Milan - Furniture

Lounge chair by Paolo Buffa. Wood frame with enveloping backrest, hosts two movable leather cushions.

Tosin table lamp ceramic fabric Lampshade 1930, Italy.

Alvar Aalto's timeless design legacy shines through the iconic Vase Aalto, a classic from the 1960s crafted by Iittala. This fluid masterpiece seamlessly merges form and function, sh...

Coppia di colonne in legno dorato in foglia e intagliato con motivi vegetali in rilievo, colonne Italiane tortili, a tortiglione integralmente dorate e scolpite con motivi vegetali e...

Wonderful table in precious wood attributed to Franco Albini, 1950s. Sturdy and imposing Franco Albini table was made by Italian master cabinet makers, using various fine woods of g...

Italian grey metal and black leather chairs by Fly Line by Carrè, 1990s. Set of three stackable chairs with armrests with square seat in black leather. The structure is in light gray...

The Eclissi Grande ceiling light is designed around five pairs of eclipsing shades bound by a series of brass rings and a distinctive set of stems. Shown in polished brass with black...

Part of the Kalida Collection, this elegant chair with armrests will be a standout element in a foyer or a sophisticated office. The metal base has a matte...

Italian modern modular corner Sofa Antelami by Kazuhide Takahama for Simon Gavina, 1970s Modular and corner sofa mod. Antelami with square s...

A classic piece with an avant-garde twist, this stunning side table is a functional work of art. The distinctive silhouette features a blue spherical body wedged between a square tab...

Pair of Armchairs - Italian Designer Lounge Chairs - Modernist Furniture - Armchairs in Wood and Velvet Stunning set of two wonderful Mid-Century Modern Italian armchairs in wood a...

Romantic and refined, this wall mirror evokes light-hearted childhood memories thanks to the delicate brass butterfly that seemingly just landed onto its surface. Since Ancient Egypt...

Italian space age Spherical table lamp in white plastic, 1970s Table lamp in black and white plastic. The diffuser is made up of two hemispherical white plastic plates joined by cyli...

This elegant sofa is part of the Opus Garden collection, specifically designed to be used outdoors, thanks to the protective rust-resistant treatment on the iron structure of its pie...

Ercole Barovier Cordonato Oro Murano Glass Floor Lamp, Italy 1940s The lamp carries two side bulbs under the shade and a central bulb on top to ill...

1970s Gorgeous smoking set by Pierre Cardin in brass and metal. Made in France. The table lighter works. This smoking set is in excellent condition and it's signed Dimension : Tab...

Storage cabinet, single piece, Lodovico Acerbis, Acerbis, Italy, 1980, wood veneer, lacquered metal, features an opening system with revolving doors, wear compatible with age and use...

Italian postmodern round coffee table Lady-Fat by Patricia Urquiola for B&B 2002 Coffee table mod. Lady-Fat round in shape. The external ...

Italian modern glass brass chandelier Triclinio Vico Magistretti Artemide, 1970s Ceiling lamp or chandelier mod. Triclinio, with structure composed of three lights with rounded cylin...

A superb showcase of masterful craftsmanship, this table boasts unique laser-cut decorative accents enhancing the two cylindrical pieces making up the base structure. Entirely crafte...

Kasba Armachair by Andrea Bonini Limited Edition Dimensions: D 85 x W 120 x H 72 cm. Materials: Velvet Fabric. Made in Italy. Limited series, numbered a...

Vide Poche Murano Glass Emerald Green Pocket Emptier The present bowl, designed and made in Italy attributed to the glass makers Vetreie di Empo...

Italian mid-century Round dining table in grass and rattan, 1960s Dining table with round glass top. The round base structure is made up of ...

Print depicting the head of a Pointer dog with the pheasant in his mouth by B. Riab (1898-1975) solid cherry wood frame, polished and beeswaxed. Usa circa 1920.

Sergio Asti 'Visiere' Table lamp for Martinelli Luce, Italy 1970s Model 642.

A marble base, that quickly charges your phone, with a touch of magic. A circle, a stone, realized with the care that marble requires. A powerful wireless charging technology en...

Pair of polychrome Capodimonte porcelain figurines, a man with basket of grapes and a girl with a basket of flowers, both with round gil...

This stunning set of two espresso cups with lids and saucers is a superb interpretation of a staple in any Italian tableware collection. Crafted...

1960s Gorgeous cocktail shaker WMF Cromargan. Made in Germany in stainless steel. This shaker is in excellent condition. Dimensions: diameter 3,54 x 10,23 height inches Dimensions:...

A comfortable and sophisticated solution for a refined and contemporary interior environment, this splendid sofa features a capacious and welcoming shape, softly padded and upholster...

This stunning canopy daybed creates the perfect place to enjoy the outdoors in a stylish design that will stand out in a modern patio, pool, or veranda. ...

Pair of Albano Poli Appliques 1960

Stone is a vase hand carved from the stunning Green Luana marble, coming from the only existing marble quarry in the world. Quarried in the Apuan Alps (Tuscany, Italy), Green Luana m...

The bold yet harmonious lines characterizing this imposing nightstand exemplify the most exquisite modern taste. The structure is crafted of durmast and sucupira, precious woods turn...

Italian Post-modern Unique prototype vase Veronese in Murano glass by Cleto Munari, 2002 Vase mod. Veronese in black Murano glass, unique piece as a prototype of the vase that later...

Trapeze sideboard by Hagit Pincovici Dimensions: 225 L x 50 W x 120 H Materials: Lacquered wood, Rosso Lepanto Marble, Copper finish Hagit Pincovici founded her eponymo us bespo...

This striking TOTEM can be used to display objects and books and features the perfect fusion of two materials: the shaped solid larch wood of the structure and the iron shelves with ...

Italian midcentury Green velvet and black metal armchairs in Lady style, 1950s Pair of armchairs, in style of Lady, in light green velvet. The armrests, the inclined backrest and the...

Made in Italy, 1950s. This console table / vanity table is made in ebonized walnut and birch. with brass handles. There is also the mirror, which is beveled. It's been recently res...

Industrial Floor Lamp - Mid-Century Chromed Lamp - Decorative Floor Lamp Luci Milano floor lamp in chromed metal with matte black details. The fixture has three individual stems, al...

From Italy, by Chelini Firenze, a lovely late 20th century gold leaf gilded mirror with Empire style hand carved elements like quiver and torch. Manufactured circa 1990s by Chelini Florence...

1960s Stunning grey table lighter in Murano sommerso glass By Flavio Poli for Seguso. Made in italy The item is in excellent condition and it works perfectly Dimension: 2,75 x 2,75 x...

Standing tall on four tapered legs, this stately sideboard exemplifies a distinguished approach to modern, functional design. Crafted of solid palm wood, the streamlined demilune sil...

This 1980s sculpture is a powerful testament to contemporary abstract modern art, an artwork that embodies the essence of industrial design transformed into visual poetry. Created by...

Representing high quality woodworking, this graceful sideboard made of two-tone, natural woods is defined by a semicircular silhouette enlivened by maple and Purpleheart marquetry. S...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

This stunning beech pouf is a precious artisan piece that, with its refined selection of earthy tones, evokes fragrant olive tree groves. Lurex and viscose fringes outline an eye-cat...

Rare Architect Gjlla Giani for Sormani Nucleo Pewter Ashtray, Italy 1970s Fully Marked

Parrot-shaped sculpture Psitaccus Dino Martens (1894 - 1970) Vetreria Artistica Rag. Aureliano Toso, 1953-1956 It measures 9.055 inches in height x 4.13 in x 5.90 in (23 cm, 10.5 cm x 15 cm) It weighs 1.997 lb (906 g) State of conservation: intact. The small glass sculpture...

Made in Germany, 1960s. This item is made in white porcelain and might show slight traces of use since it's vintage, but it can be considered as in excellent original condition and r...

Maison Myrbor was a French manufacturer and retailer of carpets founded by Marie Cuttoli (1879-1973). The first workshop was set up in her home in Sétif,...

A white taled rabbit, a typical animal of the woods is gently painted on this dinner plate, with soft black tones and it is surrounded by a delicate and intriguing mix of wild flower...

A set of two porcelain pocket emptiers/ashtray with a classic shape and unique printed design. Amami is part of the Amami Island Grand Tour family, inspired by the Japanese archipela...

Desk with side drawers, enameled metal and wood-effect plastic laminate top, plastic drawer fronts. Good conditions.

Inspired by a sense of simplicity - as suggested by its name meaning bare or nude in Italian - this lounge chair promises utmost comfort with its plush volumes. A plinth base sustain...

Handcrafted in oak, the Ivo blue cabinet stands proudly on six bronze legs and features a cool ash gray finish. In blue faux leather with checked embroid...

Italian modern green velvet office chair by Giulio Moscatelli for Formanova, 1970s Office chair or armchair with rounded seat and backrest, padded and covered in green corduroy. The ...

This stunning pair of large neoclassical iron garden urns, crafted in the 19th century, showcases timeless elegance and grandeur. Painted ...