London - Art

Elvis Adoration (1956) (Photo By Phillip Harrington) Tennessee, May 29, 1956. Elvis Presley with his 1956 Harley KH, in the garage at 1034 Audubon Drive, Memphis. Vernon Presley is crouching beside the Harley. Additional Information: Unframed Paper Size: 16x20'' Printed Later About the Image: Elvis Aaron Presley, also known simply as Elvis, was an American singer, musician and actor. He is regarded as one of the most significant cultural icons of the 20th century and is often referred to as the "King of Rock and Roll" or simply "the King". NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' 30 x 40'' FRAMING AVAILABLE ON REQUEST About the Artist: Phillip A. Harrington was born in 1920 and grew up in Holland, Michigan. He developed an interest in photography at an early age, joining the high school camera club at 16. At the age of 19, Harrington moved to New York City to study at the Clarence. H. White school of photography, a prestigious institution with graduates such as Margaret Bourke-White, Dorothea Lange, Laura Gilpin, and Ralph Steiner. Harrington studied under Clarence White, Jr., who described Harrington as being among the school’s best students. Elvis, Elvis Presley, Elvis Presley2, LEADING MEN, Phillip Harrington Retro Vintage Black and...

'Bubbles' London, United Kingdom 2020 Limited edition of 20. Printed on Hahnemuhle photo rag baryta paper. Signed and stamped from and back using emboss and certificate of authen...

Bermuda Idyll 1977 by Slim Aarons Slim Aarons Limited Estate Edition Mrs Frank McMahon and guests around the pool at her seaside home in Bermuda, 1977. unframed c type print prin...

Bodypaint - 1991 by Byron Newman 40x30" in / 101 x 76 cm paper size C print limited edition to 15 only this size From a Calendar shoot from RMC in 1991. About the artist : Byron Newman (born in London, England, United Kingdom) is a British photographer. He has been a photographer for over 25 years. Most of the years in partnership with French actress Brigitte Ariel, his producer, stylist, muse and also his wife. Newman started out studying graphic design and photography at the London College of Printing. Afterwards, he interviewed and photographed musicians for Cream magazine in the 1960s and 1970s. He started his own fashion magazine Deluxe in 1977. From that experience he was offered a job in Paris as the art director with Mode International. Once there he also started working for LUI magazine where he was a staff photographer. Whilst there he met Brigitte Ariel. Playboy In 1982, whilst Newman and Ariel were in Hollywood on promoting her latest film, Hugh Hefner got in touch and met them at the Playboy Mansion. Byron has photographed for Playboy magazine, assisted by Brigitte, in the United States since 1984. His photographs appear in Playboy magazine and also are for the Playboy Special Editions. He has also photographed for Playboy's other foreign editions including Germany, France, Italy, Spain, Russia, Mexico, South Africa, Croatia etc. During the time Byron has worked for them, he has photographed some of Britain's top glamour models including Samantha Fox, Katie Price aka Jordan, Jessica-Jane Clement, Marina Baker (whom he had discovered and photographed for her Miss March 1987 pictorial), and 2006 Playboy Special Edition model of the year Louise Glover. His pictorial in Playboy USA (Sept 07) entitled "Rubber Rules" explores the sensuality of latex clothing...

This original lithograph is hand signed in pencil by the artist “Robert Longo” at the lower right corner. It is also dated “94” [1994] next to the signature. It is hand numbered in ...

Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Framed: 66.5 x 66.5 x 4 cm Edition of 10

'Dahlia buds’ photographed in London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühl...

David Hockney "Untitled" Snow Window iPad Drawing. My Window No. 610. An eight colour inkjet print on cotton fibre archival paper. Dated 2010. A limited edition of 250 prints. No. 87...

'Melancholic Muses', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of li...

Elizabeth Taylor with Sunglasses for "Giant" 1955 by Frank Worth This iconic and elegant portrait captured by celebrity photographer Frank Worth features actress Elizabeth Taylor o...

Saint-Tropez Boucherie A boucherie or butcher’s shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. Paper size 30 x 40" inches / 76 x 101 cm Estate ...

Marilyn Monroe: Hollywood's Glamour Icon by Frank Worth / Globe Photos paper size 40 x 30 inches / 101 x 76 cm edition of 24 only in this size Archival pigment print unframed (fr...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "MIAMI BEACH - Porsche 911" by Fabriano transports viewers to the vibrant streets of Miami Beach, where the iconic red Porsche 911 stands as a symbol of luxury and elegance. This original still life painting, created with oil on canvas, captures the essence of sophistication and excitement synonymous with this iconic car and its glamorous surroundings. At the heart of the composition is a striking portrayal of a red Porsche 911, depicted with breathtaking photo-realism. Every curve and contour of the car is meticulously rendered, from the sleek lines of its body to the gleaming shine of its paintwork. Against the backdrop of Miami Beach, with its palm trees swaying in the ocean breeze, the Porsche exudes an aura of exclusivity and allure, evoking the thrill of a leisurely drive along the sun-soaked coastline. The color palette of the piece is dynamic and vibrant, with bold shades of red and blue capturing the vibrant energy of Miami Beach, while earthy tones ground the scene in a sense of warmth and familiarity. These colors come together to create a visually captivating tableau that immerses viewers in the excitement of the Miami lifestyle. Signed by the artist, "MIAMI BEACH - Porsche 911" is more than just a painting—it is a celebration of luxury, style, and the allure of exotic locales. Whether displayed in a gallery or a private collection, this artwork is sure to captivate and inspire. For those eager to bring a touch of Miami Beach glamour...

New England Skiing - 'Skiing Essentials' (1955) - Limited Estate Stamped - Silver Gelatin Fibre Print (Photo By Slim Aarons/Getty Images Archive) A couple prepares for a day's ski...

Aftrer Anthony VAN DYCK - maybe Studio (1599, Antwerp – 1641, London) Flemish Double Portrait of George Villiers, 2nd Duke of Buckingham (1628-1687) & Lord Francis Villiers (1629-1648) Oil on Canvas 170 x 147 cm Anthony Van Dyck (1599-1641) No painter has done more to define an era than Anthony van Dyck. He spent only seven and a half years of his short life (1599- 1641) in England. He grew up in Antwerp, where his precocious talent was recognised by Peter Paul Rubens, the greatest painter of his age. He worked in Rubens’s studio and imitated his style as a religious artist, painting biblical scenes redolent of the lush piety of the counter-reformation. But soon he was on the move. In 1620, he visited London for a few months, long enough to paint a history picture, The Continence of Scipio, for the royal favourite, George Villiers, Marquess of Buckingham, and a portrait of his other English patron, the great art collector, Thomas Howard, 2nd Earl of Arundel. After a stint in Italy, making imposing portraits of the wealthy aristocracy and sketching and copying works by Titian, he returned to the Spanish Netherlands in 1627, becoming court artist to Archduchess Isabella before departing for The Hague in 1631 to paint the Dutch ruler Frederick Henry, Prince of Orange. Charles I’s invitation in 1632 led Van Dyck back to London where he was knighted, paid an annual salary of £200 and installed in a house in Blackfriars with a special jetty at which the royal barge might tie up when the King was visiting his studio. By this time Van Dyck was recognised as the leading court painter in Europe, with Velazquez at the court of Philip IV of Spain his only rival. He also excelled as a superbly observant painter of children and dogs. Van Dyck’s notoriety in depicting children led to the introduction of groups of children without their parents as a new genre into English painting (amongst other new genres). For the next 300 years, Van Dyck was the major influence on English portraiture. Nearly all the great 18th Century portraitists, from Pompeo Batoni and Allan Ramsay to Thomas Gainsborough and Joshua Reynolds, copied Van Dyck’s costumes, poses and compositions. George Duke of Buckingham & his brother Francis Villiers Painted in 1635, this double portrait was originally commissioned by Charles I, who raised the two brothers after their father, George Villiers, was assassinated in 1628. Together with their sister, Lady Mary Villiers, they enjoyed the King’s favour absolutely. Francis whose absolute ‘inimitable handsomeness’ was noted by Marvell (who was killed in a skirmish near Kingston upon Thames). The young duke who commanded a regiment of horse at the Battle of Worcester, remained closely associated with Charles II, held a number of high offices after the Restoration and was one of the most cynical and brilliant members of the King’s entourage, immortalised as ‘Zimri’ in Dryden’s Absalom and Achitopbel. As a young man he had sold his father’s great collection of pictures in the Spanish Netherlands, many of them to the Archduke Leopold Willhelm. Painted for Charles I and placed near the portrait of their sister in the Gallery at St James’ Palace. The handling of both costumes is very rich, and the heads are very carefully and sensitively worked. That of the younger boy in particular is more solidly built up than the lower part of the figure. A preparatory drawing for the younger boy is in the British Museum. There are copies at, e.g., Highclere Castle...

Pupil of Rembrandt Portrait of a Young Man 17th Century Oil on oak panel Image size: 4 1/4 x 5 inches (11 x 13 cm) Dutch ebonised frame This small portrait is of a young man, staring inquisitively out towards the viewer. The realism of his appearance is striking, with great care taken in the depiction of the man’s features - for example, his full lips and the slight bump in the bridge of his nose. The man wears a rich burgundy doublet and a black cap and is adorned with gold accessories, indicating a degree of wealth - it is likely that this is a miniature portrait for a wealthy patron. The warm flesh tones of this painting and the intricate rendering of the man’s curly brown hair demonstrate the artistry of the painter, who has successfully captured the image of youth within his brushstrokes. Rembrandt’s Pupils Upon completing his artistic education, Rembrandt opened a studio and began to take students - the first of which were Gerrit Dou and Isaac Jouderville. The studio functioned as an art school, in which materials and guidance were provided - contrary to the studios of his peers, Rembrandt did not offer lodging to his pupils. The families of prospective pupils had to pay Rembrandt 100 guilders (enough for a house at the time) for this artistic education, and the profits from any works produced by pupils under Rembrandt would be paid to the master rather than kept by the student-artist - this contributed substantially to  the master’s income.When taking on pupils, Rembrandt looked for those who could already paint, and guided their styles to reflect his. By choosing pupils who were somewhat experienced artists, Rembrandt had an array of painters that could be involved at any stage of assisting with the creation of his works - in this way, Rembrandt’s pupils often functioned as studio assistants as well. In order to perfect Rembrandt’s style, pupils would paint copies of their teacher’s works, sometimes adding their own distinct variations. They would use the same subjects and models as Rembrandt himself, and would accompany him on outdoor trips to paint nature and landscapes. The extensive copying and utilisation of same source materials has rendered Rembrandt’s work and the work of his pupils difficult to differentiate, even in the modern era.At least 50 pupils were taught by Rembrandt, with many continuing on to become his studio assistants. A few graduated into successful artists in their own right - for example, Govaert Flinck...

Edition of 100 plus 10 AP

Winnie the Pooh And Tiger Too - Original 1974 Lobby Card Vintage 1974 Lobby Card: Rabbit is tired of Tigger always bouncing him, so he gets Pooh and Piglet together to come up wit...

Wassily Kandinsky
 Bunt im Dreieck, 1965
 Lithograph in colours on Arches paper
 Signed in the plate
 50 x 37.5 cm
 Sheet: 74 x 45.5 cm

The Endless Life of People, Offset Lithograph Print, 2010. Offset Lithograph Print. Unknown edition. 40.6 x 40.6 cm Excellent condition. S...

Ed Ruscha
 Sweet Taters, 2021 Fine bone china
 Printed signature and edition details on verso
 Comes with custom artist box with printed signature Diameter: 10.5" / 26.7 cm Edition o...

Conceived in 1962, Cast in bronze in 1964 Bronze relief sculpture cast from a linocut Stamped with the foundry mark ‘E. GodArd Fondr Paris’ Unnumbered edition of 2 Pablo Picasso’...

Larry Poons Spring Field 1989 Acrylic on canvas 39.37 x 95.25 cms (15 1/2 x 37 1/2 ins) LP10155

US One Sheet Film Poster 41¼ x 27 in. (105 x 68.5 cm.) Backed on linen Artwork by Albert Kallis. Country of origin U.S. One Sheet poster for the 1958 B-...

Portrait of contraversial former President and current Republican nominee Donald Trump by renowned artist Lou Ros Acrylic on canvas signed, dated and titled on reverse by the art...

Selection from Living 1980 -1982, 1999 Jenny Holzer Heliogravure, on Zerkall rag paper Signed and numbered from the edition of 99 Plate: 37 × 55.5 cm (14.6 × 21.9 in) Sheet: 44.5 ×...

Oil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...

Desert Rose captures the striking elegance of an Adenium plant, its delicate bloom contrasting with the sculptural form of its twisted, resilient branches. The minimal composition hi...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Rhode Island Surfers 1965 by Slim Aarons Slim Aarons Limited Estate Edition Surfers off Rhode Island, September 1965. unframed c type print printed 2023 16×20 inches - paper siz...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Immersion" by Roman Goss is an original abstract painting tha...

'Portrait of a Woman with Short Hair', oil on board, by Peter Robert Keil (1983). A wide-eyed woman gazes out to the viewer with a tranquil smile. The colou...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Summer Blooming" by Robert Lemay is a captivating original re...

Blondie Blue by BATIK signed limited edition POP ART print Paper Size OVERSIZE 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print Limited to 15 only Featuring pop art artwork of the iconic Debbie Harry from pop punk band Blondie circa 1979 Note other sizes and framing options available BATIK is a London based contemporary pop artist Sex symbol glamour music artist heart of glass...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Coral Peonies June 2" by Robert Lemay is a captivating origin...

Stay On Target - Hand Signed Limited Edition Archival Pigment Print This piece is a modern reworking of the infamous scene in North By North West by ...

Damien Hirst Forever (Large), 2020 Laminated Giclée print on aluminium composite panel digitally signed by the artist on the back 78 x 78 cm Edition of 1449 The editions titled Fru...

Serra Pelada, Brazil, 1986 Sebastião Salgado International Shipping Available Stamped with photographer’s copyright blind stamp Signed, inscribed on reverse Undertaking projects of vast temporal and geographic scope, Sebastião Salgado (born 1944) is one of the most celebrated photojournalists working today. Whilst inescapably memorable for their beauty, Salgado’s photographs...

Fun Loving Criminals III by B A T I K signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print Limited to 15 only Featuring police arrest mugshot photos of Tupac, Eminem , Vanilla Ice, Michael Jackson, Justin Bieber...

David Shrigley The Paper Weighs Nothing, 2014 Lithograph on paper Signed and numbered by the artist, on verso 38 x 57 cm Edition 90 of 100 pu...

'10000 blue days' Mesr Desert, Iran 2016. Limited edition of 20.

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This original figurative drawing, painted in acrylic on canvas...

In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...

'Melancholic Muses II', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. The original realism painting by Martha Nairn is framed and rea...

Eden-Roc Pool 1976 by Slim Aarons printed 2025 Slim Aarons Limited Estate Edition Guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 72" ...

Early Bud captures the elegant simplicity of a flower in its earliest stages of bloom. The clean composition focuses on the organic lines of the bud and its sharp, elongated leaves, ...

'Dali And Gala' 1955 Slim Aarons Limited Edition Estate Print- Oversize Spanish artist Salvador Dali (1904 – 1989) enjoying a cup of coffee with his wife Gala (1894 – 1982) on a terrace at the Ritz Hotel, Madrid. (Photo by Slim Aarons) Silver Gelatin Print Produced from the original transparency Certificate of authenticity supplied Archive stamped and numbered in ink on the front Paper size 20 x 20 / 50 x 50 cm Printed 2020 OTHER SIZES AVAILABLE : 12 x 12 / 30 x 30 cm 16 x 16 / 40 x 40 cm 20 x 20 / 50 x 50 cm 30 x 30 / 76 x 76 cm 40 x 40 / 102 x 102 cm 50 x 50 / 127 x 127 cm FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white relaxing taking a break cafe restaurant dining art...

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Village Horse and Rider, circa 1920s Technique: Hand Signed Gouache on Thin Wove Paper Paper size: 50 x 70 cm. / 19.7 x...

' Emerald Sea ' Limited Edition Signed print 2012 by Stuart Möller edition of 10 only this size. unframed. A wave about to crash revealing an emerald green sea. Stuart Möller's b...

Chinstrap Penguins, Deception Island, Antarctica, 2005 - Sebastião Salgado Stamped with photographer’s copyright blind stamp Signed, inscribed on re...

Tennis Guests 1953 Slim Aarons Estate Edition Michael Canfield and Jacqueline Bouvier (later Kennedy and then Onassis) at Newport Casino for Tennis Week, 1953. Original Publicati...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "24 Carrot Gold" by Henk Jan Sanderman is a delightful ceramic ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. “Cipher Bloom” is a dense yet buoyant composition, pulsing with...

Farmhands working in a field on a hot summer's day. Building on iconic depictions of farmworkers by Millet, Huys sought to imbue his figures with a sensitivity and reverence that ...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Sklye by Sam Francis (1923-1994) Acrylic on paper 14.6 x 10.2 cm (5 ³/₄ x 4 inches) Signed, Sam Francis and dated on th...

'Café de la Place', gouache on paper, by Raymond Debiève (circa 1970s). A solitary stroller in a small French town crosses the street in front of a café al...

James Bond The Spy Who Loved me - Original 1977 Lobby Card #8 Vintage 1977 The Spy Who Loved Me lobby card of 007's underwater car and 2 divers Framing options available: Black, br...