USA - Still-life Drawings and Watercolors

Beautiful abstracted watercolor still life with white and yellow daisies on a soft purple and blue background, on heavy paper by Les Anderson (American, 1928-2009). This piece is uns...

Vibrant watercolor of a colorful living room and the view outside the window by listed artist Doris Ann Warner (American, 1925-2010). Signed "Warner" lower right. Unframed. Image siz...

Otto Münch (German-American, 1885-1965) Design for Teacups, c. 1920 Watercolor on paper 9 1/8 in. diameter Frame: 16 7/8 x 16 7/8 x 1 in. Provenance: Chamberlin Gallery, New York ...

"The Glove Left Behind 1" (2019) by Sophy Brown is an original mixed media illustration depicting a well used gardening glove.

KK Kozik is an artist living and working in Sharon, CT and Brooklyn, NY. Her paintings have ben exhibited widely in the United States and abroad and have been reviewed in publicatio...

White Iris & Spring Flowers Bouquet, Mid Century Floral Still Life Beautiful mid century floral watercolor still life of a bouquet with white irises and other blooming flowers by H...

Still life with vase and watermelon by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Anderson" lower right...

Flowers were one of Culver's favorite subject. This stunning portrait of a red flower draws the viewer into its very center as powerfully as any flower portrait by Georgia O'Keeffe. It is the idyllic flower that can be described as in the romantic style wherein the subject depicted is a more desired or dramatic version of what actually is. It is signed and dated by the artist on the lower left. This piece has been professionally reframed with acid-free matting and museum glass. In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.” Charles Culver...

Vibrant watercolor, pen and ink floral study of yellow roses in full bloom, with brilliant attention to detail and a signature delicate style, by California artist Deborah Eddy (Amer...

Clean and detailed watercolor of blue flag irises by David Wang (Chinese-American, 20th Century). Signed in the lower right corner by the artist. Presented in a double mat of cream and light purple, and a wood frame with plexiglass. Image size: 20.5"H x 28"W David Wang is a native of Beijing, China. He gained his education from the Beijing Education College of China in 1984, where he learned various techniques in drawing, watercolor, oil painting, sculpture, graphic design, and Chinese watercolor. After receiving his Bachelor of Arts Degree, he became a fine arts teacher. During his eight years of teaching, he has taught hundreds of quality students, some becoming professional artists and cinematographers. Wang has also accomplished several major art and design projects, such as designing and creating an exhibit of the Terra-Cotta army warriors in the Forbidden City and interior designs for shopping plazas in Beijing. In 1988, David came to the U.S as a visitor scholar and studied at the University of Southern California in Los Angeles. After his studies in 1992, he continued his profession as a full-time artist. For twelve years, he had a successful career creating visual art for the Walt Disney Feature Animation Florida Studio. He worked as a senior background artist doing work from concept development to production final work. His work has achieved him credits on: "Pocahontas," "Mulan," "Tarzan," "Lilo & Stitch," "Brother Bear," and "The Princess and the Frog...

Vibrant watercolor of bell peppers by Kathy Garvey (American, b. 1949). Initialed and dated "KG 2017" in the lower right corner. Notes by the artist along ...

A happy and bright floral painting with artist-painted frame by Irish artist Amanda Watt. Anthurium Amanda Watt, Irish (1960) Date: 1991 Acrylic on Paper, signed l.r. Size: 48 x 60 i...

Roses, Blue, Line Drawing by Jeffry Mitchell, 2010 Additional information: Dimensions: 20 x 16 in About artist: Jeffry Mitchell’s primary medium is ceramic and he is well versed in...

Install images by Em Joseph Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her pieces combine elemen...

Delicate watercolor, pen and ink floral study of yellow monkey flower, with brilliant attention to detail and a signature delicate style, by California artist Deborah Eddy (American,...

Jehudith Sobel (1924-2012 ) Polish/Jewish artist (also known as Judyta Sobel) Judith Sobel was born in Lwow, Poland in 1924. After Word War II she attended the Academy of Fine Arts in Lodz, Poland from 1947-1950, where she studied with the famous Abstract Constructivist, Wladyslaw Strzeminski and Stefan Wegner from whom she learned the principles of Modern Art as per the European Cubists. She was also part of the First Exhibit of Modern Art in Krakow in 1948/1949. From Poland she emigrated to Israel, where she exhibited and was collected by the major art museums of Israel including the Museum of Modern Art at Haifa. In 1956, Sobel came to New York on a scholarship and before that she lived in France for two years. Same year she received the First Prize at the Exhibition in the Saks Gallery...

Plum Branches and Flowers watercolor on wove paper, 1985 Signed and dated in pencil lower right corner From the artist's 1985 sketchbook Inspired by O'Sickey's love of Japanese and Chinese art and calligraphy. Provenance: Estate of the artist Condition: Excellent Image/Sheet size: 13 5/8 x 17 inches Joseph B. O’Sickey, Painter 1974 CLEVELAND ARTS PRIZE FOR VISUAL ARTS The title conferred on him by Plain Dealer art critic Steve Litt in a 1994 article, “the dean of painting in northeast Ohio,” must have pleased Joseph O'Sickey. It was more than 30 years since he had burst onto the local (and national) art scene. O’Sickey was already in his 40s in that spring of 1962 when he had his first one-man show at the Akron Art Museum and was signed by New York’s prestigious Seligmann Galleries, founded in 1888. In the decade and a half that followed, he would have seven one-man shows at Seligmann, which had showed the work of such trailblazing figures as Seurat, Vuilliard, Bonnard, Leger and Picasso, and appear in all of the group shows. O’Sickey took the Best Painting award in the 1962 May Show at the Cleveland Museum of Art (CMA). He and would capture the same honor in back-to-back May Shows in 1964 and ’65, and again in 1967. The remarkable thing, noted the Plain Dealer’s Helen Borsick, was that he accomplished this sweep in a variety of painterly styles, even using that most hackneyed of subjects, flowers. “The subject doesn’t matter,” he told her, “what the artist brings to it is the important thing.” O’Sickey’s garden and landscape paintings were big and bold, eschewing delicate detail in favor of vitality and impact. The great art collector and CMA benefactor Katherine C. White, standing before one of O’Sickey’s vivid garden paintings, compared the sensation to “being pelted with flowers.” Though he might represent an entire blossom with one or two smudged brush strokes or a stem with a simple sweep of green, O’Sickey rejected the moniker of Impressionist—or Pointillist or Abstract painter or Expressionist. “My work,” he said, “is a direct response to the subject. I believe in fervor and poetic metaphor. I try to make each color and shape visible and identifiable within the context of surrounding colors and shapes. A yellow must hold its unique quality from any another yellow or surrounding color, and yet read as a lemon or an object, by inference. It does not require shading or modeling—the poetic evocation is part of the whole.” “The subject,” O’Sickey used to tell his students at Kent State University, where he taught painting from 1964 to 1989, “has to be seen as a whole and the painting has to be structured to be seen as a whole.” He liked to think of it as “a process of controlled rapture.” When, in the 1960s, fond childhood memories drew him to the zoo, he found himself responding to the caged animals in their lonely dignity (or indignity) with sharp-edged, almost silhouette-like forms that evoked Matisse’s paintings and cut-paper assemblages. One observer was left with the impression that the artist had “looked at these animals, past daylight and into dusk when they lose their details in shadow and become pure shapes, with eyes that are seeing the viewer rather than the other way around. This is a world of shape and essence,” wrote Helen Borsick. “All is simplification.” O’Sickey attributed his ability to capture his subjects with just a few strokes—in an almost iconographic way—to a rigorous exercise he had imposed upon himself over a period of several months. Limiting his tools to a large No. 6 bristle brush and black ink, he set himself the task of drawing his pet parakeet and the other small objects in its cage (cuttlebone, feeding dish, tinkling bell) hundreds of times. The exercise gave him “invaluable insights into painting. . . . Because of the crudity of the medium, every part of these drawings had to be an invention and every mark had to have its room and clarity.” Then he began adding one color at a time—“still with the same brush and striving for the same clarity”—and headed off to the zoo where “the world opened up to me. I learned how little it took to express the subject.” Born in Detroit at the close of the First World War, O’Sickey grew up in St. Stanislaus parish near East 65th and Fleet on Cleveland’s southeast side. (The apostrophe was inserted into the family’s proud Polish name by a clerk at Ellis Island.) An early interest in drawing and painting may have been kindled by the presence on the walls of Charles Dickens Elementary School, one of only three grade schools in the district with a special focus on the arts, of masterful watercolors by such Cleveland masters as Paul Travis, Frank N. Wilcox and Bill Coombes. As a youngster O’Sickey took drawing classes at the Cleveland Museum of Art, and he and his brother spent hours copying famous paintings; while a student at East Tech High School in the mid-’30s, he attended free evening classes in life drawing with Travis and Ralph Stoll at the John Huntington Art and Polytechnic Institute, and Saturday classes at the Cleveland School (later the Cleveland Institute) of Art, where he earned his degree in 1940 under the tutelage of Travis, Stoll and such other legendary figures as Henry Keller, Carl Gaertner, William Eastman, Kenneth Bates...

Stamped verso for estate of Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center an...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Signed lower right, 'E. Brigeois' for Evelyne Brigeois (French, 1946-2016) and dated 19868; additionally titled, verso, 'Hydra, the Cherries'. A view of a townhouse window on the Greek island of Hydra showing a sunlit row of jars filled with freshly preserved cherries basking in the Aegean sun. Born in Troyes, France in 1946, Evelyne Brigeois grew up in the town of Nimes, east of Paris. She subsequently lived and painted in Germany, England and Spain before moving to the United States in her late twenties. Settling in Idaho, she began a forty-year career as a fine artist, exhibiting widely and with success including, regularly, at both Boise's Art in the Park and Art and Roses Festival. Evelyne Brigeois was also the recipient of numerous national and international awards including from the National Watercolor Society, the Detroit Institute of Arts, the Michigan Watercolor Society, The Salem Academy Fine Arts Center and the Louisiana Watercolor Society among others. Her work was frequently featured in national publications including 'U.S. Art' and 'American Artist'. Her style combines a precise and delicate realism with a close observation of light- often with with strongly contrasting shadow. Her talent for serene and lyrical composition distinguishes her landscapes and townscapes of her favorite subjects, the Greek Islands, Venice and rural France. We are pleased to offer this intimate view of a sunlit window on the island of Hydra in the Greek Aegean.

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

Here for your consideration is a beautiful watercolor still life on heavy paper by the German artist, E. Riehle. Signed and dated lower right, 1903. In good condition with it's orig...

Exceptionally detailed mid century watercolor still-life depicting an autumn harvest, with bumpy gourds spilling out of a basket, several ears of deep purple corn, and a fringed blan...

Gorgeous, bright still life of apples on mat board by Virginia Hughins (American, 1923-2004). Unsigned and unframed. From collection of her works. Image size: 13"H x 19.5"W. Virgin...

Signed lower right, 'Charlotte A. Morton' (American, 1885-1974) and painted circa 1955. A sensitive study of various blossoms including geraniums, lupin and catmint. A landscape painter and teacher, Charlotte Augusta Morton graduated from Kansas State College before continuing her education at the Art Institute of Chicago, the Art Students League of New York and the Pratt Institute. After moving to California and attending Stanford University where she received her Masters in Education, Morton taught at San Jose State College before moving to Monterey and joining the Carmel Art...

Signed lower right, 'T.G.M. Guise' for Thomas Gladstone Middleton Guise (Scottish, 1916-1984) and dated 1967. Previously with: Los Robles Gallery, Palo Alto, California. Thomas Guise studied art at Edinburgh College of Art under Thomson Adam Bruce, RSA (1947-1949) before serving with the Royal Artillery between 1939 and 1946. After returning to Scotland, Guise began working professionally as an artist and commenced his fruitful association with the Featherhal Press. Over the course of his career, he was the recipient of numerous prizes, medals and juried awards including the Award for Life Drawing (1947). Guise exhibited internationally with success and was a member of the Royal Society of Arts, the Royal Society of British Artists and the Royal Scottish Society of Painters in Watercolor among others. Accompanied by an artist catalogue, 'T.G.M. Guise: Propinquity', Featherhall Press Limited, Edinburgh 1996. Selected Group Shows 1948 - 1984: RBA, RSA, RI, RSW, RGI, SSA, NEAC. Arun Art Centre The Bath Festival Exhibition Selected Solo Shows: 1966 - Randolph Gallery, Edinburgh Festival 1967 - Encina Gallery Stanford University, California, United States 1968 - Los Robles Gallery, Palo Alto, California, United States 1968 - Randolph Gallery Edinburgh Festival 1970 - Clarkson Gallery, Victoria Street...

"Red Peppers" is a color pencil drawing, circa 1995, is by Emilio Sanchez. It is drawn to the paper edge and unsigned. Noted "Emilio Sanchez Foundation" on verso. EMILIO SANCHEZ (1...

Signed, faintly, lower left, 'Donald Bear' (American, 1905-1952) and painted circa 1945. A dynamic, modernist still-life of fruit in gouache, watercolor, crayon and india-ink. Donald Jeffries Bear was born in Terre Haute, Indiana, and grew up in Denver. He first attended Denver's Art Academy and, later in life, became director of the Denver Art Museum (1930-35). During the 1930s, he was also regional advisor for the Federal Art Project and was a primary art...

Signed lower left, 'Elizabeth Greaf' (American, 20th Century) and dated 1990. A complex study of reflected light and images by this Virginia artist a...

HOPE is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30". The artist has written that in the spring of 2020, at the height ...

A unique hand-painted lithograph of a colorful Bouquet of Flowers by Wayne Ensrud, American (1934). Quiet Sunday (Blue) Wayne Ensrud, American (1934) Date: 1980 Hand-Painted Lithogra...

Margot Glass reimagines color with her newest specimen, anemones, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemera...

"Red Peppers" is a color pencil drawing by artist Emilio Sanchez. It is drawn to the paper edge and initialed "ES" in the lower left. "Emilio Sanchez Found...

A cake top realistically depicts a cake by female baker, Kassie. Colored pencil on paper. 'Kassie' is 13.5 x 13.25 inches and professionally framed measuring 14.5 x 14.25 inches.

Elegant mid-century watercolor still-life with grapes, a vase, and fine china depicting three cranes by Laurelda Cecille Schmidt (American, 1903-1994). Presented in a giltwood frame...

Install images by Em Joseph Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her pieces combine elemen...

Signed, lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and painted circa 1955. A mid-century Post-Impressionist oil still-life showing a book and a candlestick arra...

Roses, Violet, Line Drawing by Jeffry Mitchell, 2010 Additional information: Dimensions: 20 x 16 in About artist: Jeffry Mitchell’s primary medium is ceramic and he is well versed ...

ROAD TO PARADISE is an egg tempera on Ampersand panel by Fleur Thesmar. The artwork measures 24x18x1" and is unvarnished (as many artists prefer). Against a grid of gentle reds, yellows and cream...

Artist: Ian Hornak (1944-2002) Title: (Abstract Still Life) Untitled Year: circa 1965 Medium: Charcoal on archival paper Size: 11 x 14 inches Condition: Good Provenance: Estate of Ia...

Susan Van Campen’s plein-air oil paintings are painted with the confident brushwork of a watercolorist, achieving bold impressions of Maine’s landscapes. Her small impressions captur...

This is a charcoal on paper still life is by St. Julin Fishburn. It features a simple pile of fresh pears atop a paper bag. Still Life St. Julian Fishburne, American (1927–2011) Dat...

Colored pencil on vellum Signed, l.r. This drawing is offered by ClampArt, located in New York City. Elsie Driggs (1898-1992), was an American painter known for her contributions to...

Painted circa 1955 by Victor Di Gesu, (American, 1914-1988). Stamped verso with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...

Artist: Eugene Baboulene, French (1905 - 1994) Title: Flower Pot Year: circa 1960 Medium: Gouache on Paper, signed and dedicated l.r. Size: 20 in. x 13 in. ...

Stamped verso with Victor di Gesu (American, 1914-1988) Estate Stamp and created circa 1955. Graphite nude showing a young woman seated on a chair, one leg tucked beneath her, with ...

Manfred Schwartz (American, b. Poland, 1909-1970), Still Life of Seashells, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 20" H x 25.5" W. Provenance:...

A still-life painting of wine and fruit by Charles Cobelle. This piece features more muted and neutral colors than his other works and bears his signature in the lower right front co...

DEATH VALLEY is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30" and is professionally framed in white with UV protection, anti-glare glass. Framed it m...

Halbert (Born 1957) Texas Artist Size: 20 x 30 Frame: 33 x 40 Medium: Graphite Drawing "Pushing Horns" HALBERT - Biography Halbert was born and raised in North Central Texas, and early on developed an interest in portraying the horses, cattle and every day occurrences of the west, in pencil. Eventually Halbert became a partner in a large ranching operation, which kept him away from his art for many years. A few years ago, he picked up a pencil and began to pursue his dream of becoming a professional artist. " I believe my passion and love of horses and the western way of life show in my work. I thank God for this gift which allows me to share with others what I truly enjoy. " Halbert credits Texas artist George Hallmark for recognizing his talent and encouraging him to pursue his calling. Halbert has participated in many Art and Museum Shows across the country including Cheyenne Frontier...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a process of visual archeology through a search for human representations conditioned by their ritual, aesthetic or utilitarian meaning where a resignification of beauty patterns is proposed, a game with female representation with its multiple meanings, functions and forms” James Bonachea...

Charles De Wolf Brownell (American, 1822 - 1909) Watercolor on paper depicting several plants in close proximity Hand dated and inscribed "Br...

Still life pastel drawing by unknown artist. Realistic pastel drawing depicting watermelon, lemons, and other fruits in the background. Signed by artist at bottom left. Double matted...

STELLATA MAGNOLIA 2 is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 30x22". Note the fluid precision of the tree, blossoming into...

Charles De Wolf Brownell (American, 1822 - 1909) Watercolor on paper of maple leaves against the sky, Hand dated and inscribed "Papaw - E.H....

ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imaginat...

Robin Cole's (US based) "Underfoot" is an original, handmade charcoal drawing in a diptych format that depicts grey monochrome grasses and pinecones. Nature and those that inhabit ...

POOR ME is a small watercolor on Arches paper by Fleur Thesmar. The artwork measures 7x5". Matted and framed in gold, it measures 13x11". Though completed over a year ago, it's a tim...