United Kingdom - Art

North By North West (1959) Silver Gelatin Fibre Print - Oversized (Photo by Pictorial Press / Alamy Archives) 1959, Cary Grant in the film North...

The Artist and his Model French School, 18th century oil on canvas, framed Framed: 14 x 17 inches Board: 11 x 14 inches Provenance: private collection, France Condition: very good co...

Artist/School: 19th Century English School Title: Three Dogs In Open Landscape Medium: oil on canvas, framed (behind glass hence the reflection). Framed...

Antique French Study Sheet signed pencil sketch on artist paper painting: 20.75 x 15 inches provenance: private collection condition: good and sound condition with some damages to age.( Shown in photos.) Description: This fascinating antique sketch...

Hubert Thornley British, (exh. 1858 -1898) Moonlight Whitby Harbour, Low Tide Oil on canvas, signed, indistinctly inscribed in pencil to the stretcher verso Image size: 9.25 inches x 15.25 inches Size including frame: 16.25 inches x 22.25 inches An atmospheric moonlit painting...

A charming late 19th century oil by W.D. West depicting mother and child attending church. Presented in a stained oak frame with a gilt inner edge. Signed to the lower right. Inscri...

The Flagellation of Christ Flemish Baroque, 17th century oil on wood panel, framed framed: 31 x 42 inches wood panel: 19.5 x 26 inches Provenance: pri...

Jasper Cheng, Redwoods, 2023 Emulsion & Pumice on Canvas 150 x 130 cm (60 x 50 in) Hand-signed by the artist Jasper considers himself more simply as somebody who enjoys being cre...

Sailing on the High Seas English School, mid 20th century oil on canvas, framed framed: 19.5 x 25.5 inches canvas: 14 x 20 inches provenance: private collection, England condition: v...

Signed figures in landscape oil on canvas circa 1920 by British post impressionist painter William Lee Hankey. The piece depicts sail boats in La Rochelle, a seaport in the Bay of Bi...

Pocket Macaw Jungle Collection is an original oil painting by Dani Humberstone as part of her Pocket painting series featuring small scale realistic oil paintings, with a nod to baro...

Summer Meadow Scene with Wildflowers & Trees in a serene English Countryside by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 14 x 9 inches Frame measures 18.5 x 13.5 inches Vintage British 20th Century Oil Signed, unique original, entitled "Heaven in a Wild Flower" Presented in the original vintage frame This original painting by Pamela Derry beautifully captures the serenity of a summer meadow in bloom...

Damien Hirst Opium, 2000 Lambda C-Type print on Gloss Fuji Archive paper. Signed by the artist, lower right on recto Numbered on verso 48 x 43.7 cm 52 x 48 cm (framed) Edition 391 of...

This exceptional artwork is framed, signed & currently available for sale at Signet Contemporary Art Gallery. Bursting with energy and vibrancy, Fresh, Juicy Lemons captures the ze...

Figure in Landscape French School, circa 1890's follower of Camille Pissarro (Danish/ French 1830-1903) dated 'Mai 1890' to the lower right corner. oil painting on canvas, framed ca...

Provence Landscape by Paul-Louis Bolot (French 1918-2003) signed & dated 66'' oil on canvas in wooden frame framed: 22.5 x 19 inches canvas: 22 x 18 inches original oil painting con...

Densham Hill Pool by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches dated 'May 1987' *FREE SHIPPING ON THIS PAINTING*: ...

Tranquil shades of sylvan colour are paramount in this piece from Francesca Owen. Painted on a theme of metamorphosis it’s a particularly good work show...

Artist/ School: Scottish School, circa 1870's Title: The Highland River Landscape Medium: oil painting on canvas, framed framed: 13.25 x 16.25 inches canvas: 7 x 10 inches Prove...

EILEEN SOPER (1905-1990) Pheasant Feeding Pencil Unframed, in conservation mount only 6 by 11.5 cm., 2 ¼ by 4 ½ in. (mount size 18 by 23 cm., 7 by 9 in.) Provenance: The artist’s...

ARTIST: Pauline Plummer (1930-2023) British TITLE: "The Swimming Pool" MEDIUM: oil on canvas SIZE: 69cm x 59cm incl frame CONDITION: excellent NOTES: A stunning bright and well exec...

Pocket Tawny Owl feather 3 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque ...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: oil painting on thick paper, stuck on board unframed. Size: painting: 10 x 12 inches Prov...

Superb Modern British abstract painting dating to 1969. The work is signed with the artists initials "RG" and dated 1969. The painting captures an amazing array of bright and colou...

Screenprint on aluminium Edition 27 of 30 103 x 145 cm (40.5 x 57 in) Incised with signature, numbered and dated on the reverse Condition on request This work is framed in the origin...

Circle of George Stubbs The Lions Den Oil on canvas Canvas Size 11 x 14 1/2 in Framed Size 17 x 21 in George Stubbs, one of the most celebrated animal painters of the 18th century, ...

'Positano Beach' Elevated view looking down on sunbathers and parasols on the beach at La Scogliera beach in Positano, Italy, 1979. 40 x 30" inches / 101 x 76 cm paper size Es...

Mrs. Hezekiah Brown Image: 19.0 x 11.2 cm Mount: 31.8 x 23.0 cm Wood engraving 1932 One of Fourteen Wood Engravings, from drawings made on Orient Line Cruises by Robert Gibbings...

Signed to the lower right. Presented in a part gilt frame. On canvas.

The Provence House Garden signed by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 32 x 26 inches Provenance: all the paintings we have by this artist have come fr...

Sunbathing In Antibes Dani Geneux (left) and Marie-Eugenie Gaudfrin sunbathing at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 40 x...

"Florentine Expressions: A Portrait Series XX", oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an interm...

Artist/ School: Rene Leroy (French b. 1932) Title: Figurative sketch of figure Medium: oil painting on canvas Size: painting: 7 x 5.5 inches Provenance: all the paintings we have...

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

* No US duty or taxes to pay on this item * A beautiful late 19th century English oil on canvas portrait of a black and white terrier wearing a leather collar. Excellent quality an...

This delightful portrait is set within an ornate gilded frame featuring intricate scrollwork and floral motifs. The young gentleman is well dressed in a fashionable brown coat and cr...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

''Mr Duck'' by Édouard Righetti (1924-2001) Signed lower front and back oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors. very good conditio...

'Jockey Up' English School, 20th century oil painting on canvas canvas: 25 x 27 inches framed: 30 x 32 inches provenance: private collection, Dorset, England...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed oil painting on canvas, unframed dated 93 canvas size: 22 x 18 inches condition: overall very good, ...

Portrait of Thomas Collard (rector of Withycombe, Somerset 1670-1691) the city depicted in the distance is thought to be Antwerp. the portrait historically has been thought to be fr...

Graciela was for many years an institution in Old Havana. Always dressed beautifully, a cigar clamped between her teeth, a grin at the ready. A witness to the Cuban revolution and 50...

A set of nine black and white photographs by Richard Heeps. They can be hung in a grid, or spaced out throughout your interior. Richard Heeps, primarily known as a colour photographe...

Archival Pigment print on Hahnemuhle museum etching paper edition 24 of 250 printed signature on archival label on verso Published by Exhibtion A and comes with publisher's COA. Br...

'Oranges and Apples', oil on canvas, still life by Guillaume Dulac (circa 1920s). A magnificent study of fruit and light painted with a deft touch and a delicate brushstroke. The evi...

Unsigned. Presented in a wooden frame with gilt inner window. On canvas.

This vibrant landscape painting captures the lush greenery of a mountainous forest, with towering evergreens in the foreground and distant peaks in muted blues. The artist employs bo...

A hand crafted five layer screen print of a painted illustration by the artist this retro classic candy on heritage white paper. With a final layer of diamond dust. ADDITIONAL INFOR...

Girl Blowing Bubble Gum, Wall, South Dakota by Michael Ormerod is a stunning Color Print on Hahnemuhle Paper in an Edition of 20 in this size. Sta...

This pastoral scene captures the rustic charm of a countryside landscape, with a weathered windmill as the focal point against a warm, hazy sky. The painting's composition skilfully ...

'Chinchilla Glamour' Silver Gelatin Print George Mayer Exquisite, very large 40x40" inches / 101 x 101 cm Silver Gelatin resin Print. Certificate of authenticity provided. Stampe...

This pastoral landscape painting depicts a tranquil country road with two working men meeting below the overhanging trees. The scene is brought to life with the inclusion of small fi...

Richard Hambleton's "Horse & Rider – Bucking Red" is a 2018 giclée print that exemplifies the artist's dynamic portrayal of motion and energy. Rendered on 308gsm Hahnemühle Photo Rag...

A hand painted three dimensional, Reverspective print, inspired by his own popart & books laid out in the studio. Produced in 2023. This print comes housed in a bespoke perspex displ...

My process starts with taking the photographs I work from, I like to experiment with angles and light in the photographing. Every inch of the canvas has multiple layers on to build u...

Manner of Abraham Hulk Junior (1851-1922). An idyllic alpine landscape with rustic wooden chalets nestled among lush woodland trees. The composition draws the viewer's eye along a wi...

David Shrigley, Human Behaviour and Animals and Existentialism, 2022 27 3/5 × 19 7/10 in (70 × 50 cm) A complete suite of eight lithograph posters on 200gsm Munken Lynx wove, from ...

"Day For Night-Summer Night" captures a view from the east side of Shizico Yi's long garden, looking towards the west gate where the 130-year-old lime trees canopy frames her summer ...

6-Colour Screen Print on Archival Paper hand-signed and numbered by the artist 57.2 cm x 57.2 cm Edition 108 of 150 Artwork by Mr. Brainwash, (the pseudonym of French-born artist ...

Title: French Gouache Painting of Indigenous Council Gathering in Colorado Nevada by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed...