Utah - Still-life Sculptures

Artist: SSUR Manufacturer: Medicom Toy Type: Bust Color: Hot Pink. (this also came in bronze and a glow in the dark fluorescent neon green) Signed in the mold Material: Vinyl sculpture There is no box or bag. Founded by visual and conceptual artist Ruslan Karablin...

Artist: Jeff Koons Title: Diamond (Red) Year: 2020 Medium: Porcelain with metallic chromatic coating Dimensions: 12 1/5 x 15 7/16 x 12 5/8 inches (31 x 39.2 x 32.1 cm) Edition: 599; ...

Artist: Chuck Krause (1949) Title: 1960’s Claricon 38-503 Dynamic Microphone Repurposed Lamp Sculpture Year: Repurposed in 2019 - original vintage, repurposed, non-audible microphone - overall height (includes stand): 11” - microphone head: 1-3/4" x 2" x 3-1/2" - includes black base (diameter: 6") - total weight: 3 lbs. - on/off switch on microphone controls lamp - re-wired power cord with wall plug - wear consistent with age and use - low voltage, led, cool to the touch - artist’s signature hand incised on base Notes: Condition of this over 50 year old...

The sprinkles are plastic cut and colored to look like candy sprinkles. Peppy uses a real basketball and deflates it and creates the sculpture to mix two of his favorite things, can...

"The Stationary Pot" by Katharine Morling – Porcelain Sculpture of office and Studio Creative Items Delicate yet bold, The Stationary Pot by Katharine Morling transforms traditional...

This abstract sculpture shows a spirited and organic form. These qualities are emphasized by the brilliant yellow color that adorns 80% of the work and by the technical expertise of ...

"Keys to My Heart" by Katharine Morling – Black and white porcelain sculpture of pop art surreal key chain with six handmade keys, charms and a locket. Delicate yet bold, "Keys to M...

"Cairn #1 (5 Stack)"is an original green ceramic sculpture by Yoonmi Nam made from directly slip casting the negative space of neatly stacked takeout containers and finishing with a ...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Farm Memory Jar...

Bespoke Chanel Pill wall sculpture Easy wall mount Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...