Studio Cuze

Choose from an assortment of styles, material and more with respect to the studio cuze you’re looking for at 1stDibs. Each studio cuze for sale was constructed with extraordinary care, often using ceramic, copper and metal.

A studio cuze can differ in price owing to various characteristics — the average selling price 1stDibs is $261, while the lowest priced sells for $158 and the highest can go for as much as $1,032.

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

• Emerges during the 1960s; popularity explodes during the ’80s
• A reaction to prevailing conventions of modernism by mainly American architects
• Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
• Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
• Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
• Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
• Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

• Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
• Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
• Unconventional proportions and abundant ornamentation
• Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

• Ettore Sottsass
• Robert Venturi
• Alessandro Mendini
• Michele de Lucchi
• Michael Graves
• Nathalie du Pasquier

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Whether you’re adding an eye-catching mid-century modern glazed stoneware bowl to your dining table or grouping a collection of decorative plates by color for the shelving in your living room, decorating and entertaining with antique and vintage ceramics is a great way to introduce provocative pops of colors and textures to a space or family meals.

Ceramics, which includes pottery such as earthenware and stoneware, has had meaningful functional value in civilizations all over the world for thousands of years. When people began to populate permanent settlements during the Neolithic era, which saw the rapid growth of agriculture and farming, clay-based ceramics were fired in underground kilns and played a greater role as important containers for dry goods, water, art objects and more.

Today, if an Art Deco floor vase, adorned in bright polychrome glazed colors with flowers and geometric patterns, isn’t your speed, maybe minimalist ceramics can help you design a room that’s both timeless and of the moment. Mixing and matching can invite conversation and bring spirited contrasts to your outdoor dining area. The natural-world details enameled on an Art Nouveau vase might pair well with the sleek simplicity of a modern serving bowl, for example.

In your kitchen, your cabinets are likely filled with ceramic dinner plates. You’re probably serving daily meals on stoneware dishes or durable sets of porcelain or bone china, while decorative ceramic dishes may be on display in your dining room. Perhaps you’ve anchored a group of smaller pottery pieces on your mantelpiece with some taller vases and vessels, or a console table in your living room is home to an earthenware bowl with a decorative seasonal collection of leaves, greenery and acorns.

Regardless of your tastes, however, it’s possible that ceramics are already in use all over your home and outdoor space. If not, why? Whatever your needs may be, find a wide range of antique and vintage ceramics on 1stDibs.