New Jersey - Interior Drawings and Watercolors

"Collections III" (2022) contemporary embroidery, textile art, fiber art in custom braided wooden frame by Amelia Dennigan Fine Art Thread Paintings Interiors, moon, shell, windows, blue moonlight tones 33" high x 23" wide x 1.25" deep ARTIST STATEMENT: "This piece shows an interior setting made surreal by the inclusion of a nightscape and an oversized shell contained within classical niches. I created this piece to explore the implications of mankind's activities on the natural world; the niches point to our attempt to collect and tame nature for our own consumption, often beyond responsible limits while the sombre color palette serves to further the artwork’s slight sense of unease." ABOUT THE ARTIST: Amelia Dennigan is an Irish, Jersey City based artist specializing in large scale artworks...

Interior design paintings. The work was done with ink and watercolor in red and black color on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thought...

Interior design paintings. The work was done with ink and watercolor in red and black color on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thought...

"Winter Self Portrait" is an original interiors watercolor painting on 300 lb watercolor paper measuring 16" H x 12" W. This piece features a self portrait of the artist at her vani...

A rare original example of her work,the highly accomplished works of Gwen May are seldom found today. Her subjects range from views of Holland Park Mews to deeply rural subjects such as Milking Shed. Aside from her London views, she is known to have worked extensively in and around the areas of Stratford-upon-Avon and Mousehole in Cornwall she also travelled to Spain and Portugal in search of subjects for her plates. Gwen May was a Fellow of the Royal Society of Painter-Etchers and Engravers and an accomplished wood engraver and watercolourist, exhibiting at the Royal Academy regularly in the pre-war years. A commemorative award...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Signed and titled lower center. Complemented by a hand carved and gilt frame. Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

One of the most important Pennsylvania Impressionist/ New Hope School painters. He was a fine draftsman, creating a large body of work on paper, mostly in charcoal. Illustrated in "N...