Art Deco Desk Accessories

A gorgeous Art Deco period patinated bronze desk set featuring symbols of the Zodiac. The three-piece set includes: match box holder, ink well, and pen tray. By Tiffany Studios ...

Modernist French paperweight with a pivoting dice in the manner of Edgar Brandt.

Antique early 20th century Art Deco solid silver photograph frame, mounted on a velvet easel support and set with glass. Hallmarked English silve...

A pair of Art Deco period bookends with dice, made of Port Nero Marble, the dice are made of white Carrara marble. It is a decorative piece for on a desk or in the bookcase. Made in ...

This antique desk set is unsigned, but presumed to have originated from the United States and date to approximately 1920 and done in the period Art De...

French Art Deco 7-piece crocodile skin desk set in the style of the Paris company Hermes, very fine 7- piece desk set in rich deep brown crocodile skin. May have been designed by Paul Dupré-Lafon who worked for Hermes and is best known for these highly stylized fancy desk...

Beautiful and unique addition to your desk. This beautiful horse bust rests on a marble base making it an understated elegant part of your décor. The base i...

Danish design. Four bronzes consisting of a piggy bank, calendar, matchbox holder and a place card holder. Art Deco - In style of Just Andersen. Approximate 1930s. In good conditi...

Circa 1930s Art Deco elegant 5 pieces ink desk set, desk accessories, made out of Macassar Wood and edged with off white Bone details. Made in France, circa 1...

A gorgeous Art Deco period bronze match box holder featuring symbols of the Zodiac By Tiffany Studios New York, USA, Early 20th Century Measures: 4...

A gorgeous pair of Art Deco or Arts & Crafts period bronze blotter ends featuring symbols of the Zodiac. By Tiffany Studios New York, USA, early 20th century Each measures: ...

The set of 4 pedestal boxes are the perfect home accents to add elegance and functionality to your space. These can be used as a vanity set for your bathroom, in your office to store desk...

A gorgeous Art Deco bronze doré notepad holder featuring a Greek key design By Tiffany Studios New York, USA, Early 20th Century Measures: 4.75"W x 7...

A gorgeous Art Deco period gilt bronze desk letter rack featuring a Greek key design By Tiffany Studios New York, USA, Early 20th Century Measures: 12.25"W x 3.75"D x 8.38"H...

Supreme geometric and angular shaped Czech crystal Art Deco perfume bottle Clean geometric lines on black enamel. Vintage Bohemian, Czech cry...

Beautiful antique Venetian / early Murano hand blown opalescent white and blue Italian art glass flower vase. It has a genie bottle shape, with pleated surface on the body. It has sk...

A super little vase glazed with an intriguing sea green lustre and hand decorated with gilt decoration by Josef Ekberg for Gustavsberg, Sweden Wonderful Ekberg craftsmanship Signed a...

Decorative Art Deco chrome airplane on plastic base. Desk decoration. Probably Germany or France of the thirties. The plastic plate is also from the time. Good general condition with...

Rene Lalique clear & frosted glass 'Deux Aigles' paperweight, with details highlighted in grey staining. Features two eagle heads facing each other with a ball in their beaks. Moulde...

A very elegant desk set in art deco probably from 1930s or earlier. The desk set is made of patinated brass and consists of two parts. An ink stand with pen stand and a rocker blotter...

Made in Syracuse, N.Y., U.S.A. Made of metal, steel, chrome, Polished. Good original condition, functional. producer LC Smith & Bros. Typewriter Company.

Continental Art Deco Bronze and Black Portor Marble Desk Set, circa 1925 Continental, likely German set includes a double inkwell/pen tray with patinated bronze hunting dog with glass liners in inkwells, an envelope holder with gilt bronze stands, and an ink blotter. Portor label and label in German to underside of double inkwell. Additional information: Dimension: inkwell: 17.75 inches x 6.5 inches (widest) x 4 inches tall / envelope holder: 6.5 inches x 3.75 inches x 3.75 inches tall / Ink blotter: 6 inches x 3 inches x 3.25 inches tall. Condition: Condition consistent with moderate use. Wear to patina on dog and to gilt bronze on envelope holder. Ink blotter with paint loss to sides, ink residue to underside. Glass pen holders...

This is an antique draughtsman's rolling ruler. An English, nitrided bronze cartographer's instrument by Stanley of London, dating to the early 20th century, circa 1920. Wonderful c...

Oznaceni: Remington Z16 Vyrobeno v Ceskoslovensku. Výroba zacala v roce 1934 Vyrobeno z kovu, oceli, chromu Leštené Dobrý puvodní stav, funkcní Mezerník se nevrací.

GAB Sweden, a writing set in bronze consisting of an inkwell, letter knife, letter holder, seal and inkwell. Art Deco approx. 1930. In excellent condition with good patina. Seal w...

Superb bijou vase by Wilhelm Kage for Gustavsberg, Sweden from the Argenta collection. Decorated with a stylised fish of applied silver on mottled green stoneware. Circa 1930's Ba...

Made in Germany. Production in the years 1931-1940 Made of metal, steel, chrome, Polished Good original condition, functional.

Marble mantel clock with bronze figurines. Mantel clock with Garnitures Bronze bird sculptures by Maurice Frecourt, signed Original ...

Fabulous pair of cut glass dresser bottles with Sterling collars. Smaller bottle has a chip on the stopper. Other than that they are in excellent vintage condition with minimal wear....

Circa 1930s a charming chrome on marble depiction of a little girl seated reading a book next to an inkwell. She sits upon a variegated black marble plinth with chased recess for a f...

Rene Lalique clear & frosted glass 'Moineau Sur Socle Ailes Fermees' Paperweight. Features a sparrow (wings closed), perched on a pedestal. Engraved makers mark to the underside, 'R....

Art Deco three naked men holding hands bronze and marble base sculpture 1930's. Lost wax bronze sculpture of three naked men holding hands.

This is a Decorative desk set consisting of an Ink Holder and 2 Crystal & Brass Vessels. The holder is made of solid metal, lined with a black vinyl. The Crystal vessels are decorated with Bronze and have some Patina. Underside of the holder is lined in velvet with rubber bumpers and with metal tag Design: William Sklaroff/radius one...

Recognisably first class, beautiful Czech crystal Art Deco perfume bottle Clean geometric pattern on black enamel. Vintage Bohemian, Czech cr...

German designer, complete writing set with inkwell, letter holder, wax seal and a letter knife. Approx. 1930/40s. In excellent condition. Letter knife with small chip. A glass in...

Art Deco Dewoitine Wooden Counters Desk Model Airplane 1930s French. The Dewoitine was a Art Deco 1930s French eight-passenger airliner built by Dewoitine. The Airplane was an all-metal cantilever low-wing monoplane. The pilot and co-pilot were seated side by side in a cabin located forward of the wing leading edge. A radio operator station was located behind the pilots, and it had a passenger cabin for eight passengers. The landing gear had trouser-type fairings on the main gear legs. The aircraft first flew on 11 July 1933 powered by three Hispano-Suiza 9V radial engines...

A gorgeous Art Deco bronze doré pen tray featuring a Greek key design By Tiffany Studios New York, USA, Early 20th Century Measures: 9.63"W x 3.25"D x 0.38"H Very good original vintage condition, with beautiful patina from age. Matching desk...

alabaster or marble dice-shaped bookends I am not a player but for some reason when I see a dice or a card from the deck I associate it with something p...

Art Deco wrought iron Mistletoe paperweight by Edgar Brandt. In French this model is called Boule de Gui. Wrought iron with chromed finish. France 1921. We have a pair available...

Desk set made of gilt bronze (Ormolu) composed of 14 pieces, “Venetian” model, made by TIFFANY & Co, (1837 - present). Signed TIFFANY STUDIOS, NEW YORK, 1647. United States, CIRCA...

This rare desk set was designed and produced in Germany, during the 1940's. It consists on a knives holder, with three knives, a letter holder, an ashtra...

Pair of gilt metal candlesticks W.M.F. Germany, Mid-20th Century.

A rare piece of American Art Deco silver, a small desk-top letter rack made from solid sterling silver by the Thomae Company of Attleboro, Massachusetts made in the 1930's. The quality is evident, a lovely screwed construction, which can be seen from the underside, and a good heavy weight, 9.52 Troy Ounces / 296.1 Grams. The underside is fully marked "Sterling" and the maker's mark for the Thomae Company. The front is decorated with a stunning pink guilloche enamel...

Unusual Argenta stoneware footed dish with applied silver swordfish central motif Tied silver banding to rim Designed by Wilhelm Kage for the Argenta series for Gustavsberg, Sweden...

Pair of diminutive Just Andersen Disko metal flared flower vases with rich patina Delicate in design and particularly decorated at base with stylised leaves Stamped and numbered D5...

A petite Just Andersen pewter cache pot with fluted rim Perfect as a desk accessory or purely ornamental Stamped and numbered 2352 on base Height 2.5 inch, Diameter 2.75 inch In ver...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

Bone china Ordinary York cup by Daisy Making-Jones for Wedgwood Decorated on the outer with a trio of hand painted and gilded butterflies, a ground of...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Royal Copenhagen terracotta crackle glaze pot with grey crackle glaze lid adorned with figural Cupid. Decorated with gilt banding. Signed and numbered 2936 Circa 1954 Height 3.5 inc...

Presenting a lovely Art Deco style chrome or silveroid desk timepiece. Probably made circa 1980. The case is a solid circular shaped chrome or sil...

Stylish Art Deco bronze bust of a woman in profile. Attributed to Guido Cacciapuoti. The bronze has a silver patina and stands on a green marble base. Italy 1930-1940.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Beautiful desk box or casket made of leather and cut glass. Made in Italy of the 1970s. The box is trimmed with smooth leather, a fine black leather edge and finely finished stitc...

Art Deco woman's cosmetic face powder box. This petite wooden box has it's original label on top reading Blue De Dorin; a well known French toiletry company. The vanity box is sweet and simply elegant sitting on display in a boudoir or bathroom. Add this little treasure...

Art Deco desk set with ink wells & calendar. Modernist design with glass base and streamlined metal with black vitrolite glass tops for the ink wells...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Art Deco adjustable transparent glass ball table lamp in the style of Jacques Adnet (1900-1984), glass base and socket in metal. The ball can be moved to different positions.