Santa Fe - Art

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 25. Paper size is 36"h x 82"w with an image size of 20"h x 66"w. Rob...

Pink, lilac, bright, red, purple, reflection, nature, clouds, trees, sunset 30 x 40" oil on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes ...

Cast Glasswork

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Native American "Portrait of a Jolly Man" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 5 7/8 x 3 3/4 (17 1/2 x 15 1/2 frame) inches Emin ...

La Vallée de la Seine Raymond Thibesart (France, 1874-1968) Pastel on paper, 1939 Signed l.l. 12.5 x 9.5 (16 x 13 framed) inches INV Nbr. 1939 This...

Art is and has always been at the very center of my life. In creating I find communication and connection with others that surpasses any barrier or boundary. Through imagery, I can c...

acrylic, paintstik on canvas Thomas uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surface. He translates t...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Antique Bronze Miniature Barnyard Scene (Cow, Sheep & Goat) Christophe Fratin (France, 1801-1864) Sand cast bronze 5 3/4 x 4 1/4 x 2 1/4 inches Highly refined and sensitively modeled miniature bronze representing a small herd of cattle, sheep and cattle on the terrace. Despite its small size, this bronze offers a complete view of a small herd of livestock: a bull is lying in a landscape near a sheep and a goat climbing a tree above a rocky mound. Here we find the skillful hand of the animalier sculptor Christophe Fratin (French, 1801-1864), immensely famous in the 19th century for his thoughtfully crafted animal...

Red white beige khaki orange brown rust maroon Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique propertie...

Mid-Century "The Emigrants" #34 Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 19 1/2 x 16 1/4 inches, frame size “The savage art of Bosco bears i...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

Green, sage, hunter green. Lake, trees, nature, landscape, reflection, water. 40 x 80" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted la...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Pink Place peach pink blue yellow I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to ...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young...

tulip wood top, Steel base Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach t...

acrylic, mixed media on panel blue green teal white black can hang verically or horizontally In his current body of work, Tim uses large gestural drawings to create energetic abs...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

hand fabricated steel edition 2 of 9 Sculpture size 23.5 x 7 x .75" with the base is 23.5 x 9.5 x 5" Clayton Peshlakai was born in the small town of Ft. Defiance, Arizona, on the Navajo Indian Reservation. Although he has no formal art education, Clayton’s involvement in art began at an early age when comic books and graphic novels sparked his interest. A combination of fantastic storytelling and exotic art helped him escape the world he lived in and create a world of his own. He first began drawing with pencil, then pen and ink, eventually incorporating watercolor. He constantly experimented with styles and techniques using watercolor and pen and ink—separately and together—never settling on just one.  In his junior high school wood shop Clayton was exposed to drafting. To him technical drawing was a new form of art. It was rooted in discipline and education—two things he needed when there seemed to be no direction in life. His desire to excel in drafting boosted his grades, and Clayton was invited to attend a college prep high school for “gifted” Native Americans. Here he studied architecture, then went on to the local community college to pursue electrical engineering.  While in college Clayton worked in numerous construction fields to support himself, gaining valuable experience that would benefit him later as a professional artist. Inspired by pipeline construction welders and their ability to manipulate and fuse metal, Clayton’s interest shifted from designing to building. Within a year he became a code-certified welder, obtaining the skills necessary to work with an assortment of metals. Over the next eight years he honed his craft in a variety of industrial fields.  Clayton was introduced to sculpture fabrication in the early 1990s. As a project manager for a small metal art fabrication shop, he worked with artists of various backgrounds, including the late Allan Houser, Dan Namingha, and Bill Barrett, to help create their visions in metal. Art fabrication was a refreshing change from the industrial world and reconnected Clayton with his true passion of working with metals. As a metal fabricator Clayton was satisfied with the challenges presented to him. But when he was contracted as an artist’s assistant for painter William Debilzan...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Olympiad. Hand fabricated steel with patina, bronze rod. Unique, one of a kind. 19 x 19 x 14" sculpture. Powder coated steel base, 3"h, 12"w, 9"d. There are two sides to any circle:...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

acrylic, ink, mixed media on panel black and white In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces...

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

48 x 30" yellow sienna In Jinni Thomas’ work she says, " The emotion from that visual experience, that awe moment, works down into our hearts and alters the grain of our reality. ...

mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surfac...

red brown taupe beige green orange rust white Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties...

mixed media on panel framed in maple frame black white gray In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of ...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Blue Abstract About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discovered her love of abstract ...

Patty deGrandpre’s “The Beauty on the Way There” is a predominately turquoise blue, black, grey, and red contemporary abstract landscape represented on a 16 x 20 x 2 inch “Ampersand Claybord” block embracing creative photography, mixed media, and collage. Snapshots of a Western United States highway and it’s vast scenic surroundings are printed on Awagami Bamboo Japanese paper in both black and white as well as monochromatic red. The prints are cropped and combined with thoughtfully shaped monoprint fragments and collaged onto smooth fields of turquoise and grey hued water based block printing ink. The graphic design approach to this modern composition is appreciated as the viewer recognizes a glimpse through a car window of distant mountains and roadside terrain. A rectangular red and blue print reminiscent of vintage floral wallpaper...

Patty deGrandpre’s “Abandoned Texas, No Gas but Hot as Hell” is a 12.5 x 10.75 inch unique abstract landscape inkjet monoprint represented on 14 x 11 inch Awagami Bamboo paper embrac...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

"Les Trois Arbres (The 3 Trees)" Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on paper, signed lower left 12.5 x 9.75 (16 3/4 x 13 3/4 frame) inches Raymond Thibesart ...

French Academic Study of a Hand Circa 1900 Oil on Cardboard 13 3/8 x 8 3/8 (19 1/8 x 14 1/8 frame) inches Signed lower left "M. Granet" A very finely...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

Blue,White,Indigo, navy, sage, green 37 x 62" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Hand Built and glazed ceramic. Free standing, safe for outdoors. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating ...

Book Matched Walnut wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to ...

'Spider Monkey #3, Los Angeles, CA, 2011' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animal...

red taupe beige green orange rust white blue Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties o...

24 x 36" acrylic and cold wax on a framed canvas.

Martha Mans lavender gray white blue green yellow peach brown framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Navy, yellow blue Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his piece...

Girl with Blue Face, 48 X 36 X 1.5 This large scale painting of a woman's face hints at Picasso. Both technically accomplished and classically approached, the thick gestural brushstrokes add a fragmented & tactile character to the canvas. The cool palette makes it easy to live with and makes it perfect for any room. This comes stretched and ready to hang. Message me for shipping quote About the artist: James Koskinas, born in Terre Haute...

Patty deGrandpre’s “New Mexico, Sometimes it Snows in the Desert” is a 10.75 x 14 inch unique abstract mixed media print represented on 13.25 x 16.5 inch Awagami Kozo thin white paper embracing both digital printmaking, creative photography, and collage. A screen of deconstructed black, pastel green, and orange clouds sit above and blend within two black and white images of a snow covered New Mexico landscape. A negative provides contrast in the mirrored desert image that is placed on the bottom half of this whimsical depiction of a Southwest panorama. A small orange Pueblo style...

"Portrait of Nathalie" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 5/8 x 3 1/2 (16 1/2 x 15 1/4 frame) inches Emin Abbasov is classica...

Hand Built and glazed ceramic. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating wheel thrown vessels. After several...

"Barque sur la Seine (Boat on the Seine)" Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on Paper Studio stamp and INV Nbr. 1710RT 12.6 x 9.5 (16 3/4 x 13 3/4 frame) inches...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Mastiff C France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portraits. ...

Purple, orange, green, sage, lilac, yellow, rust, peach, salmon 13 x 13" oil painting on canvas with frame. Inspired by the drama of nature and light, Cynthia creates abstracted land...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...