Panel Abstract Paintings

This abstract landscape in oil on linen mounted on panel by Gabe Brown is composed of carefully ordered patterns, geometric shapes and lines in vibrant prismatic shades of red, yello...

Carefully ordered patterns, geometric shapes and delicate lines in light green, robin's egg blue and pale peach on a teal blue background with dark indigo at the bottom. Signed, date...

Matte but luminous, Outland No. 13 by Susan English is a wonderful play of color, light, and composition. Hues of opaque blue at the bottom meet and merge in subtle transitions with ...

Joachim's Dream by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on aluminum create depth and surface textures throughout...

Series: Beehives Beeswax and fabric over beehive and honeycomb panels Size: 36” x 26” x 1.5” This Painting will be shipped directly from the artist's studio.

Series: Wax Weave 1/1 Beeswax, reclaimed paper, and silk on wood panel Size: 36" x 40"

"Fluidity in Lines" is a modern abstract painting characterized by vertical stripes in azure, pink, and black hues, embodying a contemporary color palette. The artwork seamlessly mar...

Yum Three by artist Brenda Zappitell is a pink, blue, and grey, contemporary abstract made of flashe and Acrylic with cold wax on panel 60 x 60 and is priced at $16,000. Brenda Zapp...

JONATHAN FELDSCHUH Education: 1982-1986 Harvard University, summa cum laude in Physics 1993-1996 Academy of Fine Arts, Prague Selected Solo Exhibitions: 2017 “First Particles, Elementary Particles”, OPUS Project Space, New York 2016 "Large Hadron Collider", National Academy of Sciences, Washington DC, with subsequent travel to Keck Institute, Washington DC; Janelia Gallery, Ashburn Virginia (2017); Howard Hughes Medical Institute, Bethesda, MD (2017) 2013 "The World Egg", Skink Ink Gallery, Brooklyn, New York 2012 "Large Hadron Collider", Mixed Greens Project Space, New York 2008 "Large Hadron Collider", Galerie Vernon & Vernon Projekt, Prague 2005 "Simulations", Cynthia Broan Gallery, New York; AAAS Gallery, Washington DC 2004 "Trajectories", Marella Arte Contemporanea, Como 2003 "Solar", Art Resources Transfer, New York 2002 "macro-mini", Vernon Fine Art International, Prague "Macrocosm", Cynthia Broan Gallery, New York 2000 "Little Corner of the World", Cynthia Broan Gallery, New York Selected Group Exhibitions: 2017 “The Cloud and the Void”, UES Gallery, New York “Resonators” 524W26 Gallery, New York 2016 “Visual Inquiries: Artists Inspired by Science”, Fingesten Gallery at Pace University, Artists: Suzanne Anker, Julia Buntaine, Angie Drakopoulos, Jonathan Feldschuh, Carter Hodgkin, Eve Andree Laramee, Deanna Lee, Maureen McQuillan, Paula Overbay, Taney Roniger, Steven Salzman. "Dialogues: Drawings and Works on paper", Satellite Contemporary, Las Vegas, January 9 - February 12, 2016 2015 "Sun Light / Star Light: Contemplations Upon the Solar Orb" - Louisiana Art & Science Museum, October 9, 2015 – April 3, 2016 2014 "Pouring it On", Herter Art Gallery, University of Massachusetts, Amherst "What Lies Beneath", SciArt Center, New York 2013 "Salon", Active Space Gallery, Brooklyn "Opening", The Paper Factory, Queens, New York 2012 "The Quantum Effect", The Active Space, Brooklyn "Laboratory", Pfizer Labs, Brooklyn 2010 "Lost Horizon", ArtJail Gallery, New York 2009 "Starry Messenger: Galileo's Vision in the 21st Century", Louisiana Art & Science Museum 2006 "Science as Muse”, Montgomery Center for the Arts, New Jersey "Native Spirit" Supreme Trading, Brooklyn 2005 "Beautiful Dreamers" Spaces, Cleveland 2004 “DNA: Art & Science”, University of South Florida Contemporary Art Museum Art Miami (with Cynthia Broan Gallery) 2003 "Before and After Science", Marella Arte Contemporanea, Milan Scope Art Fair (with Cynthia Broan Gallery) Art Chicago (with Cynthia Broan Gallery) 2002 "Some Are Painting II", Educational Alliance, New York “Vivid”, Mead Gallery, Warwick Arts Center, Coventry; Northern Gallery for Contemporary Art, Sunderland "DNA", Art Resources Transfer, New York (Hallway Space project) 2001 "Vivid", Richard...

Yum II by artist Brenda Zappitell is a pink and light ingigo contemporary abstract made of flashe and Acrylic with cold wax on panel 50 x 50 and is priced at $14,000. Brenda Zappite...

Artist Statement My paintings emerge from the emotion I feel in the moment my brush touches a blank surface. I am a very physical and spontaneous painter. Moving back and forth with...

A very unique diamond-shaped abstract painting by Troy Smith. It was recently painted on a plywood panel in the summer of 2023. Vivid gestural strokes skate across the painting, cras...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts gestural figure of a red and white Tulip on a forest green background with thick use of paint. In...

Framed Dimensions: 17 x 20 inches Artist Bio Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony...

Texcollage (M10). Colourful abstract geometric painting Mixed media on wood panel, 2015. Dimensions in cm.: 87 x 47 x 5 cm. (Without frame 80x40 cm.) In inches: 34.25" x 18.5" x 1.97...

April by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on aluminum create depth and surface textures throughout the paint...

Striations of bright blue, teal green and pink in vertical stripes create an abstract horizon line suggesting a vibrant striped sky over a vast mountain range in golden brown with hi...

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

"Untitled (View of Provincetown Harbor)", is an oil on panel work made by Hans Hofmann circa 1937. The work is stamped verso by the estate of Hans Hofmann. The artwork size is 17 1/4...

Geometric shapes compose a symmetrical pattern of curving stripes with rounded edges in shades of teal blue with coral pink and salmon almond shapes layered between the curving teal ...

Geometric shapes in shades of blue from cobalt to pale periwinkle, and delicate angular lines in black and dark gray are dynamic against a soft background fading from dark navy at th...

An abstract geometric shape is composed of thick, rounded curving lines in light pink and golden orange, bright and luminous against a teal green background, and another section with...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

"Tributaries" by Bonnie Zahn Griffith, Oil and Cold Wax Medium on Wood Panel, 18" x 18" unframed, 20" x 20" framed in a modern black frame with hanging wire included. Known for her p...

Vibrant mint green and sky blue encaustic (pigmented beeswax) painting accented with subtle gold and red details on birch panel. Signed, dated and titled on verso. Joanne Mattera’s ...

Gordon Studer’s earthy, confident abstracts are rooted in his discipline as an award-winning commercial illustrator, lending his work a strong, graphic c...

"On the Water XXIII: Windward" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of periwinkle and cool blues, interrupted by str...

"Sunset Symphony" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition of soft lilac and rosy white interrupted by fiery reds and vibrant oranges. Eri...

Dan McCaw's (US based) "Textures" is an original, handmade oil painting that depicts an abstracted figure of gray and teal standing within a neutral, abstracted interior. Artist Sta...

Passages of black and grey lit with subtle marks of ecrue, pink, blue and yellow bring to life Andrew Lui's theme of inexorable change. Born in Guangzhou, China, Lui participated in the Chinese Cultural Revolution as a member of the Red Guard but escaped to Hong Kong in 1970. Making his way to Toronto, Lui studied at the Ontario College of Art before traveling to the UK, and Italy. In Florence, he was drawn to the dynamic Uccello's Battle of San Romano (c. 1456). Lui is represented in multiple public, corporate and private collections in Canada, Europe and China: Musée d'art contemporain, Musée de Dijon, France, L'Ecole des Beaux Arts, Bruxelles, Pallazo Strozzi, Florence, Musée National des Beaux-Arts du Quebec, Musée des Beaux-Arts de Sherbrooke, Grimsby Art Gallery, Robert McLaughlin Art Gallery, Art Gallery of Stratford, Stratford, Coburg Art Gallery, Rodman Hall Art Centre, Canadiana Foundation (Art Collection of Governor General of Canada). He is part of a large number of private and corporate collections, including HSBC of Canada, DKNY and Sun Life Insurance...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

"On the Water XXIV: Stem the Tide" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of cool blues interrupted by stripes of vibr...

A quiet street of San Miguel de Allende in Mexico is the subject of this painting by Carole Garland. An elderly woman cautiously makes her way along a narrow path using a tree to lend support. The orange wall provides much needed shade in the afternoon heat. Light seeps through the branches of a colorful bougainvillea patterning the orange bulwark. Artist Carole Garland who studied art in both San Miguel de Allende and Mexico City shares her appreciation of the simplicity of this quiet backstreet in a Mexican town. A special moment in time is brought to life. Garland uses the scumbling technique and a paint laden palette knife to achieve texture and depth in the leaves, the branches and the rough pavement of the street. This oil on wood panel is 16"x20" and its natural wood sides serve as a frame. The painting is wired for easy hanging. This is a stand-alone artwork but was conceived as a companion piece to Orange Wall of San Miguel #1. Together they are 16"x 40". Artist Carole Garland has appeared in numerous venues throughout Southern California, including several juried California Art Club exhibits and individual shows at TAG Gallery in Los Angeles. Her work has recently appeared at the West Los Angeles College Art Gallery; the Rose Cafe, Venice; Topanga Canyon Art...

Dan McCaw's (US based) "Seated Figure" is an original, handmade oil painting that depicts an abstracted figure of gray and white seated at an abstracted table within a neutral interi...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Sharon used a thick application of paint, real-life subject matter, and emphasized geometric forms, distorted for expressive effect, and used an unnatural, arbitrary color. Blue, cr...

Laura Culic’s distinct aesthetic is built on her use of cold wax painting to represent natural landscapes, imbued with abstracted elements, where she subverts our expectations of thi...

Acrylic,tempera,chameleon pigment,tinned Color,soft pastel on wood panel Giorgi Kavelashvili is a Georgian artist born in 1994 who lives and works in Tbilisi, Georgia. He is graduat...

Crystal Latimer employs the method to create depth. Inspired by 16th centenary tapestry, she combines western iconography with the symmetrical design elements of medieval artisans. T...

Peter Roux combines principles of landscape and abstract painting. His cloud paintings oscillate between representational and non-objective painting by rendering recognizable cloud f...

This piece by Harris features four original hand-cut ink paintings on paper and acrylic media on four wood panels. Harris's bands of racing abstract color offer an innate sense of rh...

Harris's rhythmic abstract forms create movement across the composition. Hues of green, orange, yellow, and others delight, surrounded by a frame of blue.

Harris's overlaying of shapes, colors, and patterns creates a stunning abstract work suitable for any home or space. Yellows, oranges, and blues move rhythmically across the composit...

Dan McCaw's (US based) "Anticipation" is an original, handmade oil painting that depicts an abstracted figure seated within a brown interior. Artist Statement: Born: 1942 A solid...

Jen P. Harris combines two hand-cut ink paintings on paper and acrylic media onto two stretched canvases. Her compositions favor bold colors, geometric shapes, and abstraction. Harri...

An oval shape in a geometric grid pattern in black and delicate circular lines in black and dark gray are dynamic against a neutral beige background in this abstract painting in acry...

Harris's mastery of color and abstraction make this piece a stunning addition to any home or space. Her use of salmon pink alongside hues of blue and yellow create a compelling compo...

Harris's abstract works are a definite way to liven any home or space. This piece features hand-cut ink paintings on paper and acrylic media on wood panel. With racing bands of horiz...

Photography has been a huge passion since my youth, however the evolution of digital photography created a void in regards to the precision and tactility of film photography. In 2002...

In their new exhibition kisewâtisiw_miyootootow – S/he is Mercifully_Respectful, Jason Baerg continue to explore the Cree Medicine Wheel, Indigenous futuri...

In their new exhibition kisewâtisiw_miyootootow – S/he is Mercifully_Respectful, Jason Baerg continue to explore the Cree Medicine Wheel, Indigenous futurism, and signature technique...

This abstract piece by Harris features hand-cut ink paintings on paper and acrylic media on two wood panels. Harris uses a vivid array of colors and rhythmic geometric shapes.

In their new exhibition kisewâtisiw_miyootootow – S/he is Mercifully_Respectful, Jason Baerg continue to explore the Cree Medicine Wheel, Indigenous futuri...

In their new exhibition kisewâtisiw_miyootootow – S/he is Mercifully_Respectful, Jason Baerg continue to explore the Cree Medicine Wheel, Indigenous futurism, and signature technique...

Carefully ordered patterns, geometric shapes and delicate lines in light green, robin's egg blue and pale peach on a teal blue background with dark indigo at the bottom. Signed, date...

Threshold (Abstract Painting) Oil on panel — Unframed. Dana Gordon’s kaleidoscopic compositions are contemplative and evoke somewhat Orphic Cubism. His paintings have an overwhelmi...

Dan McCaw's (US based) "Standing Figure" is an original, handmade oil painting that depicts an abstracted figure of gray and white standing within a neutral interior. Artist Stateme...

"On the Water XIV: Boat Life" is a framed oil and wax work on panel by Jeff Erickson, with an abstract composition with color blocks of rich cream and deep, cool blues. Erickson's pr...