Tibetian Coral

The Arts and Crafts movement that emerged in England in the late 19th century saw a dehumanization of design in the rise of industrialization and mass production of objects. Its practitioners prized craftsmanship and a close connection between the artisan and the entire process of what they were making. This included the design of Arts and Crafts jewelry and watches, which evolved as the movement spread to the United States in the early 20th century.

While much of the Arts and Crafts furniture realm was dominated by male designers like William Morris and Gustav Stickley, several women came to prominence in Arts and Crafts jewelry design, including British metalworker Charlotte Newman and American enamelist and metalsmith Elizabeth Copeland. Many creators were part of guilds, encouraging an exchange of ideas, with some focused on jewelry, like England’s Guild and School of Handicraft — founded by Charles Robert Ashbee — and Birmingham Guild of Handicraft.

In contrast to the Victorian era, with its decadent gemstones and heavy mourning jewelry, designers of Arts and Crafts jewelry looked to the past and abroad for inspiration, from simple medieval shapes to East Asian styles. The movement’s emphasis on natural forms overlapped with Art Nouveau. Flourishes like leaves and flowers formed from silver, aluminum and copper can be found in bracelets and necklaces designed in this style, while rings and earrings are adorned with affordable gems such as turquoise and freshwater pearls.

Arts and Crafts jewelry designers used materials that were often simple, such as semiprecious stones and enamel, which is one of the oldest forms of surface decoration. Artisans prioritized the use of artistic techniques to elevate the jewelry rather than expensive components, and every piece was intended to be one of a kind — a work of wearable art.

Find antique Arts and Crafts jewelry boxes and a collection of Arts and Crafts jewelry on 1stDibs.

Whether you’re layering multiple jewelry pieces or opting for a single strand, vintage pendant necklaces are versatile accessories that can elevate your casual wear as easily as they can add a creative flourish to your formal attire.

The earliest jewelry was less about accessorizing than it was about wearers arming themselves with amulets. In Ancient Egypt, some amulets featured a loop so that they could be strung around one’s neck. While rubies have long been one of the few gemstones that can give diamonds a run for their money, members of some ancient civilizations valued the stones from the get-go, donning ruby pendants as well as other stones with the belief that these adornments would bring protection, healing powers or strength. Today, we still wear our charm bracelets and charm pendants around our necks for good luck.

Later, pendant necklaces, like most fine jewelry, were worn strictly by royalty or the upper class and conferred wealth and prestige. This changed over time, thankfully, as wearing jewelry became more widespread, a democratized means of personal expression.

During the 18th and 19th centuries, pendant necklaces evolved from their status as spiritual amulets, but the jewels still carried deep personal significance. Victorian pendants, in particular, were part of the “mourning jewelry” tradition. Wearers would embed their pendants with locks of hair from a deceased loved one as a way of grieving in the wake of a loss. In the case of cameo jewelry, some pendants were even decorated with miniature hand-carved portraits in a detailed raised relief. Today, portraiture is still a characteristic of many of the hand-carved pendant necklaces offered by Italian jewelry house Scala Gioielli.

Luxury fine jewelry brands such as Cartier, BVLGARI and David Yurman offer their own unique interpretations of the cherished accessory, embellishing platinum or gold pendant necklaces with diamonds, sapphires and other stones.

On 1stDibs, find an extraordinary range of vintage pendant necklaces and other necklaces today.