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Item Ships From: Tri-State Area
Santiago Medina - FLAME, Sculpture 2021
By Santiago Medina
Located in Greenwich, CT
Italian stainless steel with blue tint.
Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, ...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - FLAME OF GENESIS, Sculpture 2020
By Santiago Medina
Located in Greenwich, CT
Italian stainless steel that shows the genesis of sculpture from rough unfinished at the bottom to highly polished at the top (unique piece).
Sculptor Santiago Medina Italian stainl...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - ENCANTO INDOOR MONUMENTAL, Sculpture 2023
By Santiago Medina
Located in Greenwich, CT
ENCANTO INDOOR MONUMENTAL
Santiago Medina
ITALIAN STAINLESS STEEL
99 x 10 x 6 in WITH BASE
Edition of 5
All sculptures are made with the highest quality Italian stainless steel ava...
Category
2010s Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - TIME AND SPACE (WALL PIECE), Sculpture 2021
By Santiago Medina
Located in Greenwich, CT
Printed on Italian stainless steel.
Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - PERSEVERANCE, Sculpture 2021
By Santiago Medina
Located in Greenwich, CT
Two-piece Italian stainless steel with a blue tint. Allows the collector to change the position of the pieces so the collector can become part of the artistic expression.
Sculptor S...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Jo Yarrington, Mute-Ability_Composition 6, 2019_acrylic, steel, player piano rol
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Steel
Layered Votive Sculpture (Lavendar/Grey), 2020
By Dena Paige Fischer
Located in Jersey City, NJ
Pigmented hydrocal, concrete, paint and polyurethane
Hand-signed by artist
Frame: Not included
This work includes a certificate of authenticity.
Category
21st Century and Contemporary Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Concrete
Estate of David Hayes_Form Study_carved plaster of paris_1970_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes.
David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor..
Hayes received a...
Category
1970s Abstract Tri-State Area - Abstract Sculptures
Materials
Plaster
Archy - #32 TM, Sculpture 2025
Located in Greenwich, CT
"My Pop Minimalist collection, “A Small World”, celebrates iconic characters from pop culture, film, music and television by presenting them in a pared-down, regressive form, highlig...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Wood, Acrylic
SCARY (Hand painted Skateboard Skate Deck) Signed 1/10 British Pop Street Artist
By Ben Eine
Located in New York, NY
Ben Eine
SCARY (Hand painted Skateboard Skate Deck), 2017
Hand painted with blue skate deck on 100% Canadian maplewood
Boldly signed and dated on the front in black marker; numbered ...
Category
2010s Street Art Tri-State Area - Abstract Sculptures
Materials
Maple, Mixed Media, Acrylic, Permanent Marker
"Queen Florence, " Abstract Ceramic Vessel
Located in Westport, CT
This glazed porcelain vessel features a bright turquoise form which fades to a white crystalline drip, and cascades over a faded blue base. The wide neck and lip are charcoal grey.
Jon Puzzuoli...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Ceramic, Porcelain
Blue and White Cube Votive Sculpture 2, 2020
By Dena Paige Fischer
Located in Jersey City, NJ
Cast concrete, paint and polyurethane
Hand-signed by artist
Frame: Not included
This work includes a certificate of authenticity.
Category
21st Century and Contemporary Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Concrete
Origins
By Lilian R. Engel
Located in New York, NY
Alabaster on steel
12 x 12 x 14 inches
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Alabaster, Steel
Fritz Horstman, Formwork for a Rectangle, 2015, Plywood, Wood
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Wood, Plywood
Sylvia Schwartz, 'Brush Stroke, sculptural element in Red Plane', 2016, Resin
By Sylvia Schwartz
Located in Darien, CT
Sylvia Schwartz
In her structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and the artist’s own fingerprints. Leaving the human trace evident through the repetition of shapes and textures in both the natural and man-made elements, provides a measure of stability, a reference point. These manmade and natural forms merge, revealing our inexplicable dependence on nature. Through this melding of two entities, new life is breathed into the art object.
Paper as a primary medium allows Schwartz to sculpt, draw and paint simultaneously. The flow of the pulp (a natural phenomenon in itself) meshes with the molded forms creating a structure that seems to rest on the edge between painting and sculpture. The duality between light and heavy, interior and exterior, planned and accidental, order and chaos, leading ultimately to a sense of life.
Red...
Category
2010s Abstract Expressionist Tri-State Area - Abstract Sculptures
Materials
Resin, Handmade Paper
Bake Sale: Donut (2023), tufted wall art, textile, fiber, yarn, pink, soft
By SarahGrace
Located in Jersey City, NJ
Bake Sale: Donut (2023), tufted art, textile, fiber, yarn, soft sculpture, pink, teal, wall or tabletop rug
"Bake Sale: Donut" by SarahGrace is a hand tufted wall...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Fabric, Yarn
Jaff_Little Swivel._2022_hand cut paper_minimalism
By Liz Jaff
Located in Darien, CT
Liz Jaff creates intricate constructions which use repetition, patterns and forms from nature and architecture to explore ideas of love, commitment, sacrifice and memory of time and ...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Archival Paper
"Untitled, " Seymour Fogel, Geometric Abstraction, Texas Hard-Edge
By Seymour Fogel
Located in New York, NY
Seymour Fogel
Untitled
Oil on illustration board construction
10 x 7 1/2 inches
Provenance:
Estate of the artist
Charles and Faith McCracken
Larry and Trish Heichel
Private Collection
Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting.
Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning.
In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958.
Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...
Category
Mid-20th Century Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Oil, Board
$4,600 Sale Price
20% Off
Yellow Disc Hand painted steel sculpture on marble base Signed 21/35 British Art
By Phillip King
Located in New York, NY
Phillip King
Yellow Disc, 2007
Hand painted steel on a marble base
Signed and numbered 21/35 on base.
Provenance: Bernard Jacobson Gallery, London
Private Collection, UK
5 3/5 × 12 ...
Category
Early 2000s Abstract Tri-State Area - Abstract Sculptures
Materials
Marble, Steel
Flight
By Bill Barrett
Located in Greenwich, CT
Barrett's Flight is a super mid-size sculpture that can sit on a table, console or coffee table. It can also be a feature piece on a pedestal. As its title conveys it brings a sens...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Bronze
$29,000
Katherine Jackson, Suspension of Disbelief II, 2015, Graphite, Paper, Framed
By Katherine Jackson
Located in Darien, CT
Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Glass, Graphite
Margaret Roleke, Weapons of Mass Destruction, 2019, light box with video
By Margaret Roleke
Located in Darien, CT
Margaret Roleke creates politically aware work. Children’s war toys and packaging for these toys have fascinated her and become integrated elements in my wall reliefs and paper piece...
Category
2010s Pop Art Tri-State Area - Abstract Sculptures
Materials
Metal
iRobot v.6.67 i by street artist NTEL, mixed media wall sculpture in earth tones
By NTEL
Located in Jersey City, NJ
iRobot v.6.67 i by street artist NTEL, mixed media wall sculpture in earth tones
Unique wall sculpture mixed media series by Philly based artist, NTEL. Bright orange, deep brown an...
Category
2010s Street Art Tri-State Area - Abstract Sculptures
Materials
Felt, Linen, Paper, Acrylic
Untitled "Marble Fragment 4" 2019, oil, landscape, wall sculpture, clouds, blue
Located in Jersey City, NJ
Untitled "Marble Fragment 4" 2019, oil on Italian marble, landscape, wall sculpture, clouds, purple, blue
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Marble
Layered Votive Sculpture (Pink/Grey/White), 2020
By Dena Paige Fischer
Located in Jersey City, NJ
Hydrocal, pigmented concrete, paint and polyurethane
Hand-signed by artist
Frame: Not included
This work includes a certificate of authenticity.
Category
21st Century and Contemporary Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Concrete
Karen Schiff, Space Eyes, 2016, Wood, Gouache
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Wood, Gouache
"#LayersOnLayers" Abstract Painting
By Teodora Guererra
Located in Westport, CT
This large abstract statement painting by Teodora Guererra features a light, coastal palette of blue, light grey and white. The artist applies thick layers of paint in wide horizonta...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Canvas, Acrylic
Recline
By Lilian R. Engel
Located in New York, NY
My sculpture is inspired by the connection of the human form to nature. I use natural materials, stone, wood and metal to bring to life organic forms moving through space. The delica...
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Marble
Polished Chrome L-Shaped Sculpture
Located in Long Island City, NY
This large chrome sculpture is whimsical in design yet strong in construction. The reflective surface allows the observer to become apart of th...
Category
20th Century Contemporary Tri-State Area - Abstract Sculptures
Materials
Metal
Orbit
By Jiro Yonezawa
Located in Wilton, CT
bamboo, urushi lacquer, Custom Tomobako box signed
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Lacquer, Bamboo Paper
$1,700
House in Motion
Located in New York, NY
Buky Schwartz
House in Motion, 1986
Welded steel
10 1/2 × 6 1/4 × 6 1/2 inches
This is a unique work
The sculpture is an upside down house with two human figures. It is ingeniously ...
Category
1980s Constructivist Tri-State Area - Abstract Sculptures
Materials
Steel
Upcycled wall sculpture: 'Coral #6' (Vindill)
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
The Corals Series explores the connection between language and cosmogony, focusing on the readability of words within the artwork. This aspect relates to two main concepts: on one ha...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Mixed Media
"The Trap" Hayward Oubre, Painted Wire Sculpture, Black Artist
Located in New York, NY
Hayward Oubre
The Trap, c. 1960
Painted wire sculpture
40 H. x 16 1/2 W. x 21 D. inches
Provenance:
Estate of the Artist
Deeply attached to his Souther...
Category
1960s Tri-State Area - Abstract Sculptures
Materials
Wire
Emily Feinstein, Stillwater, 2016, Poplar, Wood, Paint
By Emily Feinstein
Located in Darien, CT
Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...
Category
2010s Tri-State Area - Abstract Sculptures
Materials
Wood, Paint, Poplar
"Ghost Coral Color Variation", Organic Hand Cut, Laser Cut, Paper Wall Sculpture
By Rogan Brown
Located in New York, NY
"Ghost Coral Color Variation" by Rogan Brown
Laser and hand cut paper, framed in a plexiglass shadow box
Available by commission. Please allow 8-12 weeks production time.
A smaller...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Paper, Paint
Untitled "Marble Fragment 3" 2019, acrylic, landscape, wall sculpture, clouds
Located in Jersey City, NJ
Untitled "Marble Fragment 3" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Marble
Yvette Cohen, Ara Pacis - Zen Corner, 2009, Minimalist sculpture
By Yvette Cohen
Located in Darien, CT
My work bridges the divide between
sculpture and painting and drawing.
Paintings are geometric masses
of color in oil paint and wood dowels,
on shaped canvas. Often grouped in
d...
Category
2010s Minimalist Tri-State Area - Abstract Sculptures
Materials
Acrylic, Canvas, Wood
"Dream Garden I", Contemporary, Metal, Abstract Wall Relief Sculpture, Bronze
By Kevin Barrett
Located in New York, NY
"Dream Garden I" by Kevin Barrett
Fabricated Bronze
Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall relief...
Category
21st Century and Contemporary Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Bronze
The Giving Tree
By Shamona Stokes
Located in Jersey City, NJ
Hand-built ceramic, flashe, metallic foil, UV matte finish, 19.5" high x 10" wide x 5" deep.
Black, gold, red, blue.
COA available upon request
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Gold Leaf
Touched, 2023, Bronze, edition of 10, Cuffed Series, Hand Sculptures
Located in New York, NY
Artist Statement:
#1 My hands reach, touch, and shape.
Hands let go and receive; they try to hold things and to hold things together. Some of my images of hands are derived from M...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Bronze
"#LayingItOnThick" Textured Abstract Painting
By Teodora Guererra
Located in Westport, CT
This large abstract statement painting by Teodora Guererra features a palette that transitions from deep blue at the bottom of the canvas up to lighter blue followed by a lavender vi...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Canvas, Acrylic
Katherine Jackson, Suspension of Disbelief, 2015, Graphite, Paper, Framed
By Katherine Jackson
Located in Darien, CT
Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Glass, Graphite
Untitled (Wired Jockey on Horse Sculpture)
Located in New York, NY
Unknown/ Unidentified Artist, "Untitled" (Wired Jockey on Horse Scupture), Abstract Figurative Wire Sculpture, Stands 15" H x 23" W x 5" D, Late 20th C...
Category
Late 20th Century Abstract Tri-State Area - Abstract Sculptures
Materials
Wire
Untitled "Marble Fragment 2" 2019, oil, landscape, wall sculpture, clouds, blue
Located in Jersey City, NJ
Untitled "Marble Fragment 2" 2019, oil on Italian marble, landscape, wall sculpture, clouds, green, yellow, blue
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Marble
Rydbo Maquette, 1989-2000, unique geometric sculpture by renowned British artist
By Nigel Hall
Located in New York, NY
NIGEL HALL
Rydbo Maquette, 1989-2000
Painted Steel
Unique
The authenticity of this work has been confirmed by the artist
Provenance:
Christie's New York: J...
Category
Early 2000s Minimalist Tri-State Area - Abstract Sculptures
Materials
Steel
Untitled "Marble Fragment 1" 2019, acrylic, landscape, wall sculpture, clouds
Located in Jersey City, NJ
Untitled "Marble Fragment 1" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Marble
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Tri-State Area - Abstract Sculptures
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Kusama Pumpkins (Set of 2 works)
By Yayoi Kusama
Located in NEW YORK, NY
Yayoi Kusama Set of 2 Pumpkins: Yellow and Black & Red & Black Naoshima:
An iconic, vibrantly colored pop art set - these small Kusama pumpkin sculptures feature the universal polka...
Category
1960s Pop Art Tri-State Area - Abstract Sculptures
Materials
Resin
Locus 2- intricate white gold 3D abstract geometric drawing and collage on paper
Located in New York, NY
Finesse and delicacy are what characterize best Antonin Anzil’s artistic practice. Paper as a medium seems incompatible with the idea of engraving or sculpturing; and yet. Using a sh...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Archival Paper
"Ode to Chamberlain" Abstract, Bronze Metal Sculpture, Large-Scale, Outdoors
By Hans Van de Bovenkamp
Located in New York, NY
"Ode to Chamberlain" by Hans van de Bovenkamp
Unique welded bronze
Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has bee...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Bronze
Mary Bauermeister, Studio Leftover Fetich, 3D mixed media sculpture Fluxus, S/N
By Mary Bauermeister
Located in New York, NY
Mary Baumeister
Studio Leftover Fetich, 1953, 1967
Unique Mixed Media 3-D Assemblage
Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75.
Shadow box frame Incl...
Category
1960s Abstract Tri-State Area - Abstract Sculptures
Materials
Mixed Media, Wood, Found Objects, Ink, Acrylic
Santiago Medina - RED PINNACLE TABLE TOP, Sculpture 2022
By Santiago Medina
Located in Greenwich, CT
Edition of 7
Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City of Miami-Pinecrest Circ...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - RED PINNACLE TABLE TOP, Sculpture 2022
By Santiago Medina
Located in Greenwich, CT
Edition of 7
Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City of Miami-Pinecrest Circ...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - GRAN SIGH, Sculpture 2021
By Santiago Medina
Located in Greenwich, CT
Edition of 5
Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City of Miami-Pinecrest Cir...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - MIRACLE (INDOOR MONUMENTAL), Sculpture 2022
By Santiago Medina
Located in Greenwich, CT
Edition of 7
Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City of Miami-Pinecrest Circ...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - Blue Secrets, Sculpture 2019
By Santiago Medina
Located in Greenwich, CT
Italian stainless steel with turquoise tinting.
This sculpture will be shipped directly from the artist's studio.
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Stainless Steel
Fiber Wall Sculpture: 'IMAGE'
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
Image, Imagination, Imitation: we can think these three words come from the roots √Im, but it’s not true. It’s necessary to combine the proposition in with mi, that is, √Mei, to obta...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Steel, Wire
Richard Bottwin, Mike's Arm, 2018, poplar, plywood, acrylic paint
By Richard Bottwin
Located in Darien, CT
Architecture, functional objects and the human gestures that occur when interacting with these structures inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces,...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Poplar, Plywood, Acrylic
Margaret Roleke, Pop pop, 2018, spent shot gun shells, wire, zipties, steel box
By Margaret Roleke
Located in Darien, CT
Margaret Roleke has created the sculpture “Pop,pop” specifically for the Las Gravitas exhibition at ODETTA. The title refers both to the fun and colorful hues of the piece that pop ...
Category
2010s Pop Art Tri-State Area - Abstract Sculptures
Materials
Steel, Wire
Vibration, Amagansett, NY 2020
Located in Hudson, NY
ABOUT
“There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages.
“Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?”
“Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Wood, Driftwood
