E Villanis Bronze Sculpture

In its sinuous lines and flamboyant curves inspired by the natural world, antique Art Nouveau furniture reflects a desire for freedom from the stuffy social and artistic strictures of the Victorian era. The Art Nouveau movement developed in the decorative arts in France and Britain in the early 1880s and quickly became a dominant aesthetic style in Western Europe and the United States.

ORIGINS OF ART NOUVEAU FURNITURE DESIGN

• Emerged during the late 19th century
• Popularity of this modernizing style declined in the early 20th century
• Originated in France and Britain but variants materialized elsewhere
• Informed by Rococo, Pre-Raphaelite art, Japanese art (and Japonisme), Arts and Crafts; influenced modernism, Bauhaus

CHARACTERISTICS OF ART NOUVEAU FURNITURE DESIGN

• Sinuous, organic and flowing lines
• Forms that mimic flowers and plant life
• Decorative inlays and ornate carvings of natural-world motifs such as insects and animals 
• Use of hardwoods such as oak, mahogany and rosewood

ART NOUVEAU FURNITURE DESIGNERS TO KNOW

• Charles Rennie Mackintosh
• Louis Majorelle
• Émile Gallé
• Antoni Gaudí
• Tiffany Studios

ANTIQUE ART NOUVEAU FURNITURE ON 1STDIBS

Art Nouveau — which spanned furniture, architecture, jewelry and graphic design — can be easily identified by its lush, flowing forms suggested by flowers and plants, as well as the lissome tendrils of sea life. Although Art Deco and Art Nouveau were both in the forefront of turn-of-the-20th-century design, they are very different styles — Art Deco is marked by bold, geometric shapes while Art Nouveau incorporates dreamlike, floral motifs. The latter’s signature motif is the "whiplash" curve — a deep, narrow, dynamic parabola that appears as an element in everything from chair arms to cabinetry and mirror frames.

The visual vocabulary of Art Nouveau was particularly influenced by the soft colors and abstract images of nature seen in Japanese art prints, which arrived in large numbers in the West after open trade was forced upon Japan in the 1860s. Impressionist artists were moved by the artistic tradition of Japanese woodblock printmaking, and Japonisme — a term used to describe the appetite for Japanese art and culture in Europe at the time — greatly informed Art Nouveau. 

The Art Nouveau style quickly reached a wide audience in Europe via advertising posters, book covers, illustrations and other work by such artists as Aubrey Beardsley, Henri de Toulouse-Lautrec and Alphonse Mucha. While all Art Nouveau designs share common formal elements, different countries and regions produced their own variants.

In Scotland, the architect Charles Rennie Mackintosh developed a singular, restrained look based on scale rather than ornament; a style best known from his narrow chairs with exceedingly tall backs, designed for Glasgow tea rooms. Meanwhile in France, Hector Guimard — whose iconic 1896 entry arches for the Paris Metro are still in use — and Louis Majorelle produced chairs, desks, bed frames and cabinets with sweeping lines and rich veneers. 

The Art Nouveau movement was known as Jugendstil ("Youth Style") in Germany, and in Austria the designers of the Vienna Secession group — notably Koloman Moser, Josef Hoffmann and Joseph Maria Olbrich — produced a relatively austere iteration of the Art Nouveau style, which mixed curving and geometric elements.

Art Nouveau revitalized all of the applied arts. Ceramists such as Ernest Chaplet and Edmond Lachenal created new forms covered in novel and rediscovered glazes that produced thick, foam-like finishes. Bold vases, bowls and lighting designs in acid-etched and marquetry cameo glass by Émile Gallé and the Daum Freres appeared in France, while in New York the glass workshop-cum-laboratory of Louis Comfort Tiffany — the core of what eventually became a multimedia decorative-arts manufactory called Tiffany Studios — brought out buoyant pieces in opalescent favrile glass. 

Jewelry design was revolutionized, as settings, for the first time, were emphasized as much as, or more than, gemstones. A favorite Art Nouveau jewelry motif was insects (think of Tiffany, in his famed Dragonflies glass lampshade).

Like a mayfly, Art Nouveau was short-lived. The sensuous, languorous style fell out of favor early in the 20th century, deemed perhaps too light and insubstantial for European tastes in the aftermath of World War I. But as the designs on 1stDibs demonstrate, Art Nouveau retains its power to fascinate and seduce.

There are ways to tastefully integrate a touch of Art Nouveau into even the most modern interior — browse an extraordinary collection of original antique Art Nouveau furniture on 1stDibs, which includes decorative objects, seating, tables, garden elements and more.

Styling your home with vintage, new and antique sculptures means adding a touch that can meaningfully transform the space. By introducing a sculptural work as a decorative finish to any interior, you’re making a statement, whether you tend toward the dramatic or prefer to keep things casual with modest, understated art.

A single, one-of-a-kind three-dimensional figurative sculpture mounted on your dining room wall is a guaranteed conversation piece, while a trio of abstract works arranged on your living room bookshelves can add spontaneity to the collection of first-edition novels or artist monographs you’re displaying as well as draw attention to them. Figurative sculptures are representational works that portray a specific person, animal or object. And while decorating with busts, which are sculpted or cast figurative works, hasn’t exactly topped the list of design trends every year, busts are back. According to designer Timothy Corrigan, “They give humanity in a way that a more abstract sculpture can’t give.” Abstract sculptures, on the other hand, are not meant to show something specific. Instead, they invoke a mood or scene without directly stating what they are portraying.

Busts made of stone or metal may not seem like a good fit for your existing decor. Fortunately, there are many ways for a seemingly incongruous piece to fit in with the rest of your room’s theme. You can embrace a dramatic piece by making it the focal point of the room, or you can choose to incorporate several elements made out of the same material to create harmony in your space. If an antique or more dramatic piece doesn’t feel like you, why not opt for works comprising plastic, fiberglass or other more modern materials?

When incorporating sculpture into the design of your home — be it the playful work of auction hero and multimedia visionary KAWS, contemporary fiber art from Connecticut dealer browngrotta arts or still-life sculpture on a budget — consider proper lighting, which can bring out the distinctive aspects of your piece that deserve attention. And make sure you know how the size and form of the sculpture will affect your space in whole. If you choose a sculpture with dramatic design elements, such as sharp angles or bright colors, for example, try to better integrate this new addition by echoing those elements in the rest of your room’s design.

Get started on decorating with sculpture now — find figurative sculptures, animal sculptures and more on 1stDibs today.