Greenwich - More Prints

large format photograph of glossy cherry red vintage private airplane on airport runway tarmac Red Jet by Frank Schott 48 x 74 inches (122 x 188cm...

large format photograph of iconic blimp shaped zeppelin airship Zeppelin by Christian Stoll 28 x 40 inches (71 x 102cm) edition of 25 signed ...

large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 48 x 75 inches (122 x 191cm) edition of 7 signed 25 x 40 inches (64 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered by artist on certificate label Frank Schott was born in Germany where he spends nights shooting the great bands and musicians of the 80s, while attending the Academy of Arts in Cologne under Professor Arno Jansen. His early photography work focuses on beauty and fashion, later evolving to include conceptual landscapes and large scale environments, while never losing the eye for details. In 1998 Frank moves to California. He draws inspiration from the epic landscapes and distinct architecture of the American West as much as from his travels abroad. Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border [ 2" L prints & 4" XL prints...

large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 25 x 40 inches (64 x 102cm) signed edition of ...

Slide by Julie Blackmon is from an ongoing series titled Home Grown According to the Los Angeles Times, Blackmon's images are “absorbing, meticulously orchestrated slices of ethnogr...

Fishing Hut, Southwold, harbour architecture photograph from Richard Heeps' series, On-Sea. The modest fishing hut becomes a work of art set against a blue sky in the sunshine. This...

Reviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.” Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.” In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times. “Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.” “It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora Ephron...

North Shore Motel, photography by Richard Heeps captured in the Salton Sea, California. A classic American faded roadside Motel, the mid-century architecture stands against with blue...

London Calling Tailor-made for TASCHEN by Paul Smith For die-hard lovers of Paris, Berlin, London, Los Angeles, and New York, TASCHEN introduces the Portrait of a City Art Edition series. For each edition, limited to only 500 copies, a legendary local fashion designer is invited to design a bespoke fabric to line the cover, and a large signed and numbered print of one of the images from the book is included. Limited to 500 numbered copies Comes with a fine art print on archival paper, signed by Elmar Ludwig Packaged in a special cover and clamshell case designed by legendary British fashion designer Paul Smith Samuel Johnson famously said that: “When a man is tired of London, he is tired of life.” London’s remarkable history, architecture, landmarks, streets, style, cool, swagger, and stalwart residents are pictured in hundreds of compelling photographs sourced from a wide array of archives around the world. London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people have stayed constant. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London’s history is told through hundreds of quotations, lively essays, and references from key movies, books, and records. From Victorian London to the Swinging ’60s; from the Battle of Britain to punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from Royal Weddings to raves, from the charm of the East End to the wonders of Westminster; from Chelsea girls to Hoxton hipsters; from the power to the glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves. Photographs by: Slim Aarons, Eve Arnold, David Bailey, Cecil Beaton, Bill Brandt, Alvin Langdon Coburn, Anton Corbijn, Terence Donovan, Roger Fenton, Bert Hardy, Evelyn Hofer, Frank Horvat, Tony Ray-Jones, Nadav Kander...

Babysitter, 2006 by Julie Blackmon is from her ongoing series Domestic Vacations. The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refe...

Stolen Kiss is a color photograph by Julie Blackmon and is part of her ongoing series Domestic Vacations. Domestic Vacations: The Dutch proverb "a Jan Steen household" originated i...

'Call Booth', photograph from Richard Heeps Salton Sea series. This cinematic neo-noir style picture shows the classic American roadside Phone Booth, something which we look at very ...