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USA - Figurative Prints

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Item Ships From: USA
Sans titre (Cramer 77; Mourlot 557), The Lithographs of Chagall
By Marc Chagall
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, et al. The Lithographs of...
Category

1960s Expressionist USA - Figurative Prints

Materials

Lithograph

Porta del Paradiso, Venezia
By John Taylor Arms
Located in Middletown, NY
Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...
Category

Early 20th Century American Modern USA - Figurative Prints

Materials

Etching, Laid Paper

"History of Detroit" Linoleum Cut, Black Ink, African American, Mural Style
By Hubert Massey
Located in Detroit, MI
"History of Detroit" is in the style of a mural by the master muralist from the city of Detroit, Hubert Massey. It renders in dramatic composition the ov...
Category

Early 2000s American Modern USA - Figurative Prints

Materials

Linocut

H.O. Miethke Das Werk folio "The Kiss" collotype print
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
The Kiss, no. 1 from the fifth installment of Das Werk Gustav Klimts Undoubtedly Klimt’s best known and most reproduced images, this printed version of The Kiss is the only one with which Klimt was directly involved. Unveiled at Vienna’s Kunstschau 1908, and saved for the fifth and final delivery of Das Werk, The Kiss marks a triumph in Klimt’s career and represents a culmination of many themes in his oeuvre up to that point. After all of the controversy surrounding the State’s prior rejection of the University murals commissioned from Klimt, the Ministry of Education reversed their policy toward the artist with a show of wholehearted support by purchasing for the Osterreichische Galerie BelvedereThe Kiss while it still hung in the Kunstschau exhibit. Considered in relation to the eight multicolored collotypes which preceded its print debut in the Das Werk portfolio, The Kiss literally embraces all which came before it. The golden seaweed dangling in tresses from the lovers’ feet harkens back to Water Snakes I and II. The bed of flowers evokes the settings Klimt created in both The Golden Knight and The Sunflower. In fact, this image sprung out of a particularly happy summer spent in the company of Klimt’s lover, Emilie Floge...
Category

Early 1900s Vienna Secession USA - Figurative Prints

Materials

Handmade Paper

Foreign Soldiers from Five Countries at the Port of Yokohama
By Utagawa Yoshitora
Located in Fairlawn, OH
Foreign Soldiers from Five Countries at the Port of Yokohama Color woodcut triptych, c. 1860's Signed in the block lower left corner Signed: "Ichimosai Yoshitora ga" Condition: Mounted to a rose colored silk backing (stable) Staining (visible) in the joining of the right and center sheets Colors very slightly faded Image size: 15 3/8 x 31 3/8 inches (triptysch sheets joined to make one print) The 1854 Treaty of Kanagawa opened Japan to the West. Curiosity about the never-before-seen foreigners spurred a market in Yokohama-e (Yokohama prints), named for the area to which foreign dignitaries and merchants were confined. Yoshitora became one of the best known and most active artists of the Yokohama-e school. Utagawa Yoshitora (歌川 芳虎) was a designer of ukiyo-e Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850 to about 1880. He was born in Edo (modern Tokyo), but neither his date of birth nor date of death is known. However, he was the oldest pupil of Utagawa Kuniyoshi who excelled in prints of warriors, kabuki actors, beautiful women, and foreigners (Yokohama-e). He may not have seen any of the foreign scenes he depicted. Yoshitora was prolific: he produced over 60 print series and illustrated over 100 books. In 1849 he produced an irreverent print called Dōke musha: Miyo no wakamochi ("Funny Warriors—Our Ruler's New Year's Rice Cakes"), which depicts Oda Nobunaga, Akechi Mitsuhide, and Toyotomi Hideyoshi...
Category

Mid-19th Century USA - Figurative Prints

Materials

Woodcut

Lena Horne Film Broadway Star African American 20th Century Litho NYT Published
By Albert Al Hirschfeld
Located in New York, NY
Lena Horne Film Broadway Star African American 20th Century Litho NYT Published Al Hirschfeld (1903-2003) "Lena Horne" Hand-signed Limited Edition Etching, 56/200 Sight size 14 1/2 ...
Category

1980s Performance USA - Figurative Prints

Materials

Lithograph

Original "Back Our Girls Over There, YWCA vintage WW1 poster
By Clarence Underwood
Located in Spokane, WA
Original Back Our Girls Over There Y.W.C.A. WW1 antique poster: Linen-backed original Beautiful Y.W.C.A. Telephone operator sitting at the control pane...
Category

1910s American Modern USA - Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, Dessinateur (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur, 1948. Publ...
Category

1940s Post-Impressionist USA - Figurative Prints

Materials

Lithograph

Clown sur Fond Bleu
By Bernard Buffet
Located in San Francisco, CA
This artwork, titled "Clown sur Fond Bleu" from the suite "Clowns" 1985, is an original color lithograph on Arches watermarked paper by renown French artist Bernard Buffet, 1928-1999...
Category

Late 20th Century Expressionist USA - Figurative Prints

Materials

Lithograph

Musée des Arts Décoratifs (The Scream) Poster /// Expressionist Edvard Munch Art
By Edvard Munch
Located in Saint Augustine, FL
Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Musée des Arts Décoratifs (The Scream)" Year: 1969 Medium: Original Lithograph, Exhibition ...
Category

1960s Expressionist USA - Figurative Prints

Materials

Lithograph

Femme nue couchée (Bloch 120; Cramer 127), Les Dames de Mougins
By Pablo Picasso
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 3.5 x 7 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonne references: Picasso, Pablo, and Georges Bloch. P...
Category

1960s Cubist USA - Figurative Prints

Materials

Lithograph

Les Montgolfieres, Place de la Concorde, Paris
By Fanch (Francois Ledan)
Located in San Francisco, CA
This artwork titled "Les Montgolfieres, Place de la Concorde, Paris" 1987 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and numbered 67/250 in pencil by the artist. The image size is 25.25 x 19.5 inches, framed is 37.25 x 31.25 inches. Printed by Atelier d'Art Dejobert, Paris, with their blind stamp at the lower left corner. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition. About the artist: Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America. His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail, In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interior...
Category

Late 20th Century Modern USA - Figurative Prints

Materials

Lithograph

Soeur III
By Carla Sutera Sardo
Located in New York, NY
ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...
Category

2010s USA - Figurative Prints

Materials

Photographic Paper

Querelle d'amoureux. (Quarreling). 1
By James Tissot
Located in Storrs, CT
En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...
Category

19th Century Impressionist USA - Figurative Prints

Materials

Drypoint, Etching

Max Eisler Eine Nachlese folio “The Embrace (Fulfillment)” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #17, Aus dem Stoclet-Fries: Die Umarmung; multi-color collotype after the cartoon for the 1910-1911 mosaic frieze on the east wall of the dining hall o...
Category

1930s Vienna Secession USA - Figurative Prints

Materials

Paper

L’Age de Soleil (Pour Roby), Modern Portrait Etching after Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
This minimalistic portrait by Pablo Picasso features thin lines that outline and frame the features of the face without oversimplifying the understated, fresh composition. A restrike...
Category

1960s Cubist USA - Figurative Prints

Materials

Etching

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, Dessinateur (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...
Category

1940s Post-Impressionist USA - Figurative Prints

Materials

Lithograph

Cosmic Flyer in Space, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Cosmic Flyer in Space Year: 2003 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Ins...
Category

Early 2000s Pop Art USA - Figurative Prints

Materials

Lithograph

Les Revolutions Sceniques du XXe Siecle - II, Lithograph by Joan Miro
By Joan Miró
Located in Long Island City, NY
Les Revolutions Sceniques du XXe Siecle - II (Cramer 207) Joan Miro, Spanish (1893–1983) Date: 1975 Lithograph Image Size: 12 x 9.5 inches Size: 14.5 in. x 10 in. (36.83 cm x 25.4 cm...
Category

1970s Modern USA - Figurative Prints

Materials

Lithograph

Mascara Roja
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category

Mid-20th Century Modern USA - Figurative Prints

Materials

Lithograph

Jane Fonda Hollywood Legend Academy Awards Oscars 20th Century Litho Activist
By Albert Al Hirschfeld
Located in New York, NY
Jane Fonda Hollywood Legend Academy Awards Oscars 20th Century Litho Activist Al Hirschfeld (1903-2003) Jane Fonda in "They Shoot Horses Don't They" Limited Edition etching, 1975 S...
Category

1970s Performance USA - Figurative Prints

Materials

Lithograph

Rauschenberg-Quote Vintage Pop Art
By (After) Robert Rauschenberg
Located in Brooklyn, NY
Rare exhibition poster from the series Collection of European Masters, published for the Kunstsammlung Nordrhein-Westfalen by Achenbach Editions. Quote from 1981 explores themes of c...
Category

Late 20th Century Pop Art USA - Figurative Prints

Materials

Offset

Abraham et Sarah (Mourlot 117-46; Cramer 25)
By Marc Chagall
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...
Category

1950s Expressionist USA - Figurative Prints

Materials

Lithograph

Loves Passenger, Art Deco Screenprint by Muramasa Kudo
By Muramasa Kudo
Located in Long Island City, NY
Muramasa Kudo, Japanese (1948 - ) - Loves Passenger, Medium: Screenprint, signed and numbered in pencil, Edition: 150/275, Image Size: 26.5 x 35.75 inches, Size: 33 x 41.75 in. (83.8...
Category

Late 20th Century Art Deco USA - Figurative Prints

Materials

Screen

Picasso, Sans titre, Pablo Picasso, Toros Y Toreros (after)
By Pablo Picasso
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.5 x 14.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...
Category

1960s Cubist USA - Figurative Prints

Materials

Lithograph

Alexander Calder Las Vegas card players lithograph (Calder prints)
By Alexander Calder
Located in NEW YORK, NY
Alexander Calder Card Players Lithograph form Derrière le miroir: Lithograph in colors; circa 1975. 11 x 15 inches. Good to very good overall vintage condition. Unsigned from an edi...
Category

1970s Pop Art USA - Figurative Prints

Materials

Lithograph

'The Furnace' — American Expressionism
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'The Furnace', drypoint, edition 26, 1924, Kennedy 5. Signed and annotated 'Drypoint. Ltd Ed. Del. et imp.' in pencil. Titled in pencil, in the bottom center sheet edge....
Category

1920s American Modern USA - Figurative Prints

Materials

Drypoint

Vintage David Hockney Exhibition Poster Ashmolean Museum 1981
By David Hockney
Located in New York, NY
Poster produced for David Hockney’s 1981 exhibition at The Ashmolean Museum, Oxford, which displayed the sets and costumes he designed for the Glyndebourne Festival Opera’s 1975 prod...
Category

1980s Modern USA - Figurative Prints

Materials

Offset

"Les Septs Peches Captitaux" [The 7 Deadly Sins] Etchings, Pair
Located in Astoria, NY
Andre Lambert (French. 1884-1967), Two Prints from "Les Septs Peches Captitaux", Colored Etchings and Aquatints, one "La Paresse" [Sloth], signed in pencil lower right and numbered e...
Category

1910s Art Nouveau USA - Figurative Prints

Materials

Etching, Aquatint, Paper

The Connor Brothers Every Saint Has a Past
By The Connor Brothers
Located in Washington, DC
Artist: The Connor Brothers Title: Every Saint Has a Past Medium: Giclee print with silkscreen varnish Year: 2020 Edition: 50 Sheet Size: 47" x 29...
Category

2010s Pop Art USA - Figurative Prints

Materials

Varnish, Giclée

Two naval images depicting 17th century warships
Located in Middletown, NY
French School 20th century Two naval images depicting 17th century warships flying various flags, including the Plantagenet Lions and St. George's Cross. (2) c1950. Two engravings w...
Category

20th Century French School USA - Figurative Prints

Materials

Watercolor, Engraving

Montmartre 1900, Lithograph by Kees van Dongen 1965
By Kees van Dongen
Located in Long Island City, NY
Artist: Kees van Dongen, Dutch (1877 - 1968) Title: Montmartre 1900 Year: 1965 Medium: Lithograph on Arches, Signed and numbered in ink Edition: 47/100 Image Size: 10.75 x 8.75 inche...
Category

1960s Post-Impressionist USA - Figurative Prints

Materials

Lithograph

WOMAN DRAWING
Located in Portland, ME
Packard, Emmy Lou (American, 1914 - 1998). WOMAN DRAWING. Color Woodcut, not dated. Edition size not known. Signed in pencil. 18 1/16" x 14 1/8" inches (...
Category

1940s USA - Figurative Prints

Materials

Woodcut

White Lotus 10
By Alex Katz
Located in Calabasas, CA
Artist: Alex Katz Title: White Lotus 10 Year: 2023 Medium: Archival pigment inks on 315 gsm fine art paper Edition: 50; signed and numbered in pencil Sheet: 32 × 48 in (81.3 × 121....
Category

2010s Contemporary USA - Figurative Prints

Materials

Archival Pigment

Acrobats, Michele Zalopany. Black and white monotype painting landscape
By Michele Zalopany
Located in New York, NY
In this black and white monotype, Zalopany has captured a duo of tumblers atop a roof, as onlookers stare in wonder. The artist is able to cap...
Category

1980s Realist USA - Figurative Prints

Materials

Monotype

H.O. Miethke Das Werk folio "The Virgins" collotype print
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
The Virgins, no. 2 from the fifth installment of Das Werk Gustav Klimts The Virgins speaks to a new chapter of Klimt’s artistic development. That it was sel...
Category

Early 1900s Vienna Secession USA - Figurative Prints

Materials

Paper

Matisse, Mademoiselle D.A., Portraits par Henri Matisse (after)
By Henri Matisse
Located in Fairfield, CT
Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.05 x 5.91 inches Inscription...
Category

1950s Modern USA - Figurative Prints

Materials

Lithograph

Max Eisler Eine Nachlese folio “Hygieia” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #10, Ausschnitt aus dem Bilde “Medizin”; multi-color collotype detail from Medicine, one of the faculty paintings for the Uni...
Category

1930s Vienna Secession USA - Figurative Prints

Materials

Paper

Four Hearts, rare poster, The Baltimore Museum of Art (Hand Signed by Jim Dine)
By Jim Dine
Located in New York, NY
Jim Dine Hearts (Hand Signed), 1983 Offset lithograph 28 × 22 inches Boldly signed in black marker on the front Unframed This vintage hand signed 1983 poster...
Category

1980s Pop Art USA - Figurative Prints

Materials

Offset, Permanent Marker, Lithograph

Picasso, 8.10.64. IX (Cramer 148), Le Goût du Bonheur (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...
Category

1970s Cubist USA - Figurative Prints

Materials

Lithograph

Her Secret Admirers, Framed Art Deco Screenprint by Erte
By Erté
Located in Long Island City, NY
Artist: Erte, Russian (1892 - 1989) Title: Her Secret Admirers Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 300 Image Size: 33 in. x 24 in. (83.82 cm x 60.9...
Category

1980s Art Deco USA - Figurative Prints

Materials

Screen

'Tree, Manhattan' — Classic American Realism
By Martin Lewis
Located in Myrtle Beach, SC
Martin Lewis, 'Tree, Manhattan', drypoint, 1930, edition 91 (including 10 trial proofs), McCarron 87. Signed in pencil. A superb, atmospheric impression, in warm black ink, on cream...
Category

1930s American Realist USA - Figurative Prints

Materials

Drypoint

Cathedral of Saint Cyr and Saint Julitta, Nevers
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some ma...
Category

Mid-20th Century American Modern USA - Figurative Prints

Materials

Laid Paper, Handmade Paper, Etching

A Dance in Otaheite (Tahiti) 1784 James Cook Final Voyage by John Webber
By John Webber
Located in Paonia, CO
A Dance in Otaheite ( Tahiti ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) who...
Category

1780s Realist USA - Figurative Prints

Materials

Engraving

BREAD (Derecho Alimentarse) Signed Linocut, Mexican Girl with Braided Hair
By Elizabeth Catlett
Located in Union City, NJ
BREAD (Derecho Alimentarse) The Right To Eat, created by the African-American woman printmaker and sculptor, Elizabeth Catlett. BREAD is a realistic linoleum cut portrait depicting a young Mexican girl...
Category

1960s Contemporary USA - Figurative Prints

Materials

Linocut

Girl with Unicorn, Lithograph by Gina 'Jennie' Tomao Stephanopoulos
Located in Long Island City, NY
Girl with Unicorn Gina ’Jennie’ Tomao Stephanopoulos, American (1934–2011) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 300 Image...
Category

1970s USA - Figurative Prints

Materials

Lithograph

FOG, GOG, AND MAGOG
By Roberto Matta
Located in Santa Monica, CA
ROBERTO MATTA (1911-2002) FOG, GOG, AND MAGOG 1971 Color lithograph. Plate 1 from “Fog Gog, and Magog” 1971. Signed in pencil and numbered. This work is number 92 from the edition o...
Category

1970s Surrealist USA - Figurative Prints

Materials

Lithograph

'The Aquarium' — WPA Era Graphic Modernism
By Fritz Eichenberg
Located in Myrtle Beach, SC
Fritz Eichenberg, 'The Aquarium', wood engraving, 1933, edition 200. Signed and titled in pencil. Initialed in the block, lower right. A superb, richly-inked impression, on pale yel...
Category

1930s American Modern USA - Figurative Prints

Materials

Woodcut

LA PARADE
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871 – 1958) La PARADE 1932 (CR.203, W.211) color etching and aquatint 1932. Edition 270. Frontispiece from “Cirque”. Signed in plate as i...
Category

1930s Modern USA - Figurative Prints

Materials

Etching

LA PARADE
LA PARADE
$1,100 Sale Price
43% Off
King David, Modern Poster by Reuven Rubin
By Reuven Rubin
Located in Long Island City, NY
Reuven Rubin, Israeli (1893 - 1974) - King David, Year: 1971, Medium: Poster, signed in pencil, Image Size: 22.5 x 17.5 inches, Frame Size: 32 x 26 inches
Category

1970s Modern USA - Figurative Prints

Materials

Offset

'Financial District', New York City — American Modernism
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category

1930s American Modern USA - Figurative Prints

Materials

Lithograph

Early 20th Century British Street Scene - 1920s Figurative Landscape Etching
By E. Mary Shelley
Located in Soquel, CA
Highly detailed figurative landscape lithograph of a street in London with a towering cathedral, old buildings, and figures walking the street below by E. Mary Shelley (English, late...
Category

1920s Impressionist USA - Figurative Prints

Materials

Paper, Etching

Sage, Sailboat, and Vase II, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Sage, Sailboat, and Vase II Year: 2000 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.375 x 8.25 inches Condition: Ex...
Category

Early 2000s Pop Art USA - Figurative Prints

Materials

Lithograph

Pucci Pants
By Mel Ramos
Located in Long Island City, NY
A three-dimensional lithograph mounted on cardboard with genuine gold-leaf detail by Mel Ramos from 2015. A woman's figure in seductive pose wearing iconic psychedelic printed pants ...
Category

21st Century and Contemporary Pop Art USA - Figurative Prints

Materials

Gold Leaf

Alberto"El Cuervo" Bustillos, ¨En mi húmeda dureza¨, 2007, Etching, 12.2x10.2 in
Located in Miami, FL
Alberto"El Cuervo" Bustillos (Mexico, 1950) 'En mi húmeda dureza', 2007 etching, aquatint on paper Deponte 300 g. 12.3 x 10.3 in. (31 x 26 cm.) ID: CUR-105 Unframed
Category

Early 2000s Contemporary USA - Figurative Prints

Materials

Paper, Etching, Aquatint

FAMILY IN BLUE Signed Lithograph, Black Family Portrait, Azure Blue, Warm Brown
By Geoffrey Holder
Located in Union City, NJ
FAMILY IN BLUE is an original hand drawn limited edition lithograph by the Trinidadian-American artist, Geoffrey Holder an actor, dancer, choreographer...
Category

1990s Contemporary USA - Figurative Prints

Materials

Lithograph

The Feast, from the suite les Bohemiens
By Jacques Callot
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635) Title: The Feast, from the suite, les Bohemiens Year: 1620 Medium: Etching Paper: Laid paper Size of image: 4.65 x 9.15 inches Signature: S...
Category

17th Century Realist USA - Figurative Prints

Materials

Etching

Neil Young, Caricature Lithograph by Al Hirschfeld
By Albert Al Hirschfeld
Located in Long Island City, NY
Al Hirschfeld’s Rock'n in the Free World Neil Young. This print is signed and numbered in pencil. Al Hirschfeld, American (1903–2003) Date: 2000 Lithograph, signed and numbered in p...
Category

Early 2000s Post-Modern USA - Figurative Prints

Materials

Lithograph

Visage, Cubist Lithograph after Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
This Pablo Picasso print serves as an excellent example of the artist's unique style and ability to convey deep meaning through seemingly simple portraits. Relying on intense bursts ...
Category

Late 20th Century Cubist USA - Figurative Prints

Materials

Lithograph

Gerlach's Allegorien Folio, plate #58: "Sculpture" Lithograph, Gustav Klimt.
By Gustav Klimt
Located in Chicago, IL
As an artist trained in the applied arts, Gustav Klimt valued all forms of art, including the graphic arts. This final design from 1896 for inclusion in Allegorien published by Gerlach & Schenk demonstrates respect for artistic precedent and for a wide range of media and technique. The publication was printed in an unknown number of copies. Klimt’s rendering in latin of the title, “SCVLPTVR.,” with three-dimensional effect on the wall, is a figurative allusion to this medium as well as a literal reference to Ancient Rome. By doing the same with his signature and date in roman numerals on the right hand side of the image, Klimt places himself, The Artist, firmly in this linear and legitimizing context of art history and as its modern standard-bearer. Playing on Classical mythology and the story of Pygmalion, in which a statue comes to life, Klimt presents his modern Venus holding an apple. Klimt’s Venus exhibits a curvilinear softness; there are no angles. Klimt deftly shows the possibilities in a graphic image to give life to dark, wavy hair and tenderness to swelling breasts and belly. To further emphasize the allegory of thriving modern art, he contrasts his Venus with the cold, hard ancient classical head whose eyes are vacuous and whose hair is but a stylized mass of curls. Klimt’s living Venus stands in front of the large bust and large classical pillar upon which is a sculpture of a Sphinx and a Greek Attic bust. As if a gallery to represent sculpture’s “best of” through the ages, the upper horizontal panel includes bust depictions in marble, cast metal and wood...
Category

1890s Vienna Secession USA - Figurative Prints

Materials

Lithograph

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