New Mexico - Art

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

Native American "Portrait of a Jolly Man" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 5 7/8 x 3 3/4 (17 x 15 frame) inches Emin Abbasov ...

yellow gray white sienna 3 panels- 24 x 6" each encaustic, mixed media sides are wood veneer Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has su...

Textured, abstract, pedestal sculpture in cast bronze. Created with rich brown and mottled green patina over a patterned design. The work is inspired by Ancient Greek weaponry. Fran...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

"Rooster" Pierre Bosco, (1909-1993) Gouache on paper 10 x 9 (18 x 14 frame) inches Pierre Bosco showed an interest in art at an early age. His commitment and dedication to painting...

Celebrated Studio Glass artist Mary Shaffer combines slumped hot glass with found metal for this incredible wall-hung sculpture. "I take lovingly crafted, hand-forged tools - the epi...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Scotch Broom 22 x 30" image size watercolor, 32 x 40" framed in a whitewash profile with museum quality glass red green blue yellow I document the essenc...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 30. Paper size is 35"h x 47"w with an image size of 26"h x 37"w. Rob...

Large Abstract About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discovered her love of abstract ...

Cast Glasswork

Patty deGrandpre’s “Red Road Black Chair ” is an 11.5 x 9 inch unique inkjet monoprint represented on 16.5 x 11 inch Awagami Bamboo paper embracing both digital printmaking and creat...

acrylic, paintstik on canvas Thomas uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surface. He translates t...

cyanotype, acrylic on canvas blue, white, cyan, yellow Thomas uses a cyanotype photographic process incorporated into his paintings. The layering process of his paintings evoke a se...

Cast Glasswork

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Blue white beige teal green khaki orange brown aqua Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique pro...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Ghost Ranch Encantado 22 x 22" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched...

Along the Rio Grande 22 x 30" image size watercolor, 32 x 40" framed in a whitewash profile with museum quality glass red, green blue I document the essenc...

16 x 12" oil, pastel and cold wax on a cradled wooden panel.

Cast Glasswork

Red white beige khaki orange brown rust maroon black Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique pro...

acrylic, ink, mixed media on panel, framed in maple magenta salmon white purple rose pale red deep red The layered process of Thomas' paintings create a rich textured surface. He st...

Patty deGrandpre’s “Walking the Causeway to Marblehead Neck (tough summer feet)” is a contemporary 31 x 40 x 1 inch digital inkjet print on aluminum representing the coastline of the New England town of Marblehead, Massachusetts. This unique one of a kind piece is an abstract depiction of a lighthouse, a beach chaise...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...

Patty deGrandpre’s “Astronomy” is #2 of 2 limited edition black and white 11 x14 inch prints on 12.5 x 15 inch paper. Layers of delicate white circles and undulating lines contrast t...

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

Deconstructed and cropped images of a picnic table, a lawn chair, flowers, and a pineapple upside cake are represented in Patty deGrandpre’s 12 x 12 inch contemporary mixed media monoprint titled “Picnic”. Hues of vivid red, yellow, blue, and black both contrast and compliment in this dynamic abstracted pictorial. Embracing both experimental printmaking and creative photography, applications of block printing ink and digital inkjet are skillfully multi layered onto Red River photo...

Pair of Vases with Parcel Gilt  Insects England, John Mortlock circa 1875 Porcelain with gold leaf 15 inches   The firm of Mortlock began business in 174...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Cropped and deconstructed images of clouds, palm trees, an abandoned Hawaiian hotel facade, a car, an Aloha Airlines vintage trademark, a beach chair and a vintage photo of the two ladies in skirts are represented on 14 x 11 inch Awagami Bamboo Japanese paper in Patty deGrandpre’s contemporary abstract monoprint titled “Vintage Hawaii and Some Lady Legs...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

Patty deGrandpre’s “The Beauty on the Way There” is a predominately turquoise blue, black, grey, and red contemporary abstract landscape represented on a 16 x 20 x 2 inch “Ampersand Claybord” block embracing creative photography, mixed media, and collage. Snapshots of a Western United States highway and it’s vast scenic surroundings are printed on Awagami Bamboo Japanese paper in both black and white as well as monochromatic red. The prints are cropped and combined with thoughtfully shaped monoprint fragments and collaged onto smooth fields of turquoise and grey hued water based block printing ink. The graphic design approach to this modern composition is appreciated as the viewer recognizes a glimpse through a car window of distant mountains and roadside terrain. A rectangular red and blue print reminiscent of vintage floral wallpaper...

Martha Mans lavender The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be ex...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

Blue,White,Indigo, navy, sage, green 37 x 62" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Patty deGrandpre’s “Landlocked (Cactus, a million needles)” is an 12.375 x 16 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both print...

"The Japanese Bridge, 1928" François Beauck (Belgian, 1876-1946) Oil on cardboard Signed and dated with inscriptions on the back 27.25 x 13.5 (33 x 19...

12 x 12" oil, aluminum leaf on panel Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vast stretches of prairie lead to distant horizons. Represen...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

red brown taupe beige green orange rust white Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties...

Martha Mans lavender gray white blue green yellow peach brown framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

Green, sage, hunter green. Lake, trees, nature, landscape, reflection, water. 40 x 80" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted la...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

Mid-Century Cyclists - The Field Sprint Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 15 x 12 inches, frame size “The savage art of Bosco bears its rudeness and its mystery....

Patty deGrandpre’s “Are We There Yet? (Colorado)” is a 5.5 x 14 inch unique abstract inkjet print represented on 11 x 16.5 inch Awagami Bamboo Japanese paper embracing both the art o...

Martha Mans 10 x 10 image size and 21 x 21 matted and framed The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

Mango wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furnit...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young...