London - Art

'Frozen beach No.2' Neringa, Lithuania 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the fines...

Paris I Love You I Love You ! BATIK signed limited edition POP ART print Paper Size 30 x 20" inches / 76 x 51 cm Signed & numbered by artist on front Archival Pigment print Limited to 25 only Pop art of the now infamous mugshot arrest photo of socialite and famous hotel heiress Paris Hilton...

Lisa Bisbee’s "Apple Store" presents a vibrant, abstract depiction of New York City's iconic Apple Store on 5th Avenue. This oil on canvas piece captures the sleek, transparent archi...

Sophia Loren Pouring Champagne in Glasses by Globe Photos A classic 1962 image featuring legendary Italian film actress Sophia Loren pouring champagne into fancy glasses on New Yea...

"Post Queue" by Fox Photos December 1926: Schoolchildren posting letters in the playground of the Red Lion Street School. Unframed Paper Size: 20" x 24'' (...

A three-quarter length portrait of Anne, Lady Russell, later Countess of Bedford (1615-1684), in a blue dress. Attributed to Sir Anthony Van Dyck.  Anne C...

Limited Edition Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her pa...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In Raspberry, Dani Humberstone suspends a delicately painted fr...

Cheeky Briefs by Kurt Hutton A badly sun-burned holidaymaker admires his friend's leopard-print briefs, while standing at the bar of a holiday camp on C...

Limited Edition Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her pa...

Damien Hirst H13-2 Kingsdown Beach, 2023 Laminated Giclée print on aluminium composite panel. Hand-signed on the label and numbered. This artwork can be hung any way up. 120 × 90 cm ...

A true Classical Realist, Paul’s focus is on universal beauty. He upholds rigorous standards in pursuit of this, working from life, emulating the techniques and materials of the old ...

'The Roman Bath', pencil on art paper (circa 1960s), School of Rome. Three broad-shouldered men make their way through the sultry corridors of the Hammam in...

'Portrait of a Young Man', oil on board, by Peter Robert Keil (1983). Big, bold with brash brush strokes painted in exuberant colours is the tr...

'Melancholic Muses V', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of ...

"Seine Scenery" by Thurston Hopkins 16th August 1952: A man walks his bicycle beside the Seine in Paris and a tug boat on the river belches smoke from its funnel. Original Publicati...

Oil on canvas Canvas size: 13 x 18 inches Framed size: 20 x 25.25 inches Signed lower right

La Coquille Club, Florida Car Park by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available please enquire) Limited Signature...

Ballpoint pen and inkjet on paper - Unframed Caldicott has always had a habit of working serially; his works on paper are rapidly produced and large in quantity. His drawings have a...

Damien Hirst, an iconic figure in contemporary art, is celebrated for his bold and provocative exploration of life, death, and the human condition. Renowned for his use of formaldehy...

Image dimensions: 54cm x 73cm Framed dimensions: 72.5cm x 93.5cm Signed lower right. Celebrated as a “painter of light”, Joseph Raymond Wintz (1884-1956) enjoyed a reputation as on...

'Blooms in vase’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnem...

'The Carlton Hotel' A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. Gorgeous print measuring a very large 30 x 30" inches / approx 76 ...

Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro (1830-1903) Etching 17.1 x 25.3 cm (6 ³/₄ x 10 inches) Stamped lower right, C.P. an...

'Landscape with Man and Goats', gouache on paper, by Raymond Guerrier (circa 1960s). After the artist moved from Paris to the South of France, he started painting landscapes illumina...

Elizabeth Taylor with Sunglasses for "Giant" 1955 by Frank Worth This iconic and elegant portrait captured by celebrity photographer Frank Worth features actress Elizabeth Taylor o...

'Bubbles' London, United Kingdom 2020 Limited edition of 20. Printed on Hahnemuhle photo rag baryta paper. Signed and stamped from and back using emboss and certificate of authen...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In “On The Way There”, David Wilson takes the viewer on a jour...

Titan Fine Art present this striking portrait, which was painted by one of the most talented artists working in England during the last half of the 17th century, John Greenhill. Gre...

'Paris, la Bourse', gouache on paper, by Lucien Génin (circa 1930s). Created at the beginning of the 19th century by Napoleon, la Bourse, or the Stock Exchange, was intended to assert and encourage France’s prosperity in industry and trade. In 1826 the Stock Exchange was installed in the palace that the architect Brongniart had begun in 1808. Surrounded by a large peristyle of Corinthian columns, the rectangular structure reflects the official neo-classicism of the Empire Period. The artist, Génin, depicts a typically lively 1930s day in front of the building with cars of the period zooming by pedestrians on the walkway and others on the stairs leading to the entrance. He has an extremely charming, almost childlike style particularly the way he renders the people and the vehicles. The building, on the other hand, is accurate in its detail and more seriously presented. Our gallery has held and has sold over a dozen of Genin's paintings but this one stands out for its pure stylish appeal and ability to captivate while inducing a smile in the viewer. The artwork is in good overall condition - there are some minor blemishes not on the artwork itself but on the edges of the mount to which it is attached. The frame is in fair condition showing some nicks and scratches. Please enjoy the many photos accompanying the listing. Upon request a video can be provided. Signed by the artist in the lower right hand. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

James Dean Behind Fence in Giant 1955 by Frank Worth James Dean in thought seated behind a barbed wire fence for his role in the film 'Giant', 1955. James Byron Dean was an Ameri...

This stunning Original Diptych paintings by Shizico Yi on Canvas includes: Blue Serie- Foxgloves Blue in Pink Blue Serie- Foxgloves Blue in Yellow these are a part of Shizico Yi's Su...

This painting by William Joseph Shayer features a horse and dog in a landscape surrounded by a serene and rustic scene, showcasing Shayer's skill in portraying figures within natural...

Untitled, 1967 Donald Judd From Ten From Leo Castelli Folded stainless steel multiple Signed in black felt-tip pen and numbered from the edition 186 of 200 on a paper label affix...

Edition of 75, Set of 6 33 x 71 cms (13 x 28 ins)

'The Fishermen', oil on canvas, by Anna Costa (circa 1970s). Cassis is a small, Provencal fishing village in southern France, located about 45 minutes east of Marseille and 45 minute...

Slim Aarons Limited Estate Edition Countess on Deck Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. Paper Size 24x20 inches / 6...

'Woman with Blue Eyes', oil on board, by Peter Robert Keil (1985). A topless redhead gazes out to the viewer with her intense blue eyes. A mysterious blue hand sneaks into view from ...

"Marilyn Monroe" by Baron circa 1954: Marilyn Monroe (1926 - 1962), the most famous of Hollywood's female film stars, relaxes at home in her garden. Unframed Paper Size: 40"x 30'' ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This original painting is a striking example of contemporary e...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Peony Study" by Julie Whitehead is a stunning original still ...

'Woman in Front of the Mirror', oil on canvas, by Vincent Tailhardat (circa 1990s). A nude woman seated in front of a mirror grooms herself while en...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Wavelength" by Blair Atherholt is a captivating original still...

The Summer Bloom Series is an ongoing project that Shizico Yi returns to each summer, painting en plein air in her garden. She began gardening in 2015 to create a healing space for h...

'Lily No.3' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 10. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fr...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences whi...

'Schwarzenegger Is My Idol 1' Limited Edition Hahnemühle Rag Baryta print Edition size 10 only. Large 20 x 24" inches paper size. by Se...

Presented by Titan Fine Art, this painting formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This portrait hung in the Grand Hall. This exquisite grand manner work is an evocative example of the type of portrait in vogue during a large part of the seventeenth and eighteenth centuries. The artist has depicted an elegant lady, three quarter length and seated on porch with a luxurious crimson swag curtain by her side. The clothing – known as “undress” at the time, consists of red silk fastened at the front and sleeves by large gold and diamond jewels over a simple white chemise. In her lap she holds a blue wrap and in her other hand, at her chest, she clutches the end of a sheer gauzy scarf that has been draped around her body with the other end a type of headdress – this type of sheer scarf was often employed by Wissing in his portraits. The classical architecture signifies cultivation and sophistication and the luxurious swag curtain is a signifier of wealth. The portrait can be dated to circa 1680 based on the sitter’s attire, the “hurluberlu” hairstyle, and other portraits by Wissing using the same formula. This oil on canvas portrait has been well cared for over its life, which spans almost 350 years. Having recently been treated to remove an obscuring discoloured varnish, the finer details and proper colour can now be fully appreciated. Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare. Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone. Much of the attractiveness of this portrait resides in its graceful manner and the utter beauty of the youthful sitter. Presented in a beautiful carved and gilded period frame, which is a work of art in itself. Willem Wissing was a Dutch artist who enjoyed a solid artistic training at The Hague under Arnold van Ravesteyn (c.1650-1690) and Willem Dougijns (1630-1697). He came to London in 1676 and most probably joined the studio or Sir Peter Lely as an assistant that same year. After Lely’s death in 1680 he effectively took over his business and he scaled the heights of patronage with extraordinary ease, creating an independent practise in 1687, and painted for very important aristocratic patrons. King Charles II was so impressed by a portrait Wissing painted of his son, the Duke of Monmouth, in 1683 that he commissioned his own portrait and that of his Queen Catherine...

'The Fisherman', oil on board, by Gabriel Vié (circa 1940s). This artwork depicts a solitary man fishing in a river surrounded by abundant foliage. He is p...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Timeless No. 1" by Cat Tesla is a serene yet dynamic abstract...

David Shrigley Do Not Eat Him, 2021 Digital print 70 x 50 cm Framed 90 x 70 cm Unsigned Edition of 250 Published by Shrig Shop. David Shrigley is a British artist known for his d...

Summer Bloom series began in 2022, where Shizico Yi celebrating the season by painting en plein air in her garden. In 2024, she embarks on a fresh chapter with her new rose garden, w...

Suisse Chutes du Rhin Original lithographic poster (1925) 40x25"

Keith Vaughan Male nudes II Ballpoint pen sketch 17 x 13 cm Born in 1912, Keith Vaughan was a British painter known for his modernist and semi-abstract depictions of the male fig...

Slim Aarons - Poolside Friendship - NEW Archive discovery - Limited Estate Print A brand new release from the Slim Aarons Estate & Archive - this...

John Wilson Ewbank (1799 - 1847) Shipping in the Harbour, South Shields Oil on canvas 39.5 x 58 inches unframed 47.75 x 66.5 inches framed Provenance: Christie's October 2002; Lot 11. Fine Art Society; Private Collection This marvellous up to scale Ewbank is full of light and warmth and almost certainly his greatest work of the sort rarely - if ever - seen on the market. John W. Ewbank (4 May 1799–28 November 1847), was an English-born landscape and marine painter largely operational from Scotland. The Humber river is a large tidal estuary on the east coast of Northern England. Life Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he had some lessons with Alexander Nasmyth. He found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Works His sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He also made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. As an illustrator he illustrated some early editions of Scott's Waverley Novels and one edition of Gilbert White...

Sir Anthony Van Dyck (1599-1641, Flemish) Study of a Head of Man Circa 1627-32, Van Dyck’s second Antwerp period Oil on paper, laid down on canvas Dimensions 15 x 14 inches (38.1 x 3...