South Coast - Art

Steven H. Rehfeld (American, born 1954) "Offerings" 2009 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Offerings, a 48" x 38" oil painting by Steven ...

Wonderful 1965 portrait of a young man (possibly the artist Don Bachardy) in a striped shirt looking back over his shoulder by Paul Sorel (American, b- 1920...

Grazing cows on the California Big Sur coast, a farm landscape by J.W Ford (American, 20th Century). Signed "J.W Ford" lower right. Unframed. Image size, 16"H x...

Na Kumuwaiwai Hohonu, Underwater Spirt - Hawaiian Symbolist Figurative Hawaiian symbolist nocturnal figurative of glowing whispy figure underwater with mountains and red coral garden by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

Serene coastal landscape by Monterey California-area artist Patricia Gillfillan (American, 1924-2016). Unsigned, but was acquired with a collection o...

Gorgeous American impressionist mid century coastal landscape painting of sailboats near Santa Barbara by John Dominque (Swedish/American, 1893 - 1994), 1946. Signed "Dominique" and ...

Highly detailed village scene by notable South African artist Tsepiso Lesenyeho (b. 1968). A cluster of houses sit atop a hill, against a dramatic backdrop of mountains and clouds. I...

GREG MILLER "Charm Orchid" Acrylic, Collage 48 x 48 in. Signed verso by artist Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explor...

Signed on mount recto. Stamped, signed and dated on mount verso. Edition 31/100 - from the Karsh Portfolio (no longer available from the Estate as a single original print). Please co...

This is a one of a kind original oil and resin painting by San Diego artist, Julia San Roman. Its dimensions are 10"x10"x1.5". It is unframed. A certificate of authenticity will foll...

Masterful Scottish watercolor landscape of Loch Tay with boats and small figures on the short by Aaron Edwin Penley (English, 1826-1897)....

The Country House - Farm Landscape Highly detailed scene with a country house, workers, and a hare with rider by an unknown artist (19th Century). Five people - one on a horse - are...

This is a one of a kind original abstract oil painting on panel by Southern California artist, Daniel Ketelhut. Its dimensions are 20" x 20" x 2.5". It is unframed. A certificate of ...

Exquisitely detailed depiction of a church tower by an unknown artist (20th Century). Signed in the lower right corner (illegible). Presented in a wood frame with gilded accents and ...

This 1660 winter landscape photograph, captured by society photographer Slim Aarons, features an individual skiing at Sugarbush, a mountain resort in Vermont, April 1960. This is an...

Nassau, 1967: In 'Sea Drive,' a genuine Slim Aarons estate edition photograph, film producer Kevin McClory, his wife, Bobo Sigrist, and their family enjoy a leisurely drive in a vibrant red vintage Amphicar across the scenic turquoise Nassau harbour. This idyllic 1967 scene embodies Slim Aarons signature style, mixing casual glamour and vintage cool; the unique midcentury charm of this iconic landscape is completed with a pink parasol. This is an estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons Estate Edition Chromogenic Lambda print Modern printing from original transparency Captured 1964, printed later Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition We are pleased to offer the entire archive of the Slim Aarons Estate. This is a genuine Slim Aarons Estate photograph, estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Complimentary dealer shipping to your framer, worldwide. Kevin O'Donovan McClory (8 June 1924[1] – 20 November 2006) was an Irish screenwriter, film producer, and film director. McClory was best known for producing the James Bond film Thunderball, popular in the 60s and 70s. Internal: The location for Slim Aarons midcentury photograph, Sea Drive, is Vintage Nassau, which fits curated collections for Vintage Yachting, Vintage Boating, modern graphic, midcentury modern, Vintage Slim Aarons, Vintage Sport Photography, Coastal, Vintage Sixties, 1960s, 60s photography...

Vibrant depiction of an interior garden by Gloria Takla (American/German, b. 1940). Composed of saturated colors, this piece shows a simple snapshot of a palm tree framed by a bright pink wall. The palm is planted in an enclosed area of blue, set in the yellow ground. The tree is framed by an opening in the wall, with decorative elements on either side. Signed in the lower middle. Signed and titled on verso. No frame. Canvas size 36"H x 36"W Gloria Lerch-Takla (German, b. 1940) was born in Berlin and began her art education at night school there. Later she studied art at Western Wyoming College, the University of Alberta in Canada, and Roane State University in Tennessee. She also was a master class student of Hassel Smith at the College of Notre Dame (now Notre Dame de Namur University) in Belmont. A San Mateo resident, Takla often paints outdoors around the Bay Area, both along the coast and in city locations. Selected Exhibitions: 1983 - P.ART.A Galleries, San Mateo, CA 1985 - Oak Ridge Community Art Center, Oak Ridge, TN 1990 - Center for Integrated Systems, Stanford, CA 1998 - “Chroma” Two-Woman Exhibit - Gallery House, Palo Alto, CA 2005 - “Lieder in Color” - Gallery House, Palo Alto, CA Artist’s Statement: “As I have been traveling extensively, my subject matters are all unfolding like a picture book; special moments, views bypassing, caught by my eye from a car window, discarded or stored for later evaluation. I paint the past - events that I have lived through and places I have seen. I experience them first, then at a later time reflect on them, feel them through, then my interpretations of events and impressions are put on canvas.” "I paint in the German Expressionism style...

Romantic English landscape titled "A good day's walk" of Cumberland England by Michael Matthews (British, b. 1933). Presented in a giltwood frame. Signed "Michael Matthews" lower rig...

The Nailsmith Houses, Late 19th Century Rattenberg Austria Historical Landscape Exquisitely detailed 1888 watercolor of The Nailsmith Houses, a historical building in Rattenberg, A...

Dramatic seascape with a full moon by an unknown artist. The moon is partially obscured by clouds, and the light from the moon reflects in the water below. Purple-blue mountains fram...

Charming oil painting of corner of Santa Cruz Ave and W. Main Street in downtown Los Gatos, California by Eugene Atcheson (American, b. 1955), circa 1980. Si...

This is a one of a kind original abstract painting on canvas by Southern California artist, Daniel Ketelhut. Its dimensions are 39"x 48"x 1.5". It is unframed. A certificate of authe...

Silver and sepia tone photographic print of an indigenous spearfisher by Edward Sheriff Curtis, image circa 1901 (American, 1868-1952), as a 1974 copy of (and printed from negatives derived from) the original Edward Curtis copper gravure plate, by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass, which Jean-Anthony du Lac spent years mastering. Jean-Antony du Lac's work is considered that of a preservationist. Titled lower left, signed lower right. Presented in an aluminum frame with anti-glare glass. Paper size: 20"H x 15"W Born in France and raised in New York City, Jean-Anthony du Lac moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge...

Maura Petersen (American, born 1956) "Joan 2" 2021 Acrylic paint, Canvas, Stretcher bars The artist signed the bottom right of the painting. "Joan 2" by Maura Petersen is a striking...

Playful pop art style depiction of the Chrysler Building Tower in New York on a yellow/metallic gold leopard print background by Marc Foster Grant (America...

German fashion model Renata Boeck (wearing a monocle) enjoying breakfast in bed at the Regency Hotel in New York, 1964. She is wearing a black monocle and a fur-lined turquoise robe as she reads the morning paper, propped up against sumptuous yellow pillows. Morning light pours through the sheer curtains...

Wonderful Bay Area School figurative of tan man with blue hat by Patricia Gren Hayes (American, 20th Century), 1980. Signed, titled and dated on ve...

Lesley Anne Spowart (American, born 1957) "The Traveler" 2024 Oil Paint, Mixed Media, Canvas, Stretcher Bars, Wire The artist signed the bottom left and back of the painting. In "Th...

"Chat Noir" - Black Cat Abstract Expressionism A vibrant abstract painting of a black cat with stark contrast of black accented in red and yellow, by California-based artist, Ricardo de Silva...

“A silent medium within a silent medium.” These are the words contemporary master Richard MacDonald uses in describing his world renowned Mime Series. MacDonald’s trademark skill at ...

Awaiting Spring 22X30" Mixed Media $450 Acrylic paint, paper collage, ink on watercolor paper Created on a cold winter day, this vibrant mixed media floral piece was inspired by th...

Dynamic mid century cyan abstract by Erle Loran (American, 1905-1999). Signed "Erle Loran" and dated "51" lower right. Presented in silver toned metal frame with mat sans glass. Image size: 21.75"H x 15"W. Framed size: 25"H x 18"W. Erle Loran was born in Minneapolis, Minnesota. He studied at the Minneapolis School of Art under the direction of Cameron Booth...

This dynamic painting captures the energy and movement of a colorful harbor scene in South Korea. and is an excellent example of Pil Ho Lee's modern appro...

Abstract W/Woman Carrying a Young Child Finely Detailed Collotype on paper Finely detailed etching or collotype of a complicated fine line drawing o...

Colorful abstract painting by Bay Area artist Michael Pauker (American, b. 1957). Unframed. Unsigned, but acquired with a collection of his work. “I’m driven by curiosity...where i...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 40" x 90" x 1.5" (HxWxD). It is acrylic and plaster on canvas. It i...

40 x 60 inches ed. of 10 $5,000 50 x 75 inches ed. of 5 $8,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentalit...

Highly detailed seascape by William Henry Blackman (American, b. 1930). A wave crashes at the shore, glowing from the sun shining through. Above the wave, a few gulls glide across the scene. The rocks in the foreground and the cliffs in the midground are finely textured, adding a lovely sense of realistic detail. Signed "Wm. Blackman" in the lower right corner. Artist's stamp on verso, along with other inventory markings. Artist's name written on edge of canvas. Presented in an ornate wood frame with a linen liner and fillet. Canvas size: 18"H x 24"W William Henry Blackman (American, b. 1930) was born in San Diego, CA in 1930. He spent most of his early years in West Los Angeles. Blackman began painting at age 12. In high school he majored in art so he could experiment with various mediums to find ways to interpret his ideas. In December of 1948 he joined the Navy and was stationed in Hawaii. He studied at Woodbury College where he learned advertising and graphic arts. In 1960 he bought a home with his wife Shirley in the San Fernando Valley and worked as an advertising manager. His position put him in contact with art directors and they would lunch together and then visit various art galleries in the area. He began oil painting again as a hobby. In 1964 he made an important contact through an associate at his agency. This person was a vice-president at Aaron Brothers Galleries and purchased paintings for them. They had showrooms in various major cities and sold original framed paintings to art galleries and furniture stores. He said they could possibly sell some of his seascapes so Bill began painting in his spare time. Gradually, they sold more than he could produce so Bill made the decision to leave the advertising business and devote his time to painting. Note: the original Aaron Brothers Art Galleries Certificate included with the painting. In 1965 the Blackman's moved to Thousand Oaks, California. He began his career as a fine artist and to this day resides in Thousand Oaks. He contracted with Aaron Brothers to be his exclusive agents and began specializing in seascapes. After a few years he added landscapes and some other subjects. Bluebonnet landscapes...

This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" 40 x 60 Edition of 10 Signed and...

"Moon Over", an abstract black & white photograph after Ansel Adams by Bill Clark (American, 20th Century). Signed "Bill Clark" and dated "1996" lower right. Titled "Moon Over" lower...

A beautiful impressionist watercolor painting of vibrant Lewisian flowers along the waterline with mountains in the distant background. Signed and dated "H.P.C. 1/17/81" lower left. ...

Idyllic farm landscape with a palm tree by an unknown artist (Amercan, 20th Century). There is a tower that is the main focus of the piece, with a palm tree next to it. Behind the pa...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

Vivid and evocative abstracted painting of 9/11 by artist Jocelyn Audette (American, b. 1952), circa 2001. Impasto adds texture and interest. Label on verso with artist's name. Pres...

Lace Swirls - Abstract Expressionist Composition in Acrylic on Paper A dynamic abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece i...

Bright, monochromatic abstract in warm, glowing desert tones by Marianne K. Brown (American, 1928-2019), 2000. The free flowing color field background is accented with areas of patterns evoking the Southwest. Signed "Marianne K. Brown" in the lower right and was acquired with a collection of Brown's work. Title "Desert Days" and date 2000 are written on verso. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

Plein air image of Yosemite's Bridal Veil Falls done in watercolor by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Anderson" lowe...

Daisies and Sunflowers - Still Life Oil Pastel on Paper This fun, quirky oil pastel by a David Mark (American, 20th C) features bright, abstract yellow and white flowers with contra...

Delicate and iridescent limited edition lithograph of a butterfly by an unknown artist. Titled "Fairy Rush", numbered "2/20", and signed along the bottom edge (illegible). Presented ...

The Anatomy of a Golfer lV, Atelier is the fourth in Richard MacDonald's series of golfers that were inspired by the creation of his heroic sculpture,...

Beautiful 1903 impressionist fragment of a California landscape by Karl Yens (1868-1945, German). Watercolor on paper, created in 1903. Presented in...

Abstracted Vertical Landscape in Acrylic on Canvas Playful abstracted landscape by an unknown artist (20th Century). This piece is divided into two...

A beautiful and rare double-sided watercolor by the prolific contemporary Italian painter Marco Sassone (Italian, b.1942). In this early work, created in 1969, Sassone depicts two different sunset harbor scenes on each side of the paper. On the front, the artist uses a warm color palette of orange and yellow hues to depict a glowing sunset illuminating boats in a harbor. A second view of the harbor with small boats in the foreground on verso. Sassone's signature painterly impressionistic brushstrokes can be seen in the way the artist depicts the water in both watercolors. Signed and dated on verso, "M. Sassone 69". Displayed in a dark wood frame with mat. Image size: 10.5"H x 17"W. “One of the foremost colorists working in America today, Sassone is an artist who developed his own personal, expressive vision early in his career, and who has steadfastly remained faithful to it while refining and developing it to the full power and maturity that is seen in his works today.”Janet Dominik, Bernheim-Jeune, Paris, 1988. Marco Sassone was born in Campi Bisenzio, a Tuscan village, in 1942. The family moved to Florence in 1954, and there he met painters Ottone Rosai and Ugo Maturo, who encouraged him to follow his interest in art. In 1959 he enrolled at the Istituto Galileo Galilei, where he studied architectural drafting for several years. In 1963 he studied with painter Silvio Loffredo, a professor of art at the Accademia in Florence, himself a pupil of the Austrian master Oskar Kokoschka. Loffredo encouraged him to develop his own style and vision. For inspiration, Sassone studied the works of the 19th century Italian impressionists, the Macchiaioli – Giovanni Fattori, Vito D’Ancona and Silvestro Lega. He began exhibiting his first works at Lo Sprone Cultural Center in Florence. In November 1967, soon after the flood had devastated his city, Sassone moved to California. He exhibited for the first time in the United States at the Dalzell-Hatfield Galleries in Los Angeles and became a regular exhibitor at the annual Festival of the Arts in Laguna Beach. Throughout the seventies, he exhibited extensively in the U.S. and abroad. In 1976 he collaborated with director John Wilson to produce an autobiographical documentary. The following year his work was exhibited at the National Academy of Design in New York. Marco Sassone received a gold medal in 1978 from the Italian Academy of Arts, Literature and Science. In 1979 the monograph Sassone by art historian Donelson Hoopes was published in concurrence with the artist’s exhibition at the Laguna Art Museum. With prescience, Hoopes had observed: “Sassone’s art has evolved from within, and such an organic, psychological and spiritual process may take his work along new and unforeseen paths.” In 1981 Sassone moved his studio to San Francisco. During the 80’s his exhibition schedule continued along with his numerous lectures. In 1982 Marco Sassone was knighted by the president of Italy, Sandro Pertini, into the “Order of the Merit of the Italian Republic”. In 1987 Sassone received a commendation from Los Angeles Mayor Tom Bradley for his “contribution to the community through his art.” In March 1988, the Los Angeles Municipal Art Gallery mounted his solo exhibition titled Sassone with the publication of a catalogue authored by Janet Dominik. The show travelled to Paris and was installed at the historic Bernheim-Jeune Gallery for the month of April. By the late eighties, the artist had become increasingly concerned with social themes. He began extensive and personal research on the homeless and painted a series of large canvasses and charcoal drawings portraying the life he observed on the streets of San Francisco. A number of these works were exhibited at the Chicago International Art Exposition, the Basel Art Fair in Switzerland, Body Politic at the San Francisco Arts Commission Gallery and Issue of Choice at the Los Angeles Contemporary Exhibition (LACE). In March of 1994, his exhibition “Home on the Streets” opened at the Museo ItaloAmericano in San Francisco. Kenneth Baker, art critic for the San Francisco Chronicle wrote about his work: “There is true technical brilliance here…In the drawings, his technique seems to discover fresh descriptive possibilities each time out.” The exhibition traveled to Los Angeles in 1996 and Florence, Italy in 1997, where it was installed in the Cloisters of the Santa Croce Church. Paola Bortolotti, art critic for La Nazione, wrote: “The persistent theme however does not carry a denunciation of a social problem, but it is rather the pretext to pour forth onto canvas the urgency of the brush strokes loaded with pigment and light.” In 1997 Marco Sassone received a commission to create a 200 square foot mural in downtown San Francisco. The finished work comprised five canvasses dedicated to the theme of Il Palio...

Bright abstract painting titled "Always Rough Terrain" from the "Traveling Series" by Marc Ellen Hamel (American, b. 1948). Presented in a black wood frame. Titled "Always Rough Terrain" and signed "Marc Ellen Hamel" on verso. Marc Ellen Hamel works as an abstract painter, printmaker (monotype and Print Gocco). Her art involves the interaction of color, the physical feel and look of paint, and working in an intuitive creative process developing a work by going back and forth between the immediate physicality of the process and her own subconscious place-memory. Traveling Series: "The process of painting brings recollection; often I am carried back to another time and looking at it again. When traveling, you glimpse other places out the window; sometimes a lighted barn window...

Stunning forest landscape of trees reflecting in water at sunset by Charles Grove (American, 20th Century). Signed "Charles Grove" lower left. Unframed. Image, 24"H x 20"W.

Figurative Study In Sausalito by Patricia Gren Hayes Berkeley Figurative School Modern painting of a nude woman with the Sausalito landscape in the background by American painter, P...

A brilliant early 20th century impressionist floral still-life by William Clapp (American, 1879-1954). Beautiful and bold, this 1920's pink floral still-life pops against a bright blue background. The artist uses expressive and loose brushstrokes in a fun and energetic palette, bringing a dynamic and lively energy to this one-of-a-kind piece. Signed lower right, "W. Clapp". Oil on old Canada packing crate board and presented in a rustic wood frame. Board size: 20"H x 24"L. Framed size: 24"H x 28"W. This an early work by the artist which is distinctive in his bold Impressionist style before he merged into his signature pointillist style. Born in Montreal, Canada of American parents on Oct. 29, 1879. At age six Clapp moved to California with his family, settling in Oakland where he spent his childhood. In 1900 he returned to Montreal for four years of study with Wm Brymner followed by further study in Paris at Académies Julian, Colarossi, and Grande Chaumière. He then returned to Montreal where he was elected an associate member of the Royal Canadian Art Academy. He lived and worked in Cuba before returning to Oakland in 1917. He then served as director and curator of the Oakland Art Gallery from 1918-49. In this position, and as a member of a group of painters called the Society of Six...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görn...