Enamel Abstract Paintings

A unique and vivid enamel painting on canvas. Framing on request.

A colourful, unique and vivid painting on canvas. Framing on request.

A light, unique and vivid oil painting on stretched canvas, depicting surreal floating streamer elements. Ready to hang. Framing on request.

A large scale, unique and vivid painting on stretched canvas. The composition is created through pouring, splattering and manipulating enamel paint on the primed blue background. Rea...

A colourful, unique and vivid painting on canvas. Framing on request.

This piece has a lacquered shine, and it is an oil painting on enamel on wood panel. Alexis Portilla obtained his Masters of Fine Arts at Colum...

Gestural abstract expressionist painting on paper in dark blue and forest green with accents of metallic gold and silver powders "Temptation in Blue and Gold", made by Hudson Valley ...

A large scale, unique and vivid painting on canvas. Framing on request

Gold is a fascinating painting realized by the Italian artist Anna Maria Caboni in 2019. The artwork is a mixed media (spray varnish and gold foil on canvas). The artwork is hand-signed and hand-dated "AMC 19" by the artist in golden...

Yappanoise 47 (Abstract work on paper) Ink, enamel on paper - Unframed This work is part of one of 4 on-going series of large works on paper. T...

HK1904YP (Abstract work on paper) Ink, enamel, collage on paper - Unframed. This work is part of one of 4 on-going series of large works on paper...

We are please to announce that we are now representing the Pop Art cowboy and cowgirl paintings of the artist Matt Straub. We at the gallery have been exci...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an...

Tondo 9 (Abstract painting) Ink, enamel on paper on linen - Unframed As the title suggests (a tondo is a Renaissance term for a circular work of art), this artwork is part of a ser...

Douglas Degges (b. Shreveport, LA) is an artist and educator currently based in Mansfield Center, CT where he is an Assistant Professor of Art in Painting and Drawing at the Universi...

Jennifer Bartlett Dear Dad, 2004 Enamel over silkscreen grid on baked enamel and steel plates 19 3/4 x 19 3/4 inches Signed verso

Tondo 10 (Abstract painting) Ink, enamel on paper on linen - Unframed As the title suggests (a tondo is a Renaissance term for a circular work of art), this artwork is part of a se...

Cut 42 (Abstract work on paper) Ink, enamel on paper - Unframed This work is part of one of 4 on-going series of large works on paper. The name of this series, "Cut", relates to t...

Original painting on canvas. Hand signed, titled and dated on verso. Canvas is stretched and framed. Artwork is in excellent condition. Certificate of Authenticity included. All...

John Marak 24x24-05-24-2015 Glue, Enamel Year: 2015 Size: 24x24 in Signed by hand COA provided ------------------------------------- John Marak is a second-generation artist based...

The artist has painted the work in matte black and gloss black. It a sense this is also an optical art “Op Art” in that it changes as the light changes. Jimmy Ernst was a major figure of the New York School of abstract painting and part of The Irascibles, and son of Max Ernst: Provenance: Grace Borgenicht Gallery, New York, New York; Joseph H. Hirshhorn, New York and Washington, D.C. (acquired from the above in 1966); Joseph H. Hirshhorn bequest, Hirshhorn Museum, Washington, D.C., 1981; Sotheby's Arcade, New York, New York, February 24, 1995, lot 331; The Jeanne and Carroll Berry...

Douglas Degges (b. Shreveport, LA) is an artist and educator currently based in Mansfield Center, CT where he is an Assistant Professor of Art in Painting and Drawing at the Universi...

HK1906YP (Abstract work on paper) Ink, enamel, collage on paper - Unframed. This work is part of one of 4 on-going series of large works on paper...

Artist: Robert Melee Title: Another Unrendered Quasi-Articulated Substitution Year: 2006 Medium: Beer bottle caps, Plaster and Enamel on Wood, signed verso Size: 40 inch Diameter

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 1957. Before becoming an artist in 2012 Hewes worked in the building trades for 40 years and often uses the skills learned from his tradesman work within his artwork. Hewes paints in the Action/Drip style, even building his own spinning table...

Yappanoise 47 (Abstract work on paper) Ink, enamel on paper - Unframed This work is part of one of 4 on-going series of large works on paper. T...

"Untitled 9 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime ...

We are please to announce that we are now representing the Pop Art cowboy and cowgirl paintings of the artist Matt Straub. We at the gallery have been exc...

Ink, enamel on paper on linen - Unframed As the title suggests (a tondo is a Renaissance term for a circular work of art), this artwork is part of a series with a circular form wit...

"Untitled 4" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime in the 1...

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 1957. Before becoming an artist in 2012 Hewes worked in the building trades for 40 years and often uses the skills learned from his tradesman work within his artwork. Hewes paints in the Action/Drip style, even building his own spinning table...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

Inviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound. This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting. Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 1957. Before becoming an artist in 2012 Hewes worked in the building trades for 40 years and often uses the skills learned from his tradesman work within his artwork. Hewes paints in the Action/Drip style, even building his own spinning table...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

Ink, enamel, collage on paper - Unframed. This work is part of one of 4 on-going series of large works on paper. The name of this series, "Yappa...

"Untitled 2 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is an abstract enamel painting on metal tile from a series created sometime in t...

"In these works, Aldrich paints on surfaces that have been covered in uniform vertical strips of caulk. The textures don’t play into the subjects of these paintings so much as create a consistent 3D pattern across the whole surface of a wood panel covered with canvas. Two of the most interesting works in this style give us graphic renderings of domestic interiors laid out in blocks of color and elemental shapes. 'Kitchen Sink' and 'Ironing' depict counters, faucets and ironing boards through a distorted perspective that’s unnervingly deep and narrow, vertiginous and claustrophobic. The caulk brings lots of texture to these works, and Aldrich’s paint appears to be applied in chromatic washes of yellow, pink and blue that seem serene given their off-kilter surroundings. In fact, Aldrich uses the repeating vertical textures to create vividly colored lenticular illusions in these works, which only reveal themselves as viewers move past the paintings. In addition to their formal qualities and their narrative content, Aldrich’s works also comment on traditional gender roles in Western society. Her narrative portraits are mostly inspired by the covers of Nancy Drew novels. Drew, the “girl detective” who first appeared in print as a female counterpart to the Hardy Boys...

Mat Tomezsko's "NOW" series of mixed imedia street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acryli...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 19...

Excerpt from a review by art critic Joe Nolan: "In these works, Aldrich paints on surfaces that have been covered in uniform vertical strips of caulk. The textures don’t play into the subjects of these paintings so much as create a consistent 3D pattern across the whole surface of a wood panel covered with canvas. Two of the most interesting works in this style give us graphic renderings of domestic interiors laid out in blocks of color and elemental shapes. 'Kitchen Sink' and 'Ironing' depict counters, faucets and ironing boards through a distorted perspective that’s unnervingly deep and narrow, vertiginous and claustrophobic. The caulk brings lots of texture to these works, and Aldrich’s paint appears to be applied in chromatic washes of yellow, pink and blue that seem serene given their off-kilter surroundings. In fact, Aldrich uses the repeating vertical textures to create vividly colored lenticular illusions in these works, which only reveal themselves as viewers move past the paintings. In addition to their formal qualities and their narrative content, Aldrich’s works also comment on traditional gender roles in Western society. Her narrative portraits are mostly inspired by the covers of Nancy Drew novels. Drew, the “girl detective” who first appeared in print as a female counterpart to the Hardy Boys...

"Untitled 7 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime ...

Wiled Flowers In Sedona Pink Abstract Composition. Enameled on Lexan​ board, antique white painted frame. Randi Grantham was born and raised in Las Vegas, Nevada. From this city eme...

Oil, enamel, oil pastel on wood

"Untitled 8 (Two Figures)" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime in the 1960's. A Chi...

"Untitled 5 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime ...

Ink, enamel on paper on linen - Unframed As the title suggests (a tondo is a Renaissance term for a circular work of art), this artwork is part of a series with a circular form with...

"Untitled 3 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is an abstract enamel painting on metal tile from a series created sometime in t...

Ink, enamel on paper on linen - Unframed As the title suggests (a tondo is a Renaissance term for a circular work of art), this artwork is part of a series with a circular form wit...

This abstract colorful triptych painting is by Brooklyn artist, John Platt who studied at the Boston Museum of Fine Arts and has exhibited extensively in New York. His beautiful abs...

Translated title: "Without narration - 5" Acrylic enamel on canvas.

Quiet Please was developed through an intuitive process of layering and expressive mark-making. Marksbury’s paintings explore ideas of time and space, the fantastic and mystical, sym...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acrylic...

Pink Monday, 2020 by Bruce Murphy Gestural abstract expressionist painting on paper in colorful hues pink, rust, green, yellow, gold, and red mounted on wood panel 28" X 22" enamel ...

Gestural abstract expressionist painting on paper in dark green, teal, and soft gold "The Potential of Chance 1", made by Hudson Valley artist, Bruce Murphy, in 2020 10 x 8 inches, e...

Gestural abstract expressionist painting on wood panel in colorful hues of indigo blue, gold, and burgundy "Time and Again 2", 2020 by Bruce Murphy 10 x 8 x 1 inches, enamel paint an...

Ink, enamel on paper on linen - Unframed As the title suggests (a tondo is a Renaissance term for a circular work of art), this artwork is part of a series with a circular form with...