New Orleans - Card Tables and Tea Tables

Geo III Mahogany fold-over card table with cluster-leg and concertina action c1780. The hinged Leather lined and gilt tooled top opens and is supported by hinged, concertina-action r...

A very fine pair of George III mahogany and plum pudding mahogany concertina action card tables, each with square cut corners and recessed...

Very fine George III inlaid satinwood card table attributed to Mayhew and Ince, the top profusely inlaid with central shell, urns, swags, honeysuckle a...

A fine pair of 18th century George III Hepplewhite period floral marquetry inlaid demi-lune card tables attributed to John Cobb. The semi-elliptical sabico and floral marquetry top is bordered and framed with a half moon of satin birch and box wood banding and crossbanded with an outer banding of tulipwood. The bouquet of flowers is most striking and displays some of the finest floral marquetry; the quality is exceptional and the detail and use of various exotic woods is exemplary. The sabico frieze is shallow and crossbanded with tulipwood and flanked with inlaid satinwood flutes raised on crossbanded and tapered legs that stand on elegant block feet. In excellent original condition and has achieved a warm and lightly sun kissed colour and patina to the premium grade figured mahogany. Circa 1775 - 1785 John Cobb (c.1710–1778) was an English cabinetmaker and upholsterer. His work was once overshadowed by that of Thomas Chippendale but he is now regarded as being among England’s greatest furniture makers. He is thought to come from Ashby, Norfolk and was the son of John Cobb and Mary Holmes. It is believed that John Cobb was apprenticed in 1729 to Timothy Money (fl 1724–59), a Norwich upholsterer. In 1755 he married Sukey, a daughter of the cabinetmaker Giles Grendey and is said to have acquired a ‘singularly haughty character’, strutting ‘in full dress of the most superb and costly kind...through his workshops giving orders to his men’, and on one occasion earning a rebuke from George III. He worked with William Vile from 1750 until 1765 in premises at 72, the corner house of St Martin’s Lane and Long Acre. In the early 1750s, William Hallett, another cabinetmaker of the time, formed a working syndicate with Vile and Cobb. Vile and Cobb supplied furniture to the leading patrons of the day including George III and Queen Charlotte, the 1st Earl of Leicester at Holkham Hall, the 4th Duke of Devonshire at Chatsworth and the 4th Duke of Bedford at Woburn Abbey. Vile and Cobb held the Royal Warrant from 1761 until April 1764 when Vile retired. While Vile created works in an Anglicised Rococo style, Cobb’s furniture of the 1770s was executed in an elegant Neoclassical style. Cobb was well known for his haughty disposition which did not always endear him to his customers, so it was no surprise that the Royal Warrant was awarded to two of their employees William France and John Bradburne instead of Cobb himself. Some of Cobb's work is in the Royal Collection at Buckingham Palace. Following Vile's retirement in 1764, Cobb carried on in business with the assistance of his foreman, Samuel Reynolds (fl 1751–85). He made furniture to very high standards and earned a reputation for exquisite marquetry: Hester Thrale, the writer and friend of Dr Johnson, compared the inlaid floors at Sceaux, France, to ‘the most high prized Cabinet which Mr Cobb can produce to captivate the Eyes of his Customers’. Inlay in tropical woods, particularly satinwood, was an important element of Neo-classical furniture. In 1772-4 Cobb produced an ‘Extra neat Inlaid Commode’ and two stands en suite for Paul Methuen at Corsham Court, Wilts, which survive in situ. In 1772 he was implicated in the smuggling of furniture from France. His most extensive work was for the 6th Earl of Coventry at Croome Court, Worcs, between 1765 and 1773. This included a large mahogany...

Chic architectural design game table and four chairs manufactured by Cavalier. Constructed of wood and tubular iron rods, the set folds down for easy storage and transportation. Soli...

Shaped like a squared-off oval, this table is carved of wood, including tassel ornamentation and hoof feet crested with acanthus leaf trim. Painted a lovely teal blue-green, with an ...

An elegant Sheraton mahogany card table with rosewood cross banding and boxwood and ebony inlays and stringing; lovely figured timber, colour and patina circa 1785.

This is an antique card table. A French, burr walnut fold-over games table, dating to the Victorian period, circa 1870. Highly appealing, rare antique gaming table Displays a desirable aged patina Exquisite burr walnut shows fine grain interest Rich caramel hues shine through the wax polish finish The fold-over top offers a wonderful view of its quarter book-matched walnut Decorated with boxwood inlay and a gently chamfered edge Rotating through 90 degrees before folding out to reveal the playing surface Shaped, emerald green baize a treat for the eyes The brass hinges shaped to match the gaming surface Attractive carved front apron replete with scrolled foliate ormolu decoration to the knees Standing upon gently swept cabriole legs with brass tipped toes Vintage deck...

Early 20th century carved French games table with leather top, circa 1920 Beautiful games table with a leather top, four corner folding cup holders and a single drawer on each sid...

A Regency card table from Barbados, made of mahogany and satinwood with a reeded and turned column, sabre legs with spur knees, brass toes, and a string inlaid design on top, circa 1820. This table is featured in the book "West Indian Antique Furniture...

Antique Victorian 19th century fine quality mahogany marquetry folding card table 19th century, that would also make a charming console table. This is a lovely table, that is full...

A vintage Italian two-tiered Chinese Chippendale style table with beautifully carved tassels, scroll and lattice work. This table has raised pa...