Sèvres Decorative Objects

Pair Antique French Sèvres Blue Porcelain & Gold Bronze candelabra, circa 1885-1895.

Antique French Louis XVI Blue Sèvres Porcelain and Ormolu Mounted Clock, circa 1875-85.

Pair Antique French Sèvres green porcelain & bronze D' Ore Urns, Circa 1880.

Pair Antique French Napoleon III sèvres porcelain & gold bronze urns circa 1890's.

A spectacular collection of three painted and gilded blue opaline glass urns was created in Germany between 1845 and 1855. These stunning pieces have exceptional oval-shaped designs that are both elegant and captivating. These exquisite urns are hand-painted with white enamel floral motifs and illustrate themes from Hessian peasant life. The paintings are carefully captured on panels that are perfectly screwed to the urns, adding to their unique and exquisite beauty. The centerpiece urn measures 60 cm × 28 cm and the pair of urns measures 53 cm x 29 cm, making them a stunning and imposing presence in any environment. The three urns are in excellent shape, with no chips or cracks detected, increasing their rarity and value. The sumptuous opaline glass is opaque and has a distinct blue tone, which is heightened by the carefully applied gilding, making this set a visual delight. This limited-edition set is a tribute to 19th-century German workmanship, and it is certain to bring a touch of refinement and sophistication to any collection or interior design project. Don't pass up the chance to possess these exceptional pieces of history. We are selling this beautiful set on different platforms, please check availability before purchasing. More photos may be provided if necessary. With hope and love. Ash About the artist: MEYER, Johann Georg, commonly known as ‘Meyer von Bremen...

A Sevres style "Silvered" rectangular pink-ground box and cover, pen tray painted with pink and silvered cabbage roses beneath a silvered rim; the fron...

An Ensemble de Bureau in the Louis XVI Taste Constructed using gilt bronze, and 'Sevres' style porcelain having 'Bleu de Roi' borders, and hand p...

A Garniture de Chemineé in the Louis XVI taste By Arnold & Lewis (late Simmons) The mantle clock, and its two matched vases, are constructed in jewelled 'Sèvres' style porcelain, hand and polychrome decorated, with gilt highlights and finely gilt bronze. The clock, rising from toupie feet, supports a rectangular base frame with rounded ends, set with cast stiff leaf decoration, and having inset Roi de Bleu and gilt work panels; over, the circular porcelain dial, signed by the maker (qv) has Roman numerals and blued steel hands, and is set over a central porcelain panel with a bucolic scene, and flanked by elliptical female portraits; the ends are curved and conformingly polychrome and gilt decorated; the whole is surmounted by a decorated twin handled urn, having a pine cone finial, set on an addorsed acanthi gilt bronze base. The two train clock...

Pair of Sevres Biscuit porcelain allegorical figures of the continents, here Asia and Europe, emblematic of the Four Corners of the World. Aft...

A Good French mantel clock garniture By Charles Oudin, Paris The garniture comprising a clock and two candelabras, constructed in gilt bronze and ‘Se...

After a Model by Alexandre-Evariste Fragonard Rare Pair of Sèvres Bisque Porcelain Winged Lions Bearing Gilt Baskets Sèvres Royal Manufactory, Restoration period, circa 1...

Dieudonné Kinable Enamel Dial Attributed to Dubuisson (1731-1815) Exceptional Porcelain Lyre Mantel Clock from the Royal Sèvres Porcelain Manufactory Paris, late Louis XVI period, circa 1785-1790 Height 62 cm; width 26 cm; depth 16 cm The round enamel dial, signed “Kinable”, indicates the hours in Roman numerals, the fifteen-minute intervals in Arabic numerals, the annual calendar and the signs of the Zodiac, by means of four hands, two of which are made of pierced gilt bronze, the two others in blued steel. The magnificent lyre-shaped case is made of “bleu nouveau” Sèvres porcelain and finely chased and gilt bronze. The bezel is made up of a gilt bronze twisted rope; the pendulum is adorned with brilliant-cut paste stones; the body of the lyre is adorned with gilt bronze beading and with laurel leaf and seed motifs, with two rosettes issuing floral and foliate swags. The clock is surmounted by a mask with radiating sunrays. The spreading foot is decorated with beading and twisted rope motifs and a leafy garland. The en-suite decorated oval base is raised upon four flattened ball feet. The Royal Sèvres Porcelain Factory produced the lyre clock model as of 1785. Four colours were offered: turquoise, green, pink and bleu nouveau. These exceptional clocks were made for the connoisseurs of the time. Louis XVI had a similar clock in his Salon des jeux in Versailles; its dial bore the signature of the clockmaker Courieult (this is almost certainly the example illustrated in P. Verlet, Les bronzes dorés français du XVIIIe siècle, Paris, 1999, p. 41). Kinable, however, was the clockmaker who purchased the greatest number of lyre cases from the factory, and he developed the model in the late 18th century. Among the porcelain lyre clocks signed by this brilliant horologer, one example is in the Victoria & Albert Museum in London (illustrated in H. Ottomeyer and P. Pröschel, Vergoldete Bronzen, Band I, Munich, 1986, p. 252, fig. 4.6.26). A second such clock is in the Royal British Collection (see C. Jagger, Royal Clocks, The British Monarchy & its Timekeepers 1300-1900, 1983, p. 130, fig. 176). Bibliography: M. Gay and A. Lemaire, “Les pendules lyre”, in Bulletin de l’Association nationale des Collectionneurs et Amateurs d’Horlogerie ancienne, Winter 1993, n° 68, p. 5-40. Dieudonné Kinable (active circa 1785-1810) One of the most important Parisian clockmakers of the late 18th century. His shop was located at n° 131 Palais Royal. He purchased a great number of lyre-type porcelain clock cases...