Panel Abstract Paintings

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which cur...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. Wit...

Mint green and burgundy red stripes are bright and colorful against a luminous cobalt blue background. Signed, dated and titled on verso. Joanne Mattera’s paintings can be described...

This is a mixed media artwork by Monty Montgomery. Its dimensions are 11 x 14 x 1.5 and it is Aerosol and Molding Paste on Birch Panel with UV Gloss Varnish. A certificate of authent...

Natalie Alana Sturgis is an African American writer & painter born and raised in New York. In what she describes as her process, she attempts to capture her emotions onto surfaces, w...

Pulling imagery and motif from organic form, architecture, media and design I create densely layered, mixed-media paintings that are invested in process and grounded in traditional c...

"Last Civil War Veteran" is an oil painting on panel made by Larry Rivers in 1961. The artwork size is 9 1/2 x 7 inches. The framed size is 12 3/4 x 10 1/4 x 1 1/2 inches. The work i...

Geometric shapes compose a symmetrical pattern of curving horizontal stripes with edges rounded upward in the center in luminous, gradient shades of golden orange, coral and red oran...

"Emergence in Azure" is a captivating artwork that invites contemplation of the ephemeral beauty and tranquility of nature. Against a backdrop of azure blue sky, verdant and golden-h...

An abstract painting of a round shape, made in blue, creates a serene atmosphere reminiscent of the limitless sky. Its clean, geometric style lends a contemporary feel while giving t...

Stunning textural abstract aerial landscape painting by Hungarian artist Levente Baranyai. Oil on panel, 37.5 x 50 inches. With a focus on aerial urb...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

Energetic, joyous brushstrokes in this painterly abstraction with birds. Bright colors, dominant whites, blues, with touches of orange and red. Multi-layered oil paint and painted...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. Wit...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

Yvonne Love is an American sculptor and installation artist. Her work observes, records, and responds to both the beauty of nature and the anthropogenic issues that have become acute...

Red C (Abstract painting) Acrylic on linen mounted on shaped panel Elizabeth Gourlay is an American abstract artist whose work emerges from a progressive process of layering colour, ...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts gestural figure of a red and white Tulip on a forest green background with thick use of paint. In...

Oil on Panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an ...

Contemporary abstract landscape oil painting titled "Water #424" by Louise LeBourgeois. Size: 12 x 12 inches. Oil on panel. Muted orange, earth tones. LeBourgeois’s paintings are in...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. Wit...

A bright turquoise-blue ‘sun’ draws the viewer’s eye into the center of this beautiful new composition by Burton Kramer. A modernist, Kramer’s expressive work plays with geometric sh...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

Modernist Burton Kramer says his lyrical compositions are "inspired by the toe-tapping, hand-clapping rhythm of music." This delightful piece—geometric shapes—squares, lines, and rec...

This colorful abstract painting is composed of carefully combined sections of various textures and areas of pattern, circles, dots and undulations, in exuberant, cheerful color. Litt...

Blue and white abstract contemporary shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is a r...

Colorful surrealistic painting by Memphis-based contemporary artist Alex Paulus. The work features a distorted figure in a captain hat set next to a white ...

Multi-layered oil paint, inked paper on repurposed wood panel. Title is from the final act of Puccini's "Turandot."

Magical Box Large Abstract On Wood Panel Nicholas Wilton Nicholas Wilton Born 1961, San Francisco, CA. Is known for vibrant abstract paintings that delve into themes of nature, personal experience, and emotional complexity. His work, described as “visual poetry,” is characterized by rich color, texture, and organic forms, creating a complex visual weave that reflects the underlying feelings and intricacies of life. Informed by spontaneity and a balance of opposites, his paintings emphasize the accuracy of feeling over literal representation. Wilton studied at the College of Creative Studies in Santa Barbara, California, and earned a BFA from the ArtCenter College of Design in Pasadena. His work has been chosen for a stamp by the U.S. Postal Service, and featured on book covers such as The Four Agreements by Don Miguel Ruiz. Wilton also founded Art 2 Life, a program dedicated to nurturing creativity and artistic development through workshops and classes. EDUCATION 1979-1983 College of Creative Studies, University of Santa Barbara, CA 1983-1986 Art Center College of Design, Pasadena, CA EXHIBITIONS 2014 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2013 Solo Exhibition Campton Gallery, New York City, NY 2012 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2011 Solo Exhibition Costello Childs Gallery, Scottsdale Three Person Show Stremmel Gallery, Reno, NV 2010 Solo Exhibition Gallatin River Gallery, Big Sky, MT Solo Exhibition: Selby Fleetwood Gallery, Santa Fe, NM Solo Exhibition gallery Jones...

Orange and gray abstract contemporary shaped painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The work is a ...

72x72, oil and acrylic on panel additional images available upon request About the artist: James Austin Murray’s paintings are made using the most basic of means: ivory black oil pa...

Sarah Brenneman is an American artist based in West Orange, New Jersey working primarily in painting. Her overarching interest lies in abstraction as a universal language and she wor...

72x72 oil and acrylic on panel additional images available upon request About the artist: James Austin Murray’s paintings are made using the most basic of means: ivory black oil pai...

Sarah Brenneman is an American artist based in West Orange, New Jersey working primarily in painting. Her overarching interest lies in abstraction as a universal language and she wor...

Translated title: "Fight between two characters" Acrylic on wood panel.

Carefully ordered patterns, geometric shapes and delicate lines in light green, robin's egg blue and pale peach on a teal blue background with dark indigo at the bottom. Signed, date...

Texcollage (M11). Colourful abstract geometric painting Mixed media on wood panel, 2015. Dimensions in cm.: 87 x 47 x 5 cm. (Without frame 80x40 cm.) In inches: 34.25" x 18.5" x 1.97" . Simplicity, geometric shapes and pure lines. The strong colors and textures give solidity to this work of art by Spanish artist Juan Pita...

JONATHAN FELDSCHUH Education: 1982-1986 Harvard University, summa cum laude in Physics 1993-1996 Academy of Fine Arts, Prague Selected Solo Exhibitions: 2017 “First Particles, Elementary Particles”, OPUS Project Space, New York 2016 "Large Hadron Collider", National Academy of Sciences, Washington DC, with subsequent travel to Keck Institute, Washington DC; Janelia Gallery, Ashburn Virginia (2017); Howard Hughes Medical Institute, Bethesda, MD (2017) 2013 "The World Egg", Skink Ink Gallery, Brooklyn, New York 2012 "Large Hadron Collider", Mixed Greens Project Space, New York 2008 "Large Hadron Collider", Galerie Vernon & Vernon Projekt, Prague 2005 "Simulations", Cynthia Broan Gallery, New York; AAAS Gallery, Washington DC 2004 "Trajectories", Marella Arte Contemporanea, Como 2003 "Solar", Art Resources Transfer, New York 2002 "macro-mini", Vernon Fine Art International, Prague "Macrocosm", Cynthia Broan Gallery, New York 2000 "Little Corner of the World", Cynthia Broan Gallery, New York Selected Group Exhibitions: 2017 “The Cloud and the Void”, UES Gallery, New York “Resonators” 524W26 Gallery, New York 2016 “Visual Inquiries: Artists Inspired by Science”, Fingesten Gallery at Pace University, Artists: Suzanne Anker, Julia Buntaine, Angie Drakopoulos, Jonathan Feldschuh, Carter Hodgkin, Eve Andree Laramee, Deanna Lee, Maureen McQuillan, Paula Overbay, Taney Roniger, Steven Salzman. "Dialogues: Drawings and Works on paper", Satellite Contemporary, Las Vegas, January 9 - February 12, 2016 2015 "Sun Light / Star Light: Contemplations Upon the Solar Orb" - Louisiana Art & Science Museum, October 9, 2015 – April 3, 2016 2014 "Pouring it On", Herter Art Gallery, University of Massachusetts, Amherst "What Lies Beneath", SciArt Center, New York 2013 "Salon", Active Space Gallery, Brooklyn "Opening", The Paper Factory, Queens, New York 2012 "The Quantum Effect", The Active Space, Brooklyn "Laboratory", Pfizer Labs, Brooklyn 2010 "Lost Horizon", ArtJail Gallery, New York 2009 "Starry Messenger: Galileo's Vision in the 21st Century", Louisiana Art & Science Museum 2006 "Science as Muse”, Montgomery Center for the Arts, New Jersey "Native Spirit" Supreme Trading, Brooklyn 2005 "Beautiful Dreamers" Spaces, Cleveland 2004 “DNA: Art & Science”, University of South Florida Contemporary Art Museum Art Miami (with Cynthia Broan Gallery) 2003 "Before and After Science", Marella Arte Contemporanea, Milan Scope Art Fair (with Cynthia Broan Gallery) Art Chicago (with Cynthia Broan Gallery) 2002 "Some Are Painting II", Educational Alliance, New York “Vivid”, Mead Gallery, Warwick Arts Center, Coventry; Northern Gallery for Contemporary Art, Sunderland "DNA", Art Resources Transfer, New York (Hallway Space project) 2001 "Vivid", Richard...

Series: Beehives Beeswax and fabric over beehive and honeycomb panels Size: 36” x 26” x 1.5” This Painting will be shipped directly from the artist's studio.

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

Series: Wax Weave 1/1 Beeswax, reclaimed paper, and silk on wood panel Size: 36" x 40"

"Fluidity in Lines" is a modern abstract painting characterized by vertical stripes in azure, pink, and black hues, embodying a contemporary color palette. The artwork seamlessly mar...

A very unique diamond-shaped abstract painting by Troy Smith. It was recently painted on a plywood panel in the summer of 2023. Vivid gestural strokes skate across the painting, cras...

Peter Roux combines principles of landscape and abstract painting. His cloud paintings oscillate between representational and non-objective painting by rendering recognizable cloud f...

In this 12" x 36" abstract expressionist triptych, artist Kristy Chettle captures the vibrant essence of Monterey Bay's varied landscapes. The panels are a symphony of color, with ce...

Texcollage (M10). Colourful abstract geometric painting Mixed media on wood panel, 2015. Dimensions in cm.: 87 x 47 x 5 cm. (Without frame 80x40 cm.) In inches: 34.25" x 18.5" x 1.97" . Simplicity, geometric shapes and pure lines. The strong colors and textures give solidity to this work of art by Spanish artist Juan Pita...

Dan McCaw's (US based) "Anticipation" is an original, handmade oil painting that depicts an abstracted figure seated within a brown interior. Artist Statement: Born: 1942 A solid...

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Dan McCaw's (US based) "Seated Figure" is an original, handmade oil painting that depicts an abstracted figure of gray and white seated at an abstracted table within a neutral interi...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Gordon Studer’s earthy, confident abstracts are rooted in his discipline as an award-winning commercial illustrator, lending his work a strong, graphic c...

Vibrant mint green and sky blue encaustic (pigmented beeswax) painting accented with subtle gold and red details on birch panel. Signed, dated and titled on verso. Joanne Mattera’s ...

"Untitled (View of Provincetown Harbor)", is an oil on panel work made by Hans Hofmann circa 1937. The work is stamped verso by the estate of Hans Hofmann. The artwork size is 17 1/4...

Dan McCaw's (US based) "Standing Figure" is an original, handmade oil painting that depicts an abstracted figure of gray and white standing within a neutral interior. Artist Stateme...

Sharon used a thick application of paint, real-life subject matter, and emphasized geometric forms, distorted for expressive effect, and used an unnatural, arbitrary color. Blue, cr...

A quiet street of San Miguel de Allende in Mexico is the subject of this painting by Carole Garland. An elderly woman cautiously makes her way along a narrow path using a tree to lend support. The orange wall provides much needed shade in the afternoon heat. Light seeps through the branches of a colorful bougainvillea patterning the orange bulwark. Artist Carole Garland who studied art in both San Miguel de Allende and Mexico City shares her appreciation of the simplicity of this quiet backstreet in a Mexican town. A special moment in time is brought to life. Garland uses the scumbling technique and a paint laden palette knife to achieve texture and depth in the leaves, the branches and the rough pavement of the street. This oil on wood panel is 16"x20" and its natural wood sides serve as a frame. The painting is wired for easy hanging. This is a stand-alone artwork but was conceived as a companion piece to Orange Wall of San Miguel #1. Together they are 16"x 40". Artist Carole Garland has appeared in numerous venues throughout Southern California, including several juried California Art Club exhibits and individual shows at TAG Gallery in Los Angeles. Her work has recently appeared at the West Los Angeles College Art Gallery; the Rose Cafe, Venice; Topanga Canyon Art...