London - Art

Blondie Pink by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – BATIK is an increasingly collectable pop artist currently...

We acquired a series of paintings from Claude Muncaster's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Claude Munca...

Acrylic and oil on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intu...

Corrida Espagnole by JEAN DUFY (1888-1964) Oil on canvas 33.2 x 55.3 cm (13 ¹/₈ x 21 ³/₄ inches) Signed lower right, Jean Dufy This work is accompanied by a certificate of authentic...

Pen on tracing paper - Unframed. Richard Caldicott drawings have a minimal esthetic, an architectural character, created with only one or two lines. Pastel tones, softened colors, a...

'Red boat' Printed on archival paper with museum-grade precision, this limited edition work balances mystery and simplicity. A photograph is carefully placed in a secure cardboard ...

Oil on canvas Canvas size: 29 x 21 inches Framed size: 38.5 x 29.75 inches Signed lower left

Half-Limousine coachwork design for an Austro-Daimler. Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbere...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) King's College, Cambridge Engraving 12 x 16 cm An eighteenth-century view King's College, Cambridge, engraved by Pi...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) St Catharine's College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of St Catharine's College, Cambri...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Waterlilies Pond" by Juan Del Pozo is an enchanting original ...

Poppy No.10 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Julian Trevelyan, RA (1910 -1988) Caius College II, Cambridge (1959/1962) 37 x 51 cm Signed by the artist and numbered 4/70 in pencil. The edition consisted of 70 numbered proofs and 30 artist’s proofs. This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College, and Sidney Sussex...

Pastel on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. He...

'Nuns of New York' New York, United States 2019 Limited edition of 20.

C Print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with overlapping and drifting layers of shimmering colo...

Maurice Lambert Head of Dame Edith Sitwell 1901-1964 Patinated bronze on marble base Dimensions: 7 x 16 inches (18 x 41 cm) Provenance Private collection Originally commissioned by Edith's brother Osbert Sitwell circa 1926/27. Our version is of the same period and must have been commissioned at the same time. A version of this piece made in 1984 in aluminium is held in the permanent collection of the National Portrait Gallery (NPG 5801). Maurice Lambert Maurice Lambert, born in Paris, was son of the Russian-born Australian painter George Washington Lambert...

Sunset Song Series stands as one of the most iconic works featured in the upcoming Summer Exhibition UK, 2025—a rare and luminous collection of latest artworks we’re thrilled to pres...

Oil on paper - Unframed. In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets intuition. Her ...

Spray paint, pencil, ink, watercolor on paper. Unframed. Peter Soriano works on relatively large sheets of Japanese paper with a tendency to work from something observed, ideally ar...

The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation o...

"The Promise (Grey)" is a 2022 vinyl sculpture by renowned artist KAWS, featuring two of his iconic Companion characters exchanging a globe. The sculpture is available in three colo...

Brian Neish is fascinated by painted surfaces, particularly surfaces having to endure the extremes of sunlight, wind, frost and rain. He calls the appearance of these debilitating ef...

A Still Life of Turtles, An Eel, Pike, Lobsters and other Fish on the Shore, A Ship in the Stormy Seas Beyond Signed and dated lower left 1640 Inscribed with inventory number lower right: no. 44 Oil on canvas Framed 29.5 x 37.9 inches Provenance Anonymous sale, London, Sotheby's, 15 April 1999, lot 87, (as 'Circle of Giuseppe...

'Bernardini' (March 23, 2003 – July 30, 2021) was a champion American Thoroughbred racehorse who won the 2006 Preakness Stakes and Travers Stakes. Series: Studio Portraits, 'Bernardini', 2009 by John Reardon...

EDUARDO CHILLIDA 1924-2002 1924 - San Sebastián - 2002 (Spanish/Basque) Title: Place I Leku I, 1969 Technique: Original Hand Signed and Numbered Etching on Chiffon de Mandeure Wo...

Slim Aarons Estate Print - Leisure In Antibes 1969 A woman sunbathing in a motorboat as it tows a waterskier, in the sea off the Hotel du Cap-Eden-Roc in Antibes on the French Rivi...

Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galle...

Untitled #63 (Abstract Photography) C-print — Unframed. Edition: 2/5 + 2 A/P This early work from Caldicott's acclaimed Tupperware series exemplifies his ability to breathe life in...

William Huggins (1820 - 1884) A lion and a lioness in a landscape Oil on panel  Signed and dated, lower right: 'Huggins 1847' With gallery and exhibition labels, verso Provenance: ...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Rebecca Couchée by JULES PASCIN (1885-1930) Oil over pencil on canvas 73.1 x 91.8 cm (28 ¾ x 36 ⅛ inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris Provenance Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above, 1952 Perls Galleries, New York, no. 13565 Private collection, Osaka Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery Inc., New York Private collection, USA, acquired from the above, June 2011 Literature Luis Seoane...

bone china with lustre rim 21 cm diameter Grayson Perry hallmark on the back. These decorative plates are inspired by the artwork The Great Beauty, 2024. The original piece is a cab...

This etching is hand signed in pencil by the artist "Klee" at the lower right margin. It is dated in pencil ‘1930’ in the lower left margin. It is also inscribed ‘K 10’ in pencil ne...

This original lithograph is hand signed by the artist in pencil with his initials "H.M" at the lower right margins. The work was printed as part of the portfolio "La Poesie" that inc...

Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British...

Nu au canapé bleu y Ludovic-Rodo Pissarro (1878-1952) Oil on canvas 46 x 38 cm (18 ¹/₈ x 15 inches) Signed lower left, Ludovic Rodo Executed circa 1910 This work is accompanied by a certificate of authenticity from Lélia Pissarro. Provenance: Private collection, France Artist biography: Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father...

C-Print, signed, titled and edition ‘3/15’ (recto), and certificate of authenticity (verso), 37cm x 56cm (image size), (59cm x 75cm framed). (Provenance: in the collection of the art...

Bord de Riviere Soleil Couchant by Paulémile Pissarro (1884-1972) Oil on canvas 46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches) Signed lower left, Paulémile Pissarro Signed and titled on the rev...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Rivière (The River) by PAULÉMILE PISSARRO (1884-1972) Oil on canvas 92 x 73 cm (36 1⁄4 x 28 3⁄4 inches) Signed...

Four Bar Rhythm, 2020 Idris Khan Screenprint in colours with varnish overlay On 410gsm Somerset Satin White paper Signed and numbered from the edition of 125 Sheet: 56 × 43.5 cm (22...

Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), publis...

Dinka Cattle Camp of Kei, Southern Sudan, 2006 Sebastião Salgado Stamped with photographer's copyright blind stamp Signed, inscribed on reverse Silver gelatin print 16 x 20 inches U...

Edition of 60 71 x 79 cms (28 x 31 ins)

‘Having first pursued my interest in landscape through photography and urban design, I have turned to landscape painting. This has led me to become a more analytical observer of the ...

Pastel and acrylic on paper - Unframed In her abstract drawings, collages and paintings, Fieroza Doorsen brings to life the tensions and harmonies that emerge when structure meets i...

'Poolside Promenade' A fashion show at the Colony Hotel in Palm Beach, Florida, 1961. Paper Size 40 x 40 inches / 101 x 101 cm Estate Stamped ...

Image dimensions: 26cm x 34cm Framed dimensions: 44.4cm x 52.7cm Signed lower right. Henri Bouvrie is celebrated for his masterful watercolours, which are of universal appeal. The ...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally drawn to cartography, applying traditional techniques such as multiple Cartesian coordinates and polar system coordinates to maps he draws. He is also deeply influenced by astronomy and navigation, frequently using charts...

Gerald Leslie Brockhurst 1890 – 1978 Portrait of Marguerite Folin Oil on panel, signed lower right Image size: 18 x 14 inches (45.7 x 34.3 cm) Original frame The sitter for this po...

Etel Adnan Totem, 2018 Etching in colours, on Arches wove Signed and numbered from the edition of 35 Plate: 30.5 × 24.7 (12 × 9.7 in) Sheet: 48.1 × 38 cm (19 × 15 in)

Lithograph, 1971, on paper, signed and dated in pencil, numbered from the edition of 60, published by Hollanders Workshop and Fourcade, New York, 75.7 x 56 cm. (30 x 2 2in.)

Christopher Rainham has always been inspired by the natural world and more specifically an experience of the natural world. He is inspired by the way flora and fauna are woven into l...

Sir William Blake Richmond KCB, RA, PPRBSA 1842 - 1921 The Shepherd Egg tempera on wooden panel, signed with initials bottom left Image size: 8 ¼ x 5 ½ inches Period gilt oak frame A newly discovered work by the artist. Sir William Blake Richmond KCB, RA, PPRBSA was an English portrait painter, sculptor and a designer of stained glass and mosaic. He is best known for his portrait work and decorative mosaics in St Paul's Cathedral in London. He was the son of the portraitist George Richmond RA and studied at the Royal Academy Schools in the early 1860s. Influenced by his father and by Sir John Everett Millais, he is best known for his mosaic decorations below the dome and in the apse of St Paul's Cathedral in London. His father, George Richmond, was one of 'the Ancients' who were a group of artists who formed around the visionary artist and poet William Blake. Samuel Palmer was an other of the ancients and a close friend of the family. Our painting could have been inspired by George Richmond’s engraving 'The Shepherd', 1827, but in our panel the shepherd is turned round facing away, and is playing a flute instead of resting on a staff. But the sheep and other elements are there. It is also suggestive of Welby Sherman's engraving after Samuel Palmer of the same name and date, but here the shepherd is sitting but like ours turned away. William Blake's is an altogether happier image given the figure is playing to his sheep. Our painting is playing with some of the same ideas and feels like the same sort of period, and the ‘fresco’ like chalk ground is interesting, as is the pen and ink finishing on the tempera. All three are strongly influenced by Blake's illustrations to Thornton's 'Virgil'. The shepherd and his flock are clearly based on Thenot and his sheep in the Frontispiece to Thornton. Blake Richmond wrote:"If there be the least value in my pictures, it is due to such lovely early impressions derived from the sweet poetic work of many of my father's contemporaries, Calvert, Blake and others, whose shadows are substance still to me" [Sir William Blake Richmond, letter to his father, 50 years after the death of William Blake, from Stirling op. cit p. 28]. Richmond was given private art lessons by John Ruskin before attending the Royal Academy for three years. After that he spent a number of years in Italy, where an encounter with a shepherd called Beppino, 'a splendid speciman of a Sabine Shepherd', could also have gave him the inspiration for the painting we show here. Richmond recalls how he met Beppino on the hillside, and was invited to share the shade of the shepherd's capanna, a wooden hut. 'What a place! In an instant of time I was back into the age of kings, and I knew Romulus had lived and am sure that he lived in a hut exactly like this one'. That night Richmond dined at Beppino's hut 'on roast kid, hard bread dipped in Roman wine, goat's cream and white ricotta'. The shepherd had such an impression on Richmond that he sought him out on a return visit to Italy some years later, but was saddened to hear that Beppino 'had joined his fore-fathers in the shades'. He was moved to write the following, which perfectly expresses the mood of this painting and his tribute to a fleeting companion: 'Little events of this kind unite past times with present, create and emphasis continuity of human instincts, which seem to defy time and make travel so intensely interesting and invigorating to a citizen of this world. One need not go to the palace, far otherwise, or to cities and towns to discover the kernal of enduring civilisations. One finds it, if one wills to do so, in the backbone of the world, an ancient peasantry who have watched and still watch the progress of the stars'. Richmond was influential in the early stages of the Arts and Crafts Movement in his selection of bold colours and materials for the mosaics in St. Paul's Cathedral and in his collaboration with James Powell and Sons...

Simon’s landscape paintings are an ongoing enquiry into what he sees, a mere reflection of light on a surface, the reality of reflection. As a collection of Somerset landscapes, thes...

Signed lower left Image dimensions: 44cm x 59cm Framed dimensions: 62cm x 77cm Raymond's original works have been exhibited extensively throughout the United Kingdom, the United Sta...

ALBERTO GIACOMETTI 1901-1966 Borgonovo 1901-1966 Chur, Switzerland (Swiss) Title: The Pointing Man, in the Studio L’homme qui pointe dans l’atelier, 1951 Technique: Original Hand ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...