USA - Figurative Prints

Raymond Pettibon Black Flag flyer Los Angeles, 1982: Black Flag Olympic Auditorium, Los Angles, CA, Saturday July 17, 1982. Flyer/handbill for gig by Black Flag, DOA, Descendents, U...

One of David Hockney’s Six Fairy Tales from the Brothers Grimm illustrations, taken from the story of ‘The Little Sea Hare’. This tower was likely inspired by Hockney’s travels throu...

XXe Siecle, No. 34, Mai 1970 Color lithograph, 1970 Unsigned (as usual for XXeme Siecle edition) From: XXe Siecle, Volume 34, 1970 Published by G. di San Lazzaro for A. Maeght, Paris...

Keith Haring San Francisco 1986: "Club DV8 Unveils the Keith Haring Room": San Francisco June 5th, 1986: Vintage original 1980s Keith Haring illustrated poster for Club DV8 San Francisco. During the time Haring was creating a mural for the St. Patrick's Day Care Center San Francisco, he painted several canvases to be installed above the bar at the famed Club DV8. Performance artist John Sex, whose name appears on the poster, was one of Haring's close friends. Offset lithograph. Image: 16 x 20 inches. Framed dimensions: 25 x 21 inches. Fair overall vintage condition; minor surface tear & age related wear. Framed in glass; frame in very good overall condition. Literature/Catalogue Raisonne: Keith Haring: Posters (entry 46; Prestel publishing) Further Background: Keith Haring DV8...

Modern figurative surrealist lithograph by Mexican artist José Luis Cuevas. The work features two central seated figures with papers laid out on a table in front of them. The title r...

Keith Haring's Free South Africa series deftly addresses the nature of South Africa's apartheid regime in Harng's unique and succinct visual language. Signed, dated, and numbered low...

Caricature etching by American artist Charles Bragg. A group of jurors stare aimlessly around a courtroom. The Jury Charles Bragg, American (1931–2017) Date: 1976 Lithograph Image S...

Larry Rivers "The Music Festival of the Hamptons / July 18-27 1997" poster, Not hand signed. [Dimensions: 24" H x 18" W] Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

"Nane - Qagyuhl" Native American in Grizzly Costume - Photogravure Print Photogravure of a Native American man from a photo by Edward Sheriff Curtis (American, 1868-1952). The man i...

JONAS WOOD Interiors and Landscapes Offset lithograph poster (hand signed and inscribed) 24 × 18 inches Hand signed, dated by Jonas Wood with the artist's distinctive basketball leg...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

Barry Leighton-Jones was born in London, England in 1932 and is a direct descendant of the Victorian artist and President of the Royal Academy, Lord Fre...

Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme au Corset Tesant un Livre". The original painting was completed in 1918. In the 1970's...

Artist: Franz Lenhart. Size: 27.5" x 39". Professional archival linen backed; ready to frame. "La Conca d'Oro dell 'alto Adige" The water flows f...

ARTIST: Salvador Dali TITLE: Portrait of Picasso MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: a/b 66/200 MEASUREMENTS: 19" x 31" YEAR: 1970 FRAMED: No CONDITION: Exc...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Yale University Art Gallery (Thinking of Him)" Series: Yale University Art Gallery Posters Year: 1991 Medium: Original Offset-Lithograph, Poster on smooth wove paper Limited edition: Unknown Printer: Springdale Graphics, Springdale, CT Publisher: Yale University Art Gallery, New Haven, CT Sheet size: 27" x 26" Image size: 22.25" x 22.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Notes: Provenance: acquired directly from the printer Springdale Graphics, Springdale, CT. Comes from the 1991 "Yale University Art Gallery" series of three offset-lithograph, posters: "Thinking of Him", "Blam", and "Washing Machine". The image featured on this poster is Lichtenstein's 1963, 68" x 68", magna on canvas painting "Thinking of Him" which is part of the Yale University Art Gallery's permanent collection. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff...

A poignant image of children sining in a choir, gut with gas masks hanging on the wall behind them at the right side of image. Rare image of this World War II era image. A fine impr...

Lucio Muñoz Martinez (Spain, 1929-1998) 'S/T', 1994 engraving on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 75 ID: MUÑ1114-004-075 Hand-signed...

Robert Rauschenberg Lucio Amelio Napoli poster, 1987 Offset lithograph poster Plate signed 39 × 21 inches Unframed This poster was published for the exh...

This colorful foil-embossed poster was created by the effervescent Austrian-born New Zealand artist Friedensreich Hundertwasser. Hundertwasser (1928-2000) stood out as a truly indivi...

Jamie Wyeth Unsettled (hand signed and inscribed by Jamie Wyeth), 2024 Offset lithograph poster (signed and inscribed to Kevin in black marker) Boldly signed and inscribed "for Kevin" on the lower front. Accompanied by documentation of the event at Rizzoli's where Jamie Wyeth signed...

Beautiful figurative giclée and watercolor limited edition print titled "The Aunties", a homage to the classical figurative sculpture The Three Graces, by Anne Ormsby, a Aptos, Calif...

Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. Published by Aimé Maeght, Éd...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mourlot, Fernand. C...

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Color Serigraph on Arches paper from Nana Power (1970) collection publisehed by Editions Essellier, Liechtenstein. Niki de Saint Phalle (1930-2002) was born Catherine-Marie-Agnès-Br...

Medium: original lithograph. Printed in 1975 on Arches paper for the special "Homage to Esteve" issue of the art revue XXe Siecle, and published in Paris by San Lazzaro. Size: 12 1/4...

Original poster: Parc de Bagatelle et Louis Vuitton 1999 Hand-signed by the artist Razzia in black marker on the left side. In plate right side. Linen backed, ready to frame. Excellent condition. Linen-backed Parc de Bagatelle. Concours Automobiles et Louis Vuitton. September 1999. Hand-signed by the artist in black marker in the lower left. The signature on the plate is in the lower right. This original poster is also archivally linen-backed and ready to frame. This was the merger of Mercedes Benz and Chrysler with an automobile from each company represented. The Louis Vuitton house...

This artwork titled " Paris, Place De La Concorde" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered ...

Artist: Peter Max (1937) Title: Flower Jumper Over Sunrise II Year: 2001 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excell...

The First Reading of the Emancipation Proclamation Before the Cabinet is a hand-colored steel engraving after a painting by Francis Bickne...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Parallèlement, Illustré ...

Lithograph on vélin paper. Paper Size: 13 x 9.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagall Lit...

This artwork, "Lila" 1981 (State I) is an original lithograph on heavy paper by renowned Navajo artist Rudolph Carl (R.C.) Gorman, 1932-2005. It is signed, dated and numbered 90/150 in pencil by the artist. With the blind stamp of the artist and printer. The sheet size is 17.75 x 22.5 inches. It is in excellent condition, has never been framed, the colors are fresh and bright. About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...

Artist: Marc Chagall Title: Sarah and the Angels Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Size: 14 3/8"...

Original, horizontal, 1972, 'ICED LOLLY" created by the British artist Michael English. Printed in Harlow England. This nude is melting the form ...

Alex Katz Ada (purple) 2022
 1 Color Woodcut on Somerset Satin White, 300 gsm fine art paper
 18 x 23.5 inches (60 x 46 cm)
 Signed and numbered edition of 75 Alex Katz is an Americ...

Corita Kent Yes to You, 1979 Color silkscreen Hand signed, numbered and uniquely inscribed with a heart doodle by the artist on the front. Artists Proof (aside from the regular editi...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...

Robert Indiana New Glory Banner 1997 Silkscreen on heavy woven paper Unsigned as issued Size: 10.4 × 16.8 on 16.6 × 21.7 inches Gallery COA provided Robert Indiana was an American artist associated with the pop art movement. His "LOVE" print, first created for the Museum of Modern Art's Christmas card in 1965, was the basis for his 1970 Love sculpture and the widely distributed 1973 United States Postal...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Synthia Saint James (American, b. 1949), WITH HONORS is a hand drawn limited edition color lithograph(not a photo reproduction or digital print) printed using hand lithography techni...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, XXe Siècle, Hommage à Dorothea Tanning...

This is a cast metal sculpture of a woman and child, mother and baby in a rocking chair. It has a patina on a white metal. Not sure if it is steel or aluminum. It is and older vintage piece and has wear to patina where it sits and rocks on table. It is not signed or numbered and there is no foundry mark. Hence it is being sold as being after or in the manner of Henry Moore. Henry Spencer Moore (1898 – 1986) Moore was born in Castleford, the son of a coal miner. He became well-known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom later endowing the Henry Moore Foundation, which continues to support education and promotion of the arts. After the Great War, Moore received an ex-serviceman's grant to continue his education and in 1919 he became a student at the Leeds School of Art (now Leeds College of Art), which set up a sculpture studio especially for him. At the college, he met Barbara Hepworth, a fellow student who would also become a well-known British sculptor, and began a friendship and gentle professional rivalry that lasted for many years. In Leeds, Moore also had access to the modernist works in the collection of Sir Michael Sadler, the University Vice-Chancellor, which had a pronounced effect on his development. In 1921, Moore won a scholarship to study at the Royal College of Art in London, along with Hepworth and other Yorkshire contemporaries. While in London, Moore extended his knowledge of primitive art and sculpture, studying the ethnographic collections at the Victoria and Albert Museum and the British Museum. Moore's familiarity with primitivism and the influence of sculptors such as Constantin Brâncuși, Jacob Epstein, Henri Gaudier-Brzeska and Frank Dobson led him to the method of direct carving, in which imperfections in the material and marks left by tools became part of the finished sculpture. After Moore married, the couple moved to a studio in Hampstead at 11a Parkhill Road NW3, joining a small colony of avant-garde artists who were taking root there. Shortly afterward, Hepworth and her second husband Ben Nicholson moved into a studio around the corner from Moore, while Naum Gabo, Roland Penrose, Cecil Stephenson and the art critic Herbert Read also lived in the area (Read referred to the area as "a nest of gentle artists"). This led to a rapid cross-fertilization of ideas that Read would publicise, helping to raise Moore's public profile. The area was also a stopping-off point for many refugee artists, architects and designers from continental Europe en route to America—some of whom would later commission works from Moore. In 1932, after six year's teaching at the Royal College, Moore took up a post as the Head of the Department of Sculpture at the Chelsea School of Art. Artistically, Moore, Hepworth and other members of The Seven and Five Society would develop steadily more abstract work, partly influenced by their frequent trips to Paris and their contact with leading progressive artists, notably Pablo Picasso, Georges Braque, Jean Arp and Alberto Giacometti. Moore flirted with Surrealism, joining Paul Nash's modern art movement "Unit One", in 1933. In 1934, Moore visited Spain; he visited the cave of Altamira (which he described as the "Royal Academy of Cave Painting"), Madrid, Toledo and Pamplona. Moore made his first visit to America when a retrospective exhibition of his work opened at the Museum of Modern Art in New York City.[28] Before the war, Moore had been approached by educator Henry Morris, who was trying to reform education with his concept of the Village College. Morris had engaged Walter Gropius as the architect for his second village college at Impington near Cambridge, and he wanted Moore to design a major public sculpture for the site. In the 1950s, Moore began to receive increasingly significant commissions. He exhibited Reclining Figure: Festival at the Festival of Britain in 1951, and in 1958 produced a large marble reclining figure for the UNESCO building in Paris. With many more public works of art, the scale of Moore's sculptures grew significantly and he started to employ an increasing number of assistants to work with him at Much Hadham, including Anthony Caro and Richard Wentworth. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Léger, F...

Lithograph on vélin Saint-Vincent-de-Blanzat des Papeteries Navarre paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Sources du vent 1915-1929, avec ...

The Original San Francisco United Air Lines Vintage Poster, 1967 Travel, is in very good condition, A-, and backed in Mid-Century Modern Linen. Ready to frame. Capture the timeles...

Artist: Marc Chagall Title: Woman Juggler Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 21 7/8" x 18 7/8" Image Size: 12 1/2" x 9 1/...

Three iconic Leon Bakst costume designs for Le Dieu Bleu ( The Blue God ) a ballet choreographed by Michel Fokine and written by Cocteau. The ballet premiered in Paris in 1912. It tells the story of a girl who tries to dissuade her fiancé from becoming a priest and is thereafter tormented by demons; but she is eventually saved by the Blue God, a part performed by Vaslaw Nijinsky, the greatest male dancer of his time. Fokine’s choreography and Bakst’s costumes drew upon Siamese dance and Hindu sculpture. These three prints are vintage reproductions quite unlike the reproductions of today. They each have the look of original watercolors and are backed on heavy grey rag paper with a hand painted gold border. Properly framed they will definitely look like the original drawing. The size of the actual prints varies slightly but the background paper size is consistently 10.5 x 15.5. Born in Russia in 1866, Léon Bakst belonged to a young generation of European artists who rebelled against 19th-century stage realism, sparking a revolution in theatre design. His fame lay in the sets and costumes he designed for Serge Diaghilev’s (1872 – 1929) legendary dance company the Ballets Russes, and his huge pageant spectaculars for the dancer and patron of the performing arts, Ida Rubinstein...

David Hockney My Mother (Bridlington), 1988 Four Color Lithograph on T.H. Saunders Waterford 250 gram paper. Hand signed. Also accompanied by a separate signed Certificate of Authent...

KATHE KOLLWITZ (1867-1945) GEFALLEN (Killed in Action) 1920 (Klipstein 153 (1st state, a of c of 2 states) Lithograph on laid paper. Image 16 ¼ x 15 ¼ inches, Large Full Sheet, 25 ½...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...

This exhibition poster promoted a retrospective of drawings by Pop artist Roy Lichtenstein at James Goodman Gallery in New York in 1984. The work depict...

Artist: Keith Haring Title: Plate 6 from Story of Red and Blue (L. pp. 128-133) Medium: Screen print in colors on wove paper Sheet Size: 22 x 16.5 inches Frame Size: approx 28.5 x 22...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Although this work is titled Horses. It nice to think it could be (Horses in a Field in Woodstock, NY), but it was printed by Will Barnet at the Art Students League, about 1938, and Wilson, who visited Woodstock with Arnold Blanche...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.69 x 11.73 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 12.44 x 8.31 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fo...