New Mexico - Still-life Paintings

"Still Life with Pomegranates and Lemons, 1876" Ernest Blanc-Garin (1843-1916) 19 3/4 x 23 3/4 (29 1/2 x 33 1/2 frame) inches Ernest Blan...

"Interior with Bed, Table & Fireplace 1918" Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed and dated "1918" 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 frame) This painting and its mate "Interior with Chair and Vanity...

Mid century modern masterwork, 'The Green Boat', by celebrated American woman artist, Elaine Badgley Arnoux. Painted in 1958 in the artists's unique style, ...

"Study of a Frog Studying Various Plants" France, 19th century OIl on paper Signed 14 x 10 (18 x 14 frame) inches This well-painted composition of a frog which seems to be observin...

Navajo Weaver, painting on wood panel, by Melanie Yazzie, Native American Yazzie was asked by the Denver Art Museum to select several items from its collection that were immediately...

Moccasins with Seed Pods, painting by Melanie Yazzie, Denver Art Museum, floral Yazzie was asked by the Denver Art Museum to select several items from it's...

"Les Nymphéas (The Water Lilies)" Pierre Laurent Baeschlin (1885-1958) Oil on masonite Signed lower right 15 x 18 (22 x 25 frame) inches A ...

"Still life of Flower Bouquet on Alabaster" circa 1820's Gouache on alabaster 6 1/2 x 4 1/2 (12 3/4 x 10 3/4 frame) inches Follower of Pierre Joseph Redouté 1759-1840, the artist brought all the finesse and care required for this work to seduce us and hold our attention at first glance, delicately painted in gouache on an alabaster plate, he added here and there a drop of water which adds freshness to the whole while showing us his virtuosity. A white rose, a parrot tulip and a few forget-me-nots to enhance the composition and the harmonious bouquet bursts with gaiety against a background of luminous alabaster. Unsigned, this gouache dates from the years 1820 - 1830, it is enhanced by a channel frame which has retained its original gilding. Redouté was an official court artist of Marie Antoinette, and continued painting through the French Revolution and Reign of Terror. He survived the turbulent political upheaval to gain international recognition for his precise renderings of plants, which remain as fresh in the early 21st century as when first painted. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After Queen Marie-Antoinette, his patrons included both of Napoleon's wives -- Empress Joséphine and Marie Louise, Duchess of Parma—as well as Maria Amalia...

French Botanical Watercolor Study of Raspberry Bramble Watercolor, gouache on paper 18th century 9 1/4 x 7 inches Stamp and notations at bottom from Collection Rougier, Paris, inscri...

Still Life with Lemons American School, 19th century Oil on panel 9 x 24.5 inches This picture is a well-studied examination concepts such as...

Salt Bowl, unique, oil on birchwood panel, trompe l'oiel, dimensional painting Helen Stanley’s sculptural paintings are beautifully drawn, realistically...

"Still Life of Flowers in a Pale Blue Vase" Henry Schouten (Belgium, Indonesia, 1864-1927) Oil on canvas, signed lower right "Jos Klaus" 15 x 10 3/4 inc...