Italy - Art

Red Landscape Mineral Oxide on Paper (Canson Paper Montval 300gr) 70x100 cm 2025 Original Art Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Pai...

Outstanding Italian Neoclassical Sphinx Carrara Marble sculpture designed as entrance guardian, this mythical lady sphinx statuary display the head and chest of a neoclassical woma...

Vintage offset print realized after a watercolor by Giorgio de Chirico in 1962. From the rare portfolio "Greek Mythology" realized for IRI and printed by Stab Salomone. Excellent c...

GL 09-23 is a limited-edition photograph by French contemporary artist Riccardo Varini. This photograph is sold unframed as a print only. It is available in only one size: *45 × 30...

Venice - Giancarlo Gorini Italia 2002 - Oil on canvas cm.50x130 Giancarlo Gorini's canvas is an extraordinary work of Italian landscape painting. It is inspired by the paintings of ...

"Still life of flowers in vases" is the artwork realized by Giuseppe Salvini. Oil painting on canvas 70 x 100 cm, frame included 92 x 122 cm. Signed lower right G. Salvini. Good...

English painter (late 19th century) - Romantic landscape fisherman at the lake. 41 x 66 cm. Old oil painting on canvas, without frame (not signed). Condition report: Lined canvas...

Gouache of a Shipwreck in a Storm with Gothic Ruins, Early 19th Century Technique: Gouache on paper Period: Early 19th century Description: This romantic painting depicts a dramatic ...

Italian Romantic painter (19th century) - Lady and Musketeer. 40.5 x 40.5 cm without frame, 42 x 42 cm with frame. Oil on canvas, in wooden frame (not signed). Condition report: L...

Vintage Poster Inter-Art-Galery Exhibition is a vintage poster realized in 1987, for the exhibition held at Inter Gallery. Vintage offset and lithograph poster. Good conditions. Marc Chagall (Lëzna, 1887 – Saint-Paul-de-Vence, 1985). Chagall was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk...

Italian life-size plaster sculpture , figure of the Callipygian Venus, after the antique Roman marble statue. Aphrodite Kallipygos, or Callipygian Venus literally means “Venus of ...

Stil life with flowers is an artwork realized by an artist of the mid-20th Century.  Oil on panel, 35 x 48 cm with frame; panel 20 x 32 cm. Good conditions

Portrait of a Lady - Ettore Frattini Italia 2005 - Oil on canvas cm.100x70. The painting by Ettore Frattini depicts an elegant and refined noblewoman, the painting is inspired by t...

Oil pastel on paper realized by Sirio Pellegrini in 1960s. Includes a coeval wooden frame realized by the Artist cm. 59x68.5. Sirio Pellegrini, born in Rome on March 1, 1922, of Ab...

Reclined Nude is a contemporary artwork realized by Rinaldo Geleng (1920-2003) in 1970s Lithograph on paper. Hand-signed on the lower margin. Numbered, edition of 100 prints. Goo...

The Whisper is a drawing on paper realized by Jean-Luis Forain in the Late 19th Century. Pencil drawing. Monogrammed in pencil on the lower. Good conditions. Louis Henri Forain, ...

Matteo Bonechi (Florence, Italy, 1669 - 1756) Title: Triumph Medium: Oil on canvas Dimensions: without frame 65 x 80 cm - with frame 85 x 100 cm Expertise by Professor Sandro Belles...

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Homage to the Square (diptych), 1971 Original colored serigraph. Perfect copies published in 1971 by the Ives-Sillman Inc. edition, New Ha...

Watercolor on paper realized by Sirio Pellegrini in 1960s. Hand signed lower left, it included a pink wooden frame realized by the artist. Sirio Pellegrini, born in Rome on March 1...

Title: Landscape Year: 2024 Technique: mixed media on Cotton Canvas 100x105 cm Description: This original work by Marilina Marchica explores the relationship between man, nature...

Beautiful pair of still lives ascribed to N. Stanchi, realized in the second half of 17th century. Both in very good conditions, they include a contemporary wooden gilded frame. Dime...

L'Ecuyere is a beautiful original lithograph realized by Georges Rouault in 1920. Hand-signed and numbered by the artist in pencil. Edition of 25 prints. 5th ad final state of a s...

Cityscape mixed media on Cavas 70x100 cm Original Art Ready to Hang Architecture Category Painting Year 2013 Mediums, Materials, Styles Mediums Enamel, Oil, Gesso Materials Canvas ...

Oil on canvas realized by Sirio Pellegrini in 1965. Hand signed in the lower left. Includes a wooden frame 32x37 cm. Very good condition. Sirio Pellegrini, born in Rome on March ...

"Gold #1" is a stunning piece from Elizabeth Art Candy’s Fake Marshmallow series, a body of work inspired by the evocative power of sweet memories. This sculptural artwork is meticul...

Chinese Calligraphy and Bamboo is a drawing realized in the mid-20th Century. China Ink on paper. Good conditions except for small cuts on the margins. The artworks represent the ...

Les Amans d'Arlequin is an artwork realized by Gino Severini in 1930. Pochoir from the Suite "Fleurs et Masques". Very good condition. Signed in plate on the lower right. Ref. Ca...

A coral sculpture - amulet with two dolphins, fruits and leaves, symbols of abundance and life. Nineteenth century. Weight 17gr Created from a single sprig of coral, carved, engraved and polished. Italian workmanship of the Trapani tradition, but difficult to place more precisely, as the Trapani artisans moved around Italy over time, forming, among other things, a lesser-known processing center in Livorno (Tuscany), the place of probable creation of this splendid object. Sculpture with two fish, probably two dolphins, or 2 marine monsters, which transform themselves into a kind of cornucopia, from which fruits emerge in abundance. The gift to the newborn therefore had a sense of protection and above all of future male fertility...

This very intense and engaging artwork was created by Urano Palma that is a well known Italian artist who starts to create his artworks following the philosophy of Lucio Fontana. He ...

The Hand Kisser is an artwork realized by an unknown Painter of Center Italy. Oil on Canvas, Early 19th Century. Copy of an earlier painting, probably...

The Dancer is a sculpture realized by Giacomo Manzù in 1957. Unique piece. Exhibitions:  Manzù. L’Uomo e l’Artista, Palazzo Venezia, Roma 2002-2003 Manzù-Marino. Gli ultimi moderni,...

Abstract Post-Cubism is an original artwork realized by Giorgio Lo Fermo in 2012. Oil on canvas applied on hardboard. Hand signed by the artist on lower left. This contemporary ar...

Image dimensions: 28 x 23.5 cm. Anna e Emma nei boschi (Anna and Emma in the Woods) is an original artwork realized by Luigi Bartolini in 1933. Original etching applied on China paper. Dimensions of the plate: 280 x 235 mm. Titled, numbered and signature in pencil of the artist on the lower margin: "Anna e Emma nei boschi 16/50 Luigi Bartolini". Signed and dated on plate on the lower right corner: "L. Bartolini 1935". Excellent conditions. Other titles: Anna e Emma nel bosco; Anna e Emma. Illustration for the book "L'Alipio". Reproduced in "Amata dopo", Nistri-Lischi, 1949; reproduced on the cover of “Il mezzano Alipio”, Vallecchi, 1951. Bibliography: 1951 Petrucci, Calcografia n. 411 1952 Gli esemplari unici o rari p. 103 1959 Severini, Timpanaro n. 525 1960 Milano, riprodotta su Il Fazioso, Edizioni Il Borghese 1962 Ronci, Calcografia n. 411 1972 Barsanti, Galleria Marino n. 463 1997 Ficacci, Calcografia n. 65b 1998 La collezione Timpanaro n. 46 2003 Gli anni meranesi pag. 47 Main exhibitions: 1942 Venezia, XXII Biennale 1943 Roma, IV Quadriennale Luigi Bartolini Cupramontana (Ancona), 1892 – Rome 1963 An accomplished Twentieth Century Italian engraver, painter, writer, art critic and engraver. He spent his early years living in Rome, Siena, and Florence and was professionally formed through university courses in art and medicine, museums, and the Academy Belle Arti. He begins to study art in 1912 with a special preference for Goya, Rembrandt, and Fattori. His success as an engraver arrives in 1924 with his exhibitions at Bragaglia’s House of Art and Casa Palazzi di Roma (70 etchings). In 1925 he participates in the II Roman Biennial and then in the Venice Biennial from 1928 to 1936. He is considered, along with Morandi, the greatest Italian engraver. His expositive work continues with intensity in the post-war period with one-man exhibitions in both Italy and abroad. His last one-man exhibition takes place at the XXXI Venice Biennial and at the National Chalcography in Rome in 1962. Bartolini lives through his era in complete liberty, dedicating himself to painting, to art criticism, to literature and teaching. This intellectual and artistic autonomy is well reflected in his engravings and it is exactly because of this characteristic of intellectual autonomy that he has never really belonged to the Scuola Romana although he was very attached to it because he frequented the Roman environment and it’s artists who he would often exhibit with. His literary production is gathered the volumes Polemiche (1940), Credo d’artista (1945), Il Fallimento della Pittura (1948) and Poesie 1911-1963(1964). As a critic, he collaborates with numerous magazines such as “Il Selvaggio”, “Quadrivio”, “La Tribuna”, “L’Ambrosiano” etc. After the war, “Bicycle Thieves...

Nude from the Back is a Lithograph realized by Franco Gentilini (Italian Painter, 1909-1981), in the 1970s. The state of preservation of the artwork is excellent. Hand-signed. Art...

Under the Crescent Moon is a black and white linocut on ivory-colored paper, realized in 1945 by Mino Maccari. Hand-signed with the pseudonym "Jean ...

Blue Lines is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2015. Oil on canvas applied in plywood; hand signed and dated by the artist on the back. Perfect condit...

A Night in Paris is an original decorative object realized by Pietro Scoppetta in 1911. Mixed media on paper. Hand-signed and dated on the lower left corner: Pietro Scoppetta 1911. A frame is included. Very good conditions. Very elegant, beautiful impressionistic work realized in the first years of the XX Century by the important Italian artist Pietro Scoppetta. The work is characterized by a very impressionistic stroke and touch and depicts a scene during a Parisian night. The figures of the woman in the streets are only sketched but we can feel the elegance and the beauty of the Paris during the fin du siècle. The work has been realized by Pietro Scoppetta (Amalfi, 1863 - Neaples, 1920) an Italian artist. He dedicated himself initially to architectural studies, he abandoned them to form artistically, under the guidance of Giacomo Di Chirico. Resident in Naples, he had the opportunity to live in a climate of strong movements of cultural evolution. Scoppetta decided to leave Italy for abroad, and stayed a long time in London and Paris. In Paris, where he lived between 1897 and 1903, he joined the large group of Neapolitan painters, attracted by the bourgeois suggestions of the Belle Époque, including Lionello Balestrieri...

Dutch painter (late 19th century) - Landscape with windmill. 30 x 40 cm without frame, 42 x 52 cm with frame. Antique oil painting on panel, in gilded wooden frame (not signed). C...

Pastel painting with painted frame realized by Dario Cusani in 1989. Certificate of authenticity by the Artist on photograph. I BECOME A PROFESSIONAL ARTIST (1986) In the spring of ...

Georgette Nivert (French, c. 1900) - The Spanish Women. 54 x 65 cm. Old oil painting on canvas, without frame. - Work signed lower left: "G. Nivert...

Italian alpine Brenva e Mont Blanc landscape, 2019 Watercolour on paper, stretched on canvas, inch 44.8 x 63 About the artist, Silvia De Bastiani: she best embodies the values of h...

Between Sky and Sea is a unique Statuario Carrara marble and glaze sculpture by contemporary artist Francesca Bernardini. The dimensions are 14 × 43 × 35 cm (5.5 × 16.9 × 13.8 in). ...

Lombard School, 17th century Portrait of a Young Boy oil on canvas 109 x 78 cm - 127 x 97 cm with frame The protagonist of the offered canvas is a chubby little boy, aged approxima...

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height with square form bases cm 220. Time...

Seaside is a modern artwork realized by Egeo Venturi. Oil painting. Hand signed on the lower margin. Includes frame.

Calder Fleches is a a vintage poster realized after Alexander Calder in the 1970s. Colour lithograph on paper. Not signed Published by Galerie Maeght,...

Armando Spadini (Florence 1883 – Rome 1925), The Basket of ribbons (1911 – 1912) Oil painting on canvas of 76 x 96 cm, on the back there is the label of the I Quadriennale Romana o...

Philosopher - Ciro De Rosa Italia 2008 - Oil on canvas cm. 60x50 Gold leaf gilded wooden frame available on request The painting by the painter Ciro De Rosa portrays an old and wise ...

Mary Magdalene in the Desert Giovanni Francesco Barbieri, Il Guercino (Cento, 1591 - Bologna, 1666) Workshop of Oil on canvas 122 x 78 cm In frame 136 x 92 cm The painting presents us with a superb image of the penitent Magdalene, portrayed as an attractive young woman, mischievously undressed to remind us of her sinful past, her gaze full of devotion turned towards the angel messenger arriving from above. The composition is made even more fascinating by her long, loose hair that falls softly over her body, revealing her breasts, a further reference to the strong femininity of this saint, who is both a sinner and a penitent, and therefore perpetually portrayed in the ambivalence between the sacred and the profane. Stylistically, the work, which can be dated to the first half of the 17th century, clearly belongs to the Emilian school, and the Guercinesque characteristics undoubtedly suggest that it was executed by an artist from his workshop. The iconography of the painting reinterprets a work by Guercino, “The Vision of Saint Jerome”, painted in 1641 for the Confraternity of Saint Jerome in Rimini: the two works are similar in their setting, the composition of the scene, the treatment of the bodies of the protagonists and even in the pose and colours and the inclusion of the angel in the upper part of the painting. Returning to our beautiful Magdalene, although Guercino's original work cannot be traced, there are other versions by his talented pupils and workshop, including that by Cesare Gennari (Cento, 1637 - Bologna, 1688), now in the Pinacoteca Civica in Cento (FE), considered one of the best talents to emerge from the prestigious teaching of the master. Gennari Cesare - Penitent Magdalene oil on canvas, 276x 171 cm, 1662, no. 0342 Civica Pinacoteca Il Guercino, Cento (FE). Although it is difficult to attribute our high-quality canvas to a specific artist, we can trace its authorship to the workshop of the great master, hypothesising that it was painted either by Cesare Gennari himself or by an artist close to his style, such as Giuseppe Maria Ficatelli, from whom the particular sense of light and vigorous naturalism derives. Our painter follows the robust and synthetic naturalism typical of Cesare's style: the touch is refined but full of character in the depiction of Mary Magdalene, with her sensual flesh, particularly her breasts, which are barely concealed by her long, curly, golden hair. The woman embodies a three-dimensional strength that makes her the focal point of the painting, around which everything else is coordinated, thanks in part to her diagonal pose, which emphasises her depth. She kneels on a rock altar, on which there is a crucifix and an open book, as well as a skull at her feet, as a warning against Vanitas. In this dark setting, with colours that are deep and functional to the message of faith that Mary Magdalene conveys, the only source of light illuminating the scene is the angel at the top of the painting, pointing to the true source of that glow, which stands out against the magnificent lapis lazuli blue of the sky. ADDITIONAL INFORMATION: Good condition, with some restoration work consistent with the age of the painting, complete with gilded frame...

Landscape mixed media on cotton canvas 120x100 cm original paint Ready to hang Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Painting at the Ac...

Oil on canvas realized by Marco Fariello in 2023, depicting a dominican woman. Excellent condition. Certificate of authenticity by the Artist.

Italian Master (17th century) - The Flight into Egypt Appears to St. Francis. 37.5 x 51.5 cm unframed, 71 x 83 cm framed. Oil on canvas, in a carved wooden frame (not signed). Con...

Oil on plywood realized by Martin Bradley in 1974.  Hand signed and dated in top right corner; hand signed and titled on rear. Very good condition.

Watercolor on paper. Signed in lower left hand corner. Angelos Giallinas, born in Corfu, was distinguished for his many views of his native island, although his landscape production ...

Landscape is a superb original offset print, reproducing the original watercolor by Giorgio Morandi. Also the signature in pencil by the artist is perfectly reproduced. From the vo...

Letter addressed to Mino Maccari. Fagnano, 14 May 1933. "The promise of Ansaldo". During his pre journalistic period, the wannabe novelist Benedetti used to use the stage name of Ar...

Oil painting on canvas by Elena Mardashova 70x50 cm. Meant to create the happy feeling that any flowers can gift. Realized in 2020.

paesaggio di Menerbes dove Picasso le regalò una casa e lei visse per alcuni anni L'opera è firmata e Timbrata MD Dora MAAR (Parigi 1907 – 1997) Nata Henrietta Theodora Markovitc...

The Wedding of Rebecca and Isaac is an oil painting realized by Enrico Savini (1832-1869), in the mid-19th Century. Artist's name on the bottom plate. ...

GL 25-23 is a limited-edition photograph by French contemporary artist Riccardo Varini. This photograph is sold unframed as a print only. It is available in only one size: *45 × 30...