Fine Art in Paris

Olf is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 40 × 60 cm (15.8 × 23.6 in). The artwork is signed, sold unframed and comes with a cer...

One of the famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.

Louis Reinhardt or Ludwig Reinhardt (born 1849 in Plauen; born late October 1870 in Traunsee) was a German painter. Reinhardt waged war on a animal and landscape painter of spätroman...

Silksreen, 1966 Handsigned by the artist in pencil and numbered 123/150 Publisher : Denise René, Paris Printer : Ateliers Arcay Catalog : [Benavides 60] 83.00 cm. x 75.00 cm. 32.68 ...

Antoine Williams Zarra (1820-1892) was an international man of mystery. When not painting in the rural village of Barbizon and its environs, he was mo...

Italian school from the beginning of the 19th century ? Oil on canvas (2) 99 x 65 cm (103 x 78 cm with the frame) Old frames with gadroons and palmette decoration Very good condition...

The circa 1960 original poster by Georges Braque, titled Trois Oiseaux, is a classic representation of the artist's distinctive style. Braque, one of the pioneers of Cubism alongside...

Signed on reverse Born in Turkmenistan, in the sunny city of Ashkhabad. From his youth was into artistic activities, currently the earlier works are kept in the family archives. In ...

Keith Haring Headstand Original vintage exhibition Poster printed in Screenprint On thick paper 90 x 60 cm (c. 36 x 24 in) INFORMATION: Official screenprint poster for the Haring e...

This original 1950s poster by legendary French graphic artist Paul Colin announces “La Nuit de Mai à Bobino”—a festive gala evening held on Thursday, May 25th, at the iconic Parisian...

Hergé (1907-1983) The Secret Of The Unicorn (Le secret de la Licorne), 2024 Official poster On thick glossy paper 70 x 50 cm (c. 27.5 x 19.6 in) INFORMATION : Official and authori...

Eugène VERBOECKHOVEN Warneton, 1798 – Schaerbeek, 1881 Oil on wood panel 42 x 33.5 cm (58 x 50 cm with the frame) Signed, dated and located lower right “EJ Verboeckhoven / 1826 / à G...

EDITION Monogrammed, stamped and dated on reverse: C.L ; Lalanne ; 87

Edward PELLENS The Sailboat, 1922 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of t...

Michel Marie POULAIN French National Day : Sailors having Fun Original oil on canvas Handsigned in the lower left corner On canvas 55 x 65 cm (c. 22 x 26 inch) Presented in golden w...

Maurice Asselin (1882-1947) A Bouquet of anemones Signed lower left (partially hidden by the frame) Oil on canvas In good condition 21 x 28 cm Framed : 27 x 34cm Maurice Asselin ...

Lapin assis, tête tournée, circa 1919-1921 Fondry Susse, Ed. 3/5 pcs circa 1919-1921 Rare bronze proof with a brown patina 8.5 x 5.5 x 6.5 cm Certificate of authenticity issued by th...

Andy Warhol's original poster for the 1982 film "Querelle" is a fascinating fusion of two artistic worlds: cinema and pop culture art. Directed by German filmmaker Rainer Werner Fassbinder, the film is based on Jean Genet's novel of the same name, exploring themes of desire, sexuality and mystery. Warhol, a celebrated figure of the Pop Art movement, brought his unique style to this iconic poster. Using vivid colors and striking contrasts, the poster highlights key elements of the film, including the unsettling sensuality of the main character, Querelle, played by Brad Davis. Warhol's association with the film gave a new artistic dimension to film promotion...

Fragment n°2 is a bronze sculpture by contemporary artist Martine Demal, dimensions including patinated brass base are 60 × 30 × 10.5 cm (23.6 × 11.8 × 4.1 in). The sculpture is sig...

Etching and aquatint, 1969 Edition : 2/40 Catalog : n° 53 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper) 64.00 cm. x 49.00 cm. 25.2 in. x 19.29 in. (image) Handsigned by the a...

David HOCKNEY New York Metropolitan Opera House : Tirésias Original Vintage Poster Printed in France by Imprimerie Moderne du Lion in Paris 63 x 43 cm (c. 24.8 x 16.9 inch) This poster was created for the exhibition at Galerie Claude Bernard...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 31" X 39"- Edition of 10 48" X 59"- Edition of 7 Diamond Dust Collection Diamond Dust is a ...

Jean Marais (1913 - 1998) Christmas : Santa Claus Original lithograph Signed with the stamp of the artist (Also bears printed signature in the plate) Numb...

Oil on canvas This artwork titled Marseille or Grand Marseille illustrates rooftops on the second largest populated city in France after Paris. The artist started to paint the artwo...

Untitled I, Ain’t Got No Troubles series, is a limited-edition photograph by contemporary artist Matthieu Venot. This photograph is sold unframed as a print only. It is available in...

French School 19th Century, Portrait of a dandy, watercolor on paper 19 x 13 cm Signed (?) with pencil lower right "L ... " illegible Framed : 29 x 23 cm

Untitled IV, 2022 by Salvatore Arnone From the Balance series Photography, acrylic and pastel on paper Image size: 50 in. H x 35 in. W Edition of 3 + 1AP Production time is 2 to 3 we...

Untitled XLIII is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 280 × 200 cm (110.2 × 78.7 in). The artwork is signed, sold unframed and ...

This stunningly colorful lithograph was created by Victor Spahn, a French painter of Russian origin. Known as the "painter of movement", his technique gives the impression of speed a...

Les Maîtres de l'Affiche series, Georges Meunier’s “Frossard’s Cavour Cigars – Mild and Fragrant” is a masterclass in Belle Époque advertising art. This 1896 lithograph captures both...

Pablo PICASSO (1881-1973)(after) Two nudes, 1946 Lithograph and stencil Signed in the plate On vellum 48 x 33 cm (c. 18.9 x 13 inches) INFORMATION: Edited by Albert Carman in 1946 ...

Yves SAINT-LAURENT La Vilaine Lulu with Butterflies II, 1985 Lithograph On heavy paper 50 x 65 cm (c. 20 x 26 inch) Limited to 300 copies INFORMATION : Edited in 1985 and limited t...

Giovanni Mataloni Incandescence, 1897 Original lithograph Printed signature in the plate Printed on paper vélin Size 40 x 29 cm (c. 15.7 x 11.4") INFORMATION : Plate 72 of "Les Maîtres de l'Affiche", Paris, 1897, printed by l'Imprimerie Chaix. Bears the blind stamp of the editor bottom right. This image was created for an Italian advertisement...

Nice original vintage poster from Jacques Dubois about the French Riviera and the French National railway printed in 1957. With the trains and coaches of the Société Nationale des C...

Théophile-Alexandre Steinlen's "Motocycles Comiot Paris" poster, created for Les Maîtres de l'Affiche as plate number 190, is a remarkable work of poster art from the period. Théoph...

Henri HERAN (1864 - 1946) May Flower Original lithograph Printed signature, as issued 1897/98 Printed on paper Vélin (wove) Size 40 x 31 cm (c. 16 x 12")...

Emile BERCHMANS Renewal Original lithograph Printed signature in the plate 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Modern...

This artwork might be one of two versions, the other one being in the Museum in les Invalides Paris. Note. This version has a more accomplished academic style. Dimensions with original gold frame 107 x 87 cm Conditions Excellent overall, supported by an original frame withan antique glass. EDOUARD DETAILLE The emperor is accompanied by his aide-de-camp, Colonel Castelnau, and Marshal Canrobert. In a gilded wooden frame, under a Marie Louise blue background. Life and time Born in 1848 into a close-knit bourgeois family, Édouard Detaille, the eldest of eight children, displayed early talent in drawing. “He was a prodigy,” notes François Robichon. By the age of thirteen, he exhibited an astonishing surety of hand and a phenomenal sense of composition. His father, connected to Horace Vernet, encouraged him. At seventeen, after passing his baccalaureate, he entered Meissonier’s studio. This relationship, which developed into mutual affection, spared Detaille the academic detour through the École des Beaux-Arts. Rather than dictating an official art style, Meissonier, at the peak of his fame, traveled with his students, introducing them to the nuances of Titian, Rembrandt, and Rubens in Brussels and Lille. In 1867, the Paris of “free trade” dominated the world through the technological revolutions of the Universal Exhibition, and the amiable young man, striking in appearance, discovered the salon of Princess Mathilde and the theater of Dumas fils. He even approached the Empress, noting in his journals, “Not bad, the Empress.” This observation encapsulated Detaille: he had no doubts about his talent, cultivated panache, enjoyed the company of beautiful women, and aimed to conquer the circles of power without sacrificing his freedom. From childhood, he listened to his calling: “Before I could read, I could guess the subjects of battles, the names of famous generals, the weapons of officers and soldiers from the images I admired in the books of Norvins and Laurent de l'Ardèche.” He mingled with collectors and regularly attended military reviews on the Champs-Élysées. His first painting exhibited at the Salon in 1868, “La Halte de tambours,” was praised by critics who immediately recognized “a remarkable truth of observation and simplicity of effect.” The purchase of this work by Princess Mathilde, cousin of Emperor Louis-Napoleon, made Detaille, at twenty, an envied celebrity known to Sainte-Beuve, Théophile Gautier, the Goncourt brothers, and Flaubert. The young artist’s humanistic vision contrasted with the compositions of his predecessors, depicting soldiers in maneuvers, contemplative and resigned as war loomed. **The Combatant’s Vision** The Siege of Paris, where he nearly lost his life in 1870, and the deaths of two brothers in that defeat darkened his outlook. From 1871 onward, Detaille no longer concealed the cruelties of war: German riflemen mowed down by machine gun fire, cavalrymen and panicked horses caught in ambushes, fields plowed by shells strewn with dead animals. The unvarnished tragedy: “It is an absolute fact that no painter has ever rendered a battlefield covered with corpses as it is,” commented Jules Claretie. The fallen bodies still bear the appearance of life in their frozen rigidity. Detaille’s testimony of the devastating defeat and the catastrophic effects of the first total war in history was not a celebration of heroism but a lament, a “lesson in darkness.” “From war, once considered the supreme effort of human genius, we now see only melancholy and horrors,” judged one writer in response to his canvases. “Detaille experienced the reality of combat at a young age during a war that foreshadowed the two world conflicts of the 20th century,” explains François Robichon. With great realism, Detaille painted war from the perspective of the combatant. He introduced a humanity and a critical lucidity regarding the evolution of warfare. His works intensely captured the violence and firepower of new weapons like machine guns. Before he turned thirty, Detaille had become a chronicler of these painful years. He exhibited, as a critic noted, a “striking portrait of modern war” that both French civilians and soldiers had experienced firsthand. He embodied a youth humiliated and eager for revenge. Yet this scrupulous artist also remembered, in his expansive landscapes—from the chalky plateaus of Île-de-France to the Russian plains—the lessons of Corot and Courbet. Manet was not far off. “I wouldn’t want my art to be reduced to mere patriotic art,” he asserted. “A system I often employ and love is to first execute the landscape, very effective, very tight, based on nature…” Echoing Meissonier’s advice: “Always nature, always nature!” Detaille remained close to this father figure, constructing a grand townhouse next to his mentor’s studio at 129 boulevard Malesherbes at the age of 26, having purchased 425 m² of land from the Pereire brothers. He even chose the same architect as Meissonier: Paul Boesvilwald. A bachelor and incorrigible seducer, the painter welcomed his conquests, including Valtesse de la Bigne, amidst his collections, having built his studio in the courtyard. Diplomatic Actor As Detaille’s fame grew, his Malesherbes townhouse quickly became a gathering place for foreign princes, politicians, and heads of state, where Juliette Adam, Léon Gambetta’s muse, offered him valuable advice. The Prince of Wales, the future Edward VII, developed a genuine friendship with the painter. “This fervent patriot, friend of Déroulède, was extraordinarily open to the world,” recounts François Robichon. In just a few years, he gained considerable social, cultural, and international stature. Received at Windsor, at the English court, he was close to Tsar Alexander III and a great friend of Félix Faure. In this capacity, Detaille played a decisive role in the Entente Cordiale, signed in 1904 between England and France, and in the Franco-Russian alliance of 1894, thereby contributing to the Triple Entente among the three powers. An engaged witness of his time—associated with the birth of the “Ligue des Patriotes” alongside Alphonse de Neuville...

Joan Miro Surrealist Birds (Sculptures), 1974 Original lithograph Printed signature in the plate On heavy paper 28 x 57 cm (c. 11 x 23 inch) REFERENCE : catalog raisonne Mourlot / ...

sbc 198 (Abstract painting) Acrylic on paper — Unframed Susan Cantrick's abstract paintings explore the pre-verbal realm of thought through structured visual responses. Her process ...

This painting was inspired by her last visit to Tuscany. This small farmhouse with vineyard was 15 minute’s walk away from home. It was beautiful sunny day. She instantly took he...

The 1956 original travel poster by Capon titled "The Alps: Discover France by Train" presents an enticing invitation to explore the scenic beauty of the Alps region via the SNCF rail...

Raoul DUFY Sunset on the Vineyards, 1953 Original Lithograph with stencil watercolor With printed signature in the plate On Arches vellum 28 x 38 cm (c. 11 x 15 inch) Excellent con...

This circa 1941 drawing, Les éléphants sacrés – Madurai, created in the style of Maire André, beautifully captures the grandeur and spiritual essence of one of India’s most sacred ci...

(After) Francis Bacon Study for a corrida Poster, 1995 Printed and published by Maeght Size 86 x 50 cm (c. 33,8 x 19,7 in) Mint condition

Within the fascinating world of vintage poster art, Rudd's original poster for "Escargots Ménetrel Exquis! Exquis!" whisks us away to a time when gastronomic pleasures were celebrate...

This poster printed in lithography is very rare, it comes from a limited edition of 500 copies for the promotion of their concert in Singapore. The Rolling Stones, this rock band that no longer needs to be introduced, composed of Mick Jagger, Keith Richards ,Charlie Watts & Ron Wood. Their image of rebellious bad boys, conveyed in the 1960s, is a major reference for the generations of rock musicians...

Ultramarine seahorse II is a unique bronze sculpture by contemporary artist Chésade, dimensions are 25 × 10.5 × 6 cm (9.8 × 4.1 × 2.4 in). The specified dimensions include the stand ...

Jean COULOT (1928 - 2010) Friendship Original screen print Handsigned in pencil Numbered / 60 ex On vellum 22 x 20 cm (c. 9 x 8 in) Excellent condition

Georges de Feure's original lithograph "Retour", created in 1897, is an iconic work of art that reflects the artist's characteristic Symbolist aesthetic and Art Nouveau style. This l...

Fernand Léger Woman powdering herself, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50....

The circa 1930 painting Riviera Calls You is a stunning and evocative example of early 20th-century travel advertising, perfectly capturing the allure...

This painting is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living b...

Henri Matisse (1869-1954) (after) Icarus Screen print On heavy paper 99 x 70 cm (c. 40 x 28 in) Excellent condition

Lithograph, 1963 Handsigned by the artist in pencil and numbered 43/75 Publisher : Nouveau Cercle parisien du Livre, Paris Printer : Mourlot, Paris Catalog : [Vallier 187 page 275] 38.00 cm. x 28.00 cm. 14.96 in. x 11.02 in. (paper) 30.00 cm. x 22.00 cm. 11.81 in. x 8.66 in. (image) On Arches vellum...

Sculpture Close to Heart 1 & 2 Limited edition of 12 (each sculpture) Dimensions: - Close to heart 1 (black): H. 73. x D. 34 cm - Close to heart 2 (natural): H. 82. x D. 22 cm Medi...

Oil on canvas Joseph Adolphe is a Canadian-US. artist born in 1968 who lives and works in New Haven, Connecticut, USA. After receiving his MFA in New York City Joseph continued to l...

Georg HÖHN Neustrelitz, 1812 – Dessau, 1879 Oil on canvas 67 x 97 cm (89 x 120 cm with the frame) Signed lower left “Hohn p.” 19th century gilded wood frame Georg Höhn is a 19th ce...

Urbain HUCHET Paris : Opera Square, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 14 x 18 cm (c. 6 x 7 in) Excellent condition

Original poster by Edmond Maurus for Air France in 1946, promoting the African destinations of French West Africa and French Equatorial Africa. The poster depicted a plane flying ove...