United Kingdom - Art

This lovely Impressionist Colourist oil painting is a fine example of the work of noted Scottish landscape and animal artist George Smith. He was particularly known for his paintings...

Monaco Street Scene Tony Minartz (French, 1873 - 1994) signed watercolour on artist paper inscribed verso painting : 13 x 17 inches Provenance: private collection in the South of ...

George Romney (1734-1802) Portrait of a Gentleman, traditionally identified as Edward Addison, Esq., c.1780s Oil on canvas In a period carved and gilded swept frame 76.3 x 63.2 cm.; ...

Title: French Impressionist Oil Painting of Le Marché Scene with Figures By Fanch Lel (French b. 1930) Size: 10.25 x 8.25 inches (height x width) Signed: Yes Oil painting on card, un...

La Cote d' Azur French School, mid 20th century signed oil on canvas, framed framed: 25 x 43 inches canvas: 20 x 36.5 inches Provenance: Private collection, France Condition: Good co...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Morning Hike" by Cat Tesla is an abstract journey that evokes...

Sea Drive 1967 Slim Aarons Limited Estate Edition Film producer Kevin McClory takes his wife Bobo Sigrist and their family for a drive in an ‘Amphicar’ across the harbour at Nassau....

Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galle...

Offset lithograph in colours, on smooth wove paper Edition of 300 71 cm (D) (28 in) Signed and numbered on front Mint. Minor imperfections may appear due to the nature of the materia...

John Emms (1841-1912) "Bob", a collie in a landscape Oil on canvas Signed and dated 1904 lower right Inscribed 'Bob' lower centre Canvas Size - 20 x 24 in Framed Size - 24 x 28 in Provenance The Collection of Charlie Watts. Charlie Watts, the legendary drummer of The Rolling Stones, was renowned not only for his musical prowess but also for his profound affection for animals, particularly Collies. He and his wife, Shirley, resided at Halsdon Manor in Devon, where they managed a stud farm for Arabian horses. Their estate was also home to numerous dogs, reflecting their deep commitment to animal welfare. John Emms was a British artist best known for his dynamic and characterful paintings of dogs, especially working breeds like foxhounds, terriers, and collies. Born in Blofield, Norfolk, in 1843, Emms developed a deep connection to the countryside and rural life, which became the heart of his artistic inspiration. While he painted horses and hunting scenes, it was his dog portraits that brought him enduring recognition. Emms had a remarkable ability to capture the individuality and spirit of each animal, portraying them not just as pets or working animals, but as noble and expressive beings. His brushwork was confident and lively, and he often painted dogs with a sense of pride, intelligence, and dignity. Among the many breeds he painted, collies held a special place. Emms portrayed them with great sensitivity, often emphasizing their alert expressions, soft coats, and loyal nature. His collie paintings...

Flowers & Birds Nest by Oliver Clare (English, 1853-1927) signed lower right oil on canvas, framed framed: 15.5 x 13.5 inches canvas: 8 x 5.5 inches Provenance: private collection, S...

This atmospheric landscape painting depicts a rural scene with thatched cottages nestled among lush trees along a winding dirt path. The artist skilfully captures the interplay of li...

A stunning large oil on canvas by British nineteenth century artist Arthur William Redgate who was a Nottinghamshire based artist. He was a noted rustic landscape painter and he spec...

‘Piazza San Marco from the Palazzo’ by Edward Pritchett RWS (1807-1876). The painting – which depicts St. Mark’s Square and the Campanile seen from the Porto della Carta entrance to...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Coral Peonies June I" by Robert Lemay is an exquisite origina...

Reni by Nando Kallweit. An elegant figurative bronze sculpture of the female form. Edition of 25 Dimensions: 21cm tall

The Angelic Visitation Italian School, 17th Century oil on canvas, framed Framed: 30 x 36 inches Canvas: 24 x 29 inches Provenance: private collection, Europe Condition: the antique...

This charming late 19th-century oil painting by English artist Alfred Augustus Glendening (1840-1921) depicts a picturesque woodland view with sheep. Glendening was a distinguished painter of landscapes. Amid the gentle golden glow of British summertime, sheep graze on a country track flanked by several mature trees. It’s likely to be a view in Sussex or Kent and possibly painted at Knole Park near Sevenoaks. Born in Hampton on Thames, London, Glendening was raised in an area popular with Victorian artists. The river, with its zig-zagging steamboats and silvery waters, provided ample inspiration for a young impressionable mind. This fascinating environment delivered the building blocks for his artistic development, and one can imagine him sketching on the riverbank along with other painters. It would take a little time before he turned to art as a career but, once he pursued his calling, success was inevitable. Travel during the mid-19th century was becoming a little easier thanks to the emerging rail network, and Glendening filled his sketchbooks on various cross-country trips. In 1864, he debuted at The Royal Society of British Artists with a view from Cumbria’s picturesque Lake District. The following year, exhibiting ‘A Cornfield, Kent’ at the Royal Academy. Many of his works were centred around shimmering water with the Isle of Wight another frequent destination. Soon, the rising middle classes took note and he became a firm favourite - views in North Wales, the Highlands, Surrey, and Devon captured with a deft touch. His approach was predominantly naturalistic and lacked the grandiosity of many early Victorian painters. His tranquil vignettes are skilfully observed with dapples of light dancing across reflected foliage. The occasional bird picked out with weight and movement. Glendening’s exquisite draughtsmanship was matched by a keen understanding of tone and value, resulting in balanced compositions with blissful moods. By 1903, he’d exhibited 47 works at the Royal Academy - quite an achievement for a late starter. Today, various museums hold examples including at Southampton and Newport. Signed/dated lower left and held within a later frame. Provenance: Private collection, UK. Artist’s auction maximum: £32,000 for ‘Bramber Castle’, Oil on canvas, Christie’s, 19th Century Pictures...

Diasec-mounted Giclée print on aluminium composite panel, based on the eponymous painting from Richter’s ‘Cage Paintings’ (2006) series Edition of 200 Num...

Beautiful signed oil on board landscape circa 1920 by sought after post impressionist painter Victor Charreton. The piece depicts a figure walking through green rolling fields with h...

Portrait Of Lady Margaret Hasting, posing as a Shepherdess 18th Century CHARLES JERVAS (1675-1739) Large 18th Century portrait of Lady Margaret Hasting, oil on canvas, by Charles J...

A street scene in the Tuscan commune of Casole D'Elsa. Monogrammed to the lower-left edge. Presented glazed in a cream wash line mount and a thin gilt-effect frame. Label on the vers...

A mosaic of angular shapes and earthy tones pieces together this Cubist-inspired painting of a horse. Unsigned. Presented in a white tray-style frame. On paper.

Crimson Afterglow Miniature Abstract Landscape Art Study by Contemporary Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 13 x 11 inches Title: Crimson Afterglow A...

Amber Glow - Miniature Abstract Landscape Art Study by Contemporary Artist, Angela Wakefield Art measures 7 x 5 inches Frame measures 13 x 11 inches Title: Amber Glow Artist: Angel...

French School, 20th century "St Tropez, France" oil on board, framed framed: 10 x 12 inches board: 7.5 x 9.5 inches provenance: private collection condition: very good and sound cond...

'The Cabaret Dancer', crayon on art paper, by Kolomon Moore (circa 1930s). The Crazy Years (les Années Folles) of Paris in the 1920s hit an abrupt end in...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. dated 1966 Size: painting: 1...

Paintings and Drawings, by Agnes Martin 1974-1990 (Stedelijk), 1991 Additional information: Medium: complete set of ten lithographs on transparent vellum paper each, 30 x 30 cm 11 3/4 x 11 3/4 in Agnes Martin was an American painter who was born in Macklin, Saskatchewan, Canada, in 1912, and became a US citizen in 1940. Martin is perhaps most recognised for her evocative paintings marked out in subtle pencil lines and pale colour washes. Although restrained, her style was underpinned by her deep conviction in the emotive and expressive power of art. Martin believed that spiritual inspiration and not intellect created great work. ‘Without awareness of beauty, innocence and happiness’ Martin wrote ‘one cannot make works of art’. In a career spanning five decades, Martin became known for her square canvasses, meticulously rendered grids and repeat stripes, though her lesser-known early works consist of experiments with mixed media and works on paper. Martin thought of her works as studies in the pursuit of perfection. Martin spent many years working in New York, where she was part of a contemporary of artists such as Sol LeWitt, Ann Truitt, Donald Judd and Ad Reinhardt – with whom she was close friends. In 1967, shortly after Reinhardt died and just as Martin’s art was gaining acclaim, she left the city and continued her investigations into Buddhism and meditation. She wished to experience true solitude and used this period of quiet reflection to produce some of her most significant writing, whilst situated in sparsely populated and remote areas of the United States and Canada. In 1968 Martin resettled in New Mexico and began building an adobe and log house in a remote mesa. She lived there alone and without modern conveniences for several years. In 1973 she began creating work again. Agnes Martin’s influence reaches globally and plays a hugely significant role in 20th Century art history. Whilst known as a pioneer of abstract painting, her work as well as her reclusive lifestyle have served as an inspiration to creative practitioners in diverse disciplines. Painters, photographers, writers – and many devotees from the words of fashion, architecture and graphic design revisit and rephrase her perspectival studies and fascination with geometry, the legacy of which can be seen in investigations into brevity of line and muted colour palettes. Artists such as Richard Tuttle, Ellen Gallagher...

St. Tropez French, circa 1973 indistinctly signed oil on canvas, unframed Canvas : 21.5 x 26 inches Provenance: private collection, Nice, France Condition: very good condition Descr...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Enter the timeless charm of urban nightlife with "Later Than I...

This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...

abstract flowers acrylic, oil on canvas one-of-a-kind Full size 108x192cm the painting will be shipped rolled without stretcher bars.

Billy Childish Light through Trees , 2022 Archival print on heavy matt stock 39 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artis...

From Sax Berlin's Wine Drinkers series painted whilst he stayed at the famous Chateau Lescours in St Emillion, France. This Neo-Expressionist work is vibrant and relatable; a real to...

Figures Strolling Through Village signed by Fanch Lel (French b. 1930) Size: 21.5 x 18 inches Oil painting on canvas, unframed Condition: The painting is in good condition, with mino...

Abstract Composition by Serge Guerin (b. 1916), French oil painting on canvas, unframed size: 18 x 24 inches provenance: private collection, Paris, France condition: overall good an...

Konstantin Razumov (Born 1974) Russian Standing nude wearing a red feather flapper. Oil on canvas: 14 x 9 inches. Frame: 20 x 15 inches. Konstantin Razumov's work has been offe...

Emma Maiden has exhibited her sculptures throughtout the UK since the mid-1990s, with shows including The Fine Art Society, London; the RWA Bristol; West Wales Arts Centre, Fishguard...

Painted with wonderful, free brushstrokes this fabulous painting encapsulates the joy of an English summer's day with a young beauty resting at the side of a fountain in a cottage ga...

'Provençal Landscape', oil on canvas, by Anna Costa (circa 1950s). This is an exceptional landscape painted by the artist in vibrant colours in an Impressio...

“Resonant Lines” is part of my Landscapes of the inner eye series of paintings which explore the memory of places that we carry in our imagination rather tha...

Signed landscape oil on canvas circa 1910 by French post impressionist painter Leon Detroy. This work is painted in a divisionist style and depicts a view of gondolas on the canal in...

An expressive landscape scene depicting a valley dwelling at dusk. The artist captures the composition in gestural brushstrokes and a vibrant colour palette. Well presented in a comp...

North By North West (1959) Silver Gelatin Fibre Print - Oversized (Photo by Pictorial Press / Alamy Archives) 1959, Cary Grant in the film North...

“The Holy Hour” German School, circa 1930's signed lower corner oil painting on canvas, framed The painting is a copy after the earlier work: THE HOLY HOUR; DIE HEILIGE STUNDE. by LUDWIG FAHRENKROG (1867-1952). painting: 51cm x 81cm provenance: private collection, Germany Fine quality Symbolist oil painting from the 1930...

Signed and titled post impressionist figures in landscape oil circa 1980 by French painter Max Michel Agostini. The work depicts park-goers on a path beside a lake on a sunny spring ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Rich, vibrant, and bursting with life, this striking still lif...

Pennsylvania Station (1930) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Sun rays streaming through the windows...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Hayle, Cornwall, 19th Century by EDMUND FULLER (1858-1944) sales to $10,000 Large 19th Century view of Halle, Cornwall, oil on canvas by Edmund Fuller. Excellent quality panoramic ...

Fishing on Loch Maree by Donald Ayres (Briths b. 1936) signed oil on board, framed framed: 22 x 18 inches board: 16 x 22 inches Provenance: private collection, England Condition: ve...

Large German Orientalist oil painting of horse riders by Schreyer German, Late 19th Century Canvas: Height 59cm, width 96cm Frame: Height 85cm, width 122cm, depth 8cm This outstandi...

Expressionist landscape in oil. Signed on the verso. On canvas on stretchers.

Modern Twentieth Century Signed Miro Lithograph Le Lezard aux Plumes D'Or - Signed on the Plate and authenticated by the Mourlot family. This Lithograph by Miro was originally for G...

Black chalk heightened with white chalk on blue paper, 19cm x 15cm, (32cm x 27cm framed). First exhibiting at the Royal Academy in 1904, Philpot was elected as an Academician in 1923. Like many artists of his generation, he enjoyed a comfortable income from portraiture, which enabled him to paint less commercially successful and perhaps more personal subjects. His interest in the male nude and portraits of...

A dynamic oil study depicting a continental landscape with red tiled buildings before a small stream and stone bridge. The artist has indistinctly signed to the lower left and the pa...

‘Diana Nemorensis’ by Max Nonnenbruch (1857-1922). The painting – which depicts the Roman Goddess Diana of the Woods beside Lake Nemi – is signed by the artist and presented in a fi...