Manhattan - More Carpets

An antique Persian Malayer rug in runner format handmade during the early 20th century. Measures: 2' 9" x 11' 6" Persian rugs & carpets: Persia (Iran) is a moderately large co...

Beautiful Decorative Soft Green Large Size Rustic Antique Persian Sultanabad Rug, Country of Origin: Persia, Circa Date: 1920. Size: 14 ft 6 in x 18 ft 9 in (4.42 m x 5.71 m)

Magnificent Large Antique Persian Kerman Area Rug, Country of Origin: Persia, Circa date: 1900. Size: 14 ft 2 in x 19 ft 7 in (4.32 m x 5.97 m)   

A vintage Chinese Art Deco room size carpet handmade during the Mid-20th Century. Measures: 8' 11" x 11' 7".

A modern Afghan pictorial room size rug handmade during the 21st century with a lion resting over a green field. Measures: 8'4" x 10'0".

A vintage Turkish Anatolian carpet from the second quarter of the 20th century.

A vintage Persian Malayer throw rug handmade during the mid-20th century. Measures: 3' 6" x 5' 8" Persian rugs & carpets: Persia (Iran) is a moderately large country with a ve...

This mosaic floor pattern wool needlepoint carpet was clearly a special commission for a high-level Roman Catholic ecclesiastic, bishop and then archbishop / cardinal as indicated by the hats with tassels in the corners, each surmounting a shield of arms...

Made in Iran with finest hand-spun wool, our Mazandaran collection highlights the Minimalist sophistication that existed long before the modern era. The collection was inspired by th...

A vintage Persian flatweave Kilim square accent rug handmade during the mid-20th century. Measures: 5' 10" x 6' 0".

An early 20th century Turkish Melas Runner Details rug no. 31700 size 3' 3" x 11' 6" (99 x 351 cm)

A vintage Persian Tabriz room size carpet handmade during the mid-20th century with a grey field and rust red border. Measures: 9' 5" x 12' 1" Persia (Iran) is a moderately large county with a very long history and an enormous art/craft/industry built around the handmade carpet. Until the discovery of oil, carpets were the largest Persian export. The craft goes back to ancient times, although the history is more broken than one might expect or desire. The Pazyryk rug...

Floral Antique English Needlepoint Rug, Country of origin: England, Circa date: 1920. Size: 8 ft 8 in x 10 ft 5 in (2.64 m x 3.17 m)

An antique Turkish Oushak rug from the early 20th century with a distressed appeal, but in strong and durable condition. Measures: 2' 8" x 3' 9"

A vintage Persian Art Deco style Mahal throw rug handmade during the mid-20th century. Measures: 2' 9" x 6' 4".

A vintage Turkish Anatolian long runner handmade during the mid-20th century. Measures: 2' 11" x 15' 5".

Stunning Persian Tabriz rug with an astonishing large scale all-over palette in stunning blues, apricots, creams, orangey rust and umber. The quality is extremely fine, the patina an...

An antique Persian Sultanabad room size carpet handmade during the early 20th century with a light blue field and beige border. Measures: 8' 11" x 11' 8".

A vintage Turkish Anatolian throw rug handmade during the mid-20th century. Measures: 3' 6" x 4' 11" Turkish Rugs & Carpets: Until the Great Persian Carpet Revival in the later 19th century, the “Oriental rug” was Turkish. For nearly six centuries, Turkish rugs, both scatter, room size, and even larger, thoroughly dominated the European import market. Whereas the Persian carpet can be divided into urban, village, and tribal types, in Turkey and its predecessor the Ottoman Empire, rugs almost exclusively came from village weavers and from a small number of urban workshops. Ninety percent village, nine percent city, one percent tribal. Turkish weavers have, with very few exceptions, always worked with the symmetric (Turkish) knot. Wool foundations are standard practice among both town and village weavers. The exceptions, very finely woven 20th century and recent Herekeh silks from near Istanbul, and early 17th century Ottoman Court rugs from Bursa, constitute only a tiny part of the total. Always pricey, they appealed and still appeal to the clients who want lots of knots and perfect execution instead of individual personality. The urban workshops have been centered around the western Turkish city of Oushak and its attendant port town of Smyrna. Oushak weaves with the trends in fashion. When color saturated medallion carpets were needed, Oushak was ready in the 17th and 18th centuries. When coarse red and blue carpets were required, Oushak and Smyrna in the 19th century wove them by the boatload. When tastes changed again, and the European dealers in Smyrna wanted room size carpets with lighter and unusual colors, and with Persianate designs, production ramped up in nearby Oushak. Those antique, all-wool construction turn-of-the-century carpets are still in high demand with designers. Antique carpets with allover, roughly drawn patterns on grounds of shrimp, rust, straw, cream, pale blue, and pale and pea green, hitherto unavailable colors, are in such demand today that contemporary Oushaks have attempted to mimic them with soft palettes, extra-large scale drawing and coarse weaves. Oushaks woven for the Turkish market, for palaces, houses and mosques were often oversize with large, repeating medallions, all in shades of (Turkey) red, dark blue, light blue-teal, and ivory, with lemon and green accents. Turkey, along with India, invented standard sizes. By vertically repeating the medallion, one could get one medallion, one with two end halves, two, three, etc. medallions, up to thirty or so feet in length. The process spared making new cartoons for each length and allowed a quicker turnaround time. Oushak, from the time of 15th century “Holbein” rugs onward, has always been a commercial center. The prayer niche directional rug is primarily a Turkish development. In the towns and villages east of Oushak, in Ghiordes, Kula, Ladik, Kirsehir, Mucur and Konya, among others, arch pattern scatters with bright palettes and weaves varying from relatively fine to moderate were almost the entire production. Antique examples were particularly popular in America around 1900. Other centers of village weaving were situated on the western coast and adjacent islands with the town of Melas and neighboring villages weaving geometric prayer rugs and scatters with a characteristic khaki green and lots of yellow. The other large region was in the northwest of Anatolia, near ancient Troy, with the sizable town of Bergama at its center. The satellite towns of Ezine, Karakecilli, Yuntdag, and Canakkale all wove colorful scatters with moderate weaves in all wool with geometric designs and cheerful palettes. Near to Istanbul, these were among the first Turkish rugs to reach Europe in the Renaissance. The earliest Turkish pieces depicted in Italian Old Master paintings display the so-called “Memling gul”, an allover panel pattern with hooked and stepped elements within the reserves. This pattern continues for centuries in the Konya area and in the Caucasus as well. Turkey is a land of villages and much of the most interesting Turkish weaving comes from one undiscovered village or another. The Konya-Cappadocia region of central Turkey includes the active towns of Karapinar, Karaman, Obruk, Sizma, and Tashpinar, all weaving Konya-esque scatters and long rugs. Karapinar has been active the longest, since the 17th century. The mosques in and around Konya have preserved locally-made rugs from the fourteenth. In the 20th century, the extra-long pile, many wefted Tulu rug was devised, with limited palettes and color block patterns. These are not really antique Tulus, but they must be a product of long-standing village tradition. There are thousands upon thousands of rural Turkish villages, almost all with easy access to local tribal wool. Rug students are discovering new names and rug types almost daily. The common denominators are bright colors, geometric designs, wool construction, moderate to coarse weaves and symmetric knots. Synthetic dyes hit the Turkish rug industry quickly and hard after 1870, and they penetrated to even the most off-the-beaten-track villages. This development was almost entirely negative. The village weavers used fugitive or overly bright dyes which ruined the color harmonies built up over centuries. Characteristic types disappeared or were negatively transmuted. The Turkish village rug of the 1870 to 1920 period is nothing to be proud of. In the eastern provinces, the semi-nomadic Kurdish tribes, collectively called ‘Yuruks’, weave all wool, geometric pieces with medium to medium-coarse weaves, as well as kilims and other flatweaves. The rugs employ cochineal instead of madder for the reds, mustard yellows, greens, and various blues. They are under-collected like the Persian Afshars. Their rugs are in scatter and long rug formats. The far eastern Turkish town of Erzerum has a long tradition of idiosyncratic, semi-workshop rugs and further to the east is Kars with a tradition of rugs in the Caucasian Kazak manner. One Turkish specialty is the Yastiks or cushion cover, made in pairs for the public living rooms of village houses. These are larger rugs in miniature and good ones are highly collectible. Like other Turkish rustic weavings, ones with synthetic dyes are almost totally undesirable. Only the tribal Baluch make similar cushion covers, known as pushtis or balishts, in the same small, oblong format. Yastiks always have a back, usually in plain weave, so that they can be easily stuffed. When the Imperial Carpet Factory at Herekeh near Istanbul closed in the early 20th century, the highly proficient Armenian master weavers set up in the Kum Kapi district of Istanbul where they wove all-silk, exquisitely fine and elaborately detailed small pieces, sometimes enriched with metal thread, for the most discriminating European buyers. Today the best, signed Kum Kapi pieces, usually in the “Sultan’s head” prayer niche design, can fetch upwards of $100,000. They are strictly for the wall. An Interwar all-silk room size Kum Kapi carpet is both exceedingly rare and stratospherically priced. The workshops closed in the 1930s, but the weaving of extremely fine, all-silk small rugs in Herekeh was revived in the 1960s. There has been a recent vogue for larger Turkish village vintage...

An antique Persian Bidjar small room size carpet handmade during the early 20th century. Measures: 7' 4" x 11' 0".

A vintage Persian Baluch rug from the mid-20th century. Measures: 3' 0" x 6' 0".

An antique Persian Malayer throw rug handmade during the early 20th century. Measures: 3' 6" x 5' 11" Persian rugs & carpets: Persia (Iran) is a moderately large country with ...

A vintage Persian Veece small room size carpet handmade during the mid-20th century. Measures: 6' 10" x 10' 2".

A modern Turkish flat-weave Kilim large room size carpet handmade during the 21st century with a colorful geometric pattern resembling interconnected serrated edged vases in an abstr...

A vintage Persian Tabriz accent rug handmade during the Mid-20th Century. Measures: 4' 6" x 6' 7"

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 2' 8" x 3' 9" The Craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often Stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

A modern Persian Shiraz small throw rug handmade during the 21st century with a pictorial design of a male lion in yellow over a blue background. Measures: 3' 4" x 4' 8".

A vintage Chinese Art Deco accent rug, in an oblong oval shape, handmade during the mid-20th century with a floral pattern over a magenta-red field and goldenrod yellow border. Me...

A vintage Persian flat-weave tribal Kilim room size accent rug handmade during the mid-20th century with a zebra print design in ivory and black with red bindings. Measures: 6' 5"...

Square size Pillow made from a Persian Lilihan rug. zipper closure and poly-fill insert provided. Measures: 19'' x 19''.

A vintage Turkish Anatolian long tribal room size carpet handmade during the Mid-20th century. Measures: 9' 2" x 16' 2".

Nazmiyal Collection Attractive Large Tribal Primitive Design Central Asian Rug, Country of Origin: Central Asia, Circa date: Modern  

A modern Turkish flat-weave Kilim room size rug handmade during the 21st century with a colorful horizontally striped pattern. A statement piece with its bright and whimsical colors....

A vintage Russian Bessarabian flat-weave accent rug handmade during the mid-20th century with a pictorial depiction of 2 tigers in a forest setting. Measures: 6' 7" x 9' 9".

A modern Turkish flatweave Kilim room size carpet handmade during the 21st century with a geometric design in colorful tones perfect for a children's playroom. Measures: 12' 2" x 15' 1" Knotted pile rugs are just one small part of a vast universe of textile techniques suitable for heavy use. If you can imagine it, some weaver has tried it out. Pieces can be roughly divided into those reversible from the start and those never, or at least not initially, reversible. Thus kilims are considered reversible, while everything else is not. Kilims are tapestry woven rugs with both sides the same, in either slit technique where colors change, or with various methods of avoiding slits. Slit tapestry weave goes back to ancient times and Coptic Egyptian...

An antique Persian Gabbeh throw rug handmade during the early 20th century with tribal design elements scattered throughout the undyed natural wool colored (cream/light brown) field....

An antique Turkish Oushak room size carpet handmade during the early 20th century. Measures: 10' 3" x 12' 10" Turkish Rugs & Carpets: Until the Great Persian Carpet Revival in the later 19th century, the “Oriental rug” was Turkish. For nearly six centuries, Turkish rugs, both scatter, room size, and even larger, thoroughly dominated the European import market. Whereas the Persian carpet can be divided into urban, village, and tribal types, in Turkey and its predecessor the Ottoman Empire, rugs almost exclusively came from village weavers and from a small number of urban workshops. Ninety percent village, nine percent city, one percent tribal. Turkish weavers have, with very few exceptions, always worked with the symmetric (Turkish) knot. Wool foundations are standard practice among both town and village weavers. The exceptions, very finely woven 20th century and recent Herekeh silks from near Istanbul, and early 17th century Ottoman Court rugs from Bursa, constitute only a tiny part of the total. Always pricey, they appealed and still appeal to the clients who want lots of knots and perfect execution instead of individual personality. The urban workshops have been centered around the western Turkish city of Oushak and its attendant port town of Smyrna. Oushak weaves with the trends in fashion. When color saturated medallion carpets were needed, Oushak was ready in the 17th and 18th centuries. When coarse red and blue carpets...

Antique Tribal Persian Bakshaish Runner Rug, Country of origin / rug type: Persian rug, Circa date: 1880. Size: 3 ft 3 in x 14 ft (0.99 m x 4.27 m)

Antique Alpujarra Rug, Country of Origin: Alpujarra, Circa date: Turn of the Century

A vintage Persian Mashad room size carpet handmade during the mid-20th century with a Minimalist, yet geometric Art Deco inspired design. Measures: 9' 1" x 13' 7".

A vintage Persian Malayer room size carpet handmade during the mid-20th century with an all-over design over a slate-green field and an acanthus scroll leaf design over a purple-grey...

Rustic Oversized Decorative Antique Luxurious Persian Sultanabad Rug, Country of Origin: Persian Rugs. Circa date: 1880. Size: 16 ft 10 in x 21 ft 10 in (5.13 m x 6.65 m)

An antique Persian Malayer throw rug handmade during the early 20th century. Measures: 2' 8" x 4' 0".

A vintage Persian Tabriz large room size carpet handmade during the mid-20th century. Measures: 13' 5" x 16' 4".

An antique Turkish Oushak large room size carpet handmade during the early 20th century in gold and beige tones. Measures: 12' 10" x 15' 8".

Beautiful antique tribal Soumak rug, country of origin: Caucasus, date circa 1900. Size: 9 ft. 2 in x 11 ft. 4 in (2.79 m x 3.45 m). This gorgeous tribal rug from the Caucasian mou...

A vintage Chinese Peking throw rug handmade during the mid-20th century with a cream border and light blue field. Measures: 2' 6" x 4' 3" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

19th Century N.W. Persian Carpet ( 4'6" x 6' - 137 x 183 ) Allover flower and leaf design in pleasing color palette of lovely rusts, blues, plums, and ivory. Strong abrash on one e...

Stunning antique French Aubusson rug, country of origin: France, date circa 1900 - Size: 10 ft x 13 ft 6 in (3.05 m x 4.11 m). This delicate French Aubusson rug has a dreamy, romantic feel. It was created around the turn of the 20th century. Even though it is over 100 years old, it is the perfect piece for several contemporary design trends. This piece is recognizably an Aubusson that uses softer pinks and pastels, which is a hallmark of Aubusson works. This carpet is a finely woven tapestry. It has a backing to protect it from wear. The design has a Rococo feel with its sweeping curves, scrollwork, and trompe l’oeil floral patterns. Curvy, natural forms are a characteristic of late Baroque and Victorian design. This carpet would be perfectly at home in a formal room with gilding, elegant antique furniture, and brocades throughout. It has a classic feel that is refined and elegant. It also has an aged look that gives it a shabby chic feel, too. Romance pink and millennial pink are among the most popular color trends...

A vintage Turkish flatweave Kilim long and narrow room size carpet in charcoal black, grey, and cream-white, handmade during the mid-20th century. Measures: 7' 5" x 13' 4".

Oversized Antique Decorative Persian Khorassan Rug, Country of Origin: Persian, Circa: 1920’s. Size: 14 ft 4 in x 28 ft (4.37 m x 8.53 m).

A vintage Turkish Sivas deco carpet from the mid-20th century. Measures: 6' 5" x 9' 7".

An antique Turkish Oushak large room size carpet in square format handmade during the early 20th century. The tone-on-tone design incorporates a gold background with only light sketc...

A vintage Turkish flatweave Kilim room size carpet handmade during the mid-20th century. Measures: 10' 1" x 13' 2".

A vintage Persian Shiraz throw rug handmade during the mid-20th century. Measures: 1' 11" x 2' 2" Persian rugs & carpets: Persia (Iran) is a moderately large country with a ve...

A vintage Persian Hamadan rug in runner format handmade during the mid-20th century with the traditional Persian 'Herati' pattern over a red field. The overall aesthetic is quite bri...

A vintage Chinese Peking accent rug handmade during the mid-20th century with a cerulean blue field, cream medallion, border, and corner spandrels, and dark blue guard...

A vintage Turkish flatweave Kilim room size carpet handmade during the mid-20th century. Measures: 9' 2" x 12' 0".