New Mexico - Art

'Buffalo #3, Santa Fe, New Mexico, USA, 2019' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild an...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel ...

"Tulle no. 52" is a color photograph, limited edition, signed and numbered by Thomas Jackson. Thomas Jackson's Emergent Behavior is inspired by the instinctual self-organizing syste...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

My fascination with birds of prey began eight years ago. There have been nesting owls on my family’s land in the United Kingdom as far as I can remember. I have heard them calling to...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Saint Bernard France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portrait...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Blue white beige teal green khaki orange brown aqua Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique pro...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

My work is about the quiet space in your head where snippets of life and feelings and memories live. An inspired sunset or mountainview brought to life in the form of abstract color ...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Heliconia plant, basket, Wounaan Tribe, palm fiber, natural dyes, red, black The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panama. The Wounaa...

Baobab: Tree of Generations is a limited edition portfolio of twelve 11x14" pigment ink prints from Elaine Ling's acclaimed series of photographs of these magnificent trees from Mada...

Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of carnivorous plants. "The poetic sensibility of nature seems to h...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can live more than 2,500 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They also serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change. Photographer Beth Moon, already responsible for some of the most indelible images of Africa’s oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, she presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Senegal, and South Africa. She also recounts her eventful journey to visit these fantastic trees in a moving diaristic text studded with color travel photos.

In reading the introduction of his first book Diesels and Dinosaurs, Fitch paints a vivid image of a young version of himself speeding down a two lane highway in back of his father's...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel ...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Patty deGrandpre’s “Landlocked (The End of the Line)” is an 14 x 11 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Greyhounds D France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inc...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

Wounaan Tribe Panama Rainforest Basket, gold, black, red geometric hand woven natural dyes The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panam...

Mana (Girl), Hopi Kachina lithograph by Dan Namingha black and white hand pulled color lithograph signed and numbered by the artist unframed

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadside landscape including topologies of neon motel signs...

Apache Hunter, limited edition lithograph by Allan Houser, horseback hunter hand-pulled black and white lithograph printed in Santa Fe, New Mexico unframed edition of 75 Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Aspen Trail- Fall, color etching,John Hogan, yellows, gold, landscape forest hand pulled limited edition color etching 22 x 30 paper size 18 x 24 image size unframed edition signed ...

"Spruce Tree and Snow Clouds, Esashi, Hokkaido, Japan. 2023." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print ...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

“Declaration” was inspired by my return to international travel in 2022. Just as life had changed with the impact of Covid, my photography work shifted from elements of magic realism...

Brush Strokes, abstract sculpture by Glenn Green, Santa Fe, black, metal, zen Limited edition of 24 fabricated aluminum with powder coat finish in black Custom sizes and colors are...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

Edition of 15 Other Editions: 15 x 15" Edition of 15- Sold Out 22 x 22" Edition of 10- Sold Out 36 x 36" Edition of 9- $9,000 After completing her prodigious series of illustration...

"Portrait of the Head of a Calf" dated 1882 Henry Schouten (Belgian, 1857-1929) Oil on canvas Inscribed "P.H. Schouten (18)82" 23 x 20 1/2 (28 3/8 x 25 1/4 frame) inches Painted by ...

Cottonwoods in Jemez Canyon mono print by John Hogan New Mexico landscape green framed John Hogan A graduate of Northeast Louisiana State University with a bachelor's degree and New...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Ten years ago, after a particularly tumultuous period in his life, Michael Kenna quietly made a decision to expand his photographic practice to include the human form. Kenna is well known for his minimalistic landscapes, and has been vocal in the past about the absence of the human figure in his photographs stating, "I feel they gave away the scale and became the main focus of the viewer’s attention." But, believing "fixed dogma is not a creative tool...

Uncle of the Corn Dancers,by Dan Namingha, limited, lithograph, Hopi, kachina Uncle of the Corn Dancers, limited ed lithograph Hopi kachina Dan Namingha unframed edition 125 Glenn...

In a world entrenched in societal division and ecological turmoil, it can be refreshing to step back and enjoy the quiet beauty of the natural world. Dallas photographer David H. Gib...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday life in "Ideology in Paradi...

For nearly a decade, Mitch Dobrowner has ventured out with professional storm chasers into the American heartland photographing the energy of a wondrous and sometimes perilous planet...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Morning in A City, 2012, limited edition photograph, signed and numbered Hopper Meditations is a personal photographic response to the work of the A...

Purple, dark green, peach, cream, blue. Sky, clouds, landscape, nature, weather. 50 x 50" oil on canvas Inspired by the drama of nature and light, Cynthia creates abstracted lands...

"Covid Vanitas: The Pandemic Still Lifes" On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual ...

New Day by Troy Williams wood sculpture, female figure, Santa Fe artist cottonwood on steel pedestal, unique sculpture, light brown