Still-life Paintings on Sale

A charming study in vibrant red tones. The artist uses a palette knife to layer the rich tones, created a dynamic and textural still life composition. Signed to the upper left. On ca...

This piece, "Blue Butterfly", is a 30x30 oil painting on canvas by artist Ora Sorensen featuring a bowl of green apples inside of a glass dish with the black tablecloth as the backdr...

In September 2006, Pam began her artistic journey at Silvermine School of Art where she studied still life for eight years with Kirill Doron of the Art Institute of Moscow. Pam's pr...

Green White Blooming Flowers Painting Embellished Giclee on Canvas 60WX40H Collector's Edition Embellished Art Canvas Giclee With Brushstrokes and rich texture. State-of-the-art HA...

Red Poppy Magic Painting Hand Embellished Giclee on Canvas 60H X 40W Collector's Edition Embellished Art Canvas Giclee With Brushstrokes and rich texture. State-of-the-art HAND EMB...

Represented By George Billis Gallery. As the practitioner of a non-verbal art, Jarvis Wilcox’s first objective is to intrigue the viewer into spending enough time with the painting t...

Street Art, graffiti, bright colors, Gestural Abstraction

Shabby Chic White Shells, Original Rustic Shells Coastal Painting with Acrylic on Canvas Acrylic on Stretched Canvas SPECIFICATIONS: - Artist-grade canvas. - 1" deep wooden support bars - Gallery Stretching & Wrap SEASHELLS ART...

48 x 36” inches, Acrylic on Stretched Canvas, Framed - Silver Floater Frame, 2017 in Los Angeles FLORAL ART Irena Orlov's floral art collection is oversized, vibrant and guaranteed ...

A charming still life study depicting bananas, apples and lemons entwined in patterned fabric. Signed to the lower right. On board.

"Lily Pond Sketch" is an impressionist bright green and yellow landscape. A serene depiction of a lily pond through the trees that thrives around the border of the pond. Florence mas...

Still Life Of Grapes In The Vineyard, 17th Century Pierre Antoine Lemoyne (French 1605-1665) similar to $250,000 Huge 17th Century French Old Master study of grapes in the vineyard, oil on canvas by Pierre Antoine Lemoyne. Excellent quality and condition study of the vines and grapes growing before a rustic building. Exceptional detail and rare early work of art on the subject of wine making...

A formal still life arrangement of a dead duck, positioned in front a cauliflower, cooking apples and casserole pot. Signed to the lower right. On canvas on stretchers.

This painting, "Morning Dew", is a 20x20 oil painting on canvas by artist Ora Sorensen. Featured is blossoming deep red garden rose in the morning light, ...

This piece, "One Red Pear", is a 30x30 oil painting on canvas by artist Ora Sorensen. Featured in this piece are a clear glass bowl of green pears with one single red pear in the mix...

This painting, "Flecked", is a 20x20 oil painting on canvas by artist Ora Sorensen. Featured is blossoming white garden rose with yellow shadows, lush gre...

Fiddler -- Original Oil Painting by Renowned Artist Mark Schiff 26" x 32" Oil on Linen Original Painting from the Tropicana collection. This is a unique, original painting of which no copies have been made of any sort. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. About Mark Schiff -- Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics...

Melissa Franklin Sanchez was born in 1984, in Warwickshire, England. In 2002 she graduated from her humanistic studies: Art, Music, English Literature, Performing Arts and Ballet. In...

Fine 19th century still life painting by an important French female painter Jenny Villebesseyx (1847 - 1924). The painting is oil on canvas measuring 23" x 29 1/2". Framed dimension...

By examining with interest this lively "Still life" (oil painting on oval canvas, 60 x 80 cm without frame and 78 x 88 cm with frame), set in the open air in a park with a small foun...

This charming still life study depicts four ceramic vessels. the artist has used deep, rich colours to create a luxurious composition. Painted in sweeping, gestural brush strokes, ad...

Signed to the lower right-hand corner. Presented in a thin gilt-effect slip and in a white wooden frame. On wove.

An impressionist oil depicting art students gathered around a still life of flowers. This composition is full of colour and movement, with an impasto style and canvas texture. Indist...

Signed illegibly to the lower right-hand corner. Well-presented in a white on black double card mount and in a distressed, gilt-effect frame, as shown. On wove.

A fine and accomplished oil painting, depicting mixed flowers in a glass vase. Monogrammed to the lower left-hand corner. Well-presented in an off-white wooden frame with an outer gi...

A vibrant, dynamic botanical study, showing alliums, hibiscus flowers and philodendron leaves. The artist has used a striking palette with brushwork full of movement to create this d...

A vibrant and captivating acrylic painting by Vivienne Adams, depicting a still life scene with daisies in a vase and three clementines. Signed to the lower right-hand corner. Well-p...

Street Art, graffiti, bright colors, Gestural Abstraction

Hyper Cuber Series. 1978. Gouache on Acrylic on Canvas. 20 x 24 inches

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery...

52"x 106" large scale watercolor on paper by award-winning New York artist Thomas Broadbent, signed on reverse. A Contemporary Surrealist Still-life painting of books and papers, wi...

abstract "Landfill" acrylic linen canvas 73x60cm colourfull tsunami in this painting, Emmanuelle Vroelant worked on the idea of all that we bury, deep inside ourselves or that Nature...

A CLOSER LOOK: OBSERVATIONS NOT FAR FROM HOME I have always addressed the details of physical reality in the subjects I choose in order to convey the spirit and feelings that were fi...

Zita Sudnika, Tulips with a rainbow. 2007. Oil on canvas, 70x80 Vibrant and visually striking painting captures the beauty of red and yellow tulips arranged in a vase, positioned pr...

This is not one of McMackin's widely available reproductions. This is the actual oil painting of the Canadian Snowboarder. Arrives framed. One cannot appreciate this beautiful painting on a computer screen. In real life, it is fantastic. Snowboarding is a recreational and competitive activity that involves descending a snow-covered surface while standing on a snowboard that is almost always attached to a rider's feet. It features in the Winter Olympic Games and Winter Paralympic Games. Snowboarding was developed in the United States, inspired by skateboarding, sledding, surfing, and skiing. It became popular around the world, and was introduced as a Winter Olympic Sport at Nagano in 1991 and featured in the Winter Paralympics at Sochi in 2014.2 As of 2015, its popularity (as measured by equipment sales) in the United States peaked in 2007 and has been in a decline since. The first snowboards were developed in 1965 when Sherman Poppen, an engineer in Muskegon, Michigan, invented a toy for his daughters by fastening two skis together and attaching a rope to one end so he would have some control as they stood on the board and glided downhill. Dubbed the "snurfer" (combining snow and surfer) by his wife Nancy, the toy proved so popular among his daughters' friends that Poppen licensed the idea to a manufacturer, Brunswick Corporation, that sold about a million snurfers over the next decade.5 And, in 1966 alone, over half a million snurfers were sold. Modern snowboarding was pioneered by Tom Sims and Jake Burton Carpenter, who both contributed significant innovations and started influential companies. In February 1968, Poppen organized the first snurfing competition at a Michigan ski resort that attracted enthusiasts from all over the country.7 One of those early pioneers was Tom Sims, a devotee of skateboarding (a sport born in the 1950s when kids attached roller skate wheels to small boards that they steered by shifting their weight). In the 1960s, as an eighth grader in Haddonfield, New Jersey, Sims crafted a snowboard in his school shop class by gluing carpet to the top of a piece of wood and attaching aluminum sheeting to the bottom.8 He produced commercial snowboards in the mid-70s.9 Others experimented with board-on-snow configurations at this time, including Welsh skateboard enthusiasts Jon Roberts and Pete Matthews developed their own snowboards to use at their local dry ski slope. Also during this same period, in 1977, Jake Burton Carpenter, a Vermont native who had enjoyed snurfing since the age of 14, impressed the crowd at a Michigan snurfing competition with bindings he had designed to secure his feet to the board. That same year, he founded Burton Snowboards in Londonderry, Vermont.12 The "snowboards" were made of wooden planks that were flexible and had water ski foot traps. Very few people picked up snowboarding because the price of the board was considered too high at $38 and were not allowed on many ski hills, but eventually Burton would become the biggest snowboarding company in the business.13 Burton's early designs for boards with bindings became the dominant features in snowboarding. The first competitions to offer prize money were the National Snurfing Championship, held at Muskegon State Park in Muskegon, Michigan.14 In 1979, Jake Burton Carpenter came from Vermont to compete with a snowboard of his own design. There were protests about Jake entering with a non-snurfer board. Paul Graves, and others, advocated that Jake be allowed to race. A "modified" "Open" division was created and won by Jake as the sole entrant. That race was considered the first competition for snowboards and is the start of what became competitive snowboarding. Ken Kampenga, John Asmussen and Jim Trim placed first, second and third respectively in the Standard competition with best two combined times of 24.71, 25.02 and 25.41; and Jake Carpenter won prize money as the sole entrant in the "open" division with a time of 26.35.15 In 1980 the event moved to Pando Winter Sports Park near Grand Rapids, Michigan because of a lack of snow that year at the original venue. In the early 1980s, Aleksey Ostatnigrosh and Alexei Melnikov, two Snurfers from the Soviet Union, patented design changes to the Snurfer to allow jumping by attaching a bungee cord, a single footed binding to the Snurfer tail, and a two-foot binding design for improved control. As snowboarding became more popular in the 1970s and 1980s, pioneers such as Dimitrije Milovich (founder of Winterstick out of Salt Lake City, UT), Jake Burton Carpenter (founder of Burton Snowboards from Londonderry, Vermont), Tom Sims (founder of Sims Snowboards), David Kemper (founder of Kemper Snowboards) and Mike Olson...

Painting, oil on canvas, measuring 82 x 67.5 unframed and 98 x 82 cm with frame, by the painter Nicolas Baudesson ( Troyes 1611 - Paris 1680 ). Born in Troyes to a family of artists ...

Represented By George Billis Gallery. As the practitioner of a non-verbal art, Jarvis Wilcox’s first objective is to intrigue the viewer into spending enough time with the painting t...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf...

Imported Goods is an exploration of environment, especially focusing on the wellness of the ocean and the consequences of human plastic consumption. There is beauty in appreciation and replication, but it becomes a tragedy when it fully devours natural creation. Samantha Van Heest...

Midsummer herbs 1988. Oil on canvas, 82x65 cm The focal point of the artwork is a vase filled with colorful flowers and herbs. The artist's portrayal captures the vibrancy and vari...

Mr. Brainwash Campbell’s , 2009 takes the world-famous image of Andy Warhol’s Campbell Soup cans and transforms it into an equally iconic, eye-catching, and surprising object: a pain...

We are a 1stdibs Platinum Seller with 100% 5-star reviews. From the Estate of Irving Zucker. Formerly exhibited at the Art Gallery of Hamilton. A beautiful example of Greck's semi...

Coming Soon

I have sketchbooks filled with small thumbnail drawings which I usually base compositional arrangements upon. These are non-representational: just lines, arcs, mass tones, etc – basically just playing with formal elements. I had an idea to recreate these doodles as small sculptures. I liked the results, and wanted to have it feed back into my painting work as an intermediate step. That idea grew and I began lighting the sculptures with colored lights...

PIECES OF ME, FOR YOU by Victoria Sauer depicts a subway-tiled bathroom meticulously painted in a photo-representational way with the artist's own hair ...

Hyper Cube Series. 1978. Gouache on Acrylic on Canvas. 20 x 24 inches

Coming Soon

"I don’t do enough red paintings. I like red, but somehow it doesn’t end up in my work all that often, or it ends up pretty muted and earthy by the end. When I was lighting the sculpture upon which this painting is based, I knew I wanted to do something with the red lights I had. As with previous work, this painting explores entanglement as both a compositional structure and as an artistic idea. The representational part of the painting is pushed as close to a photographic rendering as I could at the time. Meanwhile, I’ve contrasted that with flat graphic elements. I also wanted to do something interesting with the cast shadow of the form: whereas in some previous works in the series the main form either had a traditional cast shadow grounding the it to the illusion of a ground plane, or no cast shadow which left it floating within the shallow depth of the image, in Untitled Construct 5 I wanted to do something more specific with the cast shadow. The idea came to me to invert it to be pure white. Technically this was a bit of a challenge because the whitest oil paints take months to dry – so this work had quite a bit of ‘sit and wait time’ between layers. Personally, I enjoy the composition of this painting because the red attracts the eye towards the bottom left of the painting, but the contrasting movements in black, gray and white pull the eye up and over...

Continuing a series of formal investigations that blur the lines between representational, flat, and abstract painting approaches, I created Untitled Construct 3. As with previous wo...

Playfully riffing off of classical Dutch baroque still lives, this still life pulls my dream content outside of itself in a way that feels displaced without context. Dreams subjects ...

Caravaggio motif. 2019. Oil on canvas, 40,5x50,5 cm

Still life with flowers and apple. 2020. Oil on canvas, 61x73 cm

Vanita. 2004, oil, collage on canvas, 100x120 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, paintin...

Apples with walnuts. 2019. Oil on canvas, 45x65 cm Realistic still life with apples and walnuts on white drapery Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona gr...

Bouquet. 1995, oil on canvas, 44,5x42 cm

Tulips night blossomed. 2012, oil on canvas, 30x30 cm Reddish-yellow tulips on silver background Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, c...

Saxophonist. 2021. Oil on canvas, 80x60cm Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani is a matured and recognized master, as follows from the long list of his exhibitions and countries where his works reside. 1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia 1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia 1990 - Exhibition of Van Gogh's memory, "Palette" , Russia 1991 - Exhibition Gallery Palette 1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia 1992 - Exhibition at Gallery Pinatin, Berlin. 1993 - Exhibition of Piraeus, Athens, Greece. 1993 - Exhibition Gallery 47...

Represented By George Billis Gallery. As the practitioner of a non-verbal art, Jarvis Wilcox’s first objective is to intrigue the viewer into spending enough time with the painting t...

Rosehip. 1989. Paper, watercolor, 44x38 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still ...

Lilies. 2004, oil on cardboard, 49,5x70 cm Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), his favorite professors being A. S...