New York Vases

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

An antique Japanese Meiji period cloisonne vase showcasing the body adorned with intricate cloisonne enamel work, displaying crane designs set against a goldstone background. The lon...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

Pair of bronze mounted crackled celadon vases, French, circa 1880.

Large, beautiful country-ware vase. Possibly Oribe vase with beautiful blue-green drip over-glaze and other nice glazing techniques. Small "ears" on the side. Taisho period handmade ...

A Fantastic 19th century French Islamic/Orientalist Style Champleve Enamel Vase and Underplate, Signed F. Barbedienne. The wide-mouthed vase terminates down a narrowing body and is m...

A beautifully glazed mid-century vase executed by Carl-Henry Stalhane for the venerable Swedish based ceramics firm Rorstrand. Signed.

This refined Mid-Century Modernist art glass vase is hand-blown and signed by the renowned Canadian glass artist Robert Held. The piece showcases a rich violet color, delicately acce...

Each of hexagonal form with gilt dolphin handles, painted in the Famille Rose palette and enriched with blue, the front and back with chrysanthemum issuing from a brown vase and flow...

Giorgio Collection Elettra Center Vase in Venetian Murano grey blown glass. diam. cm 43 x 39H diam. 17”x 15”1/2H5995

An antique Japanese, late Meiji period, enamel over brass vase. The vase has an amphora shaped body and a fluted neck. The ware is enameled with a polychrome image of a crane in bamb...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

Segoso vetri d'arte rare and exquisite 'Veronese' blown glass vase in cased green-colored glass with gold foil applications, Murano, 1939. This extraordinary vase is classic in form...

19th century German bronze footed urn. Features gargoyle feet and six natural scenes of birds divided by projected intricacies. Dimensions: 6", Diam x 5.75...

Italian Mid-Century Modern umbrella stand in the style of Alessandro Mendini and Studio Alchimia, circa 1976-1980. The base is composed of carved travertine stone and the 3 containers are in chromed metal. The piece can also serve as a vase or urn. A coat stand also attributed to Studio Alchimia and Mendini I is shown in the last image. References: Italian Radical Design, Alessandro Mendini, Superstudio, Postmodern, Memphis, Ettore Sottsass, Gaetano Pesce, Studio 65, Studio Most. Michelle De...

A very beautiful organic modern hand-blown bright neon yellow and dark teal blue studio art glass sculpture vase, circa mid to late-20th century. Beautiful as a standalone piece or w...

Vintage Murano glass vase was made in sommerso technique with solid white glass gather encased in ombre blue glass with fused murine inserts that were encased in clear glass. The ...

Danish Artist Mette Doller hand decorated ceramic bowl with two seated female figures with green hats. This bowl is signed by Doller on reverse along with Höganäs Keramik mark, Swede...

This bud vase has a very feminine silhouette with a tapered bottom. Around the top there is a ring of lattice work around the edge and beneath that heart-shap...

A pair of antique French transitional ormolu-mounted rouge griotte marble covered vases or urns Last quarter of the 19th century attributed to Henry Dasson Each with domed lid with...

Yellow and Green Glass Bottle by Fulvio Bianconi for Venini. Signed on the underside of the base: Bianconi Venini. Italy: circa 1950 Bianconi’s real contribution to the world of art and design, however, finds its inception in 1947 when the Milanese Paulo Venini...

Bows, wreaths and flowers give this sterling silver vase a delicate, feminine feel. It’s wider on top and tapers in at the bottom; this allows the flowers to fill out nicely. Around ...

Fused glass vase features complex multilayered colored glass core in dark Bordeau or burgundy red, toffee brown, cream, and deep cobalt blue colors, encased in clear glass in sommer...

Contemporary American ceramic artist Giselle Hicks' glazed white stoneware vase is part of her Vessel Series. Each form is built by hand using a coil and pinch technique. They are fo...

We are delighted to offer you this sterling silver vase. It is tall and slim with a tapered shape. A beautiful floral cartouche awaits your perso...

Our beautifully crafted, one-of-a-kind Blue Moon Vase is a work of art. Use as a vessel to showcase a bouquet, or a single sculptural branch. Bright blue heavily textured glaze on a...

A large pair of antique Japanese Totai Shippo cloisonne enamel and Satsuma porcelain vases, Meiji era, 1868 to 1912. Of a baluster form, on the b...

A beautiful pair of Murano glass vases attributed to Seguso Vetri d'Arte with cased silver leaf in clear glass over 'black/blue' glass.

American Arts & Crafts Chinese-Form Pauleo Pattern Glazed Ceramic Vase In Manner of Roseville for Tiffany Circa 1900 DIMENSIONS Height: 15.75 inches (40.01 cm) Diameter: 10.5 inch...

Striking Art Nouveau jug was designed by Richard Teschner in 1906 for Lötz Witwe, Klostermühle. It was made in mould-blown technique in opal or alabaster white glass with uranium green glass applications. Comb and long moustache are green, and eyes and pupils are made of yellow and red glass. The jug can be identified by multiple veritable online and printed resources; it was manufactured in clear and opal glass with both uranium green and clear green applications; some resources have the opal one listed as model no. 4506, but we haven't seen any mentions of uranium glass anywhere, making this piece rather rare and unusual. This piece will work very well in any style of interior or would make a great gift for an art and design enthusiast. The jug is in good antique condition with light, age-appropriate signs on wear on the bottom. Both sides of moustache have sharp ends; upon close examination of pictures of Merman jugs that were listed as "in perfect condition" and had the same sharp ends, we came to a conclusion that the sharp ends must be created as a part of manufacturing process during the application of long, thin strands of stretched glass...

A circa 1950's Italian oversized vase with handles. Measurements: Height: 28” Width: 17” (at widest) Base diameter: 7 3/8”

A pair of antique Japanese, early Meiji era, enamel over gilt copper vases. The exteriors of the wares are adorned with polychrome enamel medallions representing dragons, cranes, but...

Signed: Jaimal Odedra Each piece is modeled and cast by hand using a traditional Moroccan sand casting method. "In creating these works, I was interested in exploring and enhan...

A Wonderful Vintage Venini Fazzoletto Bicolore Handkerchief Art Glass Vase With Gold Inclusions And White Interior, Signed And Dated On Underside H: 11 1/4" X W: 10 3/4"

The Following Item we are offering is a Rare Antique Early 1900s Lovely HEAVY HANDCUT Cranberry Hand Cut Large Bohemian Crystal Vase. Vase is Finely Detailed Throughout in a Magnific...

A Fantastic Pair of Russian 19th Century Hand-Carved and Hand-Polished Spinach Green Jade vases, Attributed to the Imperial Russian Lapidary, with m...

This tall vintage vase is distinguished by its richly layered oxblood flambé glaze — a deep burgundy red that subtly shifts toward violet and plum, especially near the rim and should...

Pair of Japanese famille verte covered vases, circa 1860.

Vintage Art Deco style urn shaped vase is decorated with graphic drip glaze in earthy brown palette; the inner surfaces are done in solid monochromatic brown glaze. Rounded handles ...

A very unusual and quite large pair of Empire period Sèvres Porcelain pale Celeste blue and faux porphyry ground vases. Each vase is intricately hand painted with meticulous detail and further adorned with 24-karat hand painted gilt decoration. The bases are a very unusual hand painted faux porphyry porcelain. Each vase and base is marked with various pressnumera and Sèvres signs...

This vintage Chinese vase combines architectural form with layered surface detail, offering a bold decorative statement. Its tall, hexagonal silhouette flares at the base and narrows...

Edo period Bizen vase, late Edo period (mid-19th century) ceramic vase from Bizen, one of the six ancient kilns in Japan. Unusual undulating rim, with tradi...

Designed by Paul Ludwig Troost (1878-1934) and Alfred Hagel (1885-1945). Illustrated in "Nymphenburger Porzellan: Sammlung Bauml", Alfred Ziffer, pg. 387.

Pair of French 'Latticino' glass vases, circa 1880 Blue and white swirl pattern.

A unique and beautiful faience jug attributed to French ceramicist Emile Tessier. One of a series in our inventory, this vase not only has a beautiful form, but it features hand-scu...

Sommerso glass vase attributed to Flavio Poli.

An unusual and beautiful original patina cast iron spittoon vase having the form of a gentleman's top hat.

Gorgeous hexagonal crystal vase by Tiffany & Co. Signed and in very good condition with no chips or cracks. Heavy and solid. Decorative urn shape elegant on its own, also with ample ...

Gary DiPasquale Contemporary Black and White Bark Textured Barrel Vase with Black Interior

Gary DiPasquale Contemporary Black, Grey and White Double Gourd Drip Pattern Vase

Vintage vase was decorated with Art Deco style design of a child, looking at the flowers they are holding. Johansfors Glassbruk employed the traditional copper-wheel engraving metho...

Vintage Mid-Century Modern Italian Design cylindrical sculpture vase, attributed to Romeo Rega, tall and slender, the organic body in transparent brown acrylic is decorated with a brass Egyptian...

Highly collectable hand decorated, with bronze leaf border design on top. Date: circa 1890 Origin: French Dimension: 29 in x 26 in.

Crystal Cream Wave Form Vase by Forma Rosa Studio Dimensions: D 14 x W 14 x H 28 cm. Materials: Ceramic. Available in Crystal Cream, Mint Blue, and Oxb...

Large Swedish Mid-Century Modern white ceramic table lamp base / vase designed by Vicke Lindstrand for Upsala Ekeby. The form of the piece is elegantly conceived; it is tapered and fluted. The under glaze of the white exterior has burnt reddish tones which come through along the edges and give the piece depth and warmth. Furthermore, it is equipped with a pre-set drilled hole near the mouth which allows room for an electrical cord and for this piece to be used as a table lamp or a vase. Stamped: V.L. on base. Additional References: NK, Nordiska Kompaniet, Axel Einar Hjort, Carl Marmstrom, Orrefors...

A vibrant high gloss bud vase. The brown matte base is marked with Rörstrand Sweden three crowns.

An artist working in the Art Nouveau style, Majorelle made a splash at the 1900 Exposition Universelle in Paris and was one of the founders of the E´cole de Nancy. This intricately p...