Modern Animal Drawings and Watercolors

Peace Birds is a series of 5 pieces depicting abstract birds. Rich mix media on paper with vibrant colors and strong pigments , mixing Occidental and orient...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). A Three Horse Race, 1963. Gouache & Watercolor. Signed & dated 1963. Image size 15.6 inches x 21.5 inches ( 39.5cm x 54.5cm )....

The Horses is a satiric drawing realized by an Anonymous artist in the mid-20th century. Pen drawing on paper.  Good conditions with slight foxing. The artwork is created through ...

French Expressionist by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 12.5 x 9.5 inches provenance: artists estate, France condition: very good and ...

Elin Siân Blake. Welsh ( b.1981). Welsh Section A Stallion. Ink on paper. Signed lower right. Image size 8.5 inches x 10.4 inches ( 21.5cm x 26.5cm ). Frame size 16.5 inches x 18.1 ...

Malcolm Edwards. Welsh ( b.1934 ). Welsh Sheepdog, Shepherd and Sheep Watercolor. Signed. Image size 8.9 inches x 19.7 inches ( 22.5cm x 50cm ). Frame size 16.7 inches x 27.2 inches...

Original drawing on Lithograph cover sheet printed by Chez Daniel Jacomet, Paris, France 1960 on on Arches deckle edged paper. hand signed with inscription. Reuven Rubin 1893 -1974...

John Rattenbury Skeaping. English ( b.1901 - d.1990 ). A Tight Finish, 1970. Gouache and Watercolor. Signed & Dated Lower Right. Image size 21.5 inches x 29.1 inches ( 54.5cm x 7...

Horse Race - Hand Colored Lithograph in Gouache Dynamic hand-colored lithograph by Eugene Pechaubes (French, 1890-1967). Five horses and their riders are racing directly towards the...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Guardian, Cowboy and Horseman of the Camargue,1970. Pastel on Paper. Signed and dated. Paper size 15.2 inches x 20.9 inches (...

Enter the whimsical world of famed children's book illustrators husband and wife team Alice and Martin Provensen. On top of a heavy tree trunk sits a...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

John Rattenbury Skeaping. English ( b.1901 - d.1990 ). On the Gallops, 1976. Gouache and Watercolor. Signed & Dated Lower Right. Image size 18.5 inches x 26.8 inches ( 47cm x 68cm )...

Sunil Das - Horse - 8 x 5 inches (unframed size) Ink on Paper Inclusive of shipment in ready to hang form. Sunil Das was one of India's most important postmodernist painters and ros...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Into the Final Furlong, 1965. Pastel on Colored Paper. Signed & Dated 1965. Image size 18.9 inches x 27.6 inches ( 48cm x 70cm ). Frame size 31.9 inches x 41.1 inches ( 81cm x 104.5cm ). Available for sale is this original pastel on paper drawing by John Rattenbury Skeaping dated 1965. The artwork is presented and supplied in its original frame that has been painted in chalk paint and its original mount (which is shown in these photographs) and original premium anti-reflective glass with 92% UV protection (ARTGLASS AR92™). This vintage pastel drawing...

Bull engaging the muleta (Bull Fight) Signed with the Estate stamp lower left (See photo) Provenance: Estate of the Artist Marbella Gallery Inc., NYC Refer...

The Donkey is an artwok realized by the French Artist Paul Emile Colin . Pencil Drawing on paper. Signed on plate "Atelier P.E. Colin" on the right corner. ...

Set of 2 Offset lithographs 20.87 x 25.20 in 53.0 x 64.0 cm Acquired directly from the publisher.

'Landscape with Man and Goats', gouache on paper, by Raymond Guerrier (circa 1960s). After the artist moved from Paris to the South of France, he started painting landscapes illumina...

Laszlo TIBAY Trumpet Cat Original India ink and lavish drawing Handsigned Bearing the stamp of the artist On light board 30 x 20cm (c. 11.8 x 7.8 inch) Excellent condition

Cats Watching a Witch on a Broomstick - Vintage Halloween Illustration in Ink Halloween scene with cats and a witch in India ink pen by Irene Pattinson (American, 1909-1999). A blac...

Chef Lobster - Vintage Illustration in Ink and Watercolor A charming illustration, by Irene Pattinson (American, 1909-1999), shows a pink lobster behind ...

Pigs on a Trolley - Vintage Picture Book Two-Page Spread Illustration A two-page spread in India ink pen and watercolor by Irene Pattinson (Ameri...

Walasse Ting 丁雄泉 Original three parrots drawing, 1984 Original parrots drawing done in ink with inscription held inside elegant hardback monograph with du...

Pigs on a San Francisco Trolley - Vintage Illustration A two-page spread in India ink pen and watercolor by Irene Pattinson (American, 1909-199...

Frog is a drawing in pencil realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes. Emmanuel Gondouin is a French Cubist...

Anne Schroer Rooster watercolor Signed by hand Size: 20.1 × 14.6 inches COA provided (gallery issued) Anne Schröer was born in Bocholt / Westphalia, Germany in 1931. Post-war she s...

Black Horse is an original artwork realized in the half of 20th century. Original black ink drawing on paper. On the left side a text in Chinese calligraphy, a red stamp seal and si...

The Carriage is a drawing realized by Alberto Ziveri in 1930s Ink and Watercolor on paper. Hand-signed. In good condition with slight foxing. The artwork is represented through d...

Study on a Mouse is a Drawing in pencil realized by Augusto Monari in 1935. Good conditions. The artwork is depicted through confident strokes in a well-balanced composition.

Cat is a Watercolor Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a little sheet of a notebook. Signature by pencil. Reynold Arnould was bo...

"The Driver" by Karo Mkrtchryan, 20,4cm x 27,2cm Nicely Framed, Signed and dated,, 1976 Provenance : Estate and Family of the Artist, Glendale, California. Sold with COA signed b...

Joan Gardy Artigas Intimacy Original Lithograph Handsigned in Pencil Justified H.C (Hors Commerce) On Velum 65x 50cm (c. 25.5x 19.6inch) Excellent C...

Dog is a Black Marker Drawing and Watercolour realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a little sheet of a notebook. No Signature. Reynold Ar...

Laszlo TIBAY Mother Cat and her Two Kittens Original India ink and lavish drawing Handsigned Bearing the stamp of the artist On light board 20 x 30cm (c. 7.8 x 11.8 inch) Excellent...

Laszlo TIBAY Guitarist Cat Original India ink and lavish drawing Handsigned Bearing the stamp of the artist On light board 30 x 20cm (c. 11.8 x 7.8 inch) Excellent condition

Laszlo TIBAY The Musician: Funny Grey Cat Original India ink and lavish drawing Handsigned Bearing the stamp of the artist On light board 20 x 25cm (c. 7.8 x...

Menashe Kadishman Untitled Sheep Drawing, ca. 1985 Unique Graphite Drawing Hand signed and inscribed on the front Frame Included Unique whimsical drawing...

Bird is a drawing in pastel on paper realized by Benn (Bencjon Rabinowicz) in 1970. Hand signed on the lower, dated. Good conditions. Benn (Bencj...

Laszlo TIBAY Blue Cat with Big Whiskers Original India ink and lavish drawing Handsigned Bearing the stamp of the artist On light board 25 x 40 cm (c. 9.8 x 15.8 inch) Excellent co...

Gorilla is a Pencil and watercolor Drawing realized by Mino Maccari (1924-1989) in the 1970s. Hand-signed on the lower margin. Good conditions with some folding. Mino Maccari (Si...

Morris Graves Offering, 1957 Signed and dated lower right Sumi ink wash and gold leaf on paper 18 x 13 3/8 inches Born in Fox Valley, Oregon in 1910, Morris Graves was a leading proponent of the Northwest School...

Sleeping Cats is an original carbon pencil drawing realized by Giselle Halff (1899-1971) in 1957. Not signed, is dated on the lower right margin" 7-12-57 " Good conditions. Giselle...

Horse's Head is an original pencil drawing on paper, attributed to Luigi Galli and realized in the late 19th Century. With another drawing of hands...

Owl is a pencil drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a yellowed paper, monogrammed by the artist on the lower right corner. The dra...

"Antenna Birds" New Yorker Mag Cover Proposal Mid-Century American Scene Modern Antonio Petruccelli (1907 – 1994) Antenna Birds New Yorker cover proposal, c. 1950s 12 1/2 X 9 1/4 in...

Lioness is an artwork realized by Marino Lenci (Naples 1874 - 1939). Pastel on paper. Signed at the bottom to the left. 36 x 36 cm, not framed. Good conditions.

Cats and Riders is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil, pen, and ink. Good conditions. The artwork is re...

Birds design. Sealed on the back with the design studio name and number 98 We offer a small number of these original illustration designs by this design studio based in Alcoy (Spain)...

Figurative chalk drawing of flying bird silhouettes in retro colors on vintage collaged book pages 'An Organization of Birds' by Louise Laplante in 2022 chalk on vintage collaged cranberry cultivation manual pages 48 x 41 inches unframed, 52 x 45 inches in natural wood frame with non-glare plexi Louise Laplante bridges the past and present with mixed media drawings made with figurative charcoal silhouettes juxtaposed on collaged sheets of vintage paper. Finding beauty in forgotten or discarded sheets of ephemera, Laplante uses it as a guide for playful compositions of stenciled birds in mid-flight, drifting feathers, or taxidermized deer heads in rich pastel. A final burst of wistful linework glides over the pastel forms, accentuating her subject’s movement while adding another layer of texture. In this particular work, the artist cleverly draws an organized formation of birds over an almanac of vintage pages of numerical data. A departure from her typical greyscale palette, the artist introduces retro shades of brick red, forest green, cadet blue, and mustard yellow. The vivid silhouettes of flying birds flutter in place and provide colorful contrast against a background of vintage papers. In certain segments the stenciled images are delicately brushed over with a thin wisp of chalk which adds a delicate textured effect to the drawing. The figurative chalk drawing is framed with a light wood frame and has non-glare plexi. About the artist: Interested in blending the old world with the new, mixed media artist Louise Laplante combines her original images with ephemera of the past, enticing a conversation about it’s “relevancy to the present.” Her compositions begin with vintage book pages, personal handwritten letters, sheet music, or instruction from old guides on etiquette or science. While the text itself is weighted with reference to a particular subject, the visual of the typed or handwritten words and printed illustrations establish a unique pattern. These layered backgrounds are superimposed with opaque charcoal drawings that are inspired by the themes read between the lines. Most recently, the artist has opted for larger scale work, combining multiple sheets of vintage paper to expand her unique motifs. Laplante exhibits across the Northeast and has shown with Carrie Haddad for more than ten years. Artist Statement: My work connects the texts, and ideas, in the vintage book, music or correspondence pages, with images those words evoke to comment on how the past still resonates, whether we are aware of it or not. It is informed by my love for old paper, letters, books and images, both as reminders of the past and as bits of pattern, tone, line and shape. The text on them acts as both content and visual device. With each work, I select, arrange and collage these pieces creating both a support and pattern building on it with motifs that are suggested by words on the papers. Although I often start with an agenda I always allow each work to build its own image. Artist Resume: Education MA in Fine Art, State University of New York at Albany, New York BFA, College of New Rochelle, New Rochelle, New York Studied, Art Institute of Boston, Boston, Massachusetts Exhibitions 2019 Mediums of Exchange, Lehman College Art Gallery, Lehman College, CUNY, Bronx, New York 2018 Figures We Fancy, Carrie Haddad Gallery, Hudson, New York Shelter, A.P.E. Gallery, Northampton, Massachusetts Material Flow: Rhythm in Collage and Sculpture, Pratt Gallery, Goddard College, Plainfield, Vermont 2017 Abstractions in Black and White, Gallery 175 Pawtucket, Rhode Island Blanche Ames National, Borderlands, North Easton, Massachusetts Five Points Biennial, Five Points Gallery, Torrington, Connecticut A Declaration of Sentiments: Reflections on the Centennial of Women’s Right to Vote in NYS, Athens Cultural Center, Athens, New York 2016 Winter Exhibit, Carrie Haddad Gallery, Hudson, New York 2015 Boston Biennial 4, Atlantic Gallery, Boston, Massachusetts Drawing, Carrie Haddad Gallery, Hudson, New York Taking Root: Caniskek and the Meeting of Two Worlds, Athens Cultural Center, Athens, New York North Northeast, Brattleboro Museum and Art Center, Brattleboro, Vermont NBMMA 45th Exhibition, New Britain Museum of American Art, New Britain, Connecticut 2014 New Directions ’14, Barrett Art Center, Poughkeepsie, New York Connecticut Women Artists – 85th National, Slater Memorial Museum, Norwich, Connecticut New England Collective V, Galatea Fine Art, Boston, Massachusetts Boston Biennial 3, Atlantic Works Gallery, Boston, Massachusetts 2013 Storytellers and Conjurers, Carrie Haddad Gallery, Hudson, New York 2012 Works on Paper, Carrie Haddad Gallery, Hudson, New York Drawing, b.j. spoke gallery, Huntington, New York Strange Glue, Thompson Gallery, Weston, Massachusetts Silhouette, A.P.E., Northampton, Massachusetts The Cadence of Familiarity, Krauss Gallery, Providence, Rhode Island 2011 20th Anniversary Exhibition, Carrie Haddad Gallery, Hudson, New York Paperworks, Paper City Studios, Holyoke, Massachusetts Small Works, Towne Gallery, Wheelock College, Boston, Massachusetts 2010 Text/Context, McCoy Gallery, Merrimack College, North Andover, Massachusetts A Community of Artists, Danforth Museum of Art, Framingham, Massachusetts Here and Gone: Presence, Absence, Memory and Time, Amy H. Carberry Fine Art Gallery, Springfield Technical Community College, Springfield, Massachusetts 2009 Dreamscape, Carrie Haddad Gallery, Hudson, New York 2008 Small ’08, Wunderarts Gallery, Amherst, Massachusetts Interaction: Louise Laplante and Liz Chalfin, Wunderarts Gallery, Amherst Massachusetts Artists and Books, Art Complex Museum, Duxbury, Massachusetts One Night, Pivot Gallery, Florence, Massachusetts 2007 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Biennial 2007, New Hampshire Art Institute, Manchester, New Hampshire Salon, Clark Gallery, Lincoln, Massachusetts 2006 Small: 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Salon, Clark Gallery, Lincoln, Massachusetts 2004 On Paper, Carrie Haddad Gallery, Hudson, New York Encaustics, Carrie Haddad Gallery, Hudson, New York New Acquisitions, University Gallery, University of Massachusetts, Amherst, Massachusetts 2003 Hart Gallery...

A sculptor of animals, Sirio Tofanari (Florence 1886 – Milan 1969) is not inclined to the school discipline, he decides to learn and train as self-taught by travelling around Europe ...

A sculptor of animals, Sirio Tofanari (Florence 1886 – Milan 1969) is not inclined to the school discipline, he decides to learn and train as self-taught by travelling around Europe ...

Portrait of Dog is an original pencil drawing realized by an artist of the mid 20th Century. Good condition, no signature. On a white cardboard.

Original gouache and watercolor on brown archival paper of a standing crow in profile. Signed and dated lower right. Condition is good to very good. Colors of the bird are strong a...

Study for horses painting is an original artwork realized by Anonymous artist in 19 century. Ink drawing on paper. Includes wooden frame (minor def...

Birds is a Color Markers Drawing realized by Reynold Arnould (Le Havre 1919 - Paris 1980). Good condition on a little sheet of a notebook. No signature. Reynold Arnould was born...

Devant le Chateau une Carrosse Passait is a modern artwork realized by Salvador Dalì in 1945. China Ink drawing on paper. Signed and dated on the lower right recto. Outstanding dr...

John Whorf captures one of the thrilling moments of fishing in this watercolor – when the fish is on the line, but still trying to escape. One of the fastest fish in the world, marlin fishing...