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Gaetano Pesce Shadow

Shadow Armchair, Gaetano Pesce for Meritalia
By Gaetano Pesce
Located in Las Vegas, NV
Exceptionally rare Gaetano Pesce Shadow chair for Meritalia. Formed by pouring polyurethane resin
Category

21st Century and Contemporary Italian Post-Modern Armchairs

Materials

Fabric, Resin

Shadow Armchair by Gaetano Pesce, Meritalia
By Gaetano Pesce
Located in Las Vegas, NV
Extremely rare and difficult to find Shadow armchair by Gaetano Pesce for Meritalia, 2007. Formed
Category

Early 2000s Italian Post-Modern Armchairs

Materials

Fabric, Resin

Shadow Armchair by Gaetano Pesce - Black
By Gaetano Pesce, Meritalia
Located in La Morra, CN
by designer Gaetano Pesce for this creation for Meritalia, evokes both absence and presence: the
Category

21st Century and Contemporary Italian Armchairs

Materials

Other

Shadow Armchair by Gaetano Pesce - Black
Shadow Armchair by Gaetano Pesce - Black
H 47.25 in W 45.67 in D 43.31 in
Shadow Armchair by Gaetano Pesce - Green
By Meritalia, Gaetano Pesce
Located in La Morra, CN
by designer Gaetano Pesce for this creation for Meritalia, evokes both absence and presence: the
Category

21st Century and Contemporary Italian Armchairs

Materials

Other

Shadow Armchair by Gaetano Pesce - Green
Shadow Armchair by Gaetano Pesce - Green
H 47.25 in W 45.67 in D 43.31 in
Shadow Armchair by Gaetano Pesce - Red
By Gaetano Pesce, Meritalia
Located in La Morra, CN
by designer Gaetano Pesce for this creation for Meritalia, evokes both absence and presence: the
Category

21st Century and Contemporary Italian Armchairs

Materials

Other

Shadow Armchair by Gaetano Pesce - Red
Shadow Armchair by Gaetano Pesce - Red
H 47.25 in W 45.67 in D 43.31 in
Shadow Armchair by Gaetano Pesce - Yellow
By Gaetano Pesce, Meritalia
Located in La Morra, CN
by designer Gaetano Pesce for this creation for Meritalia, evokes both absence and presence: the
Category

21st Century and Contemporary Italian Armchairs

Materials

Other

Shadow Armchair by Gaetano Pesce - Yellow
Shadow Armchair by Gaetano Pesce - Yellow
H 47.25 in W 45.67 in D 43.31 in
Shadow Armchair by Gaetano Pesce - White
By Gaetano Pesce, Meritalia
Located in La Morra, CN
by designer Gaetano Pesce for this creation for Meritalia, evokes both absence and presence: the
Category

21st Century and Contemporary Italian Armchairs

Materials

Other

Shadow Armchair by Gaetano Pesce - White
Shadow Armchair by Gaetano Pesce - White
H 47.25 in W 45.67 in D 43.31 in
Shadow Armchair by Gaetano Pesce for Meritalia, Italy, 2007
By Gaetano Pesce
Located in Las Vegas, NV
Extremely rare and difficult to find Shadow armchair by Gaetano Pesce for Meritalia, 2007. Formed
Category

Early 2000s Italian Post-Modern Armchairs

Materials

Resin, Plastic

Gaetano Pesce Invitation for Presentation Armchair in Milan, 2007
By Gaetano Pesce
Located in taranto, IT
tavolone armchairs by gaetano pesce Pesce at the 2007 Milan furniture fair, designed by the same architect
Category

Early 2000s Italian Contemporary Art

Materials

Felt

Original Shadow Armchair by Gaetano Pesce for Meritalia, Postmodern Icon
By Meritalia, Ligne Roset, Gaetano Pesce, Michel Ducaroy
Located in Grand Cayman, KY
Shadow armchair by Gaetano Pesce for Meritalia is a highly collectible iconic masterpiece of Post
Category

Early 2000s Italian Post-Modern Armchairs

Materials

Leather, Upholstery, Latex, Resin

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Gaetano Pesce Shadow Armchairs for Meritalia Prototype Armchair with Certificate
By Gaetano Pesce, Meritalia
Located in Milano, IT
The Shadow armchair, designed by Gaetano Pesce for Meritalia. The armchair is numbered and is a
Category

Early 2000s Italian Modern Armchairs

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Plastic

Shadow Armchair, Gaetano Pesce for Meritalia
By Gaetano Pesce
Located in Las Vegas, NV
Exceptionally rare Gaetano Pesce Shadow chair for Meritalia. Due to the manufacturing process
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21st Century and Contemporary Italian Post-Modern Armchairs

Materials

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Shadow Armchair by Gaetano Pesce for Meritalia
By Gaetano Pesce, Meritalia
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Shadow Armchair by Gaetano Pesce for Meritalia
Shadow Armchair by Gaetano Pesce for Meritalia
H 49.22 in W 59.06 in D 37.01 in
Shadow Chair Designed in 2007 by Geatano Pesce Manufactured in Italy
By Meritalia, Gaetano Pesce
Located in Jersey City, NJ
Manufactured by Meritalia, Italy and designed by Gaetano Pesce. The Shadow Chair is made of a
Category

Early 2000s Italian Modern Chairs

1 of 50 limited edition Tramonto A New York Sofa by Gaetano Pesce for Cassina
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1 of 50 limited edition Tramonto A New York Sofa by Gaetano Pesce for Cassina For the three-seater
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Gaetano Pesce Midcentury Armchairs Mod. Shadow for Meritalia 2007
By Gaetano Pesce, Meritalia
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, for the freedom of the seat. Project curated by Gaetano Pesce, who does not deny his taste for
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Shadow Armchair by Gaetano Pesce for Meritalia, Green Latex
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Shadow armchair by Gaetano Pesce for Meritalia is a highly collectible iconic masterpiece of Post
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Gaetano Pesce Shadow For Sale on 1stDibs

At 1stDibs, there are many versions of the ideal gaetano pesce shadow for your home. Each gaetano pesce shadow for sale was constructed with extraordinary care, often using fabric, metal and organic material.

How Much is a Gaetano Pesce Shadow?

Prices for a gaetano pesce shadow can differ depending upon size, time period and other attributes — at 1stDibs, they begin at $162 and can go as high as $12,500, while the average can fetch as much as $6,375.

Gaetano Pesce for sale on 1stDibs

Gaetano Pesce was of a generation of Italian architects who in the early 1960s rebelled against the industrial perfection of modernism by conceiving new furniture and objects that were at once expressive and eccentric in form; or you might say they were more like art than functionalist design.

Born in the picturesque coastal Italian city of La Spezia in 1939, Pesce was a precocious talent who could have forged a career as an artist but opted instead to go to Venice to study architecture because, as he has said, it was “the most complex of all the arts.” Rather than having new worlds opened to him at design school, however, Pesce found the rationalist curriculum oppressive in its insistence on standardization and prescribed materials and technologies.

Pesce wanted to explore the latest of both materials and technologies to create objects and buildings never before imagined, with what he called “personalities” that spoke to the issues of the day. He was keen to examine ways to diversify mass production so that each manufactured work could be distinct.

In 1964, Pesce met Cesare Cassina, of the forward-looking furniture company C&B Italia in Milan (now known as B&B Italia), for whom he would create many important designs, beginning with a collection of what he called “transformational furniture” — two chairs and a loveseat — made entirely out of high-density polyurethane foam. To make the pieces easy to ship and cost-efficient, he proposed that after being covered in a stretch jersey, they be put in a vacuum, then heat-sealed flat between vinyl sheets. Once the foam was removed from its packaging, the piece returned to its original shape — hence, the name Up for the series, which debuted in 1969.

In addition to these pieces, Pesce proposed for the collection something he referred to as an “anti-armchair,” which took the shape of a reclining fertility goddess, the iconic Donna.

Producing the piece's complex form turned out to be a technical challenge. Bayer, the foam’s manufacturer, deemed it impossible to accomplish. Pesce persisted and came up with a new procedure, demonstrating not only the designer’s key role in researching the nature and potential of new materials but also his vital importance in “doubting rules.” The Up chair and accompanying ottoman were born, and they were revolutionary in more ways than one.

In the early 1970s, Pesce began exploring one of his key concepts, the idea of the industrial originals. Employing a mold without air holes, and adding a blood-red dye to the polyurethane, he cast a bookcase that resembled a demolished wall, the rough edges of the shelves and posts resulting from fissures in the material made by trapped air.

Through his research into polyurethane, Pesce figured out a way to make a loveseat and armchair using only a simple wood frame and strong canvas covering as a mold. Since the fabric developed random folds during the injection process, the pieces were similar but not identical. Cassina named the suite of furnishings Sit Down and introduced it in 1975. By experimenting with felt soaked in polyurethane and resin, Pesce conceived I Feltri, another collection of armchairs introduced by Cassina in 1987.

Pesce went on to live a life that defied expectation and convention and along the way became one of the most seminal figures in art and design.

Find vintage Gaetano Pesce chairs, sofas, vases and more on 1stDibs.

Finding the Right armchairs for You

Armchairs have run the gamut from prestige to ease and everything in between, and everyone has an antique or vintage armchair that they love.

Long before industrial mass production democratized seating, armchairs conveyed status and power.

In ancient Egypt, the commoners took stools, while in early Greece, ceremonial chairs of carved marble were designated for nobility. But the high-backed early thrones of yore, elevated and ornate, were merely grandiose iterations of today’s armchairs.

Modern-day armchairs, built with functionality and comfort in mind, are now central to tasks throughout your home. Formal dining armchairs support your guests at a table for a cheery feast, a good drafting chair with a deep seat is parked in front of an easel where you create art and, elsewhere, an ergonomic wonder of sorts positions you at the desk for your 9 to 5.

When placed under just the right lamp where you can lounge comfortably, both elbows resting on the padded supports on each side of you, an upholstered armchair — or a rattan armchair for your light-suffused sunroom — can be the sanctuary where you’ll read for hours.

If you’re in the mood for company, your velvet chesterfield armchair is a place to relax and be part of the conversation that swirls around you. Maybe the dialogue is about the beloved Papa Bear chair, a mid-century modern masterpiece from Danish carpenter and furniture maker Hans Wegner, and the wingback’s strong association with the concept of cozying up by the fireplace, which we can trace back to its origins in 1600s-era England, when the seat’s distinctive arm protrusions protected the sitter from the heat of the period’s large fireplaces.

If the fireside armchair chat involves spirited comparisons, your companions will likely probe the merits of antique and vintage armchairs such as Queen Anne armchairs, Victorian armchairs or even Louis XVI armchairs, as well as the pros and cons of restoration versus conservation.

Everyone seems to have a favorite armchair and most people will be all too willing to talk about their beloved design. Whether that’s the unique Favela chair by Brazilian sibling furniture designers Fernando and Humberto Campana, who repurposed everyday objects to provocative effect; or Marcel Breuer’s futuristic tubular metal Wassily lounge chair; the functionality-first LC series from Charlotte Perriand, Le Corbusier and Pierre Jeanneret; or the Eames lounge chair of the mid-1950s created by Charles and Ray Eames, there is an iconic armchair for everyone and every purpose. Find yours on 1stDibs right now.