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Item Ships From: Tri-State Area
"Vortex, " Abstract Steel Sculpture
Located in Westport, CT
This abstract sculpture by Joe Sorge is made with steel and blue wax. A single strip of steel extends up from a small steel base, spiraling several times and then extending out strai...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Steel
Patricia Miranda, Dreaming Awake, 2020, nightdress, cochineal dyes, plaster,
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Tri-State Area - Abstract Sculptures
Materials
Fabric, Thread, Dye, Found Objects, Plaster
Layered Votive Sculpture (Pink/Grey/White), 2020
By Dena Paige Fischer
Located in Jersey City, NJ
Hydrocal, pigmented concrete, paint and polyurethane
Hand-signed by artist
Frame: Not included
This work includes a certificate of authenticity.
Category
21st Century and Contemporary Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Concrete
iRobot v.6.67 ii by street artist NTEL, mixed media wall sculpture, earth tones
By NTEL
Located in Jersey City, NJ
iRobot v.6.67 ii by street artist NTEL, mixed media wall sculpture in earth tones
Unique wall sculpture mixed media series by Philly based artist, NTEL. Bright orange, yellow, meta...
Category
2010s Street Art Tri-State Area - Abstract Sculptures
Materials
Felt, Linen, Paper, Acrylic
Paintbrushes III
By Arman
Located in Long Island City, NY
Artist: Arman, French/American (1929 - 2005)
Title: Paintbrushes III
Year: 1991
Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed
Edition: 2...
Category
1990s Conceptual Tri-State Area - Abstract Sculptures
Materials
Epoxy Resin, Oil
D from Logo Suite (Magenta) Silkscreen on 3-D Molded Plastic Over Wood Signed/N
By Richard Smith
Located in New York, NY
3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith:
Richard Smith
D from Logo Suite (Magenta), 1971
Silkscreen on 3-D Molded Plastic Over Wood
P...
Category
1970s Pop Art Tri-State Area - Abstract Sculptures
Materials
Plastic, Wood, Mixed Media, Screen, Pencil
"Queen Elizabeth, " Abstract Ceramic Vase
Located in Westport, CT
This small abstract vessel by Connecticut-based ceramicist, Jon Puzzuoli, is made with glazed ceramic and 18k gold luster. The bottom, matte white base of the vessel is exposed under...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Gold
"Black Hat II" Abstract, Industrial Bronze Metal Sculpture by Joel Perlman
By Joel Perlman
Located in New York, NY
"Black Hat II" by Joel Perlman
Abstract sculpture in cast bronze
Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While m...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Bronze
Jim Perry - Glissade No. 7, Sculpture 2023
Located in Greenwich, CT
Medium:
Sapele Wood
Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...
Category
2010s Tri-State Area - Abstract Sculptures
Materials
Wood
Layered Cube Votive Sculpture (sky), pastel, geometric, earthy, candle holder
By Dena Paige Fischer
Located in Jersey City, NJ
Biomorphic yet industrial style to Dena Paige Fischer's sculptural votive candle holder. The stacked cubes are painted and smooth one with a natural cleave, piled upon one another into a column, or as the artist calls it, a totem. The pastel painted plaster in lavender and pale yellow looks almost soft. The piece is smooth and the bold navy blue and taupe paint embellish the abstract geometric design. This sculptural votive candle holder is a functional and decorative tabletop art...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Plaster, Paint, Polyurethane
"Queen of Hearts" Abstract Aluminum Metal Sculpture, Red, Indoor, Outdoor
By Kevin Barrett
Located in New York, NY
"Queen of Hearts" by Kevin Barrett
Fabricated aluminum, automotive paint
Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs.
Me...
Category
21st Century and Contemporary Abstract Tri-State Area - Abstract Sculptures
Materials
Metal
"No Place Like Chrome" Metallic Abstract Painting
By Teodora Guererra
Located in Westport, CT
This abstract painting by Teodora Guererra features a metallic silver palette. The paint is layered thickly on canvas in wide, gestural strokes, creating a highly textured surface. I...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Canvas, Acrylic
Untitled: Modernist Abstract Figure/Creature
Located in New York, NY
Ellen Key-Oberg (1905-1989), "Untitled: Modernist Abstract Figure/Creature", Abstract/ Modern Lithograph on Paper signed in Pencil, 21 x 17, Mid 20th Century
Colors: Black and White...
Category
Mid-20th Century Modern Tri-State Area - Abstract Sculptures
Materials
Lithograph
"#Layered" Abstract Painting
By Teodora Guererra
Located in Westport, CT
This abstract painting by Teodora Guererra features a blue and white palette ranging from deep blue-grey at the bottom of the composition, and fading up to light blue and white at th...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Canvas, Acrylic
Rydbo Maquette, 1989-2000, unique geometric sculpture by renowned British artist
By Nigel Hall
Located in New York, NY
NIGEL HALL
Rydbo Maquette, 1989-2000
Painted Steel
Unique
The authenticity of this work has been confirmed by the artist
Provenance:
Christie's New York: J...
Category
Early 2000s Minimalist Tri-State Area - Abstract Sculptures
Materials
Steel
Ceramic and textile sculpture: 'No. 10'
By Ak Jansen
Located in New York, NY
This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Gold
"Sisyphean Circle (homage to Major Taylor)", Industrial, Abstract Sculpture
By John Van Alstine
Located in New York, NY
"Sisyphean Circle (homage to Major Taylor)" by John Van Alstine
Slate, pigmented and sealed steel
"Major Taylor's legacy lies in his willingness to chall...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Stone, Granite, Metal, Steel
"Sailing Off, " Abstract Stainless Steel Sculpture
Located in Westport, CT
This mid-sized abstract contemporary sculpture by artist Joe Sorge is made with stainless steel. The strips of steel that compose this piece have a curved, concave shape and a beautiful texture. The piece casts unique shadows on its surroundings. Please note that the white pedestal base pictured is not included.
Connecticut-based sculptor Joe Sorge studied at the School of Visual Art (SVA) in New York City. While Joe's body of work is most often made with stainless steel which he sometimes dyes to give the forms bold, solid colors, he also experiments with stone carving, genesa crystals, tiger eye alabaster and others. He works with a variety of colors, finishes, and textures, to create the final piece.
Joe's sculptures express the fluidity and tension inherent in the material he uses. His work draws on a modernist vocabulary to create abstract, often whimsical objects...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Touched, 2023, Bronze, edition of 10, Cuffed Series, Hand Sculptures
Located in New York, NY
Artist Statement:
#1 My hands reach, touch, and shape.
Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from M...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Bronze
Moving Planes, abstraction
Located in Greenwich, CT
Moving Planes dates from the period in Iommi’s body of work that corresponds to the so-called “Baroque” period of Concrete Art. This is a sophisticated work that picks up exploring i...
Category
1970s Abstract Tri-State Area - Abstract Sculptures
Materials
Marble, Metal
Estate of David Hayes_Form Study_plaster coated cut styrofoam_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes.
David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor..
These Form Studi...
Category
1970s Abstract Tri-State Area - Abstract Sculptures
Materials
Polystyrene, Plaster, Acrylic
Jim Perry - Sabi No. 7, Sculpture 2023
Located in Greenwich, CT
Medium:
Sapele Wood
Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...
Category
2010s Tri-State Area - Abstract Sculptures
Materials
Wood
Bruce # 9
By Ray Geary
Located in New York, NY
Ray Geary
Bruce #9, 2016
Steel
Incised signature, title and date on the underside
10 x 7 inches
Bruce # 9 is one of ten unique sculptures that popular young sculptor Ray Geary made exclusively for the Whitney Museum. Below is how the Museum described the series:
These fanciful totemic objects, lovingly named Bruce, are made of steel purchased from a scrap metal yard in the Meatpacking District...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Steel
Pool, 2023, colorful, abstract collage
By Linda Schmidt
Located in New York, NY
Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Fabric, Thread, Plastic, Pins
Loren Eiferman, Nature Will Heal, 108 Pieces of Wood, 2016, Wood, Found Objects
By Loren Eiferman
Located in Darien, CT
Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material.
First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack.
Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life.
We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy.
Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains.
For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose.
Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes).
Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator.
The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils.
Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections.
In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Wood, Found Objects
Untitled "Marble Fragment 10" 2019, oil, landscape, wall sculpture, clouds, blue
Located in Jersey City, NJ
Untitled "Marble Fragment 10" 2019, oil, Italian marble, landscape, wall sculpture, clouds, purple, blue, green
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Marble
Loving Pears - Parma
By Cat Sirot
Located in New York, NY
Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Resin, Paint, Varnish
Don Frost, Changing Seasons, Sculpture 2019
By Don Frost
Located in Greenwich, CT
Changing Seasons
Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base
108 x 20 x 20 in
"I am an artist, ...
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Resin, Fiberglass, Polyester, Lacquer
Don Frost, Duchess, Sculpture 2018
By Don Frost
Located in Greenwich, CT
Duchess
Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base
53 x 15 x 16 in
"I am an artist, a sculptor...
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Resin, Fiberglass, Polyester, Lacquer
Dorothy Mayhall, Monument 1, 1995, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category
1990s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Terracotta, Acrylic
Estate of David Hayes_Form Study_carved plaster of paris_1970_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes.
David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor..
Hayes received a...
Category
1970s Abstract Tri-State Area - Abstract Sculptures
Materials
Plaster
"Queen Nieve, " Abstract Porcelain Sculpture
Located in Westport, CT
This ceramic vessel by Jon Puzzuoli is made with porcelain and a crystalline glaze. It features a light, neutral palette of creme, white, and gold. The bottom portion of the round, c...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Luster, Porcelain, Glaze
Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Tri-State Area - Abstract Sculptures
Materials
Thread, Dye, Found Objects
"Matchless III" Abstract, Industrial Steel Metal Sculpture by Joel Perlman
By Joel Perlman
Located in New York, NY
"Matchless III" by Joel Perlman
Abstract sculpture in welded steel
Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Steel
Sai, Japanese Ceramic Sculpture by Yasuhisa Kohyama
By Yasuhisa Kohyama
Located in Wilton, CT
Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tac...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Ceramic, Clay
Now You See It, abstract geometric wooden sculpture
Located in New York, NY
Milled wood and acrylic.
Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own firms fo...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Wood, Acrylic
Estate of David Hayes_Landscape Sculpture #52, painted steel, abstraction
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes
David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.
Hayes received a B...
Category
1980s Abstract Tri-State Area - Abstract Sculptures
Materials
Enamel, Steel
Ceramic and textile sculpture: 'No. 5'
By Ak Jansen
Located in New York, NY
This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Gold
Recline
By Lilian R. Engel
Located in New York, NY
My sculpture is inspired by the connection of the human form to nature. I use natural materials, stone, wood and metal to bring to life organic forms moving through space. The delica...
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Marble
Estate of David Hayes_Form Study_carved plaster of paris_1970_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes.
David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor..
Hayes received a...
Category
1970s Abstract Tri-State Area - Abstract Sculptures
Materials
Plaster
Loren Eiferman, Galaxy, 129 Pieces of Wood, 2012, Wood, Putty, Wood Sculpture
By Loren Eiferman
Located in Darien, CT
Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material.
First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack.
Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life.
We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy.
Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains.
For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose.
Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes).
Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator.
The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils.
Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections.
In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Wood, Putty
"Queen Florence, " Abstract Ceramic Vessel
Located in Westport, CT
This glazed porcelain vessel features a bright turquoise form which fades to a white crystalline drip, and cascades over a faded blue base. The wide neck and lip are charcoal grey.
Jon Puzzuoli...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Ceramic, Porcelain
Moon 1 - intricate white 3D abstract geometric circle pulled paper drawing
Located in New York, NY
Finesse and delicacy are what characterize best Antonin Anzil’s artistic practice. Paper as a medium seems incompatible with the idea of engraving or sculpturing; and yet. Using a sh...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Archival Paper
EC 15 - textural abstract circle shape nature inspired white sculpted paper
Located in New York, NY
Anne-Charlotte Saliba's artistic universe is largely inspired by nature, its abyssal dimension as well as its vegetal or mineral forms. Her sculpted artworks are a confrontation of smooth and grainy texture on the same linear paper. A cloud of small perforations, incisions, and punches which play on the elasticity of the paper, to create a topographic relief. A controlled wandering of dotted lines, scales and bumps are drawn following the movement of her hand on the paper. The flow is both free and thoughtfully planned, allowing unexpected movements and completely abandoning set patterns at times.
Saliba sees herself more like an artisan than an artist in the sense that she is working with texture and touch to create unique intricate sculpted artworks.
Playing with light and shadow, each in her own way ennobles a seemingly banal material with a genuine concern for ethics. Like modern-day memento mori, Saliba’s works transport us into dreamlike worlds in which the evanescence of paper echoes the transience of life, subtly reminding us to enjoy the present moment.
Anne-Charlotte Saliba works and lives near Lyon, France. Her work has reviewed in numerous publications and has won the prestigious price for Jeune Creation de Métiers d’Art in 2020. She is now represented by the Muriel Guépin Gallery...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Archival Paper
Jo Yarrington, Mute-Ability_Composition 1, 2019_acrylic, steel, player piano rol
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Steel
Suzanne Benton, 1974, Pelvic Woman, Copper, Coated Steel
By Suzanne Benton
Located in Darien, CT
In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC.
Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors.
Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets.
Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen.
In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks.
What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure:
"Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth."
(Pelvic Woman and Protection are illustrated in the book):
What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...
Category
1970s Feminist Tri-State Area - Abstract Sculptures
Materials
Copper, Steel
"Embrace" by Kevin Barrett, Abstract Bronze Metal Sculpture
By Kevin Barrett
Located in New York, NY
"Embrace" by Kevin Barrett
Bronze metal sculpture
Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs.
Organic Bronze Metal...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Bronze
Estate of David Hayes_Form Study_plaster coated cut styrofoam_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes.
David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor..
These Form Studi...
Category
1970s Abstract Tri-State Area - Abstract Sculptures
Materials
Polystyrene, Plaster, Acrylic
Estate of David Hayes_Form Study_carved plaster of paris_1970_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes.
David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor..
Hayes received a...
Category
1970s Abstract Tri-State Area - Abstract Sculptures
Materials
Plaster
Estate of David Hayes_Form Study_plaster coated cut styrofoam_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes.
David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor..
These Form Studi...
Category
1970s Abstract Tri-State Area - Abstract Sculptures
Materials
Plaster, Polystyrene, Acrylic
Estate of David Hayes_Landscape Sculpture, painted steel, abstraction
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes
David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.
Hayes received a B...
Category
Early 2000s Abstract Tri-State Area - Abstract Sculptures
Materials
Enamel, Steel
Suzanne Benton, Becoming, 1975, Copper, Coated Steel
By Suzanne Benton
Located in Darien, CT
In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC.
Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors.
Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets.
Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen.
In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks.
What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure:
"Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth."
(Pelvic Woman and Protection are illustrated in the book):
What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...
Category
1970s Feminist Tri-State Area - Abstract Sculptures
Materials
Copper, Steel
Richard Bottwin, Mike's Arm, 2018, poplar, plywood, acrylic paint
By Richard Bottwin
Located in Darien, CT
Architecture, functional objects and the human gestures that occur when interacting with these structures inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces,...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Poplar, Plywood, Acrylic
"Grey Gear" Abstract, Industrial Bronze Metal Sculpture by Joel Perlman
By Joel Perlman
Located in New York, NY
"Grey Gear" by Joel Perlman
Abstract sculpture in bronze
Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While minimalis...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Bronze
Hanging wire sculpture: 'Willa'
By Terri Fraser
Located in New York, NY
As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Wire
Levan Mindiashvili, 'Untitled (Unintended Archeology)', 2017, Plaster, Wood
By Levan Mindiashvili
Located in Darien, CT
Levan Mindiashvili, in his second major exhibition at ODETTA, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity ...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Wood, Neon Light, Plaster, Pigment
Nancy Baker, Fewer Answers, 2017, paper, acrylic, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Paper, Acrylic, Digital Pigment
Ecdysis, Jiro Yonezawa, Abstract Bamboo Sculpture
By Jiro Yonezawa
Located in Wilton, CT
Ecdysis, Jiro Yonezawa, bamboo, urushi lacquer, 27" x 8" x 5.75", 2019.
This abstract bamboo sculpture is by Japanese artist, Jiro Yonezawa (b. 1956). Y...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Wood, Coating
