USA - Ceramics

A traditional English hunting plate by Barratts of Staffordshire England. This round ceramic plate will be a fabulous accent to a gallery wall. It is gl...

Contemporary American ceramic artist Richard Hirsch's Ceremonial Cup #34 is part of his Tripod Vessels collection. It’s hand sculptured clay, multi-fire...

This footed coupe is glazed in black and a brilliant, craquelure turquoise green. Stamped: CAB Numbered: 41

In 1917, Gustavsberg hired Kåge to make its dinnerware and other everyday products more beautiful—he would serve as the company's Artistic Director until 1948. During this fruitful p...

Indulge in bohemian charm with this vintage crackle-glazed ceramic swan, a timeless testament to American eclectic style. With its whimsical design and textured finish, this swan exu...

1930s Lapis Blue Art Deco Ceramic Refrigerator Water Jug with Matching Stopper A stunning example of 1930s Art Deco design, this lapis blue glazed ceramic water jug is both a functi...

This small vase is ribbed and richly glazed in light brown. Signed and numbered 128.

Charming French lion head double handled soupière found in a French market. As a collector myself of these bowls I was happy to come across one in this deep color, as typically they ...

North Vietnamese textured terra cotta pots that were used as food vessels. Each pot varies in size and texture. Sizes range from 7" diameter x 6" height ...

A pair of Italian majolica trompe l’oeil garden stools, mid-20th century. 13 inches wide by 13 inches deep by 15 ½ inches tall

A Japanese hand-painted porcelain plate from the 19th century, with blue and white tree, foliage and butterfly décor. Created in Japan during the 19th century, this porcelain plate features a delicate blue and white décor...

Set of three white porcelain Awa Odori festival dancers wearing kimono and amigasa bamboo hat. Often mistaken for geishas. Dancing figures created by Keiten Takahashi (Japanese, 192...

George J. Sowden, Bitossi Ceramiche Handmade Limited Edition Clay Triangle Vase. Numbered 057/299. George J. Sowden is a designer with experience in ...

A monumental example of abstract expressionism translated into clay.George Roby is an Ohio Potter,he studied at Cranbrook and his work is part of the permanent collection of the Clev...

North Vietnamese textured terra cotta pots that were used as food vessels. Each pot varies in size and texture. Sizes range from 7" diameter x 6" height to 7" diameter x 9" height. W...

Decorate a wall of a shelf with this colorful set of decorative plates. Crafted in England circa 1880, each plate is heavily textured and brig...

The glazed terracotta pots of Françoise Blondeau and AÏt Lhaj Hassan possess a symmetry and balance that pits their natural, earthy medium against an elegant beauty specific to man-m...

A beautifully glazed mid-century vase executed by Carl-Henry Stalhane for the venerable Swedish based ceramics firm Rorstrand. Signed.

This beautiful antique ceramic dish was crafted in Normandy, France, circa 1880. The stylized ceramic plate has a scalloped edge and depicts a han...

Trish DeMasi Botanica vessel, 2021 Glazed ceramic Measures: 9 x 8 x 8 in.

Art Pottery, Studio Ceramic /weed pot , feelie by Brenda Williams.. Northern California artist.. Stunning form,, wonderful glaze.. Last pho...

Large glazed ceramic bowl by noted and highly collected Italian artist Guido Gambone. A lovely example of his work in muted yellow and neutral toned surface with signature on botto...

Rare 19th C mochaware mixing bowl w/spout.

A large sculptural stoneware pitcher by Italian ceramic artist and designer Guido Gambone (1909-1969), circa 1950s. This vessel takes an elegant sculptural form from the Classic anti...

Early pieces by CAB for Primavera were inspired by ancient ceramic methods as well as early Japanese metalware. Félix Gête developed the green overglaze seen in this vase, obtained f...

This large bowl narrows at the base and is glazed in peacock blue with black line pattern. Stamped Primavera Lonqwy France.

Trish DeMasi Guido, 2020 Glazed Ceramic 12.5 x 9.25 x 5 in The Moderno collection by Trish DeMasi features geometric shapes, sumptuous textures and pleasing neutral colors in the fo...

An 18th century Chinese Porcelain Famille Rose Mandarin 3-Piece vase Garniture Set. A status symbol between the 17th and 19th centuries, most garniture sets have by now been damaged or broken up with the individual pieces sold off. Few complete sets now exist, and even fewer survive in their original state, which makes this beautifully painted set of three Chinese Porcelain Famille Rose vases so much more special. With mandarin orange and gilt unusually bold and swooping dragon handles, each delicately decorated vase is completed with a lid seating a gloriously pompous foo dog. The bodies are decorated with hand painted famille rose flowerpot cartouches, as well as, chirping birds, and banded flowers and vines. The exquisite hand painted tastefully colored floral displays each with their own hand painted vase creates a freshness and inspires within us the IDEA for further additions of fresh flowers within the home. One of the porcelain, three (3) piece garniture set, is smaller and has a variation of banded colors around its fluted foot, lending just the right amount of visual variation to this gorgeous trio. The white porcelain bulbous bodies are further decorated with colorful insects...

The glazed terracotta pots of Françoise Blondeau and AÏt Lhaj Hassan possess a symmetry and balance that pits their natural, earthy medium against an elegant beauty specific to man-m...

Jean Lurçat 1892-1966 Plate – Green & Black - Medusa c1955 Inscribed "Dessin J. Lurçat, Sant Vicens on verso Hand-painted glazed ceramic, 40 cm diameter

Royal Staffordshire/ Wilkinson ltd, England. Design - Spring - R N 660074, A fine example with bright and crisp decoration with Japanese Cherry Blossoms, fully marked. The piece measures 10.25-Inches to the handle, the bowl has 8.5-inch diameter and stands 5-inches high Chamber pot...

Wonderful Art Nouveau iron stone ceramic glaze designed by Christopher Dressner for S.C.I. Laveno, stamped, circa 1890-1900. Note rare coloring.

Black ceramic Art Nouveau style jardinière with green distressed finish. Inside is flamed glaze and outside is natural finish. Minor chipping/scuffs. (See pics). Signed Italy.

This contemporary fabulous highly sophisticated ceramic vessel is signed Yuri by the artist. It is off white matte porcelain colored glaze ceramic covered with with charcoal black gr...

An unusual ceramic, studio vase by Elinor Jensen, ca' 1960's. Heavy, earth tones, decorated with concentric circles. A note about the artist: She was a member of the Ceramic Leagu...

This tall ceramic vase has a double cone shape with a low "waist". The white glaze over the black base coat is loosely applied with varied thickness and tiny air bubbles overall. The...

Majolica asparagus plate attributed to Fives Lille, circa 1890.  

A French Art Nouveau covered porcelain jar designed by Georges De Feure and manufactured by Dufraisseix & Abbot, Limoges, for Art Nouveau Bing. In the...

Ceramic piece made by artist Lois Samuels. No. 25 of her Open series. Dimensions: 7.5" x 17" x 15"

Stig Lindberg was a Swedish visionary, a ceramicist, designer of glass and textiles, a painter and illustrator and an industrial designer. He was born in Umeå, Sweden in 1916 and bec...

Set of four green banded white espresso cups and saucers. Set of four vintage Continental white espresso cups and saucers with smart double green banding. Underglaze markings for Hei...

Beautiful decorative plate, bowl, vide poche from famed Italian ceramic house Studio Del Campo of Turin, Italy. Manufactured somewhere in the 1960's. Plate is comprised of enamel c...

Vintage ceramic stoneware creamer with vertical striping in blues and browns. Signed "Hostetter" on base. Style: Mid-Century Modern. Dimensions: 4" wide x 3.5" deep x 4.75" tall.

19th century, French clock In the Chinoiserie style. An 8 day pendulum movement that bell strikes on the hour and half hour. Chinese porcelain body in the Kang His style by Samson. T...

These are one-of-a-kind mixed ceramic vessels of unknown origin. Both are hand-formed and asymmetrical with delicate detailing and line work. One is a glazed sea foam green with past...

Trish DeMasi Lamella Vessel, 2021 Glazed ceramic Measure: 10 x 10 x 20.5 in.

Crafted by Wedgwood, this rare, round-shaped rum kettle is comprised of black basalt and features a molded bail handle and glazed interior. Referred to as “...

Signed in ink: Ch. Catteau Marked in ink: D.1009 (design number) Incised: Grès Kéramis and 898 (shape number) Stamped: Boch F es La Louvière made in Belgium This vase displays Catte...

This unique vase by Swedish ceramist Claes Thell possesses the kind of rough beauty for which he is well-known the world-over among enthusiasts of Scandinavian ceramics. Thell deve...

French ceramist Eric Astoul (b. 1954, Morocco) infuses his sculptures with the essence of ancient and modern earthenware he has encountered along his travels in France, England, Japa...

Arts and Crafts movement, petite ceramic bowl by Fannie Levine for Saturday Evening Girls. This early modernist design was created using the cuerda se...

Late 19th century Staffordshire lions.

Cobalt blue painted pottery decorated floral stoneware handled jug. Measures: 9.5” high, 7” diameter.

PRESENTING a GORGEOUS AND EXTREMELY RARE Lamp of small to medium proportions. In the shape of a Lidded Chinese Ginger Jar/Urn, heavily influenced by Chinese design with gilt bronze mounts and base in the Chinese style. CLASSIC Oxblood or ‘Sange de Boeuf’ Pottery. Very nice table lamp. IMPRESSIVE and VERY DECORATIVE ! From circa 1920 and we believe American made, probably by the Hugh C..Robertson for Dedham Pottery...

This exquisite early 19th-century chinoiserie box, adorned with lacquered surfaces and ornate gold-toned detailing, showcases the superb craftsmanship of English artisans influenced ...

FAPG 20247D John Bennett (1840-1907), New York Plaque with pink and blue phlox, circa 1881-1882 Earthenware, painted and glazed Measures: 14 7/8 in. diameter, 1 13/16 in. high Signed and inscribed (on the back): J B[monogram] ENNETT / E 24 NY. / MC [or] CM If the Herter Brothers was the most distinguished and successful cabinet making and decorating firm in New York in the 1870s-1880s, the transplanted Englishman John Bennett was probably the most gifted ceramicist working in New York in the Aesthetic period. (Bennett was included in The Metropolitan Museum of Art’s landmark exhibition, In pursuit of beauty: Americans and the Aesthetic Movement, in 1986–87, and Alice Cooney Frelinghuysen’s chapter, “Aesthetic Forms in Ceramics and Glass,” pp. 216–19, significantly informs this essay). Born in England, the son of a potter who worked in the Staffordshire district, Bennett came under the influence of John Sparkes, head of London’s Lambeth School of Art. Soon thereafter, he was hired by Henry Doulton of the eponymous firm to teach artisans there the new art of underglaze faience decoration, which was part of a revival of the sixteenth-century interest in hand-painted ceramics. A number of Bennett’s works for Doulton were shown in the Doulton display at the Centennial Exposition in Philadelphia in 1876, and the considerable success enjoyed by Bennett and Doulton from an American audience undoubtedly played an important role in Bennett’s decision to leave Doulton and England and set up shop in New York in 1877. By the next year, he had already established a studio in New York, where he produced his own pottery in the tradition of the Arts & Crafts innovators, William Morris and William De Morgan, and also taught classes at the new Society of Decorative Art to the growing band of women who had taken up china painting, both professionally and avocationally. Bennett’s pottery developed a very serious following among students and collectors, and was offered for sale at such leading retail establishments as Tiffany & Company in New York. Typically, his work was brilliantly colored, with carefully drawn naturalistic flowers against a monochromatic background. Bennett’s fully developed American work, particularly pieces of larger scale, is exceedingly rare, as he worked in New York only from 1877 to 1883, in which year he withdrew to a farm in rural West Orange, New Jersey, where his production continued on a limited basis. He remained listed as a ceramicist there until 1889. While in New York City, Bennett maintained a studio at 412 East 24th Street. The present charger, boldly featuring pink and blue phlox, is signed by Bennett, and is inscribed “E 24 NY,” indicating its manufacture during Bennett’s time in New York. Although it is not dated, this piece is closely related stylistically to various dated pieces from 1881–82, which would place its production toward the end of Bennett’s New York years. Although we do not know whether Bennett worked out of this 24th Street studio from the outset, he was indeed working there by 1879 when he made (and signed, inscribed, and dated) a charger with white and red flowers now in the collection of the Art Institute of Chicago, which specifically points to “412 East 24 / NY” (acc. no. 1998.317). Additionally, the U.S. Census of 1880 lists Bennett as a ceramicist located at that same address, married to Mary Bennett with whom he had had six children. There are several other examples from Bennett’s time in New York City, which also give his studio address on East 24th Street, including a covered jar in cadmium yellow with indigo and green flowers made in 1881; an undated footed vase with lilac...

Contemporary Chinese hour glass shaped vase with tortoise effect glaze. Black, brown and cream colors.

A set of four stoneware restaurantware plates. Each plate is glazed in white, with either a blue or green border around the rim. (Two blue, and two green) Marked at bottom: stoneware...

Charming, unusual bowl depicts a donkey wearing pink baseball hat and pulling a cart. The piece features elaborate decor on the cart with applied wheels and decorative rims; the donk...

It starts off with 3kg of clay for both the top and bottom of the lamp. Thrown on the potters wheel they are left to dry overnight and trimmed, smoothed and fitted together the next ...