Wyoming - Still-life Sculptures
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Item Ships From: Wyoming
White Horse Ceramic Vase (Yellowstone Wild Life) White Stoneware, glossy glaze
By Jesse Fales
Located in Cody, WY
JESSE FALES, White Horse Vase, white stoneware and glaze, 2024. This handcrafted vase or candleholder pot channels the simplicity, strength, and purity of t...
Category
2010s Folk Art Wyoming - Still-life Sculptures
Materials
Stoneware, Glaze, Ceramic
Horse w spots Ceramic Vase (Yellowstone Wild Life) White Stoneware, glossy glaze
By Jesse Fales
Located in Cody, WY
JESSE FALES, Spotted Cream & White Horse Vase, white stoneware and glaze, 2024. This handcrafted vase or candleholder pot channels the simplicity, strength,...
Category
2010s Folk Art Wyoming - Still-life Sculptures
Materials
Stoneware, Glaze
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Tom Otterness was born in Wichita, Kansas in 1952. He came to New York City in 1970 to study at the Arts Students League, and in 1973 took part in the Whitney Independent Study Program. In 1977 he became a member of Collaborative Projects, a pioneering community of independent artists, and took a leading role in organizing Colab’s 1980 Times Square Show, which was called “the first avant-garde art show of the ‘80s” by the Village Voice. Otterness is one of a handful of contemporary artists invited to design a balloon for the Macy’s Thanksgiving Day Parade, for which he devised a tumbling Humpty-Dumpty in 2005. Otterness lives and works in New York.
Otterness may well be “the world’s best public sculptor,” as the art critic Ken Johnson opined in the New York Times in 2002. Public art is his focus, and Otterness has had major outdoor exhibitions of his sculptures on the Park Avenue Mall in New York (2003), in more than a dozen sites in downtown Indianapolis (2005), on the grounds of the Beverly Hills city hall (2005-06) and throughout Grand Rapids, Michigan (2006). His first solo exhibition, held at Brooke Alexander Gallery in New York in 1983, featured elements of The New World (1991), a white plaster frieze of 250 nude “Ur-people,” as essayist Hayden Herrera called them, eventually destined for the plaza of the Edward R. Roybal Federal Building in Los Angeles, a General Services Administration commission.
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