOR DALI The Oak and the Reed (La chêne et le roseau) from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 Conditions: A small tear defect has been restaured...

Color lithograph, on Fabriano rosaspina paper. Paper size 70cmx50cm, work size 53cmx40cm. Excellent condition, slight signs of wear, no defects. Ugo Attardi was born in Sori, near Ge...

Camel rider is an original lithograph on cardboard, realized by Sergio Barletta in 1980s. Hand-signed in pencil on the lower right. Numbered in Roman numerals in pencil on the lowe...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 From the last po...

Elizabeth Peyton (American, b. 1965) Camille Claudel Flowers and Books, 2010 Medium: Etching on wove paper Dimensions: 29 × 22 cm (11½ × 8¾ in) Edition of 30 + 6 AP: Hand-signed, dat...

Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...

Alberto GIACOMETTI Studio with the Turntable, 1964 Original etching On Arches vellum 56.5 x 38 cm (c. 22.2 x 15 inches) REFERENCES: - Eberhard W. Kornfeld et la Fondation Giac...

Hand Fan Clown is an original xilography artwork realized by Mino Maccari. Included a white Passepartout: 49 x 34 cm. The state of preservation is very good. The artwork represen...

Verona is an original artwork realized by Remo Marcorelli in the second half of XX century. Black and white etching. Hand signed on the right. Titled on the lower center: Verona, c...

Ex Libris - PF is an original xilograph artwork realized by Michel Fingesten in the 1930s Hand-signed on the lower center. Hand-written note on the lower center. Good conditions. Includes passepartout: 30 x 24 cm Ex Libris is a Latin phrase meaning a bookplate that identifies the owner of the book into which it is pasted. Michel Fingesten (Butzkowitz, 1884 - Cerisano, 1943) was a Czech painter...

Complete title: Origin of Desire: Positive Energies Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techn...

Aquatint black and white showing the antique map of "Saltzburg", Salzburg. One of the first views of the famous Austrian city of Wolfgang Amadeus Mozart. Good conditions, some disco...

Peinture & Impressionisme Poster Exhibition is a mixed colored offset print printed by Mourlot in 1956. This print was realized on the occasion of the exhibition dedicated to the Im...

Figures is a artwork realized after Corrado Cagli in the middle of the 20th century.  Photype print. Signed on the low side. Good condition.   Corrado Cagli (Ancona, 1910 - Rome...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

Medaille de Palloy is an original artwork realized by the French artist Pierre-François Palloy in the second half of the XVIII Century. Original etching on paper. Proof before Lette...

Original Lithograph by Jean Cocteau Title: Jean Monnet's Vision Signed in the stone/printed signature Dimensions: 33 x 46 cm Edition: 200 Luxury print edit...

Publisher GKM. Unframed. Edition of 120 ex. Signed and numbered. Free shipment worldwide. Arman explores reality. He strives to transform and sublimate artefacts into works of art. ...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

John Baldessari (American, 1931-2020) Zorro (Two Gestures and One Mark), 1998 Medium: Offset lithograph and screenprint on Arches paper, and flip book Dimensions: 25.4 x 20.3 cm (10 ...

After Pablo Picasso - Cubist Still Life - Pochoir Dimensions: 48.5 x 36 cm 1962 Edition of 260 Daniel Jacomet, LEDA, Editions d'Art Pablo Picasso Picasso is not just a man and his ...

Fat Thursday is an original xylograph realized by Ernest Florian during XIX-XX century. Original title: Jeudi Gras, printed on plate on the upper margin in the center. On the lower ...

Pablo PICASSO Métarmorphoses d'Ovide, Three Naked Women, 1936 Original etching (Atelier Lacourière, Paris) Unsigned On BFK Rives vellum 32.5 x 25 cm (12.7 x 9.8 in) REFERENCES : -...

Copyright - Sadness Screen - Pink Date of creation: 2016 Medium: Silkscreen, acrylic and spray paint on paper Edition: 25 Size: 50 x 35 cm Condition: In perfect conditions and never ...

Braun G., Hogenberg F., Nurnberg or Nuremberg, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine B/W aquatint showing a view of Nuremberg. Strongly influenced by Hartmann Schedel's Nuremberg Chronicles...

Pierre Bonnard - The Sun Original Lithograph Dimensions: 32 x 24 cm Verve . Revue Artistique et Litteraire. Vol. V, Nos 17 et 18. Signed in the plate Unumbered as issued

L’Ecuyer (The Squire) is an engraving made by the Parisian artist Louis-Marin Bonnet, realized in the second half of 1700 in Paris. Inside the matrix, the title is engraved on the lower center, whilst “L. Bonnet direx” is engraved on the lower right. The state of preservation is somewhat good, except for fungal foxing spread on the sides of the figure and some small stains, one of which is more evident on the lower center of the image. The right margin of the paper is fringed with tiny tears. Louis-Marin Bonnet lived from 1736 to 1793 in Paris. He was a painter and engraver, and as such he invented one of the first color-printing methods with many matrices, with a pastel-like effect. In 1769, he published a treatise titled Le Pastel en gravure inventé, et execute par Louis Bonnet...

Braun G., Hogenberg F., Traiectum or Utrecht, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine B/W aquatint showing a view of Utrecht, with...

Au coin du feu is a beautiful original etching realized by Armand Queyroy (1830 -1893), printed on ivory colored paper by Delatre, Paris. This is an original print signed on plate o...

Jacques BOULLAIRE (1893-1976) Tribute to Gauguin : Tahitian Woman (Miriama) Original etching Signed in the plate On vellum, 28.5 x 38 cm (c. 11 x 15 in) INFORMATION: This etching i...

Jean Jansem (1920-2013) Le tambour, 1984 Lithographie sur papier Arches, justifiée EA Signée en bas à droite 67,5 x 47 cm / 76 x 54 cm Bibliographie: CR Jansem, 1993, n°1 "Ma pre...

"PINK PANTHER" Portrait Pop Art Plexiglass Print 55' x 39' inch by Edyta Grzyb Fine art pigment print on Hahnemühle, 300 g under acrylic glass 2025 Edition of 50 Each print is signe...

The Currency - 7657 By Damien Hirst Damien Hirst is a British contemporary artist known for his provocative and often controversial works that explore themes of life, death, and t...

Roby Dwi Antono - BULAN Date of creation: 2022 Medium: Silkscreen with curable UV inks on Somerset paper Edition: 200 Size: 50 x 44 cm Condition: In perfect conditions and never fra...

Edouard MANET Child with a Tray (Pear and Bottle), 1861 Original etching Printed signature in the plate On Japan paper 36 x 24 cm (c. 12 x 10 inch) REFERENCES : Catalog raisonne Gu...

Queen ! Oversize Signed limited edition - Pop Art - HRH The Queen Elizabeth II by the London based contemporary pop art image creator and artist...

Erotic is an original etching by Chas Laborde in the 1920s. This original print is hand-colored in watercolor. In very good condition, including white cardboard Passepartout, 52 x 37cm. This artwork belongs to the erotic series of Chas Laborde in which you recognize his authentic style of illustration. Chas Laborde (Buenos Aires, 1886 - Paris, 1941) Charles Laborde...

Edgar DEGAS (after) Mimes des Courtisanes de Lucien: one plate On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the great art seller, editor of Pica...

Published by edition GKM. Unframed. Edition: 250 ex Paper: 300gr. Goya. Signed by the artist. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passe...

1956 colophon for "The Bible", hand signed by Marc Chagall in china ink. On papier Montval. Excellent condition.

Engraving on gold plate on a silver base. Signed by the author and numbered. Edition of 3.000. Very good condition.   Corrado Cagli (Ancona, 1910 - Rome, 1976) was an Italian art...

Henri Matisse Repos sur la banquette 1929 Lithograph on Arches Velin paper, Edition of 50 Paper size: 49.5 x 65.5 cms (19 1/2 x 25 3/4 ins) Image size: 44.5 x 54.5 cms (17 1/2 x 21 1...

François-Xavier Lalanne (1927-2008) the blackbird, 2003 Techniques : woodcut on paper, hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions of the paper...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...

Kees Van Dongen - Brigitte Bardot - Vintage Exhibition Poster Vintage Brigitte Bardot, exhibition poster for "Les Peintres Témoins de leur Temps" at G...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...

Original drawing, pencil on paper. A wonderful sketch for the frieze for Parliament Hall in Montecitorio Palace, in Rome. Good conditions except for a diffused foxing, including a w...

Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower right, orovida 1924 Inscribed lower left, Final state no 12/40 and titled lower centre Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

Hand-Signed Lithograph by Salvador Dali This edition is on Japan Paper Title: Pantagruel's Dreams Signed in Pencil by Salvador Dali Dimensions: 76 x 56 cm Edition: EA 1973 References...

This Artist Proof print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique si...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...