France - Furniture

Berber terracotta pottery, 18th century. With its modern shape and mineral color, this ceramic will be perfect in a natural, refined and delicate decoration. Placed on a piece of f...

Chair No. 14 Iconic bistro chair conceived by Michael Thonet in 1869, now produced in the same manufacture in Czech Republic by TON. Wood: solid beech Finish: black stain Sea...

Pair of Murano glass colored table lamps, Mid-Century Modern, attributed to La Murrina Italy 1980s. The pair of lamps have an egg shape and are using the Murrina Murano glass techniq...

Mid-Century Modern Space Age Rare table or floor lamp by the italian designer Pia Guidetti Crippa for the editor Lumi, metal chrome and opalin glass ball. Famous manufacture like Sar...

Accolay, circa 1960 Elegant brown ceramic base lamp for a floor lamp or table lamp. Original perfect condition Not electrified Signed under the base Measures: Heigh...

Handmade Wool Artwork made by M. Dombrowsky. An abstract, minimalist work made of wool and wood Each work is handcrafted, dyed, and spun by hand. The wool is intricately wrapped, and...

This very nice and elegant neoclassical style coffee table is made of brass with a clear glass shelf. This is a French Work by Maison Jansen. Circa 1940

Very beautiful large white-blue porcelain basin or fruit bowl or cup. The large white bowl is decorated with a blue floral-themed composition, including foliage, lotus flowers and ma...

With gold anodized pull stand marble arc floor lamp attributed to Goffredo Reggiani for Reggiani Lampadari. The chrome arch holding the lamp is lined so it is possible to change the ...

a pair of oak and ceramic night stands edition votre maison circa 1970 price for the pair

Wonderful Louis XV style bergere armachair from the Napoleon III period with basket back, in natural wood molded and carved with flowers and foliage, arched arms and legs. This bergè...

Maurice Dufrène (1876-1955) Beautiful dining table in solid mahogany and amboyna burl veneer with an octagonal top bordered by a frieze carved with stylized plant motifs. Four solid...

Artist: Elie Grekoff Era: 20th century Style: Art Deco Condition: Perfect condition Material: Wool Width: 290 cm Height: 144 cm In keeping with tradition, this magnificent tapestry ...

Stunning and rare Omani tribal necklace in gold and silver featuring eight Burgau thalers dated 1780 and a large amulet box (Hirz) also in gold and silver. 19th century. Very good condition. Preserved and professionally framed. Dimensions of the necklace: 52 x 30 x 3 Dimensions of the frame: 70 x 47 x 5 Secure shipping. This fine Omani necklace of silver and gold comprises two strands of spiky, seed pod-like silver beads; gold-wrapped beads; eight silver Maria Theresa thaler coins; and a large silver and gold amulet box, with multiple chain tassels each of which finishes with a square-shaped pendant cut from sheet silver. The cigar-shaped amulet box called hirz would have contained some Koranic verse or religious text. Such a spectacular display of wealth would only have been worn at times of important festivities such as marriage celebrations. Maria Theresa thalers were made in Austria since the reign of Empress Maria Theresa of the Austro-Hungarian Empire. The Empress died in 1780 and since that time, all thalers that were subsequently struck were minted with that date regardless of the actual year that they were produced. The coins achieved such a level of trust for their silver content (which is 83.3% silver) in the Middle East that neither the design not the date was varied, and so for more than 200 years the coins were used as an international currency among the tribes and the states of the Middle East, in much the same way as the Spanish dollar was used as an international currency at the time elsewhere. The thalers were used to complete most important transactions locally and were also given as dowries. They were also an important source of silver and were melted locally for jewellery. The coins made their way to the ports of the Red Sea, Egypt and northern Africa from the ports of Genoa, Trieste, Livorno and Marseille. European traders used the coins to buy precious materials from the Gulf and northern Africa which it desired – commodities such as spices, coffee, gum Arabic, indigo, pearls, and tortoise shell. The importance and the beauty of the coins saw them incorporated into local jewellery most particularly in Oman and Yemen. References Al-Jadir, S., Arab & Islamic Silver, Stacey International, 1981. Harrigan, P., ‘Tales of a Thaler’, Saudi Aramco World, January/February 2003. Hawley, R., Omani Silver, Longman, 1978. Hawley, R., Silver: The Traditional Art of Oman, Stacey International, 2000. Rajab, J.S., Silver Jewellery of Oman, Tareq Rajab Museum, 1998. Ransom, M., Silver Treasures from the Land of Sheba: Regional Yemeni Jewelry...

Side table, tea table, coffee table, bistro table in the style of the Tilden table by Philip Tilden for Heal and Sons for Inston Churchill. This Art Deco ...

Exceptional and very very rare model. . Modernist table lamp, 1920s, 1930s Jean Perzel, around 1923. . Signed. . Sublime lighting. . One of the special features of this lamp is that...

Artist: After Joan Miró Period: 20th century Style: Modern art Condition: Perfect condition Material: Wool Length: 56 cm Width: 40 cm Depth: 0.5 cm In keeping with tradition, this m...

" Véronique " Oak Sofa by Guillerme & Chambron France 1960's By Votre Maison Oak structure and fabric are in good condition An ingenious simple system allow armrests to be removed...

French little pitcher Good condition with characterful patina Shipping: L12 / P 11/ H 14.5 cm 0.6 kg.  

A ceramic guéridon or coffee table or stool with grey, white glazes decoration by Maarten Stuer. Signed. Perfect original conditions. This piece can be put indoor or outdoor. More pi...

Large Saint-Clément Stoneware Vase, France, 1950s. This impressive and rare stoneware vase from Saint-Clément, France dates to the 1950s and is distinguished by its exceptional size ...

Side Table Chess Black with structure in solid mahogany black matte finish. With brushed nickel end feet. With checkerboard top in Nero Marquina and white Carrara marble. Side table...

Elegant single armchair designed by Hans Olsen and manufactured by CS Møbler in Denmark, in the 1960s. Original piece from the 1960s newly re-upholstered in the traditional way by t...

Set of four wall sconces crafted from brass hexagonal frames paired with textured white glass. Their geometric design enables creative placement arrangements.

This beautiful French Art Deco table lamp, designed by Daum (Croismare) in France during the 1920s, features a stunning blown double glass shade paired with an elegant wrought iron b...

Renaissance cabinet from Burgundy Or Lyon Region Origin : Burgundy Or Lyon, France Period : Second Half 16th Century, C. 1580 Height : 209cm Length : 184cm Depth : 71cm Good condition Walnut wood, original keys and keyholes Around the middle of the 16th century the conception and ornamentation of French furniture evolves. The start of major building projects, such as the castle of Fontainebleau, gives artists a new impulse. Inventive and rich formulas are developed there, before spreading to all of Europe thanks to engravings and printed leaflets. Furthermore, Italian artists working on such construction sites bring French artists and patrons a renewed taste for the Antique. Regarding the art of furnitures, the most complex scenes and figures are drawn from illustrated books, ornament and emblem compendiums and engraving compilations. Rather than copying those images the artisans feed their inspiration and decline the motifs in numerous variations. The ornamental grammar marks a return to the Antique : palm leaf, acanthus, egg-and-dart, greek, scroll, fluted pilaster… It is in Primaticcio’s and Il Rosso’s stuccos made around 1540-1550 that we have to look for the origin of leather cut-outs, masks, chimaeras, harpies, sheathed figures, fruit and flower garlands that soon enrich every pieces of French furniture. The structure of the pieces of furniture also evolve thanks to the re discovery of Antique architectures, rigorously used as a model. This cabinet presents an imposing structure and a rich and original decor exemplifying the production of the late 16th century, infused with Italian, Antique and Fontainebleau influences. It stands on a moulded base ornate with palm leaves. It opens with four door-leaves and two drawers in the belt. Six whimsical terms divide the facade. The lower body is horizontally divided by three sheathed female terms. The two standing on the lateral posts are topped with fruits while the body is covered by acanthus leaves carved with precision, belted at the waist. The term standing on the central door-jamb is crowned with laurel leaves and is draped in the Antique fashion. A wincing mask hides the key hole. The two door-leaves are centred by a beautiful mask carved in a strong relief. They wear stylised feathered headdress and are set on draperies. Straps, leather scrolls, acanthus leaves and a shell are spread around the masks. The recessed panels are secured in frames ornate with acanthus leaves. The belt is flanked by two large mouldings enriched with variations of acanthus leaves. The drawers are carved with choux bourguignons and palm leaf motifs minutely executed. The consoles between each drawer bear tormented wincing masks, showing horns as if they were fauns or imps. The upper body is framed by two male terms characterised by a strong and nervous musculature, their manhood hidden by drapes secured thanks to a winged lion head. The term on the left appears to be younger and is wincing while the one on the right has a beard. The central female term brings contrast with her youth and sensuality. As it is the case on the lower body, the key hole is hidden behind the mouth of a faun’s mask placed on the drapes barely covering the intimacy of the caryatid. The panels of the upper body present an idealised architecture comprising pilasters and sinuous broken pediments. The pilasters are flanked by two satyrs with goat legs. In the centre appears an important lion mask. The terms of the upper body support the cornice. The entablature carries palm leaves and roses alternating as well as an egg-and-dart frieze. The cornice is adorned with acanthus motifs. On the sides, the carving is executed flat. A central rose is surrounded by scrolls, flowers and choux bourguignons. We can admire the variety of the elements employed. The artist vary with great genius many different ornamental motifs : palm leaf, egg-and-dart, laurel leaf, roses, scrolls … But the artist went even further as each profile and each face is individualised and presents different features. You can take a look at the faces of the satyrs flanking the upper body’s panels. The talent of the artist is undeniable. It makes no doubt the patron who commissioned this cabinet was an aesthete looking for the greatest quality. The artist who authored this cabinet had a great mastery of composition both in the general design and in the individual panels. They probably drew inspiration from engravings and drawings made especially for the making of this piece of furniture or not. They seem to be familiar with the style of Jacques Androuet du Cerceau. Indeed, we can find in Du Cerceau’s engravings the same juxtapositions of leather cut-outs, masks and fruits. The terms and caryatids used on the facade could very well be inspired by his work as well. The cabinet-maker was also undoubtedly observant of Hugues Sambin, the most famous cabinet-maker and sculptor in the Burgundy of the time. Like Du Cerceau, Sambin left an important ensemble of models particularly useful for the design of cabinets. His publication De l’Oeuvre de la diversité des termes dont on use en architecture (1572) was an essential book for every artisan. All the motifs testify of the artisan’s high knowledge of forms as well as the precision of their tools : super imposition of ornamental elements, foliages, architectural cut-outs, flat and high reliefs alternating, palm leaves inscribed in circular spaces, wincing faces. It is also a testimony of the artisan’s familiarity with Italian and Fontainebleau productions. Because of the proficiency of the cabinet-maker in so many different models, this cabinet truly is a master-piece authored by the hand of an authentic master. The generous carvings executed with great rigour and virtuosity evoke an origin close to Burgundy and Lyon workshops. This cabinet was made by a master of the region during the Second French Renaissance. Literature BOCCADOR Jacqueline, Le mobilier français du Moyen-Âge à la Renaissance, Édition d’art Morelle Mayot, 1996 BOS Agnès (dir.), Mobilier du Moyen âge et de la Renaissance, La collection du musée du Louvre, Louvre éditions...

Desk Set Square Walnut with solid walnut wood structure. Desk with 3 drawers, with outside with pull-out shelf and open compartments and with inside pull-out shelf for pencils, wit...

Made in France with hand-turned, flared oak legs. Upholstered backrest and seat in a textured cream bouclette fabric (LG.FB-89).

Sculpted plaster ceiling light, signed with the french artist JF Demarne. Hand made , Designed and executed in 2024  

masque table lamp In 2024, Charlotte Besson-Oberlin, a master in the art of playing with volumes, produced a Masque lamp in cotton paper and with semi-industrial vanish patina, with...

Chinese oval decorative little tray papier mâché with a handle late 19th century. Classic chinoiserie scene of the period Napoleon III. Can also be used as mural decoration...

Folding Screen Broadway Marble Style divided in six panels, two in golden leaf, one in black lacquered, and 3 others in resin marble in grey and gold finish.

A very rare unique example of British late Victorian 19th century Ivory and rosewood walking stick/cane. Carved Ivory clenched fist holding a r...

A rare find not to be missed: A set of three matching, very decorative, vintage wall candle sconces in a pure Hollywood Regency style. The set consists of one larger wall sconce with...

Wall mirror brass and Murano glass. Small artisanal production from an italian design workshop. Can be hang horizontally or vertically.

This unique cactus and parrot sculpture console table signed Alain Chervet was designed in 1989. The console base is made of gilt brass, supporting a beautiful vert de gris bronze ca...

This vintage pair of "Vrai Sabot Breton" clogs, featuring an anatomical sole and genuine leather upper, represents classic Breton craftsmanship. These traditional wooden clogs are de...

A decorative ceiling light inspired by Jean Michel Franck, featuring a stylized shell-shaped bowl with internal lighting, an adjustable rope cable, and a plaster canopy.

A beautiful chandelier from the 1970s by German designer Hans Kögl. This is a small model, designed with three arms (candles or light bulbs), perfect for smaller spaces. The chandeli...

- Handspun and handwoven white lampshade - made of 100% Siroua wool, an endangered sheep living in a volcanic massif with very long wool fibers, located less than 100...

An elegant and luxurious console table with 2 trays, of Japanese inspiration, Post-Modern, Memphis, Constructivist, sophisticated geometric structure in lacquered wood, two separate ...

Bruno Munari (1907-1998) Bali A metal and acrylic pendant light, the acrylic square shade with cut angles on a cross shape brass frame. Impressed with manufacturer’s mark on the so...

French Reconstruction era highboy credenza in the style of Atelier de Marolles and Jean Touret featuring a 3 doors rectangular unit sitting on a oak f...

This exquisite 19th-century, ceramic plate is a stunning creation from the renowned Longwy manufactory, celebrated for its mastery of decorative ceramics. The plate features a capti...

Pair of Vintage Murano Glass Flower Vases Lamps circa 1980 Pair of Vintage Murano Glass Tulips Vases Lamps Very decorative and great quality ...

French Art Deco glass vase by Daum (Nancy), France, 1920s. Thick blown and bubbled glass vase. Color : green. Height : 7.7"(19.5cm), Diameter : 7.1"(18cm). Signed "Daum + Nancy Franc...

This vintage 20th-century glass divided dish features three compartments, perfect for serving a variety of foods with elegance. Measuring 7.5 inches (19 c...

White and yellow glazed ceramic stool or coffee table by Mia Jensen. Artist signature under the base. 2023. H : 21.6’ x 15.3’ inches.

A set of 6 dining chairs by Silvio Coppola ( 1920 -1986) for Fratelli Montina. Stained pine wood, rich patina with nice glow. Constructivi...

A rare carved walnut wardrobe opening with four door-leaves and two drawers in the lower part. The doors bear architectural views in low reliefs, fluted pilasters and Ionic capitals. Upper Body Two door-leaves with carved architectural perspectives open the wardrobe framed by three fluted pilasters with Ionic capitals. Each door-leaf depict two semi-circular arcades whose cornice and base shows a central vanishing point. Likewise the pavement’s lines act for the artisan as a way to create depth. The vaulting instead leads us to think the vanishing point has to be situated where the handle is, between the two complementaries reliefs. The elegant moulded belt hides an internal secret space, accessible through a moveable plank in the upper body. Lower Body Two door-leaves identical to those of the upper body framed by three fluted pilasters with Doric capitals. The base of the wardrobe opens with two large drawers. The sides also bear panels depicting architectural perspectives. The external pilasters share their Ionic capital with the facade’s pilasters. Thus we can observe on the wardrobe’s sides the capital’s lateral parts with the elegant volute specific to the Ionic order. This palace wardrobe is topped by an overlapping cornice standing on three consoles for the facade and two consoles on each sides. Placed right above the pilasters each console are adorned by fully expanded leaves. During the 15th century a major interest for architecture and perspective studies arises and influences patrons tastes. The work of great theorists such as Leon Battista Alberti...

This is a wood gilt mirror, in a gold color, with an old Patina. It has been made in rance during the 19th century.

French Art Deco Greyhound Marble and Patinated Spelter circa 1930 Good condition Shipping: P12/ L 35/ H 13.

Majolica duck mallard pitcher Keller et Guerin Saint Clement, circa 1900.

This very nice pair of octogonal side tables is made of lucite and chrome. This is a French work by Maison Jansen. Circa 1970

Wooden Tripod Stool, Spanish Folk Art, 1950s Tripod stool, likely crafted for farmhouse use, with rustic charm and artisanal character. Its standout feature is a clover-shaped woo...

Flower-Shaped Wall Sconce by Christian Techoueyres, 1970s An elegant flower-shaped wall sconce by Christian Techoueyres, dating from the 1970s. This sophisticated piece features met...

Antique French big pot which can be used as a planter or jardinière. Copper If you like it, please see also LU4476227879132 19th century planter copper jardini...

Wood fired ceramic stool or coffee table by Mia Jensen. Artist signature under the base. 2024. Unique piece.