Mexico - Landscape Prints
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Item Ships From: Mexico
"Ciudad de un millón" contemporary neobarroque arquitecture city blue landscape
By Pedro Friedeberg
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
21st Century and Contemporary Contemporary Mexico - Landscape Prints
Materials
Digital, Paper, Ink, Screen
"Estreno del cine Chapultepec" contemporary surrealist obelisks blue landscape
By Pedro Friedeberg
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
21st Century and Contemporary Contemporary Mexico - Landscape Prints
Materials
Silver, Gold Leaf
"Tiempos fáciles" contemporary, surrealist, geometric forms, jaguars, patterns
By Pedro Friedeberg
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
21st Century and Contemporary Contemporary Mexico - Landscape Prints
Materials
Digital, Ink
"Changuitos en la ciudad" contemporary neo-barroque surrealist city with monkeys
By Pedro Friedeberg
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
21st Century and Contemporary Contemporary Mexico - Landscape Prints
Materials
Parchment Paper, Ink, Digital
"Acupuntura Neoecléctica" contemporary figurative patterns human figure print
By Pedro Friedeberg
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
2010s Surrealist Mexico - Landscape Prints
Materials
Digital, Paper, Ink
"Divagaciones espontáneas" Zebras and mexican pyramids surrealist print
By Pedro Friedeberg
Located in Ciudad de México, MX
During the pandemic, the artist stayed for 4 months in Oaxaca on a beach called San Aguistinillo, where he developed the Sana Distancia (safe distance) collection, he created each da...
Category
21st Century and Contemporary Contemporary Mexico - Landscape Prints
Materials
Cotton, Ink, Paper
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Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch.
Signed "Carol Summers" along the right edge of the blue shape.
Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape.
Presented in a silver colored aluminum frame.
Frame size: 32.245"H x 27.25"W
Paper size: 29.75"H x 24.5"W
Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented.
In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother.
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