Phoenix - Art

pastel on paper I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture out...

Original pencil signed Grant Wood lithograph, "March," created 1941 by the painter of "American Gothic," Grant Wood, who is a major American regionalist along with Thomas Hart Benton...

Etching and drypoint on paper by famous Taos Artist Gene Kloss (1903-1996). Title: Adobe Houses and Taos Mountain. Unframed and un-matted. Kloss #483 Pencil titled lower left. Pencil...

Original pencil signed Grant Wood lithograph, "February," created 1940. A fine impression and one of the most important of the 19 lithographs created by the painter of "American Goth...

pastel and micron pen on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of mater...

“Three Pines” by well-known woodblock artist Gustave Baumann (1881-1971). The medium is color woodblock. It's a beautiful print in excellent condition. Baumann's personal Hand and He...

“Rancho de Taos” by well-known woodblock artist Gustave Baumann (1881-1971). The medium is color woodblock. It's a beautiful print in excellent condition. Baumann's personal Hand and...

Wonderful Bluebonnet subject oil on canvas by Texas artist William A. Slaughter (1923-2003). The work is in excellent condition and signed lower left. Image 16"h x 19 ½” w. Frame 2...

Original stone lithograph created 1944 by well-known Regionalist Thomas Hart Benton. The print is in excellent condition with full margins and pencil signed lower right. Also signed in the stone. It is matted in a 4-ply archival mat and rests in a simple black frame. Image size: 10 ½ x 15. Frame size: 18 x 23. Published by AAA. Ed: 250. Thomas Hart Benton found inspiration for his art in the ebb and flow of daily life in rural and small-town America. Wreck of the Ol’ 97, one of his best-known prints, is based on a ballad of the same title that tells the story of a rail disaster. A speeding locomotive attempting to make up lost time jumped the tracks as it descended a Virginia mountain...

Original stone lithograph created 1939 by well-known Regionalist Thomas Hart Benton. The print is in fine condition with full margins and pencil signed lower right. Also signed in the stone lower left. Fath #27. Image size: 9 1/2"h x 12"w. Title: “Cradling Wheat...

“Spring Blossoms” by well-known woodblock artist Gustave Baumann (1881-1971). The medium is color woodblock with aluminum leaf on cream paper. Baumann's personal Hand and Heart stamp...

This original watercolor by Depression Era New York artist William Gropper relates to two of Gropper's most important Depression Era prints: “Refugees” and “Uprooted.” Signed lower r...

Mixografia on Paper “Sol (The Sun)” by well-known Mexico artist Rufino Tamayo (1891-1991). Signed “R. Tamayo” lower right. Numbered lower left 96/140. Created 1976. In excellent cond...

"Sonoran Kings" Ed Mell 1942-2024 Stone lithograph 32" x 24" **PRINTS ARE ESTATE SIGNED WITH WITH EMBOSSED LOGO AND SIGNATURE STAMP*** Edition. 200, 2020 Print is unframed. Biograp...

This Palomino Ain’t No Pal of Mine 1982 Giant Size, Special Limited Edition Archival Pigment Print Original Pencil Signature, Signed Lower Right Made in collaboration with Ed Mell ...

Henry Gasser (1909 - 1981) This is a beautiful work by New Jersey artist Henry Gasser titled: “Homeward.” It is Oil on Paner created in the 1940's. Signed “H. Gasser” lower right....

Politically charged oil on canvas by Depression Era New York artist William Gropper. Painting measures: 20" H x 16" W. Frame measures: 24" H x 20" W. Signed lower right and in excell...

Full Speed Ahead 1985 Ed Mell 1942-2024 Original signature lower right Stone Lithograph 22 x 30 inches MINT CONDITION. NEVER FRAMED! Biography 1942-2024 Born in Phoenix, Arizona...

Zuniga bronze, edition: 3. #472 catalog raisonne: "Madre Reclinada con Rebozo". Measures: 5 3/4" H x 12" L x 8" W not including the wood plinth. Signed Zuniga and dated 1964. "Letter of Authenticity", issued by the Zuniga foundation (and son Ariel Zuniga...

Evolution of the Cowboy, 1933 Original Lithograph Excellent condition, came directly from Jo Mora Jr. Unframed!! Original version was called Evolution of the Cowboy, 1933 or referred today as "Sweetheart of the Rodeo", Images from the poster were used for "Sweetheart of the Rodeo", the sixth album by American rock band the Byrds and was released on August 30, 1968. It was hated when released, today it is considered one of the great classics. This is an original lithograph from the Jo Mora Estate from Jo Mora Jr. Joseph Jacinto Mora (October 22, 1876 – October 10, 1947) was a Uruguayan-born American cowboy, photographer, artist, cartoonist, illustrator, painter, muralist, sculptor, and historian who wrote about his experiences in California. He has been called the "Renaissance Man of the West". Early life Mora was born on October 22, 1876, in Montevideo, Uruguay. His father was the Catalan sculptor, Domingo Mora, and his mother was Laura Gaillard Mora, an intellectual born in the Bordeaux region of France. His elder brother was F. Luis Mora, who would become an artist and the first Hispanic member of the National Academy of Design. The family entered the United States in 1880 and first settled in New York City, and then Perth Amboy, New Jersey. Jo Mora 1931 Yosemite map Jo Mora studied art at the Art Students League of New York and the Cowles Art School in Boston. He also studied with William Merritt Chase. He worked as a cartoonist for the Boston Evening Traveller, and later, the Boston Herald. In the spring of 1903, Mora arrived in Solvang, California. He stayed at the Donohue Ranch. He made plans to travel to the Southwest to paint and photograph the Hopi. He spent time at the Mission Santa Inés; those photographs are now maintained by the Smithsonian Institution. Mora visited many Spanish missions in California that summer by horseback. He followed the "Mission Trail", also called the "Kings Highway". In 1904, Mora visited Yosemite. Later, in 1904, to 1906, visited Arizona where he took photographs, painted and otherwise recorded the daily life of these Native Americans. Because the Hopi and other tribes have voiced their concerns more recently about photographs depicting religious ceremonies, the tribal nation should be contacted before they are used. He learned the Native languages and made detailed drawings of what he observed. Career In 1907, Mora wrote and illustrated the comic strip Animaldom. In 1907, Mora returned to California and married Grace Needham. Their son, Joseph Needham Mora, was born on March 8, 1908. The Moras moved to San Jose, California, where Mora continued his work. On 22 February 1911, the Native Sons of the Golden West Building, in San Francisco, with six terra cotta panels, by Domingo Mora and his son, Jo Mora, was dedicated. In 1915, he served on the International Jury of Awards at the Panama–Pacific International Exposition and displayed six sculptures.[9] In 1915-16 two of his sculptural commissions were revealed: the bronze memorial tablet with the profile of the late Archbishop Patrick W. Riordan for the Knights of Columbus and the Cervantes Monument in San Francisco's Golden Gate Park.[10][11] By 1919, he was sculpting for the Bohemian Club, including the Bret Harte Memorial plaque, completed in August 1919 and mounted on the outside of the private men's club building in San Francisco. Carmel-by-the-Sea In 1921, the Mora family relocated to Carmel-by-the-Sea, California, the largest art colony on the West Coast, making it their primary residence. He constructed a Craftsman-style home, which is located on the west side of San Carlos Street, the third house south of 1st Avenue. Mora received a commission for the bronze and travertine Cenotaph, for Father Junípero Serra in the Memorial Chapel at the west end of Mission Carmel. Mora was a director of the Carmel Art Association as early as 1934. His sculptures were exhibited between 1927 and 1934 in various galleries in Carmel. Jo Mora is a serious sculptor, a responsible amateur actor; when mixed up with pen and ink, a humorist! Comic strips was once his trade. He was famous at it. That was years ago but his art of cartooning bloomed again when in recent years he produced the well known Mora Map of the Monterey Peninsula. Most successful with bronze statue creations which decorate many gardens in East and West. If he has a specialty in figures it is cowboys. He knows his West. Jo Mora will ever be famed for his portrayal of Pancho Lopez, The Bad Man, at Carmel Playhouse. He does everything well and is handsome while doing it. He is happily married-alas! — Carmel Pine Cone During the Great Depression, Mora created the "Carmel Dollar" as part of Carmel's program, offering unemployed residents scrip for public service, exchangeable for groceries and essentials; a three-cent stamp on the certificate's back acknowledged their efforts. When full, merchants accepted the certified scrip for goods or a dollar. Architect Robert Stanton...

turned wood "I think of my wood turning as a way to reveal the beauty and texture found in the wood. The wood I use comes from trees, which are native to the southeastern United Sta...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

Unframed watercolor painting by Russian/New York artist David Burliuk (1882-1967) Beautiful vivid color, in excellent condition and signed lower left. Inscribed and dated 1947 on the...

Francisco Zuniga bronze sculpture. Seated female. Edition: 5. #467 in the Zuniga catalog raisonne. Titled: "Juchiteca Sentada". Measures: 8 7/8" H x 10 1/4" L x 10 5/8" W (not including the 1 ½" wood plinth). Signed Zuniga and numbered 111/V. Created 1965. A Letter of Authenticity issued by the Zuniga foundation (and son Ariel Zuniga...

Beautiful, large Allan Houser bronze titled "Watching." The piece is signed "Allan Houser" and numbered 11 of the edition of 12. The bronze measures 23"h (including the 1" wooden pli...

Acrylic on Arches Paper by the incredibly talented mostly self-taught African American William Tolliver (American/Louisiana 1951-2000). Reclining Woman. Image: 18 3/4 x 26 3/8. Full ...

b. September 22, 1954; Reno, NV Born in Reno, Nevada, my family relocated to Brooklyn, New York, where I was raised. I attended SUNY Fredonia for one year and in 1976 received a B.F...

Original stone lithograph by well-known Regionalist Thomas Hart Benton (1889-1975). Titled: "Shallow Creek.” The print has full margins and is in excellent condition. AAA print creat...

Original pen and ink drawing by New York Abstract Artist, John Sennhauser (1907-1978) Signed lower right "J. Sennhauser" and dated '44. Titled and dated on the verso: "Line in Motion...

Oil Painting on canvas by California artist Ralph Love created 1985. Signed and dated lower left. Oil on Canvas in excellent condition and nicely framed. Beautiful rendition of the Grand Canyon in Arizona. Measures 24 x 36 inches. Signed, dated and titled on the verso "After the Rain." Frame size: 34 x 46. Ralph Love was born in Los Angeles, California in 1907. He died in 1992 in Escondido, California. For many years, Ralph Love taught as well as painted. On rainy days, his class would meet in the old Art Shack in Temecula, California, which Love opened in the mid-fifties. It was from this Art Shack that his work received national recognition. Ralph Love was perhaps most well-known for painting the Grand Canyon and California landscapes. "Arizona Life" (magazine) featured his work on the cover and on the inside spread, showing several of his original oils. Senator Barry Goldwater owned several of Love's Grand Canyon paintings, and a letter from him stated,"...Love is the finest living American artist I know, and I could look at his work all day long." Ralph Love paintings...

oil on canvas b. 1951, Nagasaki, Japan Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes o...

Sadao Watanabe (1913-1996) Limited Edition Stencil Print on Hand Made Paper Title: The Last Supper. Created 1980. No. 35 of the edition of 80. Image size: 18"h x 21 1/2"w. Sheet si...

Bernard Dunstan, R.A. Original Oil on Board beautifully framed. Title: The Rehearsal: Verklarte Nacht ll Initialed lower left “B.D.” and signed in graphite on the verso “Bernard Duns...

Original Etching by famous Taos Artist Gene Kloss (1903-1996). Full Margins. Edition of 75. Titled: Indian Summer. Image measures: 7 3/4" H x 11 1/8" W. Unframed. Archivally matted. ...

Mark Daily (b. 1944) Impressionist Snow Scene - Circa 1970's - 1980's Oil on Board, beautifully framed. Signed lower right and on the verso. P...

pastel on paper b. 1964 I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and te...

Beautiful bronze by N.Y./Connecticut artist Harriet Frishmuth (1880-1980). It depicts a graceful nude, Frishmuth’s best subject, and is titled “Cre...

acrylic on linen 45.5 x 45.5 x 5 inches b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are...

acrylic on canvas signature, title, year, dimension, medium, and arrows on verso. b. 1942, Elgin, OK “I don’t want the paintings to be like you’re looking at a landscape. I want th...

Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures: 9 3/4 x 23 3/4 inches. Pencil signed and dated. Numbered 2/X St. IV full color. Rose catalog #176 Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he travelled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they travelled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 World’s Fair...

Gary Erbe (b. 1944) New York/New Jersey painter - Oil on canvas titled "All Creatures." The painting is in excellent condition and presents in a great frame. Signed G. Erbe lower lef...

Jo Mora's 1928 "Carte" of San Diego, Very Rare Pictorial Map Size: 28 x 22.5 in (71.12 x 57.15 cm) Every good condition for it's age Originally came folded in envelope for mailing....

Original pencil signed stone lithograph by AAA artist John Rogers Cox (1915-1990) This wonderful Regionalist image measures 8 3/4"h x 11 3/4"w. Paper size is 12 x 16. The work presen...

Stencil Print by Sadao Watanabe, hand colored on hand-made washi paper. This image depicts the flames of fire seen on the day of Pentecost from the book of Acts. Artist’s chop mark a...

Jose 1986 Color lithograph 23/30 23 × 34 in 58.4 × 86.4 cm. Luis Jimenez 1940 - 2006 Luis Jiménez was born in El Paso, Texas on July 30, 1940. He is the son of an illegal immigra...

Indians of North America 1936 Jo Mora Lithograph Paper size: 31 7/8 x 24 1/4 inches Image size; 30 1/4 x 22 7/8 inches These are the original lithographs from the Jo Mora Estate from Jo Mora Jr. THESE ARE NOT REPRODUCTIONS! FREE SHIPPING LOWER 48 Joseph Jacinto Mora 1876 – 1947 Mora was born in Montevideo, Uruguay, and was the son of Domingo Mora, a well-known painter and sculptor who brought his family to the United States in the mid 1890s and then became a teacher in New York at the Art Students League. Joseph and his artist brother Luis Mora (1874-1940) grew up being much influenced by the creative atmosphere of their father’s studio. In 1904, he returned to Arizona and New Mexico and lived with Hopi and Navajo tribes, learning their languages and painting depictions of their ceremonies, especially the Kachina ceremonial dances. One of the results of his Western travels was a series of humorous maps that were spoofs of the national parks and that were made into posters. In the 1930s, the maps sold for 25 cents each and were distributed through souvenir shops at the parks. He also painted a watercolor series, “Horsemen of the West” and wrote two books, “Trail Dust and Saddle Leather” and “Californios.” Joseph Mora died in Pebble Beach on October 10, 1947. Devoting his life to exploration of subjects as diverse as vaqueros, Hopi Kachina figures, the Arizona landscape, and California missions, Joseph Mora also excelled as a writer, photographer, designer, children’s book illustrator, and map maker. “Apart from the bread and butter commissions that he referred to as “pot-boilers,” Mora has left a vast legacy of fine artwork. His contributions to public sculpture and architectural decorations, which are numerous and diverse, gaze calmly at the world from buildings in Los Angeles, San Francisco, Salinas, San Jose and Portland. Mora’s dioramas and large-scale figures are permanently in Monterey and Sacramento, California and Claremore and Bartlesville, Oklahoma. His drawings, paintings and photographs are cherished in private collections and private institutions across the country and first editions of his books are highly valued. But in the final analysis, Mora’s most important works may be his cartes. In these entertaining maps, Mora combined his encyclopedic knowledge of history, his writing, drawing, and cartooning skills, his fine sense of design, and his sense of playfulness to create an art form uniquely his own. Mora’s cartes are still captivating more than fifty years after their completion, and they exemplify the popular, entertaining, direct, and informative art at which Mora excelled.” Betty Hoag McGlynn • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

California/New Mexico artist Paul Pletka (b. 1946) Acrylic on Canvas, 1972. Native American subject in Decorative Hair Plates. Signed lower right. Titled in pencil on the verso by th...

Mixografia “Man in Black” by well-known Mexico artist Rufino Tamayo (1891-1991). Signed “R. Tamayo” in pencil lower right. Numbered in pencil “60/140" lower left. In excellent unfram...

Prefate Duffaut (1923-2012) Haitian Folk Art painting. Oil on canvas, circa 1960. Signed lower right. Measures: 23 1/2" H x 19 1/2" W. Frame: 25" H x 21" W. Excellent condition. Tit...

Title: Misfit Artist: Greg Singley Signed original signature Archival Pigment Print, 100% Rag Paper 300 gm Paper size: 24 x34 inches Image Size: 20 x 30 inches Greg Singley Greg Singley – was born in 1950 in Greensboro, Alabama. He received his Associates Degree at Walker Collage Jasper Alabama and furthered his college education at the University of South Alabama, Mobile Alabama. He attended the revered Ringling School of Art for his art training in Sarasota Florida and graduated with honors with a certificate in commercial illustration. In 1978 Singley moved to Phoenix Arizona to pursue his passion for western art and illustration. He worked for several years as an art director for Phoenix Public News and as a freelance illustrator and at the same time experienced sales of Native American and Western Landscape in several Arizona galleries which include Ratliff Williams Gallery, Sedona Arizona, Fagan Peterson Fine Art, Scottsdale and the Dan May Gallery, Scottsdale Arizona. After a foray into freelance illustration Singley sought representation for his varied abilities and interest in fine art and found the Phoenix Art Group...

Artist: Luis Jimenez, American (1940 - 2006) Title: Fiesta (Diptych) Year: 1986 Medium: Two Lithographs on Arches, signed and numbered in pencil Edition: 76 Size: 34 x 24 in. (86.36 ...

Original Etching by Childe Hassam (1859 - 1939). Created 1929. Title: The Old Woodshed, East Hampton Etching trimmed to plate and signed in pencil with his cypher on the lower tab. ...

Robert Lawson (1892-1957) Abstract Acrylic on Canvas measuring 40 x 40 inches. The work bears a thin metal frame measuring 40 1/4 x 40 1/4 x 1 3/8 inches. The painting is signed lowe...

Abstract Gouache on Paper by Minnesota/Chicago artist Richard Koppe (1916-1073). Simply titled “Woman,” the work is an excellent composition by the artist created 1941. The painting ...

Francisco Zuniga bronze sculpture, Nude Lying Down. Edition: 3. #377 in the Zuniga catalog raisonne. Titled: "Desnudo Acostado". Measures: 6 7/8" H x 18" L x 19" W not including the...

Original Abstract Color lithograph by Dutch artist Karel Appel (1921-2006). Created 1969. Edition size is 53 of 200. The work is signed in pencil lower right. The image size is: 25 5...

This bright colorful lithograph is by California abstract artist Sam Francis (1923-1995). The work is in excellent condition and archivally framed in a period minimalist metal frame....

1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San...